Images at Librifly

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Passementerie, Façon de passer le Patron par derriere, J.R. Lucotte, French, 1750–84, Robert Bénard, French, 1734–1772, Engraving on paper, A depiction of a man working at a loom. Beneath, designs for the textile that he is creating.,

Portrait of Jean-Paul Marat (1743-1793), Jean Paul Marat, French, 1743 - 1793, Line and stipple engraving on paper, Portrait bust shown in lying position. Head at right in side view. Marat's head covered with a scarf of which a part is on the

Portrait of Giuseppe Diotti (1779-1846), Angelo Maria Damiano Bonini, Italian, born 1790, Stipple engraving on paper, Shoulder-length portrait of G. Diotti in side view., Italy, ca. 1820, Print, Print

Hand Mirror with Scenes from the Story of Medea, Etienne Delaune, French, 1519 - 1583, Engraving on white laid paper, Vertical rectangle showing the back of a hand mirror. The central scene shows Medea fleeing Corinth in a chariot drawn by

The Carnival of Venice (Peep-show), Martin Engelbrecht, German, 1684–1756, Engraving, brush and watercolor on paper, Scene with dancing figures. Palace of the Doges on right, library on left. Also the campanile of St. Marks, the Mint, and

Flowers, Martin Engelbrecht, German, 1684–1756, Engraving on paper, Top row: three nosegays, a twig. Bottom row: three nosegays; two twigs, horizontally disposed., Augsburg, Germany, France, 1725-1750, Print, Print

Opera (Peep-show), Martin Engelbrecht, German, 1684–1756, Engraving, brush and watercolor on paper, Six figures in histrionic poses in a setting of arches and porticoes with columns in blue. At back, a fountain and pool in a formal garden. F

Portrait of Niccola Orsini (1442-1510), Engraving on paper, Half-length portrait in three-quarter view to right. The sitter wears a 'kepi' and armor. In the four corners of the oval frame are four figures, the upper ones are seated old men; the

Cinching Up, Illustration for The Century Magazine (XXXVIII, No. 1, May 1889, p. 2), Mary A. Hallock Foote, American, 1847–1938, John Henry Ellsworth Whitney, American, 1840–1891, Wood-engraving in black ink on paper, Man assists

Noah's Ark, Jan Sadeler, the Elder, ca. 1550 – 1600, Marten de Vos, Flemish, 1532-1603, Engraving Support: white laid paper, Netherlands, Netherlands, 1657, graphic design, Print, Print

Aurora: Landscape at Dawn, Hendrick Goudt, Dutch, 1583 - 1648, Adam Elsheimer, German, active Italy, 1578 - 1610, Engraving on laid paper, Landscape with a valley at left, mountains and trees on right. Horizon at mid-distance. Inscribed,

Almanac for 1789, Engraving, brush and watercolor on paper, Calendar for first half-year, with three scènes galants; a promenade, fishing, country life., France, 1788, Print, Print

Fan leaves, Second half of the set 'Desseins d'Eventails et Ecrans, Nicolas Loir, French, 1624 - 1679, Etching, engraving on laid paper, Semicircular plates., France, ca. 1750, ornament, Print, Print

A Young Woman Withdrawing Her Veil, Francesco Bartolozzi, Italian, active England, 1727–1815, Angelica Kauffmann, (Swiss, 1741–1807), Stipple engraving on paper, The young woman faces left, but looks straight ahead., England, ca.

Tomb Sculpture (?), Wendel Dietterlinn the Elder, 1551 – 1599, Engraving on paper, Germany, late 16th century, Print, Print

Minerva and Mercury, Francesco Bartolozzi, Italian, active England, 1727–1815, Giovanni Battista Cipriani, Italian, 1727–1785, active England, 1755–1785, Aquatint engraving in brown ink on white paper, Minerva stands at right, with

Tobias and His Wife, Georg Friedrich Schmidt, French school, 1712 - 1775, Rembrandt Harmensz van Rijn, Dutch, 1606–1669, Engraving on paper, The old Tobias sits on a bench on the porch, his foot on a rest-warmer, a dog asleep at his feet.

Effigies Nomina et Cocnomina Clementis Papae IX, Gérard Audran, Flemish, active in France, 1640–1703, Ciro Ferri, Italian, 1634 - 1689, Engraving on paper, Italy, 1640-1703, Print, Print

Design for a State Bedchamber, in Second Livre d'Appartements (Second Book on Interiors), Daniel Marot, French, active in the Netherlands and England, 1661–1752, Daniel Marot, French, active in the Netherlands and England, 1661–1752,

General Thomas Swearing in the Volunteers Called into the Service of the United States at Washington D.C., Harper's Weekly, Wood engraving in black ink on paper, A large group of soldiers stand at right with their right hands raised. The general

A Man's Head, Francesco Bartolozzi, Italian, active England, 1727–1815, Leonardo da Vinci, Italian, 1452 - 1519, Stipple engraving in red ink on brown paper, The man faces right, his profile is with beaked nose and protruding chin. His

Equestrian Statue of Marcus Aurelius, Marco Dente, Italian, 1486 - 1527, Engraving on paper, Equestrian statue of Marcus Aurelius in side view on a pedestal. The figures face left. In background, wall of Rome, ruins of the mausoleum of

Vase of Flowers, Charles Bance, French, active 1793 - 1823, Stipple engraving on paper, Urn containing roses, hyacinths and aquatic flowers. A bird's nest on base., France, ca. 1810, Print, Print

Aeneas Saving Anchises, Master of the Die, Italian or German, 1530 - 1560, Raphael, (Italian, 1483–1520), Engraving on paper, Anchises, holding a statue of Athena, flees from the burning city on the back of Aeneas, attended by a child.

The Virgin Teaching the Infant Jesus, Francesco Bartolozzi, Italian, active England, 1727–1815, Giovanni Francesco Barbieri (called Guercino), Italian, 1591 – 1666, Engraving in brown ink on white paper, The Infant seated at a table,

Weber River, Entrance to Echo Cañon, Thomas Moran, American, b. Britain, 1837–1926, John Filmer (American, active 1870-1880), Wood engraving on cream wove paper, View of landscape with mountains in the distance; river running through to

Second Chestnut Street Theater, Philadelphia, R. Goodacre, Engraving on paper, Horizontal rectangle. Oblique view of the theater. Persons in the street. Caption similar to 1938-57-1409, except for the number '47.' 'Drawn by R. Goodacre CHESTNUT

Temperance and Peace, Jean Marie Delattre, French, active England, ca. 1742 - ca. 1840, Angelica Kauffmann, (Swiss, 1741–1807), Stipple engraving on paper, A young man holds a wreath over the head of Peace, a girl seated beside

Three Goats, Francesco Londonio, Italian, 1723 - 1783, Engraving on paper, A goat stands on a rock and nibbles at a branch, another one lies upon the ground, and a third is seen at the left., Milan, Italy, 1758, Print, Print

Two Young Women, One with Her Back Towards Beholder, Francesco Bartolozzi, Italian, active England, 1727–1815, Giovanni Francesco Barbieri (called Guercino), Italian, 1591 – 1666, Engraving in brown ink on white paper, The woman at

Design for Six Metal Book Clasps, Engraving with etching on paper, The designs are numbered 7 to 11; the first two belonging together. They represent Aaron and Moses and the four Evangeslists. Design 8 includes three medallions with female heads.

Design for Six Metal Book Clasps, Engraving with etching on paper, The designs are numbered 12 to 17. The two first deisgns show fluted pilasters around which garlands are wound. The three next designs show scrollwork motifs., France, 1780-1800,

The Glengary Habit, from R. Ackerman's Repository of Arts, &c., Wood engraving on cream paper, A woman dressed in blue empire waist dress and a plumed checkered bonnet., probably England, September 1, 1817, costume & accessories, Print,

The Proposal, Albrecht Dürer, German, 1471–1528, Engraving on laid paper, Exterior scene, with man and woman seated in foreground. At right, a horse is tied to a tree. Buildings are seen at left in background., Germany, before 1495,

Passementerie, Mètier à Franges, J.R. Lucotte, French, 1750–84, Robert Bénard, French, 1734–1772, Engraving on paper, A man working at the loom as four women twist the material. Scale below., France, 1762, figures, Print, Print

Geography, Francesco Bartolozzi, Italian, active England, 1727–1815, Giovanni Battista Cipriani, Italian, 1727–1785, active England, 1755–1785, Etching and crayon engraving in brownish-black ink on paper, Half-figure of a girl gazing

Woman with a Book, Francesco Bartolozzi, Italian, active England, 1727–1815, Giovanni Francesco Barbieri (called Guercino), Italian, 1591 – 1666, Engraving in brown ink on white paper, Young woman facing frontally, her book to the left

Frontispiece for a History of Peter the Great, Jean-Jacques-François Le Barbier, French, 1738 – 1826, Pen and brown ink, brush and orange wash, black chalk, engraving (portrait) on white laid paper laid down on blue paper mount, A genius

Portrait of Cardinal Ascanius Philamarinus, Jean Louis Roullet, French, 1645 - 1699, Francesco di Maria, Italian, 1623 - 1690, Engraving on paper, Half-length portrait in three-quarter view toward left; facing onlooker. Below, coat-of-arms

A Boy Reading, Francesco Bartolozzi, Italian, active England, 1727–1815, Giovanni Francesco Barbieri (called Guercino), Italian, 1591 – 1666, Engraving in brown ink on white paper, A young man stands at a desk with a paper in his hands.

Pyramus and Thisbe, Lucas van Leyden, Netherlandish, ca. 1494–1533, Engraving on cream laid paper, At right the body of Pyramus is on the ground, and at left stands Thisbe, throwing herself on her sword. A fountain is seen in the background

Woman on her Knees with a Child, Francesco Bartolozzi, Italian, active England, 1727–1815, Giovanni Francesco Barbieri (called Guercino), Italian, 1591 – 1666, Engraving in brown ink on white paper, The woman on her knees faces left,

Portrait of Papire Masson (1544-1611), Jacques Lubin, French, 1637 - 1695, Engraving on paper, Half-length portrait in three-quarter view, facing left. The sitter is wearing a cap and an overcoat. The portrait in an oval frame with a

Head of a Man, Giuseppe Zocchi, Italian, 1711 or 1717 - 1767, Engraving in dark brown ink on white paper, Bust of a man facing frontally, with a thick beard and eyebrow, with tassels from the points of his wide collars., Italy, ca.

Opera (Peep-show), Martin Engelbrecht, German, 1684–1756, Engraving, brush and watercolor on paper, Six figures in histrionic poses in a setting of arches and porticoes with columns in blue. At back, a fountain and pool in a formal garden. F

Brodeur, from Diderot's Encyclopaedia, Louis-Jacques Goussier, French, 1722 - 1799, Benoît-Louis Prévost, French, 1735–1804, Engraving on white paper, A depiction of the various tools used by embroiderers and patterns for stitched knots.

Portrait of Guido Reni, Galgano Cipriani, Guido Reni, (Italian, 1575–1642), Engraving on paper, Portrait of head in a circle. The head in three-quarter view towards right. Circular inserted into a rectangular field on which are inscriptions.,

Second Intermezzo, for La Liberazione di Tirenno e. D'Arnea, Jacques Callot, French, 1592–1635, Giulio Parigi, Italian, 1571–1635, Jacques Callot, French, 1592–1635, Engraving with black ink on paper, Horizontal rectangle. A set

Parade Float with the Virgin and Child riding a Dragon, plate 8 from A. Isacchi, 'Relatione di Alfonso Isachi intorno l'origine, solennità, traslatione, et miracoli della Madonna di Reggio [...], ' (Account by Alfonso Isachi regarding the

Ein façonirter Schreib-Tisch, … (Writing Desk and Chair), Johann Jakob Schübler, German, 1689–1741, Jeremias Wolff, German, 1663–1750, Johann Balthasar Probst, 1673–1750, Etching and engraving on off-white laid paper, An elaborate

Virgin and Child Holding a Book, Francesco Bartolozzi, Italian, active England, 1727–1815, Giovanni Francesco Barbieri (called Guercino), Italian, 1591 – 1666, Engraving in brown ink on white paper, The Child stands on a table at the

Wine glass, Glass, Slightly domed foot with baluster-shaped stem supporst straight-flaring bowl. Etched decoration, heightened by engraving. Floral wreath around top, and monogram W.C.S. (order (?) ) on side., New York, USA, ca. 1880,

Saint John in the Wilderness (Saint Hilarion), Francesco Villamena, ca.1566 – 1626, Engraving on paper, Half-length figure, turned half-left, leaning on his elbows and comtemplating a cross resting on a skull. Below, two-line Latin

Masonic Invitation, Engraving with black ink on white paper, Vertical rectangle. An arch above a pair of Corinthian columns. Emblems surround the archway: 'Brother you are desired to meet the Master, and Brethren of No. Ancient York-Masons...',

The Basin, Abraham Genoels, Flemish, 1640 - 1723, Adam Frans van der Meulen, Flemish, 1631 - 1690, Engraving on white laid paper, View of a section of a formal garden - a sunken rectangular pool, with woods to the left and beyond. In

Abraham Entertaining Three Angels, Francesco Bartolozzi, Italian, active England, 1727–1815, Lodovico Carracci, Italian, 1555 - 1619, John Chamberlaine, English, 1745 - 1812, Etching and line engraving in brown ink on white paper, The

Three Women, with a Boy Lying Down, Francesco Bartolozzi, Italian, active England, 1727–1815, Giovanni Francesco Barbieri (called Guercino), Italian, 1591 – 1666, Engraving in brown ink on beige paper, The boy lying on a table or bed

Designs for Decorative Ironwork, Plate 95 from Divers dessins de balcons a plusieurs usages (Variety of Balcony Designs), Claude René Gabriel Poulleau, French, b.1749, Jacques Chéreau, French, 1688–1776, Engraving on paper, A variety of

The Deposition, Marc Antonio Raimondi, Italian, 1483 – 1527, Raphael, (Italian, 1483–1520), Engraving on laid paper, Christ taken from Cross by four disciples; his right hand is still nailed to Cross. Below, three women consoling the

Cavemen Chasing Elephants, plate 3 from the Venationes Ferarum, Avium, Piscium series, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Jan Collaert II, Flemish, 1560 - 1628, Philips Galle, Flemish, 1537 - 1612, Engraving on

Two Boys, Francesco Bartolozzi, Italian, active England, 1727–1815, Giovanni Francesco Barbieri (called Guercino), Italian, 1591 – 1666, Engraving in brown ink on beige paper, The larger boy, at right, gestures to the right while

Flowers, Martin Engelbrecht, German, 1684–1756, Engraving on paper, Top row: three nosegays, two twigs. Center: a nosegay. Bottom: two nosegays; two twigs, horizontally disposed; a carnation twig, horizontally disposed., Augsburg,

Interior of the Pantheon Theater, Wise, Jones, Colored line engraving, England, 1815, print, print

Soffits and Vases, Plate 6 from 'Cahier de Trophées, Soffites et Vases, ' Parte IX, Cahier I, Richard de Lalonde, French, active 1780–96, C. le Meunnié, French, active 1768 - 1796, Engraving on paper, Four soffits dedicated to Tragedy,

St. Mary Magdalene Penitent, Hendrik Goltzius, Netherlandish, 1558 – 1617, Engraving on laid paper, Standing figure of Mary Magdalen in frontal view. Her head is turned to left, lookking down. She holds a book in her right hand; her left hand

The Ostrich Hunt, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Philips Galle, Flemish, 1537 - 1612, Engraving on laid paper, Horizontal rectangle. Horsemen and dogs hunting ostriches. At lower left: 'Iohannes Stradanus

Box and cover, lacquer and tortoiseshell, Speckled dark green composition on outside; tortoise-shell on inside. Circular. Cover decorated with engraving showing tomb, stream, and four female figures, with a circular opening across which passes a

Ferdinand I, Holy Roman Emperor, Barthel Beham, 1502 - 1540, Engraving on laid paper, Bust length portrait of the Emperor, three-quarter view, turned toward the left. Initials 'B.B.' at upper right. Inscription in frame below: Inscribed:

Design for a Chalice, Maximilian Joseph Limpach, Czech, active the 1st half of 18th century, Giovanni Giardini, Italian, 1646 - 1721, Etching and engraving on white paper, Engraving of a chalice with a base and stem composed of a sheaf of

Portrait of Guillaume Thomas Raynal (1713-1796), Francois G. Lardy, Engraving on paper, The portrait, shoulder-length, is in three-quarter view towards left. It is inserted in a circle with a simple frame, which is surrounded by a vertical

Plate 53, from Neüw Grotteßken Buch (New Grotesque Book), Christoph Jamnitzer, German, 1563 - 1618, Engraving on laid paper, Ornamental motif composed of a grotesque head of an old bearded man wearing armor, from whose shoulder plates

August in the Country – The Sea-Shore, Winslow Homer, American, 1836–1910, Harper's Weekly, Wood engraving in black ink on paper, Figures on a crowded beach. One man holding up a live lobster., USA, August 27, 1859, figures, Print,

The Ascension of Mary Magdalene, Niccolò Francesco Maffei, Italian, 1590 - 1670, Engraving on paper, The Magdalene being borne aloft by putti, in a circle of clouds., Rome, Italy, ca. 1550, Print, Print

Portrait of Cardinal Antonio Barberino, Engraving on paper, A bust-length portrait in a medallion depicting the young Cardinal in three-quarter view to left. The medallion is supported by a high pedestal. The portrait is flanked by two small putto.

Virgin Mary, Joseph, and Child, with a Globe, Francesco Bartolozzi, Italian, active England, 1727–1815, Giovanni Francesco Barbieri (called Guercino), Italian, 1591 – 1666, Engraving in brown ink on beige paper, The Child sits at left

A Woman Turned in Profile to the Right, Francesco Bartolozzi, Italian, active England, 1727–1815, Angelica Kauffmann, (Swiss, 1741–1807), Stipple engraving on paper, The woman wears a turban-like affair with a fringe at the ends, and

Plate 14, from Neüw Grotteßken Buch (New Grotesque Book), Christoph Jamnitzer, German, 1563 - 1618, Engraving on laid paper, Ornamental cartouche composed of a auricular cartilage-like form with a grotesque mask and wings terminating in

The Distressed Mother, Francesco Bartolozzi, Italian, active England, 1727–1815, Giovanni Battista Cipriani, Italian, 1727–1785, active England, 1755–1785, Engraving on white paper, A mother with four children fleeing from flames,

Where's the Difference, Wood engraving on newsprint, A bar scene divided vertically in two parts. In the right half, four women stand against a bar with a large mirror behind. One inebriated woman, on the left, holds a glass in her right hand

Wood Engraving. Vignette., Engraving and etching, A trophy of classical arms. Two wreaths are included., Europe and USA, 1800–1830, Wood Engraving. Vignette

Fan leaves, first half of the set 'Desseins d'Eventails et Ecrans', Nicolas Loir, French, 1624 - 1679, Etching, engraving on laid paper, Semicircular plates. Inscribed, in print, in cartouche held by two putti: Desseins / d’Eventails / et

Portrait of Joseph Aurelius de Januario, Antonio Baldi, Italian, 1692 - 1773, Line and stipple engraving, Half-length in three-quarter view toward right. The sitter is wearing a wig and a dark robe. The portrait is enclosed by an oval frame

Mammy, Mammy!' He Screamed in Mortal Terror, Ernest Thompson Seton, American, 1860–1946, Wood engraving in black ink on white paper, Trial proof for illustration. A baby rabbit fleeing from a coiled snake about to spring, in long grass.,

Plate VI, Design for Gentleman's Costume, Journal des Luxus und der Moden (Journal of Luxury and Fashions), Vol. 1, No. 2, Georg Melchior Kraus, German, 1737–1806, Friedrich Justin Bertuch, German, 1747–1822, Verlag des

Warrior with a Truncheon, Francesco Bartolozzi, Italian, active England, 1727–1815, Giovanni Francesco Barbieri (called Guercino), Italian, 1591 – 1666, Engraving in brown ink on white paper, A bearded man in armor stands, facing

The Almighty in the Clouds, with Two Boy Angels, Francesco Bartolozzi, Italian, active England, 1727–1815, Giovanni Francesco Barbieri (called Guercino), Italian, 1591 – 1666, Engraving in brown ink on white paper, God, with his right

Tower Falls, Yellowstone, Harry Fenn, American, 1845–1911, William James Linton, English, 1812–1898, Wood engraving on cream wove paper, Waterfall from high cliffs into river below; figure on rocks motioning to waterfall with arm

Knight, Death, and the Devil, Albrecht Dürer, German, 1471–1528, Engraving on laid paper, A knight in armor, and bearing arms, rides horseback, facing left, in profile. Death rides beside him, showing him an hourglass. A devil follows,

Plate 10, from Neüw Grotteßken Buch (New Grotesque Book), Christoph Jamnitzer, German, 1563 - 1618, Engraving on laid paper, Ornamental cartouche composed of auricular, cartilage-like forms with bird talons below. Two flying beasts, upper

Head of a Soldier, Giuseppe Zocchi, Italian, 1711 or 1717 - 1767, Giovanni Francesco Barbieri (called Guercino), Italian, 1591 – 1666, Engraving in brown ink on white paper, The soldier in a pointed and visored helmet faces left, one art

Plate in Nouveaux livres de peintures de salles et d’escaliers (New Books on Paintings for Rooms and Stairs), Daniel Marot, French, active in the Netherlands and England, 1661–1752, Etching and engraving on white laid paper, Rectangular

Cupid with a Dart, Francesco Bartolozzi, Italian, active England, 1727–1815, Giovanni Francesco Barbieri (called Guercino), Italian, 1591 – 1666, Engraving in brown ink on white paper, Cupid sits and peers left over some rocks, at his

Melencolia I, Albrecht Dürer, German, 1471–1528, Engraving on off-white laid paper, The winged figure of a woman, dressed in a long robe, is seated at right; she rests her head on her left hand and holds a compass in her right. A winged

Pleated fan, Paper leaf with hand-colored etching and stipple engraving; carved wood sticks inlaid with steel discs, guards inlaid with mother-of-pearl, steel discs, and stones; mother-of-pearl washer at the rivet, Pleated folding fan with

Grilles des angles d'entrée de la Place Royale de Nancy (Ironwork of the Entrance Corners of the Place Royal of Nancy), from Recueil des ouvrages en serrurerie que Stanislas le Bienfaisant, roi de Pologne, duc de Lorraine et de Bar, a fait poser

Designs for Three Ironwork Grills, Jean Lamour, French, 1698–1771, Engraving on heavy cream laid paper, Grillwork heavily ornamented with foliage and scrolls., France, ca. 1763-67, metalwork, Print, Print

Vue de l'angle du même Cabinet; Vue de l'angle du même cabinet, montrant à gauche une grande fenêtre et à droite le tableau de Zéphyr et Flore, 2nd Plate, plate 88 in L'Oeuvre de Juste Aurèle Meissonnier, Paris, 1748, Juste-Aurèle

PLAFOND DE PEINTURE; Plafond du même cabinet, 4th Plate, Juste-Aurèle Meissonnier, French, b. Italy, 1695–1750, Gabriel Huquier, French, 1695–1772, Pierre-Alexandre Aveline, French, 1702–1760, Engraving on white laid paper,

Plate 2, Projet d'un Trumeau de glace pour un grand cabinet fait pour le Portugal (Project for a Pier Glass for a Large Cabinet Made for Portugal), Oeuvre de Juste-Aurèle Meissonnier (Works of Juste-Aurèle Meissonnier), Juste-Aurèle

Canapé executé pour Mr. le Comte de Bielinski Grand M.al de la Couronne de Pologne, en 1735.; Canapé exécuté pour le comte de Bielinski en 1735, 4th Plate, Juste-Aurèle Meissonnier, French, b. Italy, 1695–1750, Gabriel Huquier,

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