Images at Librifly

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Wallpaper Invoice for the firm of Arthur et Robert, Arthur & Robert, Monsieur de Bagneur, Louis-Charles Ruotte, 1754 – ca. 1806, Engraving with etching, pen and brown, black ink Support: white laid paper, Bill from wallpaper firm of Arthur

Crew of the U.S. Steam-sloop 'Colorado, ' Shipped at Boston, June 1861, from Harper's Weekly, July 13, 1861, p. 439., Winslow Homer, American, 1836–1910, Wood engraving in black ink on newsprint paper, Horizontal group of sailors standing

Hercules Victorious over the Hydra of Lerna, Engraving on paper, Within an ornamental frame Hercules stands within a niche over the slain Hydra. Frame composed of musical instruments and strapwork ornamentation, and bears two diamond-shaped

A Turkish Woman Reading, Francesco Bartolozzi, Italian, active England, 1727–1815, Giovanni Francesco Barbieri (called Guercino), Italian, 1591 – 1666, Engraving in brown ink on white paper, The woman sits facing the left, with a book

Portrait of Johann A. Lisman, Antonio Pazzi, Italian, 1706 - after 1768, Engraving on paper, Italy, ca. 1750, Print, Print

Flowers, Martin Engelbrecht, German, 1684–1756, Engraving in ink on paper, Top row: two twigs between two nosegays. Bottom row: three nosegays., Augsburg, Germany, France, 1725–50, Print, Print

Art - Students and Copyists in the Louvre Gallery, Paris', Winslow Homer, American, 1836–1910, Wood engraving printed in black ink on paper, USA, January 11, 1868, graphic design, Print, Print

Salvator Mundi, with a Globe and a Cross, Francesco Bartolozzi, Italian, active England, 1727–1815, Giovanni Francesco Barbieri (called Guercino), Italian, 1591 – 1666, Engraving in brown ink on white paper, The young man sits at a

Queen Esther and Ahasuerus, Francesco Bartolozzi, Italian, active England, 1727–1815, Giovanni Francesco Barbieri (called Guercino), Italian, 1591 – 1666, Engraving in brown ink on white paper, The king seated on his throne at left,

A Bacchante, Filippo Morghen, Italian, 1730 - After 1807, Camillo Paderni, Italian, active from 1738 - d. 1770, Engraving on paper, Italy, 1760-1770, Print, Print

Trapping wild bulls, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Jan Collaert II, Flemish, 1560 - 1628, Philips Galle, Flemish, 1537 - 1612, Engraving on paper, Horizontal rectangle. Hunters on horseback lasso a bull,

Ornament Panel Inscribed 'Victoria Augusta', Nicoletto da Modena, Italian, active 1500 – 1522, Antonio Salamanca, Italian, ca. 1500 - 1562, Engraving on off white laid paper, Upper part of the print depicts the musical contest between

Tailleur d'Habits, outils, from Diderot's Encyclopaedia, J.R. Lucotte, French, 1750–84, Robert Bénard, French, 1734–1772, Engraving on white paper, Drawing divided into two registers. On top, a view of a tailor shop. On far left

Print, Peltro William Tomkins, British, 1760 - 1840, Leonardo da Vinci, Italian, 1452 - 1519, John Chamberlaine, English, 1745 - 1812, Stipple engraving in sanguine ink on paper, England, 1811, Print

Unidentified subject, Martin Van Heemskerk, Netherlandish, 1498 - 1574, Engraving on off-white laid paper, A king, divested of his robes and crown, kneels on a parapet. Before him, a figure takes leave of him, while a multitude prostrate

Print, Daniel Marot, French, active in the Netherlands and England, 1661–1752, Etching and engraving on white laid paper, Above, a panel decorated with a curved frame and rinceaux; below, a panel decorated with a central roundel and curved

Hercules at the Crossroads (The Effects of Jealousy), Albrecht Dürer, German, 1471–1528, Engraving on laid paper, A nude woman is seated on the ground lower left, beside a satyr. She turns her head toward another woman, who stands, draped,

Color Olivi (Invention of Oil Painting), plate 14 in the Nova Reperta (New Inventions of Modern Times), Jan van der Straet, called Stradanus, Flemish, 1523–1605, Philips Galle, Flemish, 1537 - 1612, Engraving on laid paper, A busy art

Mr. Elsgood as Quicksand, A. Park, London, England, A. Park, London, England, Engraving, embossed foil, fabric, Vertical rectangle. The full-length figure of a man, facing the spectator, his head turned toward the left. He holds a sword

Design for a Grand Gateway, Gabriel Huquier, French, 1695–1772, René Charpentier, French, 1680 - 1723, Engraving on paper, France, ca. 1680–1723, Print, Print

St. John the Evangelist (S. Ioannes), Cornelis Visscher, Netherlandish, 1629-1658, Engraving on laid paper, St. John stands, head turned to the left, looking upward. Behind him to the left a landscape suggests that the Saint is on the Island

Calendrier Perpétual, Brush and watercolor over engraving on light blue laid paper, Engraving of a perpetual calendar in the form of a monument within a decorative border. The calendar is hand colored with shades of beige, gold, blue.

Four Seasons (Autumn), Hendrik Goltzius, Netherlandish, 1558 – 1617, Jan Saenredam, Dutch, 1565 - 1607, Engraving, Netherlands, ca. 1595, figures, Print, Print

Saint Cecilia, Marc Antonio Raimondi, Italian, 1483 – 1527, Raphael, (Italian, 1483–1520), Engraving on paper, Five standing figures. St. Cecilia, center, is surrounded by St. Madeleine at right, St. Paul, left, behind her, St.

Gralin Place, Nantes, Antoine Henón, Charles Melchoir Descourtis, 1753–1820, Aquatint engraving on paper, Europe and USA, ca. 1790, architecture, Print, Print

Charles Kemble as the Prince of Wales, W. West, Engraving, embossed foil, fabric, Vertical rectangle. The full-length portrait of a man, facing the spectator. He is dressed in full ceremonial robes, and carries the symbols of his rank in his

Portrait of Cardinal Antonio Barberino, Filippo Gagliardi, Italian, died 1659, Engraving on paper, A bust-length portrait in a medallion depicting the young Cardinal in three-quarter view to left. The medallion is supported by a high pedestal.

Funffte Ausgab seiner vorhabenden werckes...Unterschiedliche Neu Inventirte Verkleiden Zu Modernen und Astonmischen Perpendicul-Uhren..., Johann Jakob Schübler, German, 1689–1741, Jeremias Wolff, German, 1663–1750, Engraving on cream laid

Home from the War, Winslow Homer, American, 1836–1910, Harper's Weekly, Wood engraving in black ink on paper, Soldiers are greeted on their return home. An elderly women grasps the arm of a soldier, at right. At left, a young woman embraces

Oleum Olivarum (The Production of Olive Oil), plate 12 in the Nova Reperta (New Inventions of Modern Times), Jan van der Straet, called Stradanus, Flemish, 1523–1605, Philips Galle, Flemish, 1537 - 1612, Jan Collaert II, Flemish, 1560 -

Epergne, from 'Disegni Di, Giovanni Giardini, Italian, 1646 - 1721, Maximilian Joseph Limpach, Czech, active the 1st half of 18th century, Engraving, etching Support: white laid paper, Rome, Italy, Italy, 1714, metalwork, Print,

Plate II of 'Travail et emploi du coton' from Diderot's Encyclopedia, Vol. I, Louis-Jacques Goussier, French, 1722 - 1799, Printed black ink on white paper, Six diagrams or illustrations of manner of combing and winding cottom. Hands shown,

Title page, from Neüw Grotteßken Buch (New Grotesque Book), Christoph Jamnitzer, German, 1563 - 1618, Engraving on laid paper, Within an eleborate frame resembling a domed building with columns is the suite title and a vine line inscription

Engraving, Black ink and watercolors on paper, Horizontal strip: boar hunt. At left, a hunter stands behind tree as a boar charges toward him. To the right: a fallen tree, a boar, hound, and horseman. The colors are green, brown, dull yellow,

Erasmus, Albrecht Dürer, German, 1471–1528, Engraving on paper, Erasmus is represented three-quarter length, standing, facing left. He stands before his desk, writing. Books on a ledge in foreground. In the background, left, a framed

Two Birds on a Branch, Gilles Demarteau, Belgian, active in France, 1722 – 1776, Crayon-manner engraving on paper, Two brids of the pigeon family on a branch. At top: '3e Feuille du 3r Cahier'. At bottom: 'Etourneau - mâle et feuille'.,

Embroidered picture, Medium: silk, metallic and chenille embroidery on silk foundation, with metal sequins Technique: embroidered in satin stitch on plain weave; details added in watercolor, An oval image depicts a mother with two children

Trapping deer, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Karel van Mallery, Philips Galle, Flemish, 1537 - 1612, Engraving on paper, Horizontal rectangle. Hunters on horseback lasso deer in foreground; on stone, near left

Lady, Boy, and Two Old Men, Francesco Bartolozzi, Italian, active England, 1727–1815, Giovanni Francesco Barbieri (called Guercino), Italian, 1591 – 1666, Engraving in brown ink on white paper, The lady sits at left, facing right,

Portrait of Jacques Callot, Francesco (Felice) Polanzani, Italian, 1700 – after 1783, Anthony van Dyck, Netherlandish, 1599 – 1641, Engraving on paper, Shoulder-length portrait in three-quarter view towards right. Callot is bareheaded,

Design for a Wrought Iron Lecturn, from ' Divers Livres de Serrurie', Engraving on paper, The stand is shown de face, the top slightly obliquely., France, ca. 1690, Print, Print

Birth of Pyrrhus, Francesco Bartolozzi, Italian, active England, 1727–1815, Annibale Carracci, Italian, 1560–1609, John Chamberlaine, English, 1745 - 1812, Line and stipple engraving in brown ink on white paper, Pryyhus lies on a

Dance of the Daughters of Herodias, Israhel van Meckenem, German, ca. 1440 - 1503, Engraving on white paper, A banquet scene in a palace. In foreground, several couples dancing around musicians standing on a high stand. In background, left:

Rinaldo and Armida, Angelica Kauffmann, (Swiss, 1741–1807), Francesco Bartolozzi, Italian, active England, 1727–1815, Stipple engraving in sanguine ink on paper, Rinaldo reclines in the foreground, with Armida seated beside him. He

Four Women With a Boy, Francesco Bartolozzi, Italian, active England, 1727–1815, Giovanni Francesco Barbieri (called Guercino), Italian, 1591 – 1666, Engraving in brown ink on beige paper, Four women before a curtain. The Child standing

Fighting Horses, from the fourth set of 'Equile Joannis Austriaci', Jan van der Straet, called Stradanus, Flemish, 1523–1605, Hieronymus Wierix, Flemish, 1553 - 1619, Engraving on paper, Two horses fight with each other; a third one lies

A Vocal Concert, Robert Dighton, British, ca. 1752 - 1814, Giovanni Francesco Barbieri (called Guercino), Italian, 1591 – 1666, Engraving on white paper, An older bearded man leads with his left hand, and holds the music in his right, for

Portrait of Gellius de Bouma, Cornelis Visscher, Netherlandish, 1629-1658, Engraving on paper, Netherlands, 1629-1658, Print, Print

Plate in Nouveaux livres de peintures de salles et d’escaliers (New Books on Paintings for Rooms and Stairs), Daniel Marot, French, active in the Netherlands and England, 1661–1752, Etching and engraving on white laid paper, Painted ceiling

Print, Master of the Die, Italian or German, 1530 - 1560, Engraving on paper, Four river gods are grouped about a fifth lying in the foreground. In the distance a departing woman, and Apollo in the sky. Below, an eight-line verse in Italian.

A Danish Horse, from the fourth set of 'Equile Joannis Austriaci', Jan van der Straet, called Stradanus, Flemish, 1523–1605, Hieronymus Wierix, Flemish, 1553 - 1619, Philips Galle, Flemish, 1537 - 1612, Engraving on paper, A Danish

Design for State Bedchamber, in Second Livre d'Appartement (Second Book on Interiors), Daniel Marot, French, active in the Netherlands and England, 1661–1752, Etching and engraving on white laid paper, Design for a bedchamber with allover

St. Luke (S. Lvcas), Cornelis Visscher, Netherlandish, 1629-1658, Engraving on laid paper, St. Luke sits at a table writing his gospel in a book. He writes with a quill pen in his right hand and holds the book open with his left. He is

Flowers, Hand colored engraving, brush and red, green, and yellow watercolor on paper, Forty-eight branches with flowers, disposed in six lines. Two bordering lines, engraved., Germany, 1775-1800, Print, Print

Title page, 'Insectes d'Europe, Pients d'apres nature, ' by J.J. Ernst, Jacques Juillet, French, 1739 - 1784, hand-colored engraving, France, 1779, print, print

Portrait of a Lady, Francesco Bartolozzi, Italian, active England, 1727–1815, Giovanni Francesco Barbieri (called Guercino), Italian, 1591 – 1666, Engraving in brown ink on white paper, The lady sits in a high backed seat, her h ead on

Designs for Tobacco and Powder Boxes, Watches, Seals, and other Goldsmith Ornaments, from the set 'Neues sehr dienliches Goldschmids Büchlein', Paul Decker, 1677–1713, Lorenz Beger, 1663 - 1735, Engraving on paper, The numbers have been

Male Portrait with Drapery over Shoulders, Francesco Bartolozzi, Italian, active England, 1727–1815, Giovanni Francesco Barbieri (called Guercino), Italian, 1591 – 1666, Engraving in brown ink on white paper, A man facing frontally,

St. Eustace, Albrecht Dürer, German, 1471–1528, Engraving on off-white laid paper, In a wooded landscape St. Eustace, with horse and hounds, is seen in right profile kneeling in attitude. of devotion. In the right middle distance appears

A Tomb Monument of Charles IV of Lorraine, Sebastien Leclerc, French, 1637–1714, Engraving in black ink on paper, Vertical rectangle. An elaborate monument in the form of an obelisk, bearing the portrait, escutcheon and device of the King,

Plate 43, from Neüw Grotteßken Buch (New Grotesque Book), Christoph Jamnitzer, German, 1563 - 1618, Engraving on laid paper, Ornamental escutcheon composed of leafy bend-work. In the center is a putto playing a lute and standing on a bush. At

Trophee médallique et impérial (Medal and Imperial Trophy), Jean Le Pautre, French, 1618–1682, Engraving Support: off-white paper, France, France, 1661, ornament, print, print

Peep-show Section: A Coff, Martin Engelbrecht, German, 1684–1756, C.P. Maj., Hand-colored etching, with engraving Support: white laid paper laid down on thick gray paper, Interior of three rooms, furniture and costumes of the times. Men and

No. 132, Professor Josef Storck, Austria, 1830 - 1902, J. & L. Lobmeyr GmbH, Vienna, Austria, founded ca. 1935, Mouth-blown crystal, facet-cut and polished, Mouth-blown crystal punch glass, facet-cut and polished (without engraving).,

The Holy Family, Claude Mellan, French, 1598 - 1688, Engraving on white paper, Mary and Child in center; Joseph kneeling at right, holding a piece of cloth. In left background, a donkey among ruins. A tombstone with inscription and

Culture et Arsonnage du Coton' from Diderot's Encyclopedia, Vol. I, Robert Bénard, French, 1734–1772, Louis-Jacques Goussier, French, 1722 - 1799, Engraving on white paper, Upper register, view of cotton plantation on a shoreline -

La Veue (Sight) from the series Les Cinq Senses (The Five Senses), François Boucher, French, 1703 – 1770, Gabriel Huquier, French, 1695–1772, Etching and engraving on paper, Allegorical scene depicting the sense of sight. Four figures

Button, Cut Steel, A & B) decorated with engraving and punch work; C) is dish-shaped with facetted bass in center; D) has beveled rim and shallow central depression; E) has scalloped edge with two rings of pierced decoration., On card 65,

Engraving, Black ink and watercolors on paper, Vertical. Under central evergreen tree, a shepherd leaning on staff, a goat, and a cow. In tree, an owl and woodpecker. Blue-green, yellow, and mallow red., Europe and USA, 18th century,

Lobo Showed the Pack How to Kill Beef, Ernest Thompson Seton, American, 1860–1946, Wood engraving in black ink on white paper, Trial proof for illustration. Wolves are seen felling cattle, while others flee in the distance., USA, 1898,

Ersten Ausgab seines vorhabenden Wercks, Johann August Corvinus, 1683 – 1738, Johann Jakob Schübler, German, 1689–1741, Jeremias Wolff, German, 1663–1750, Engraving on cream laid paper, Plate 1. Design for bedroom and elaborately

On the Road to Lake George, Winslow Homer, American, 1836–1910, Appleton's Journal of Literature, Science and Art, D. Appleton and Company, New York, NY, D. Appleton and Company, New York, Wood engraving in black ink on paper, View of a

Our Watering Places – Horse Racing at Saratoga, Winslow Homer, American, 1836–1910, Harper's Weekly, Wood engraving in black ink on paper, Crowd in the grandstand at the races, with horses at lower right., USA, August 26, 1865,

Portrait of Charles Le Brun (1619-1690), Jacques Lubin, French, 1637 - 1695, Engraving on paper, Bust-length portrait. The body in side view facing right, the head turned to front. Lebrun wearing a wig and dressed in a loose robe, which leaves

Fan leaves, first half of the set 'Desseins d'Eventails et Ecrans', Nicolas Loir, French, 1624 - 1679, Etching, engraving on laid paper, Semicircular plates., France, ca. 1750, ornament, Print, Print

Portrait of a Lady (The Grecian Daughter), Francesco Bartolozzi, Italian, active England, 1727–1815, Stipple engraving in brown ink on white paper, The lady, in profile, faces left, with a high turban-like hat, in decolletage. Below, the

Almanac for the First Half of the Year 1778, with Portraits of the Royal French Family, Louis-Joseph Mondhare, French, active 18th c., Engraving and etching on paper, A frieze with six portraits in helf length is on top. The portraits r

Rabbit hunt, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Jan Collaert II, Flemish, 1560 - 1628, Philips Galle, Flemish, 1537 - 1612, Engraving on paper, Horizontal rectangle. Hunters using captive leopards to capture

Buffalo Hunt, plate 27 in the Venationes Ferarum, Avium, Piscium series, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Jan Collaert II, Flemish, 1560 - 1628, Philips Galle, Flemish, 1537 - 1612, Engraving on paper,

Minerva, or 'Arma' (Allegory of the Art of War), pl. 2 in the Schema, seu Speculum Principum (Skills of a Prince) series, Jan Sadeler, the Elder, ca. 1550 – 1600, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Charles

Title Page, 'Principes pour toucher de la viele Avec six sonates ... composé par Bap. Dupuit', Jean Robert, French, active 1746 - 1782, Mademoiselle Estien, French, active 18th c., Engraving on paper, A rocaille escutcheon surmounted by a

Diana, Pompeo Lapi, Italian, active ca. 1783, Engraving in dark brown ink on paper, Diana is seen seated under a ruined arch with two nude nymphs. She holds a bow in her hand. Below, two dogs and dead game., Livorno, Italy, 1789, Print,

Violinist Seated in the Inn, Cornelis Dusart, Netherlandish, 1660–1704, Engraving on off-white laid paper, A crowd gathers in the lower right, with a seated man playing a violin at left. The group to his right is boisterous, some sitting,

The Christmas-Tree, Winslow Homer, American, 1836–1910, Harper's Weekly, Wood engraving in black ink on paper, The father handing out presents from the tree, a small horn in his left hand. Lower half of the page., USA, USA, December 25,

Apes imitating hunters, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Jan Collaert II, Flemish, 1560 - 1628, Philips Galle, Flemish, 1537 - 1612, Engraving on paper, Horizontal rectangle. In the foreground, right, a group

Theatre des Varietés in Paris, Engraving on paper, Horizontal rectangle. From the same publication as -1392. Shown from the boulevard. Signatures and name of the publication as in -1392. The number is 77: 'VUE DU THEATRE DES VARIETES SURE LE

Portrait of Cardinal Emmanuel-Théodore de la Tour-d'Auvergne, duc d'Abret (1644-1715), Antoine Masson, Nicholas Mignard, French, 1606 - 1668, Engraving on paper, Bust length portrait, turned toward the left, the head shown in three-quarter

Engraving: Monograms of Two Letters, Nicolas Langlois, French, 1640 - 1703, Black ink on white paper, Vertical rectangle. Fifteen monograms in five rows. The letters are composed of leaf scrolls. They are letter A combination with other letters.

Seated Shepherd Playing with a Dog, Jean-Baptiste Huët, (French, 1745–1811), Gilles Demarteau, Belgian, active in France, 1722 – 1776, Crayon manner engraving on heavy cream laid paper, Crayon manner print in red-brown ink. Young boy is

Samson Threatening His Father-in-Law, Georg Friedrich Schmidt, French school, 1712 - 1775, Rembrandt Harmensz van Rijn, Dutch, 1606–1669, Engraving on paper, Samson, with his sword at his left, his left hand an upraised fist, long hair

The City of Charleston, South Carolina, Looking Seaward and Showing the Burned District, from Harper's Weekly, December 28, 1861, p. 822., Wood engraving black ink on newsprint paper, Horizontal view of the city, looking toward the sea:

First Chestnut Street Theater, Philadelphia, A.P., William Sherlock, J. M. Williams, Crayon engraving on paper, Horizontal rectangle. Oblique view. A carriage is shown on the street. Caption: A. P. Esq. delin, W. Sherlock sc/ A CORRECT VIEW OF

Plate I of 'Travail et emploi du coton' from Diderot's Encyclopedia, Vol. I, Louis-Jacques Goussier, French, 1722 - 1799, Robert Bénard, French, 1734–1772, Engraving on white paper, Upper register, interior of a factory, showing combing

A Man in Meditation, Giovanni Vitalba, Italian, 1783 - 1792, Giovanni Francesco Barbieri (called Guercino), Italian, 1591 – 1666, Engraving in brown ink on white paper, The man, with a large beard, faces frontally. His right elbow is on a

Floral Department of the Great Fair, Harper's Weekly, Wood engraving in black ink on paper, Ladies and gentlemen buying bouquets at a flower booth., USA, April 16, 1864, figures, Print, Print

Sophonisba, with a Bowl, Francesco Bartolozzi, Italian, active England, 1727–1815, Giovanni Francesco Barbieri (called Guercino), Italian, 1591 – 1666, Engraving in brown ink on white paper, Sophonisba sits at a table, in front of a

Designs for engraved decoration of goldsmith's works, Jacques Vauquer, French, 1621–1686, Engraving on laid paper, Right par of an oblong panel with large rinceaux design with curling acanthus leaves and two putti, one of who holds a laurel

The Flight into Egypt, Martin Schongauer, German, 1450–1491, Engraving on off-white laid paper, The Virgin, seated on a donkey, with the Christ Child on her lap, passes under a date palm, from which the fruit is being shaken by angels,

St. Jerome in Penitence, Albrecht Dürer, German, 1471–1528, Engraving on off-white laid paper, ca. 1497, figures, Print, Print

Illustration of Architectural Ornament, Wendel Dietterlinn the Elder, 1551 – 1599, Engraving on paper, Design for a brick/tiled wall with various ornamental motifs., Germany, 16th century, architecture, Print, Print

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