Images at Librifly

search results: Engraving clear search

Portrait of Ferdinando Cornacchia, Engraving on paper, Bust-length portrait in side view, facing left, of a middle-aged man. He has curly hair, sideburns, and wears a jacket with a high, embroidered collar., Italy, ca. 1820, Print, Print

Painting, Francesco Bartolozzi, Italian, active England, 1727–1815, Angelica Kauffmann, (Swiss, 1741–1807), Engraving in brown ink on white paper, The bust of a woman with a hand in her hair bearing an inscription, and a palette and

St. Mark (S.Marcvs), Cornelis Visscher, Netherlandish, 1629-1658, Engraving on off-white laid paper, St. Mark is presented seated at a table on which his pen, ink pot, book and papers are placed. He holds his hand to his chest and looks toward

Family of Rabbits, Gilles Demarteau, Belgian, active in France, 1722 – 1776, Jean-Baptiste Huët, (French, 1745–1811), Crayon-manner engraving in red ink on paper, Parent rabbits and three young nibbling on leaves., France, 1772,

Proof: Portrait of Henry Wolf, Henry Wolf, American, 1852–1916, Irving Ramsey Wiles, American, 1861–1948, Wood engraving in black ink on laid paper, The sitter is shown half-length, facing frontally, his head turned one quarter to the

The Two Cavaliers, Herman van Swanevelt, ca. 1600 - 1655, Dutch, active Paris and Rome, Engraving on paper, A mountain landscape with a narrow road on right. On the road are two men on horseback and three men walking. In mid-distance, right

The End, plate 20, from an unknown publication, Engraving on off-white laid paper, Europe, 18th century, ephemera, Print, Print

Title Plate, ' Plate 1 from 'Goldsmith Ornament Designs', Heinrich Raab, German, active Nuremberg 1640 – 1650, Paul Furst, German, ca. 1605 – 1666, Engraving on off-white laid paper, A large white on black design for an upright pendant,

Ornamental Design with Cross at Center, ' Plate 2 from 'Goldsmith Ornament Designs', Heinrich Raab, German, active Nuremberg 1640 – 1650, Paul Furst, German, ca. 1605 – 1666, Engraving on off-white laid paper, Five separate white on black

Pendant in the Form of a Bowknot, ' Plate 3 from 'Goldsmith Ornament Designs', Heinrich Raab, German, active Nuremberg 1640 – 1650, Paul Furst, German, ca. 1605 – 1666, Engraving on off-white laid paper, Jewelry design: a white on black

Oblong Fillet Flanked by Two Needle Cases (?), ' Plate 5 from 'Goldsmith Ornament Designs', Heinrich Raab, German, active Nuremberg 1640 – 1650, Paul Furst, German, ca. 1605 – 1666, Engraving on off-white laid paper, Three separate white

Five Different Fillets, ' Plate 6 from 'Goldsmith Ornament Designs', Heinrich Raab, German, active Nuremberg 1640 – 1650, Paul Furst, German, ca. 1605 – 1666, Engraving on off-white laid paper, The group consists of five symetrically

Wood engraving. Vignette, Engraving and etching, Classical helmet decorated with a crowned griffin., Europe and USA, 1820–35, Wood engraving. Vignette

St. Matthew (S.Mathevs), Cornelis Visscher, Netherlandish, 1629-1658, Engraving on off-white laid paper, Saint Matthew is presented in three-quarter view seated at a desk writing his gospel. In his right hand he holds a quill and his left hand

Elevation of the Facade of the Theater, St. Petersburg, Cesare Recanatini, Italian, 1823–1893, Brush and gray, blue watercolor, pen and ink on paper, Horizontal format architectural drawing depicting a two-storied facade, with pedimented

Flora with Boys, Francesco Bartolozzi, Italian, active England, 1727–1815, Giovanni Francesco Barbieri (called Guercino), Italian, 1591 – 1666, Engraving in brown ink on white paper, Flora, seated, a putto beside her, to the left,

Mr. Herrick Teaching Wood Engraved in the Women's Art School, Cooper Union, Ada C. Thompson, Engraving, Horizontal rectangle. Sketch showing the instructor standing over his pupils who are seated near a window. Inscribed (in ink) along the side:

Desseins de Tiroir et entrée de Serrure, Etching or engraving on paper, France, Print, Print

View of the Opera in Paris, Engraving on paper, Horizontal rectangle. No. 76 of the same pubication as -1392. The houses flanking the open and structure opposite in the middle and background and rather heavy traffic are shown.The caption reads,

Trophy with Implements of Outdoor Sports, Plate 5 from 'Cahier d'Attributs et Trophées de l'Oeuvre de Ranson, ' Suite XXI, Etienne Claude Voysard, French, 1746 - 1812, Pierre Ranson, French, 1736–1786, Engraving on paper, Bagpipes, horns

Assortment of Birds, from the 'Recueil de differentes études d'animaux...', Frans Snyders, Flemish, 1579–1657, Gabriel Huquier, French, 1695–1772, Engraving on paper, Europe, 1769, Print, Print

Assortment of Birds, from the 'Recueil de differentes études d'animaux...', Frans Snyders, Flemish, 1579–1657, Gabriel Huquier, French, 1695–1772, Engraving on paper, Europe, 1769, Print, Print

Engraving on metal; Engravers on a ship, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Philips Galle, Flemish, 1537 - 1612, Jan Collaert II, Flemish, 1560 - 1628, Engraving on paper, Horizontal rectangle. A ship in which

Portrait of Antoine Godeau (1605-1672), Jacques Lubin, French, 1637 - 1695, Engraving on paper, Half-length portrait in three-quarter view facing right. The sitter wears a skull-cap. The portrait is in an oval frame adorned with coat-of-arms in

Portrait of Bartholomeus Spranger with an Allegory on the Death of his Wife, Christina Muller, Aegidius Sadeler II, Flemish, 1570 - 1629, Bartholomaeus Spranger, Flemish, 1546 - 1611, Engraving on laid paper, Flanders, 1600, Print, Print

Entrée de Serrures, Plate 98 from Divers dessins de balcons à plusieurs usages (Variety of Balcony Designs), Claude René Gabriel Poulleau, French, b.1749, Jacques Chéreau, French, 1688–1776, Engraving on paper, Four symmetrical designs

Petit Impiger Ortus, Abraham Genoels, Flemish, 1640 - 1723, Adam Frans van der Meulen, Flemish, 1631 - 1690, Engraving on white laid paper, First plate in a suite bearing the title, on a banner hung from a fork. Below, within a wreath of

Driving Home the Corn, Winslow Homer, American, 1836–1910, Harper's Weekly, Wood engraving in black ink on paper, A man and two women coming home with the corn as another man drives the ox-teams. Upper half of the page., USA, November 13,

The Choice of Reuben and Gad, Illustration for The Century Magazine (XXXVII, No. 5, March 1889, p. 687), Mary A. Hallock Foote, American, 1847–1938, John Henry Ellsworth Whitney, American, 1840–1891, Wood-engraving in black ink on

Cliffs of Green River, Thomas Moran, American, b. Britain, 1837–1926, W[illiam?] Roberts, Wood engraving on cream wove paper, Sun shines over view of river; quail can be seen by bushes and rocks on right. Canyons in the distance., England

Design for Silver Engraving: Seated Woman, Tommi Parzinger, (American, born Germany, 1903–1981), Pen and black ink on cream tracing paper, Seated woman holding platter with fruit., USA, 1920–30, figures, Drawing, Drawing

Title Page, Nouvelles Cheminée faittes en plusieur en droits (New Designs for Fireplaces), Daniel Marot, French, active in the Netherlands and England, 1661–1752, Etching and engraving on white laid paper, A fireplace decorated with lions

Designs for Tobacco and Powder Boxes, Watches, Seals, and other Goldsmith Ornaments, from the set 'Neues sehr dienliches Goldschmids Büchlein', Paul Decker, 1677–1713, Lorenz Beger, 1663 - 1735, Engraving on paper, The numbers have been

Portrait of Galileo Galilei (1562-1642), Adamo Fioroni, active first half of 19th century, Francesco Villamena, ca.1566 – 1626, Engraving on paper, Portrait of Galilei, bust length. Head and body slightly turned to left. The portrait is

Virgin and Child in the Clouds, Michel Lasne, French, ca. 1590 - 1667, Simon Voüet, 1590 – 1649, Engraving on laid paper, The Virgin and Child, upper left, in the clouds, with four putti. Below, under a tree, Saint Anthony looks up at

goblet, glass, Short, straight-sided bowl raised from circular knop base. Short stem with blade knop and broad circular foot. No engraving., Ireland, ca. 1810–25, glasswares, Decorative Arts, goblet

Section of the House and Proscenium, Saverio Avesani, Italian, b. 1690, Francesco Zucchi, Italian, 1692 - 1739, Engraving on paper, Horizontal format architectural illustration. Plate II, upper part, left, similar to 1938-57-1385. At right

Dedication page, from Neüw Grotteßken Buch (New Grotesque Book), Christoph Jamnitzer, German, 1563 - 1618, Engraving on laid paper, An elaborate composed of cartilage-like ornament with grotesques, containing the title. Below, figures

Tannery, with His Dogs, Came Galloping Up the Cañon, Ernest Thompson Seton, American, 1860–1946, Wood engraving in black ink on white paper, Trial proof for illustration. Two riders on horseback are seen approaching with a pack of dogs in

La Scala Theater, Milan, Angelo Biasoli, 1790–1830, Francesco Durelli, Aquatint engraving, Horizontal rectangle. A framing line covers part of 'F. Durelly dis dal veró.' At right: 'A Biasioli inc.' Caption: 'Veduta del T. R. Teatro alla

Staphae, Sive Strapedes (Invention of the Stirrup), plate 9 in the Nova Reperta (New Inventions for Modern Times), Jan van der Straet, called Stradanus, Flemish, 1523–1605, Philips Galle, Flemish, 1537 - 1612, Engraving on paper,

The Misers, Engraving with black ink on white paper, Horizontal rectangle. Two misers are seen seated at a table counting their fortune. The figure of Death plunges an arrow in the bosom of the one., Netherlands, ca. 1580–1620, figures,

Half-tone Engraving: How to Obtain a Patent, Copp & Co. Patent Attorneys, Washington, D.C., James Henry Moser, Canadian, 1854–1913, Halftone engraving in black ink on paper, At top, on a banner across a shield: HOW TO OBTAIN / A PATENT.

Membership Certificate, Society of Journeymen Cabinet-Makers, Engraving, pen and brown ink, sealing wax on paper, An escutcheon relating to cabinet-making in center, flanked by desk and chair. Below, legend with the recipient, John Hewitt;

Acanthus motif with two birds, Cesare Domenichi, Italian, 1589 - 1614, Ludovico Scalzi, Italian, 1580 - 1600, engraving on laid paper, Italy, 1589–1614, Print, Print

Button, Copper, Four flat circular buttons decorated with fine engraving: A) shows two hearts with ribbon and bow with crossed arrows; B) shows open flower; C) circles and waving lines around twelve petalled flowers. D) interlocking and waving

Portraits of United State, Frederick T. Stuart, 1837 – 1913, Steel engraving Support: white wove paper, USA, USA, ca. 1888, ephemera, Print, Print

A Roman Soldier Fighting one of Hannibal's Elephants, pl. 7 in the Venationes Ferarum, Avium, Piscium series, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Karel van Mallery, Philips Galle, Flemish, 1537 - 1612, Engraving on

Prudence and Beauty, Francesco Bartolozzi, Italian, active England, 1727–1815, Giovanni Battista Cipriani, Italian, 1727–1785, active England, 1755–1785, Stipple engraving in sanguine ink on paper, Beauty, lightly clothed, and

The large 'Ecce Homo', Vespasiano Strada, Italian, 1582 - 1622, Engraving on paper., Horizontal print of Christ, seen frontally, crowned with thorns and being mocked; eight other figures; all shown half-length., Rome, Italy, ca. 1610,

Plate in Nouvelles Cheminée faittes en plusieur en droits (New Designs for Fireplaces), Daniel Marot, French, active in the Netherlands and England, 1661–1752, Etching and engraving on white laid paper, The fireplace is decorated with a

Design for State Bedchamber, in Second Livre d'Appartement (Second Book on Interiors), Daniel Marot, French, active in the Netherlands and England, 1661–1752, Etching and engraving on white laid paper, Design for a bedchamber with shell

Saint Jerome, Giuseppe Longhi, Italian, 1766–1831, Daniele Crespi, Italian, ca. 1597 - 1630, Engraving on paper, Half-length figure seen looking up, left, holding a cross in his right hand. A trumpet, upper left, signifies the voice of

The Army of the Potomac – Our Outlying Picket in the Woods, Winslow Homer, American, 1836–1910, Harper's Weekly, Wood engraving in black ink on paper, Soldiers lying in the woods with rifles aimed. Upper half of the page., USA, June 7,

Portrait of Gerard Dow, Antonio Pazzi, Italian, 1706 - after 1768, Engraving on paper, Italy, ca. 1750, Print, Print

Angel Appearing to Joachim, Marc Antonio Raimondi, Italian, 1483 – 1527, Albrecht Dürer, German, 1471–1528, Engraving on paper, In right foreground, Joachim kneeling; left, above him an angel in three-quarter view. In mid-distance,

Peasants in a Cabaret, Brush and opaque watercolor on pin-pricked paper, Early 19th century pin-prick picture after an engraving. The face and hands painted in watercolor., Germany, ca. 1800, Pin-prick picture, Pin-prick picture

Lapis Polaris Magnes (Invention of the Compass), plate 2 of the Nova Reperta (New Inventions for Modern Times), Jan van der Straet, called Stradanus, Flemish, 1523–1605, Philips Galle, Flemish, 1537 - 1612, Engraving on paper, An old man,

A parade float in Reggio, Italy: 'Carro trionfale della Compagnia di S. Rocco' (The Triumphal Carriage of the Company of St. Roch). Plate 2b from A. Isacchi, 'Relatione di Alfonso Isachi intorno l'origine, solennità, traslatione, et miracoli

Theater of the Republic, Paris, Mennier, Engraving on paper, Horizontal rectangle. The theater is shown from the right corner, frontally. In the foreground, at left, is a building plot. Caption: 'Mennier del Née sculp / Iere VUE DU THEATRE DE

Engraving, Black ink and watercolors on paper, Horizontal strip: bear hunt. At left, a bear on its haunches crushes a hound with its foreleg as two other cogs rush it. At the right a hunter shoots a bear at close range. Colors green and brown,

Portrait of a Woman, Francesco Bartolozzi, Italian, active England, 1727–1815, Giovanni Francesco Barbieri (called Guercino), Italian, 1591 – 1666, Engraving in brown ink on white paper, The woman is facing left, with her right arm

The Artist in the Country, from Appletons' Journal of Literature, Science and Art, June 19, 1869, Cover, Winslow Homer, American, 1836–1910, John Karst, German, active in U.S., 1836 - 1922, Wood engraving on white wove paper, Artist

Flowers, Hand colored engraving, brush and red, green, and yellow watercolor on paper, Fifty-one boughs with flowers, disposed in six lines. Two bordering lines, engraved., Germany, 1775-1800, Print, Print

Head of a Man, F. Torond, English, Engraving in brown ink on white paper, The man, seen in profile, faces right. He wears a cloth head-covering, and has a white beard., England, ca. 1785–1790, Print, Print

Peep-show Section: A Coff, Martin Engelbrecht, German, 1684–1756, C.P. Maj., Hand-colored etching, with engraving Support: white laid paper laid down on thick gray paper, Interior of three rooms, furniture and costumes of the times. Men and

Ceres, Francesco Bartolozzi, Italian, active England, 1727–1815, Giovanni Battista Cipriani, Italian, 1727–1785, active England, 1755–1785, Stipple engraving in brown ink on white paper, Ceres sits facing two boys at the right, one

Rocaille Panel, with Scene of a Shepherdess, Jean Baptiste Le Prince, French, 1734 – 1781, François Boucher, French, 1703 – 1770, Engraving on paper, In an irregular rocaille frame, in the shape of a fan, is a scene showing a

Saint Jerome, Francesco Bartolozzi, Italian, active England, 1727–1815, Giovanni Francesco Barbieri (called Guercino), Italian, 1591 – 1666, Engraving in brown ink on white paper, Saint Jerome standing in front of a large boulder,

Rear View of the First Gilded Carriage, Bernard Picart, 1673–1733, Engraving in black ink on paper, Vertical rectangle. The rear view with a scale, title above, and below, a description and design for variations on the sides and front of the

Saint John in the Wilderness, Francesco Bartolozzi, Italian, active England, 1727–1815, Giovanni Francesco Barbieri (called Guercino), Italian, 1591 – 1666, Engraving in brown ink on white paper, Ssaint John holds a bowl under a

Catafalque of Louis Boucherat, Second State, St. Gervais, Paris, Jean Bérain, the Elder, French, 1640 - 1711, Jean Mariette, 1660–1742, Engraving in black ink on paper, Vertical rectangle. The catafalque is shown on a high platform,

Donner Lake, Nevada, Thomas Moran, American, b. Britain, 1837–1926, A. Measom, Wood engraving on cream wove paper, View from cliffs of lake lined with pine trees., England and USA, 1874, landscapes, Print, Print

Double Goblet, from the series Allerley Gebuntznierte Fisirungen, Bernhard Zan, Germany, active ca. 1580, Stephan Hermann, German, active 1568 - 1596, Punch engraving and brush with blue and yellow wash on paper, Design for a metalwork

Saint Jerome in his Study, Albrecht Dürer, German, 1471–1528, Engraving on laid paper, Copy in reverse of B. VII, p. 76, 60., Germany, after 1514, Print, Print

Portrait of a Young Man, Francesco Bartolozzi, Italian, active England, 1727–1815, Giovanni Francesco Barbieri (called Guercino), Italian, 1591 – 1666, Engraving in brown ink on light brown paper, The young man's body facing slightly to

The Roman Consul Attilius Regulus Fighting a Giant African Serpent, plate 25 in the Venationes Ferarum series, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Karel van Mallery, Philips Galle, Flemish, 1537 - 1612, Engraving on

Thanksgiving Day – The Dance, Winslow Homer, American, 1836–1910, Harper's Weekly, Wood engraving in black ink on paper, Adults and children dancing in the parlor. Lower half of the page., USA, November 27, 1858, figures, Print,

Plate 32, from Neüw Grotteßken Buch (New Grotesque Book), Christoph Jamnitzer, German, 1563 - 1618, Engraving on laid paper, Ornamental design showing a winged and bearded figure, wearing a fanciful plumed hat, and riding on the back of a

A Roman Horse, from the first set of 'Equile Joannis Austriaci', Jan van der Straet, called Stradanus, Flemish, 1523–1605, Hieronymus Wierix, Flemish, 1553 - 1619, Engraving on paper, A riding horse for ladies., Netherlands, ca. 1575,

Fighting serpents with fire, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Karel van Mallery, Philips Galle, Flemish, 1537 - 1612, Engraving on paper, Horizontal rectangle. A group of serpents is trapped in the underbrush, in

Adoration of Magi, plate 7 from series 'Life of the Virgin', Israhel van Meckenem, German, ca. 1440 - 1503, Hans Holbein the Younger, 1497/98 – 1543, Engraving on a white paper, The scene is taking place in a courtyard of a building at

St. Anne, the Virgin and the Christ Child, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Hieronymus Wierix, Flemish, 1553 - 1619, Philips Galle, Flemish, 1537 - 1612, Engraving on paper, Signed: 'Joannes Stradanus inuen.

The Coming of Winter, Illustration for Century Magazine (XXXVII, No, 2, December, 1888, p. 162., Mary A. Hallock Foote, American, 1847–1938, John Henry Ellsworth Whitney, American, 1840–1891, Wood-engraving in black ink on paper,

Opera (Peep-show), Martin Engelbrecht, German, 1684–1756, Engraving, brush and watercolor on paper, Six figures in histrionic poses in a setting of arches and porticoes with columns in blue. At back, a fountain and pool in a formal garden. F

Plan du Lit de Justice (Plan of the Bed of Justice), François Nicolas Martinet, French, 1739 - after 1796, François Nicolas Martinet, French, 1739 - after 1796, Menus-Plaisirs du Roi, France, Etching and engraving on paper, Architectural

Hunting snakes, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Cornelis Galle I, Flemish, 1576 - 1650, Philips Galle, Flemish, 1537 - 1612, Engraving on paper, Horizontal rectangle. Hunters and their dogs capturing snakes and

Thanksgiving Day – Arrival at the Old Home, Winslow Homer, American, 1836–1910, Harper's Weekly, Wood engraving in black ink on paper, The grandfather and grandmother greeting the daughter and grandchildren at the door. Carriage at right,

Almanac for 1789, Engraving, brush and watercolor on paper, Calendar for second half-year, with three scènes galantes; harvest, vintage, sledge party., France, 1788, Print, Print

Samson and Delilah, Lucas van Leyden, Netherlandish, ca. 1494–1533, Engraving on paper, Delilah is seated on a rock in the foreground, cutting Samson's hair, while he rests his head on her lap. Philistine soldiers are in the background.

Six Designs for Components of a Columbine Cup, from the series Allerley Gebuntznierte Fisirungen, Bernhard Zan, Germany, active ca. 1580, Stephan Hermann, German, active 1568 - 1596, Punch engraving and brush with blue wash on paper, Designs

Costumes Parisiens from Le Journal des Dames et des Modes, 1815, plate 44, Hand-colored engraving on off-white laid paper, Woman's and man's clothing 'à la angloise' from Journal des Dames et Des Modes, 1815., 1815, costume & accessories,

Plate 17, from Neüw Grotteßken Buch (New Grotesque Book), Christoph Jamnitzer, German, 1563 - 1618, Engraving on laid paper, Ornamental cartouche, with birds, over flaming shells, above, and flying fish suspended from vines, either side.

America, Rudolph Ackermann, English, b. Germany, 1764–1834, Engraving with black ink on green paper, Horizontal rectangle. 'America' is seated on a rock, seen in profile, dressed in Indian costume and carrying a bow and arrows. A winged

Old Beggar Woman, Brush and opaque watercolor on pin-pricked paper, Early 19th century pin-prick picture after an engraving. The face and hands painted in watercolor., Germany, ca. 1800, Pin-prick picture, Pin-prick picture

Grotesque with Dolphins and Winged Lions, Master of the Die, Italian or German, 1530 - 1560, Engraving on laid paper, Vertical rectangle showing a symmetrical grotesque design composed of putti, dolphins, sea lions, birds and bearded men.,

Sketches of Horse Heads and Hooves, Jean-Baptiste Huët, (French, 1745–1811), Etching or engraving on paper, Several sketches of house heads and hooves, Europe, ca. 1745–1811, Print, Print

Saint Paul the Hermit, Francesco Villamena, ca.1566 – 1626, Ferraù Fenzoni, Italian, 1562 - 1645, Engraving on paper, Half-length figure of a nude elderly man, turned half-left, leaning on his elbows and holding a rosary in his left hand,

Afternoon at a Ranch, Illustration for Century Magazine (XXVIII, No. 4, August 1889, p. 502), Mary A. Hallock Foote, American, 1847–1938, Harry Davidson, American, 1858–1924, Wood-engraving in black ink on paper, Patio of a ranch

Unwinding the cocoons, Philips Galle, Flemish, 1537 - 1612, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Engraving on paper, Horizontal rectangle. Several women are seated at long tables on which silkworms cocoons are placed,

search results: Engraving clear search