Images at Librifly

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Projet du Plafond d'une Maison seise rue de Rochouard (Design for Ceiling of the House of Francois Petit), plate 95, in Oeuvres de Juste-Aurèle Meissonnier (Works by Juste-Aurèle Meissonnier), Juste-Aurèle Meissonnier, French, b. Italy,

Projet de l'angle d'un Sallon portatif pour le Roy (Design for a Corner of a Salon), plate 98, in Oeuvres de Juste-Aurèle Meissonnier (Works by Juste-Aurèle Meissonnier), Juste-Aurèle Meissonnier, French, b. Italy, 1695–1750, Gabriel

Projet d'une grande Pendule placée sur un paneau (Design for a Pendulum Clock Placed on a Panel), plate 97, in Oeuvres de Juste-Aurèle Meissonnier (Works by Juste-Aurèle Meissonnier), Juste-Aurèle Meissonnier, French, b. Italy, 1695–1750,

Projet d'un Plafond de Peinture pour la Chapelle de la Vierge de St. Sulpice de Paris (Design for Painted Ceiling for the Chapel of the Virgin of St. Sulpice of Paris), plate 105, in Oeuvres de Juste-Aurèle Meissonnier (Works by Juste-Aurèle

Projet pour le Maitre Autel de l'Eglise de St. Sulpice de Paris (Design for the Master Altar of the Church of St. Sulpice of Paris), plate 109, in Oeuvres de Juste-Aurèle Meissonnier (Works by Juste-Aurèle Meissonnier), Juste-Aurèle

St. Aignan Guerissant Agrippin (St. Aignan Healing Agrippa), plate 110, in Oeuvres de Juste-Aurèle Meissonnier (Works by Juste-Aurèle Meissonnier), Juste-Aurèle Meissonnier, French, b. Italy, 1695–1750, Jean-Joseph Baléchou, French,

St. Aignan Evêque d'Orleans (St. Aignan Bishop of Orleans), plate 111, in Oeuvres de Juste-Aurèle Meissonnier (Works by Juste-Aurèle Meissonnier), Juste-Aurèle Meissonnier, French, b. Italy, 1695–1750, Pierre Chenu, French, 1730–late

Charpente du Feu d'Artifice, plan et élévation (Structure for Fireworks, Plan and Elevation), plate 117, in Oeuvres de Juste-Aurèle Meissonnier (Works of Juste-Aurèle Meissonnier), Juste-Aurèle Meissonnier, French, b. Italy, 1695–1750,

Projet d'un feu d'Artifice dans un Jardin (Design for Fireworks in a Garden), plate 114, in Oeuvres de Juste-Aurèle Meissonnier (Works by Juste-Aurèle Meissonnier), Juste-Aurèle Meissonnier, French, b. Italy, 1695–1750, Gabriel Huquier,

Basket with Flowers on a Table, Plate 8 from the series Livres de plusieurs paniers de fleurs [Flowers in a Basket], Jean-Baptiste Monnoyer, (French, 1636–1699), Jean-Baptiste Monnoyer, (French, 1636–1699), Pieter I. Mortier, Amsterdam,

Pleated fan, Gilded paper leaf with hand-colored engraving, painted wood sticks with ivory on guards, Pleated fan. Gilded paper leaf with hand-colored engraving showing a scene with two women and an infant learning to walk. Sticks are painted wood

Plate from 12 Stick Zum Verzaighnen Stechen Ver Fertigt (Set of Twelve Designs for Engraved Vessels), Bernhard Zan, Germany, active ca. 1580, Punch engraving, pen and black ink on off-white laid paper, On a simple vase-like form, elaborate

Front View of the First Carriage (1686 of Lord Castlemaine by Andrea Cornelly after Ciro Ferri, 1687-1700, Giovanni Battista Lenardi, Italian, 1634 – 1704, Arnold van Westerhout, Flemish, 1651 – 1725, Etching and engraving on off-white

Man of Sorrows, Albrecht Dürer, German, 1471–1528, Engraving on laid paper, Christ stands on a platform, in front of a column. His arms are crossed, holding in one hand a scourge, in the other a whip. Below, at left, the Virgin and St.

Pleated fan, Thomas Allom, (British, 1804–1872), Gilded and painted paper leaf with chromolithograph, gilded, pierced and painted ivory sticks, gilt bail, chain and tassel, Pleated fan. Paper leaf with chromolithograph showing decorative

Nemesis, Albrecht Dürer, German, 1471–1528, Engraving on white laid paper, The winged nude figure of a woman, standing, facing right, in profile; she holds a covered vessel in her right hand, a bridle in her left, and stands on a globe;

Frontispiece, with Dedication to Robert Adam, in Il Campo Marzio dell'Antica Roma, Giovanni Battista Piranesi, Italian, 1720–1778, Giovanni Battista Piranesi, Italian, 1720–1778, Etching with engraving, original covers of blue board on

Sarcaphagus, page from Il Campo Marzio dell'Antica Roma, Giovanni Battista Piranesi, Italian, 1720–1778, Giovanni Battista Piranesi, Italian, 1720–1778, Etching with engraving on cream paper, Image shows a large sarcaphagus decorated

Title page, 'Rerum et Urbis Mstelodamensiu Historia...', Wenzel Jamnitzer, German, 1508–1585, Jost Amman, Swiss, active Germany, 1539–1591, Engraving on laid paper, Title page for RERUM ET URBIS / MSTELODAMENSIU / HISTORIA…,

Garden of Love, Israhel van Meckenem, German, ca. 1440 - 1503, Engraving on off-white laid paper, Interlaces of foliated rinceaux in the center of which appear a young man and a young woman seated. The woman offers the man an apple symbolizing

Two Cones, plate H. i. in Perspectiva. Corporium Regularium, Wenzel Jamnitzer, German, 1508–1585, Jost Amman, Swiss, active Germany, 1539–1591, Engraving on white laid paper, Two cones; left composed of layered hexagons; right composed

Perspectiva: Corporum Regularium, Wenzel Jamnitzer, German, 1508–1585, Engraving on laid paper, Two decorative cones pointed towards each other, leaning at angles, supported by a triangular prism at left and a rectangular stool with four

Perspectiva: Corporum Regularium, Wenzel Jamnitzer, German, 1508–1585, Engraving on laid paper, Two decorative cones., Switzerland, 1568, ornament, Print, Print

Two Cones, plate H. iiii in Persepctiva. Corporum Regularium, Wenzel Jamnitzer, German, 1508–1585, Jost Amman, Swiss, active Germany, 1539–1591, Engraving on white laid paper, Two cones; left composed of two spirals; right composed of

Two Rings, plate I. i. in Perspectiva. Corporum Regularium, Wenzel Jamnitzer, German, 1508–1585, Jost Amman, Swiss, active Germany, 1539–1591, Engraving on white laid paper, Two decorative rings., Switzerland, 1568, models and

Designs for Chocolate Cups, Plate 1 from 1st Cahier d'Ornemens et Fleurs, Jean-Baptiste Fay, active 1780 – 1790, Engraving on off-white laid paper, Designs for the decoration of twelve chocolate cups composed of birds and foliate motifs.,

Pleated fan, Paper leaf with hand-colored engraving embroidered with metallic spangles, incised bone sticks with applied metallic foil, France, 1793–1803, costume & accessories, Pleated fan

Embroidered picture, Medium: silk and metal wrapped silk on linen Technique: tent, couching, padded couching, stem and knotting on plain weave linen canvas. Counted stitches., Abraham and the three angels showing the angels announcing to Abraham

The Woman Taking Coffee, Louis-Marin Bonnet, French, 1736 - 1793, Engraving, etching in blue, black and red ink over gold leaf, with additional plate inked in mauve and green, à la poupeé, on off-white laid paper, Portrait of a young

Frame, Engraving on paper, A rectangular frame decorated with trophies of love and music at top and either side. Further embellished with floweres and ribbons., Europe, France, ca. 1780, Print, Print

Opera (Peep-show), Martin Engelbrecht, German, 1684–1756, Engraving, brush and watercolor on paper, Six figures in histrionic poses in a setting of arches and porticoes with columns in blue. At back, a fountain and pool in a formal garden. F

Screen or Over-Door, Chinoise Subject, Engraving on paper, Within an irregular frame, a Chinese figure pays homage to a Mandarin family in a garden setting with archtiecture resembling that of La Joue., France, ca. 1740–1750, Print, Print

Two Knives, Francesco Salviati, Italian, 1510 – 1563, Aegidius Sadeler II, Flemish, 1570 - 1629, Cherubino Alberti, Italian, 1553–1615, Engraving on off-white laid paper, Both knives with heavily ornamented handles. At left, carving

Ersten Ausgab seines vorhabenden Wercks, Johann August Corvinus, 1683 – 1738, Johann Jakob Schübler, German, 1689–1741, Jeremias Wolff, German, 1663–1750, Engraving on cream laid paper, Plate 5. Designs for bedroom and elaborate bed

Portrait of Jean Baptiste Moliére (1620-1673), François Bernard Lépicié, French, 1698 - 1755, Charles-Antoine Coypel, French, 1694 – 1752, Engraving on paper, Moliére seated behind a table, his body and head slightly turned to left.

Ornament Panel with Orpheus and the Judgment of Paris, Nicoletto da Modena, Italian, active 1500 – 1522, Antonio Salamanca, Italian, ca. 1500 - 1562, Engraving on laid paper, Vertical rectangle showing fully decorated sheet with many

Passementerie, Dessins de Galons, J.R. Lucotte, French, 1750–84, Robert Bénard, French, 1734–1772, Engraving on paper, A depiction of braid designs and loom tools., France, ca. 1763, textile designs, Print, Print

Plate 4, Jardiniers Fleuristes (Horticulturists), Nouveau Livre de Singes (New Book of Monkeys), Christophe Huet, French, 1700–1759, Pierre-Alexandre Aveline, French, 1702–1760, Vanheck, Paris, France, Engraving on laid paper, Two

The Holy Family with Butterfly, Albrecht Dürer, German, 1471–1528, Engraving on off-white laid paper, Germany, ca. 1495, figures, Print, Print

Wisdom – Sapience, Francesco Bartolozzi, Italian, active England, 1727–1815, Giovanni Battista Cipriani, Italian, 1727–1785, active England, 1755–1785, Stipple engraving in brown ink on white paper, Wisdom walks with a young boy,

Springville Cañon, Thomas Moran, American, b. Britain, 1837–1926, Bogert, Wood engraving on cream wove paper, Rocky mountainous view with snowy peaks in the distance., England and USA, January 1874, landscapes, Print, Print

Plate 2 from Livre Ier, Principes du dessin dans le genre du Paysage, Gilles Demarteau, Belgian, active in France, 1722 – 1776, Crayon manner engraving on white paper, Three sketches in crayon manner of tree branches with leaf formations.,

Wood engraving. Vignette., Engraving and etching, Two laurel boughs stick through a lyre., Europe and USA, 1800–1830, Wood engraving. Vignette

Portrait of Philip Melancthon, Albrecht Dürer, German, 1471–1528, Engraving on laid paper, A bust portrait of a man, seen almost in profile, facing right., Germany, 1526, portraits, Print, Print

Design for a Fireplace, Pierre Lepautre, French, ca. 1660 - 1774, Engraving on paper, France, ca. 1660–1744, Print, Print

Music, Robert Samuel Marcuard, British, 1756 - before 1788, Pietro da Cortona, Italian, 1596 - 1669, Engraving in sanguine ink on paper, A woman sits at a table, turned to the right but facing slightly left. A violin is beneath her right

Perspectiva. Corporum Regularium., Wenzel Jamnitzer, German, 1508–1585, Jost Amman, Swiss, active Germany, 1539–1591, Engraving on white laid paper, Book on perspective drawing, with 4 pages of text and 49 plates (A to G, 6 plates; H,

Christ Taking Leave of His Mother, Marc Antonio Raimondi, Italian, 1483 – 1527, Albrecht Dürer, German, 1471–1528, Engraving on paper, In right foreground stands Christ, his head turned to left and looking at Mary, seated, facing

The Boston Common, Winslow Homer, American, 1836–1910, Harper's Weekly, Wood engraving in black ink on paper, Groups of people on the Boston Common on a windy day, with fountain at left and stairs at right. Children play with hoops., USA,

Funffte Ausgab seiner vorhabenden werckes...Unterschiedliche Neu Inventirte Verkleiden Zu Modernen und Astonmischen Perpendicul-Uhren..., Johann Jakob Schübler, German, 1689–1741, Jeremias Wolff, German, 1663–1750, Engraving on cream laid

A Roman Emperor Meeting a Soldier, Agostino Veneziano, Italian, ca. 1490 - after 1536, Engraving on paper, An emperor on a horse, facing left. A soldier in front of him, his head turned right. In left foreground, an old man in side view, and

Opera (Peep-show), Martin Engelbrecht, German, 1684–1756, Engraving, brush and watercolor on paper, Six figures in histrionic poses in a setting of arches and porticoes with columns in blue. At back, a fountain and pool in a formal garden. F

Grotesque with Putti and Grape Vines, Master of the Die, Italian or German, 1530 - 1560, Engraving on laid paper, Vertical grotesque design with putti, grape vines and a central candelabrum motif., Italy, 1532, ornament, Print, Print

Walnut Street Theater, Philadelphia, C. Burton, American, b. England, active 1819–42, Fenner Sears & Co., I.T. Heriton & Simpkin & Marshall, Engraving on paper, Horizontal rectangle. Oblique view at the side of the street with the

Return of the Prodigal Son, Lucas van Leyden, Netherlandish, ca. 1494–1533, Engraving on off-white laid paper, 1510, figures, Print, Print

A Slave Auction in the South, from Harper's Weekly, July 13, 1861, p. 442., Theodore Russell Davis, American, 1840 - 1894, Wood engraving in black ink on newsprint paper, Horizontal outdoor scene with a raised platform at center with a group

Habit de Fontainier from 'Habits de Métier et Professions', Nicolas Larmessin III, French, 1656–1725, Engraving on paper, Man dressed as a fountain with jet and tier for hat, torso clad in two basins adorned with tritons, and supporting

Magdalen, Francesco Bartolozzi, Italian, active England, 1727–1815, Giovanni Battista Salvi, Italian, 1609 - 1685, Stipple engraving on white paper, The head and shoulders of Mary Magdalene. Her head tilts to her left, her eyes lifted

Title page, from Diverses pièces de serruriers (Various Designs for Locksmiths), Hugues Brisville, French, active ca. 1663, Jean Bérain, the Elder, French, 1640 - 1711, Hugues Brisville, French, active ca. 1663, Engraving on laid paper,

Plate 10, from Diverses pièces de serruriers (Various Designs for Locksmiths), Hugues Brisville, French, active ca. 1663, Jean Bérain, the Elder, French, 1640 - 1711, Hugues Brisville, French, active ca. 1663, Nicolas Langlois, French,

Plate 11, from Diverses pièces de serruriers (Various Designs for Locksmiths), Jean Bérain, the Elder, French, 1640 - 1711, Hugues Brisville, French, active ca. 1663, Nicolas Langlois, French, 1640 - 1703, Engraving on laid paper,

Plate 12, from Diverses pièces de serruriers (Various Designs for Locksmiths), Hugues Brisville, French, active ca. 1663, Jean Bérain, the Elder, French, 1640 - 1711, Hugues Brisville, French, active ca. 1663, Nicolas Langlois, French,

Plate 13, from Diverses pièces de serruriers (Various Designs for Locksmiths), Hugues Brisville, French, active ca. 1663, Gabriel Ladame, French, active ca. 1645 - 1668, Pierre Mariette II, French, 1634 - 1716, Engraving on laid paper,

Plate 14, from Diverses pièces de serruriers (Various Designs for Locksmiths), Hugues Brisville, French, active ca. 1663, Gabriel Ladame, French, active ca. 1645 - 1668, Hugues Brisville, French, active ca. 1663, Nicolas Langlois,

Plate 1, from a series of ornament designs for locksmiths, Antoine Jacquard, French, active 1616 - d. ca. 1640, Engraving on laid paper, Symmetrical pyramid of nude figures with baskets balanced on dolphins and cornucopia. Below, an arch

Plate 2, from Si quid melius videris (A Suite of Blackwork Designs), Jean Toutin, French, 1578 - 1644, Blackwork engraving on paper, Vertical rectangle showing two men sawing a large rectangle with blackwork design balanced on a barrel with

Plate 3, from a series of designs for sword handles, pommels, and dagger hilts, Antoine Jacquard, French, active 1616 - d. ca. 1640, Blackwork and engraving on laid paper, Vertical rectangle showing a variety of designs for sword handles,

Plate 6, from Différens portraitz pour les serruriers nouvellement inventez (Newly Invented Designs for Locksmiths), Antoine Jacquard, French, active 1616 - d. ca. 1640, Engraving on laid paper, Design for an ornate keyhole escutcheon. At top,

Plate 3, from Différens portraitz pour les serruriers nouvellement inventez (Newly Invented Designs for Locksmiths), Antoine Jacquard, French, active 1616 - d. ca. 1640, Engraving on laid paper, Design for an ornate keyhole escutcheon. At top,

Dedication page, from Diverses pièces de serruriers (Various Designs for Locksmiths), Hugues Brisville, French, active ca. 1663, Jean Bérain, the Elder, French, 1640 - 1711, Hugues Brisville, French, active ca. 1663, Nicolas Langlois,

Plate 3, from a series of designs for locksmith's ornament, Antoine Jacquard, French, active 1616 - d. ca. 1640, Engraving on laid paper, A vertical rectangle showing symmetrical grotesque design. At top, a pair of satyrs with clubs strike a

Plate 3, from Diverses pièces de serruriers (Various Designs for Locksmiths), Hugues Brisville, French, active ca. 1663, Jean Bérain, the Elder, French, 1640 - 1711, Hugues Brisville, French, active ca. 1663, Nicolas Langlois, French,

Plate 4, from Diverses pièces de serruriers (Various Designs for Locksmiths), Hugues Brisville, French, active ca. 1663, Jean Bérain, the Elder, French, 1640 - 1711, Hugues Brisville, French, active ca. 1663, Nicolas Langlois, French,

Plate 5, from Diverses pièces de serruriers (Various Designs for Locksmiths), Hugues Brisville, French, active ca. 1663, Jean Bérain, the Elder, French, 1640 - 1711, Hugues Brisville, French, active ca. 1663, Nicolas Langlois, French,

Plate 6, from Diverses pièces de serruriers (Various Designs for Locksmiths), Hugues Brisville, French, active ca. 1663, Jean Bérain, the Elder, French, 1640 - 1711, Hugues Brisville, French, active ca. 1663, Nicolas Langlois, French,

Plate 7, from Diverses pièces de serruriers (Various Designs for Locksmiths), Hugues Brisville, French, active ca. 1663, Jean Bérain, the Elder, French, 1640 - 1711, Hugues Brisville, French, active ca. 1663, Nicolas Langlois, French,

Plate 8, from Diverses pièces de serruriers (Various Designs for Locksmiths), Hugues Brisville, French, active ca. 1663, Jean Bérain, the Elder, French, 1640 - 1711, Hugues Brisville, French, active ca. 1663, Nicolas Langlois, French,

Plate 9, from Diverses pièces de serruriers (Various Designs for Locksmiths), Hugues Brisville, French, active ca. 1663, Jean Bérain, the Elder, French, 1640 - 1711, Hugues Brisville, French, active ca. 1663, Nicolas Langlois, French,

Design for Two Knife Handles, Francesco Salviati, Italian, 1510 – 1563, Aegidius Sadeler II, Flemish, 1570 - 1629, Cherubino Alberti, Italian, 1553–1615, Engraving on off-white laid paper, Two knives, their points facing downward. The

Design for Two Knife Handles, Cherubino Alberti, Italian, 1553–1615, Francesco Salviati, Italian, 1510 – 1563, Engraving on off-white laid paper, Italy, 1583, cutlery, Print, Print

Plate from Omnia Conando Docilis Solertia Vincit (A Docile Disposition will Conquers all Difficulty), Paul Birckenhultz, German, 1561 - 1639, Engraving on laid paper, Vertical rectangle showing a vase with symmetrical floral ornament and

Plate from Omnia Conando Docilis Solertia Vincit (A Docile Disposition will Conquers all Difficulty), Paul Birckenhultz, German, 1561 - 1639, Engraving on laid paper, Vertical rectangle showing a vase with three fantastic masks containing a

Plate from Omnia Conando Docilis Solertia Vincit (A Docile Disposition will Conquers all Difficulty), Engraving, blackwork on laid paper, Vertical rectangle showing a vase containing a symmetrical floral arrangement. The vase stand on a tray

Plate from Omnia Conando Docilis Solertia Vincit (A Docile Disposition will Conquers all Difficulty), Paul Birckenhultz, German, 1561 - 1639, Engraving on laid paper, Vertical rectangle showing a jeweled vase with three faced containing a

Plate from Omnia Conando Docilis Solertia Vincit (A Docile Disposition will Conquers all Difficulty), Paul Birckenhultz, German, 1561 - 1639, Engraving, blackwork on laid paper, Vertical rectangle showing a vase with snake handles containing a

Plate from Omnia Conando Docilis Solertia Vincit (A Docile Disposition will Conquers all Difficulty), Paul Birckenhultz, German, 1561 - 1639, Engraving, blackwork on laid paper, Vertical rectangle showing a vase with grotesque drop-ring handles

L'Odorat (Smell) from the series Les Cinq Senses (The Five Senses), François Boucher, French, 1703 – 1770, Gabriel Huquier, French, 1695–1772, Etching and engraving on paper, Allegorical scene depicting the sense of smell. An ornately

The War - Making Havelocks for the Volunteers, from Harper's Weekly, June 29, 1861, p. 401., Winslow Homer, American, 1836–1910, Wood engraving in black ink on newsprint paper., Vertical view of an interior with a group of women sewing in

Fountain of Neptune, Florence, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Master F.B., Engraving on laid paper, Italy, Italy, 1575, architecture, Print, Print

Thanksgiving Day – The Dinner, Winslow Homer, American, 1836–1910, Harper's Weekly, Wood engraving in black ink on paper, Thanksgiving dinner with a man carving the turkey, center. Adults at a long table, with children at a separate table

Cupid and Psyche, Francesco Bartolozzi, Italian, active England, 1727–1815, Jean Marie Delattre, French, active England, ca. 1742 - ca. 1840, Ackermann’s, London, England, Engraving in brown ink on white paper, Cupid, left, holds a

Design for a Half-tone Engraving: How to Obtain a Patent, Copp & Co. Patent Attorneys, Washington, D.C., James Henry Moser, Canadian, 1854–1913, Pen and black ink, brush and gouache, graphite on paper, laid down on brown board, At top,

The First Lesson, Francesco Bartolozzi, Italian, active England, 1727–1815, Giovanni Francesco Barbieri (called Guercino), Italian, 1591 – 1666, Stipple engraving in brown ink and white paper, A woman sits before a curtain, facing her

Portrait of Charles J. F. Henault (1685-1770), Charles-Etienne Gaucher, French, 1741 - 1804, Charles-Nicolas Cochin the younger, 1715 - 1790, Engraving on paper, The bust-length portrait is in side view to left and is in a medallion attached

Palisade Cañon, Thomas Moran, American, b. Britain, 1837–1926, W[illiam ?] H. Morse, Wood engraving on off-white wove paper, View of canyon, high cliffs on each side, snow-covered mountains in the background., England and USA, 1874,

A water mill, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Philips Galle, Flemish, 1537 - 1612, Jan Collaert II, Flemish, 1560 - 1628, Engraving on paper, Horizontal rectangle. Beside a river, the two water wheels are seen

The Decks, Mortimer L. Menpes, Australian, active London, England, 1860 – after 1915, Engraving on light brown paper, A line of sailing vessels in calm water. Beyond, between the masts, the bank and the buildings of a town., London,

Ein Spieler aus allen liekannten spielen zusamengesetzt (A Player Composed of All Known Games), Andreas Geiger, Austrian, 1765 - 1856, Theodor Heinrich Alconiere, Austrian, 1789 - 1865, Engraving, brush and watercolor on paper, Vertical

Purse, Medium: glass beads, metal Technique: beaded knitting, Knitted bag with colored glass beads in a design of a rose with forget-me-nots in an eight-pointed star on a blue ground; finished at bottom with blue bead fringe and at top with a

Querfüllung auf hellem Grund (Horizontal Ornament), Martin Schongauer, German, 1450–1491, Engraving on white paper, Horizontal rectangle. The wide scroll starts from lower left rising diagonally toward upper right. Before reaching it, the

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