Images at Librifly

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Ammon Begs the King to Summon his Sister Thamar, Martin Van Heemskerk, Netherlandish, 1498 - 1574, Philips Galle, Flemish, 1537 - 1612, Engraving on off-white laid paper, Ammon, in bed, begs the King to summon his sister Thamar.,

Theatre Italien, Paris, Engraving on paper, Horizontal rectangle. No. 75 of the same publication as -1392. Shown obliquely from the left corner of the frontside with the houses of the flanking streets and houses and a hill visible at the end of

The Carnival of Venice, Martin Engelbrecht, German, 1684–1756, Engraving, brush and watercolor on white paper, Horizontal rectangle. Scene made up of 6 cards, the frontmost 5 cards with cutouts that allow a view of the scene beyond when

Portrait of the Marquis de Longveil, Robert Nanteuil, French, 1623 – 1678, Engraving on paper, A portrait in an oval frame, in which is written, 'Mes.re Rene de Longveil, Marquis de Maisons Ministre de Stat et President au Parlem.' The

A French Horse, from the first set of 'Equile Joannis Austriaci', Jan van der Straet, called Stradanus, Flemish, 1523–1605, Hieronymus Wierix, Flemish, 1553 - 1619, Engraving on paper, Netherlands, ca. 1575, nature studies, Print,

March Winds and April Showers, Winslow Homer, American, 1836–1910, Wood engraving printed in black ink on paper, Two horizontal pictures on upright page: Upper shows a sidewalk with pedestrians whose clothes are being blown by wind, and the

Architectural Drawing with Figures, Juste-Aurèle Meissonnier, French, b. Italy, 1695–1750, Engraving on paper, Architectural drawing with figures., Europe, France, 1695–1750, Print, Print

Looking for Camp, Illustration for Century Magazine (XXXVII, No. 1, November 1888, p. 108), Mary A. Hallock Foote, American, 1847–1938, Francis Scott King, American, 1850–1913, Wood-engraving in black ink on paper, A hunter, with a

Plate 86 from Nouveau livre de serrurerie (New Book of Locksmith's Designs), Pierre Soubeyran, Swiss, 1709 - 1775, Étienne Charpentier, French, 1707 – after 1792, Engraving on paper, At center, detail of an espagnolette (locking device)

Brodeur (Embroiderer), Section 18, Plate 1, Encyclopédie, ou dictionnaire raisonné des sciences, des arts et des métiers (Encyclopedia, or Systematic Dictionary of the Sciences, Arts, and Trades), vol.19, Benoît-Louis Prévost, French,

Standing Chinese Man with Two Birdcages, Plate 5 from 'Cahier de Figures Chinoises', Jean-Jacques Avril the Elder, French, 1744 - 1831, Jean-Baptiste Pillement, French, 1728–1808, Engraving on paper, A Chinese man stands in a garden

Title Page, 'Feuilles de Terpsichore Pour le Clavecia', Jacques Le Roy, French, 1739–1789, Etching and engraving on paper, A bracket with a frame, shown in perspective, has, at top, a garland and an angel sitting on clouds and leaning on

Portrait of Blaise Pascal (1623-1662), Gerard Edelinck, Flemish, active in France, 1640/41 - 1707, Engraving on paper, Bust length portrait in three-quarter view toward left. The sitter has his coat wrapped around him. In an oval frame with

Processes of Wallpaper Production, Engraving on paper, The image shows five scenes, each with a subtitle. Beginning with the upper left scene: . A GLIMPSE . OF . THE . ART . ROOM . depicts three men at their easels as a fourth wearing a top hat

Portrait of an Old Man with a Beard, with Naked Shoulders, Francesco Bartolozzi, Italian, active England, 1727–1815, Giovanni Francesco Barbieri (called Guercino), Italian, 1591 – 1666, Engraving in brown ink on white paper, The man's

The Dance In Front of An Inn, Jan de Visscher, Dutch, 1633 - 1692, Adriaen van Ostade, Netherlandish, 1610 – 1685, Engraving on paper, In front of an old house, at left, a couple are dancing. A musician who plays a clarinet, stands

Singeries Amouresuses, Plate 2, Nicolas Guérard, French, 1648–1719, Engraving with black ink on paper, Horizontal rectangle. Groups of monkeys on a monumental platform, in the foregound. At the center, one monkey, wearing a sword, kneels

Hercules and Dejanira, from a series of the Loves of the Gods, Jacob Matham, Netherlandish, 1571–1631, Hendrik Goltzius, Netherlandish, 1558 – 1617, Engraving on laid paper, Netherlands, ca. 1597, Print, Print

Walls of the Grand Cañon, Colorado River, Thomas Moran, American, b. Britain, 1837–1926, Annin, British, Wood engraving on cream wove paper, Close-up view of walls of canyon. Tall cliffs, river below leading up to small waterfalls and

The Archangels Michael, Gabriel, and Raphael Adoring the Madonna and Child, Diana Mantuana, Italian, ca. 1547 - 1588, Giulio Romano, Italian, 1499–1546, Engraving on laid paper, Vigin and child, seated on a cloud, admired by the

Grotesque Ornament, Engraving Support: white laid paper, France, France, 16th century, ornament, Print, Print

Portrait of Titian, Agostino Carracci, Italian, 1557 – 1602, Titian, Italian, ca. 1488 - 1576, Engraving on off-white laid paper, Titian, seen in three-quarter view, turned a little to the left. Below, the inscription: ILL. [superscript]

Battle of the Sea Gods, right half, Andrea Mantegna, Italian, ca. 1431 - 1506, Engraving on laid paper, In marshy shallows, three male sea gods battle each other and two water satyrs. The water satyr on the left, armed with a club and a

Le Toucher (Touch) from the series Les Cinq Senses (The Five Senses), François Boucher, French, 1703 – 1770, Gabriel Huquier, French, 1695–1772, Etching and engraving on paper, Two allegorical figures representing the sense of touch. One

Sanctuary Lamp, from 'Dis, Giovanni Giardini, Italian, 1646 - 1721, Maximilian Joseph Limpach, Czech, active the 1st half of 18th century, Engraving, etching Support: white laid paper, Rome, Italy, Italy, 1714, lighting, Print, Print

Woman with a Turban, Francesco Bartolozzi, Italian, active England, 1727–1815, Giovanni Francesco Barbieri (called Guercino), Italian, 1591 – 1666, Engraving in brown ink on white paper, The woman faces left, her hair up in a turban.,

Ornament Panel with Mars, Nicoletto da Modena, Italian, active 1500 – 1522, Antonio Salamanca, Italian, ca. 1500 - 1562, Engraving on laid paper, Vertical rectangle fully decorated with symmetrical grotesque. At top, cameo profiles and

Du Cabinet de Madame d'Azaincourt, Gilles Demarteau, Belgian, active in France, 1722 – 1776, François Boucher, French, 1703 – 1770, Reddish brown crayon engraving on paper, A girl, a boy, and a dog seated among ruins. After a

Christopher Columbus, Adriaen Collaert, Flemish, ca. 1560 – 1618, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Engraving on paper, One of a set with the title 'Americae detectio.' Inscribed: 'Christophorus Columbus

Christmas Out of Doors, Winslow Homer, American, 1836–1910, Harper's Weekly, Wood engraving in black ink on paper, Figures on the street in the snow. Two figures silhouetted under wreath in window, upper center. Lower half of the page.,

Portrait of Father Thomas Cervioni, Girolamo Rossi (de Rubeis) II, Italian, 1682 - 1762, Antonio David, Italian, active from 1694, Engraving on paper, Half-length portrait in three-quarter view to right. The Father, a middle-aged man, wears

St. John Baptizing Christ, Jan Harmensz Muller, Dutch, 1571 - 1628, Engraving on laid paper, In central foreground Saint John baptizing Christ who is surrounded by angels. Inscribed, lower left: 'J. Muller fecit'; lower right: 'Harman Muller

The Dance after the Husking, Winslow Homer, American, 1836–1910, Harper's Weekly, Wood engraving in black ink on paper, Couples dancing a square dance. Lower half of the page., USA, November 13, 1858, figures, Print, Print

A Young Man in Meditation, Giovanni Vitalba, Italian, 1783 - 1792, Giovanni Francesco Barbieri (called Guercino), Italian, 1591 – 1666, Engraving in brown ink on white paper, A young, unbearded man, rests his right elbow and left hand on

Portraits of United State, Frederick T. Stuart, 1837 – 1913, Steel engraving Support: white wove paper, USA, USA, ca. 1888, ephemera, Print, Print

Judith, from the series 'Heroes of the Old Testament', Jacob Matham, Netherlandish, 1571–1631, Hendrik Goltzius, Netherlandish, 1558 – 1617, Engraving on off-white laid paper, Judith stands in the foreground holding aloft the severed

Plate in Nouvelles Cheminée faittes en plusieur en droits (New Designs for Fireplaces), Daniel Marot, French, active in the Netherlands and England, 1661–1752, Etching and engraving on white laid paper, The fireplace is decorated with an

The Inaugural Procession at Washington Passing the Gate of the Capitol Grounds, from Harper's Weekly, March 16, 1861, p. 161., Wood engraving in black ink on newsprint paper, Vertical view showing an open carriage moving toward the left with

Devil's Gate, Weber Cañon, Thomas Moran, American, b. Britain, 1837–1926, John Filmer (American, active 1870-1880), Wood engraving on cream wove paper, View of river running over rocks and through two cliffs; mountains in the middle and

Coffee-pot and Stand from, Giovanni Giardini, Italian, 1646 - 1721, Maximilian Joseph Limpach, Czech, active the 1st half of 18th century, Engraving, etching Support: white laid paper, Rome, Italy, Italy, 1714, metalwork, Print, Print

$100 Federal Reserve Note, Kenyon Cox, American, 1856–1919, Engraving in black ink on paper, laid down, Design for United States bank note. The allegorical figures represent, from left to right: Agriculture, Prosperity, America, Peace,

Head of a Cow, Louis-Marin Bonnet, French, 1736 - 1793, Jean-Baptiste Huët, (French, 1745–1811), Crayon-manner engraving in red ink on paper, Head of a cow, facing one quarter right, its mouth open. Probably from: 'Premier Cahier de

The Last Trip In, Illustration for The Century Magazine (XXXVIII, No. 3, July 1889, p, 342), Mary A. Hallock Foote, American, 1847–1938, John Henry Ellsworth Whitney, American, 1840–1891, Wood-engraving in black ink on paper, Covered

Exterior of the Duke's Theater, Dorset Gardens, London, After a 17th Century Book Illustration, Richard Sawyer, Etching with engraving, hand colored, England, 1809, theater, print, print

Portrait of Pierre Seguier (1588-1672), Jacques Lubin, French, 1637 - 1695, Engraving on paper, Bust length portrait in three-quarter view toward left. The sitter wears his official robe. The frame stands on an oval frame with coat-of-arms in

Funffte Ausgab seiner vorhabenden werckes...Unterschiedliche Neu Inventierte Verkleidunen zu modernen geographiscehen und astronomischen Perpendicul-Uhren, erschienen bei Jer., Johann Jakob Schübler, German, 1689–1741, Jeremias Wolff,

Saint Paul Preaching at Athens, Marc Antonio Raimondi, Italian, 1483 – 1527, Raphael, (Italian, 1483–1520), Engraving on paper, St. Paul, with his hands raised, stands on steps at the left. In back, three men listening, stand also on

Flowers, Martin Engelbrecht, German, 1684–1756, Engraving on paper, Six nosegays, disposed in two rows., Augsburg, Germany, France, 1725-1750, Print, Print

A bishop saint pointing to a model city, with other figures, after a drawing by Guercino, Francesco Bartolozzi, Italian, active England, 1727–1815, Giovanni Francesco Barbieri (called Guercino), Italian, 1591 – 1666, Engraving in brown

Portrait of Jean de Boullongne, Johann Georg Wille, German, active France 1715–1808, Hyacinthe Rigaud, French, 1659 - 1743, Engraving on paper, Set in an arched simulated stone frame is the half-length figure of the sitter, done from

Peep-show Section: Coffee, Martin Engelbrecht, German, 1684–1756, C.P. Maj., Hand-colored etching, with engraving Support: white laid paper laid down on thick gray paper, Interior of three rooms, furniture and costumes of the times. Men and

The Army of the Potomac – A Sharp-Shooter on Picket Duty, Winslow Homer, American, 1836–1910, Harper's Weekly, Wood engraving in black ink on paper, A soldier is seated on the limb of a tree, his rifle raised, ready to fire., USA, USA,

A Saxon Horse, from the first set of 'Equile Joannis Austriaci', Jan van der Straet, called Stradanus, Flemish, 1523–1605, Hieronymus Wierix, Flemish, 1553 - 1619, Engraving on paper, Netherlands, ca. 1575, nature studies, Print,

Two Women and a Child, Francesco Bartolozzi, Italian, active England, 1727–1815, Giovanni Francesco Barbieri (called Guercino), Italian, 1591 – 1666, Engraving in brown ink on white paper, One woman sits in a chair at right. The other on

Saint Dominic, Cornelis Galle I, Flemish, 1576 - 1650, Theodor Galle, ca. 1571 - 1633, Engraving on laid paper, Saint Dominic in center oval, looking up toward the right, a star on his forehead. He holds a crucifix and lily in his right

The Dog of Goltzius, Hendrik Goltzius, Netherlandish, 1558 – 1617, Engraving on laid paper, A boy, holding a bird in his right hand is about to climb on to the back of a large shaggy dog. The portrait is supposed to be that of the son of

The Carnival of Venice (Peep-show), Martin Engelbrecht, German, 1684–1756, Engraving, brush and watercolor on paper, Scene with dancing figures. Palace of the Doges on right, library on left. Also the campanile of St. Marks, the Mint, and

Plate 26, from Neüw Grotteßken Buch (New Grotesque Book), Christoph Jamnitzer, German, 1563 - 1618, Engraving on laid paper, Ornamental cartouche composed of paired elephant heads, seen in profile, alternately. Their trunks terminate in

Eight Heads, Men and Women, Francesco Bartolozzi, Italian, active England, 1727–1815, Giovanni Francesco Barbieri (called Guercino), Italian, 1591 – 1666, Engraving in brown ink on white paper, The foremost head is of a woman with a

Elephants Helding Each Other out of a Trap, plate 1 from the Venationes Ferarum, Avium, Piscium series, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Jan Collaert II, Flemish, 1560 - 1628, Philips Galle, Flemish, 1537 -

Portrait of Marcantonio Franceschini (1648-1729), Antonio Pazzi, Italian, 1706 - after 1768, Giovanni Domenico Campiglia, Italian, 1692 - 1775, Engraving on paper, Italy, ca. 1750, Print, Print

Portrait of Jean François Senault (1601-1672), Jacques Lubin, French, 1637 - 1695, Engraving on paper, Half-length portrait in three-quarter view facing left. The sitter wears a scull-cap and surplice. The portrait is in an oval frame with

Thamar ejected from her brother's house, Martin Van Heemskerk, Netherlandish, 1498 - 1574, Engraving on off-white laid paper, Ammon appears in bed ordering his servants to eject his sister Thamar, who leaves the room by a door in the left

Peasants in a Cabaret, Brush and opaque watercolor on pin-pricked paper, Early 19th century pin-prick picture after an engraving. The face and hands painted in watercolor., Germany, ca. 1800, Pin-prick picture, Pin-prick picture

Flowers, Hand colored engraving, brush and red, green, and yellow watercolor on paper, Forty-nine branches with flowers, disposed in six lines. Two bordering lines, engraved., Germany, 1775-1800, Print, Print

Les Joueurs de Cartes, Paul-Edme Lerat, French, 1849 - 1892, Jean Louis Ernest Meissonier, French, 1815–1891, Engraving on paper, Two figures center, sitting astride a bench and playing cards; four others look on. In the back, right, a

Portrait of Lucas Vorsterman I, from the Icones Principum Virorum, Anthony van Dyck, Netherlandish, 1599 – 1641, Etching and engraving on laid paper, Portrait of a man (Lucas Vorsterman [1624-after 1651/52]), the figure turned toward right;

Fourth Act of Soliman, Jacques Callot, French, 1592–1635, Jacques Callot, French, 1592–1635, Engraving with black ink on paper, Horizontal rectangle. The same scene as Act I, with a fire raging, flames and smoke issuing from doors and

Young Woman in a Thoughtful Attitude, Francesco Bartolozzi, Italian, active England, 1727–1815, Giovanni Francesco Barbieri (called Guercino), Italian, 1591 – 1666, Engraving in brown ink on white paper, Young woman sits at a table, her

Plate 51, Costume Parisien (Parisian Costume), Journal des Dames et des Modes (Journal of Ladies and Fashion), Carle Vernet, French, 1758–1836, Pierre-Antoine Leboux de La Mésangère, French, 1761–1831, Engraving, hand-colored with

Plate 36, from Neüw Grotteßken Buch (New Grotesque Book), Christoph Jamnitzer, German, 1563 - 1618, Engraving on laid paper, Four human heads with wings wearing various hats and clothing. Also shown are a flying snake, insect and spoon.,

The Large Cat, Cornelis Visscher, Netherlandish, 1629-1658, Etching with engraving on off-white laid paper Support: white laid paper, ca. 1657, figures, Print, Print

Title page of “Nova Reperta”, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Jan Collaert II, Flemish, 1560 - 1628, Philips Galle, Flemish, 1537 - 1612, Engraving on laid paper, Upper center: a tablet with the

Plate 12, Femina Veneta (Venetian Woman), Diversarum Nationum Ornatus Cum Suis Iconibus, Alessandro Fabri, Italian, active late 16th century, Pietro Bertelli, Italian, ca. 1571–1621, Alessandro Fabri, Italian, active late 16th century,

Spring Blossoms, Winslow Homer, American, 1836–1910, Harper's Weekly, Wood engraving in black ink on paper, View of children sitting on a stone wall under a blossoming fruit tree. At left, a woman leans on the wall with her left elbow, her

Portrait of Giuseppe Chialli (active 1800-1839), Luigi Ceroni, Silvestro Valeri, Italian, 1814 - 1902, Alessandro Capalti, Italian, 1810 - 1868, Engraving in crayon manner on paper, Half-length portrait in three-quarter view towards right.

The Narrows, North Fork of the Rio Virgen, Utah, Thomas Moran, American, b. Britain, 1837–1926, F. Juengling, American ?, Wood engraving on cream wove paper, View of landscape from one side of narrow round opening in mountain. River

Saint Eustace, Albrecht Dürer, German, 1471–1528, Engraving on laid paper, The saint is shown in profile, kneeling, facing right. With hands raised, he looks towards a staf, moving to the left, a crucifix between his antlers. The saint's

Laocoon, Jan de Bisschop, Dutch, 1628 - 1671, Willem Doudijns, Dutch, 1630 - 1697, Engraving on paper, Laocoon group in frontal view. Inscribed, upper right: '16', lower right, monograms 'J E F', lower left, 'D O N D.', Netherlands,

Massacre of the Innocents (without the Fir Tree), Marc Antonio Raimondi, Italian, 1483 – 1527, Raphael, (Italian, 1483–1520), Engraving on off-white laid paper, Killing of the children in foreground. In center background, a bridge; right

The Carnival of Venice (Peep-show), Martin Engelbrecht, German, 1684–1756, Engraving, brush and watercolor on paper, Scene with dancing figures. Palace of the Doges on right, library on left. Also the campanile of St. Marks, the Mint, and

A Pope with a Book, Francesco Bartolozzi, Italian, active England, 1727–1815, Giovanni Francesco Barbieri (called Guercino), Italian, 1591 – 1666, Engraving in brown ink on white paper, The Pope sits facing slightly right, with his eyes

Wood engraving. Vignette., Engraving and etching, A seated woman raising a chalice with Host in her right hand. The cross leans against her left arm. An anchor lies at left., Europe and USA, 1820–35, Wood engraving. Vignette

St. Jerome in his Study, Albrecht Dürer, German, 1471–1528, Engraving on off-white laid paper, Germany, 1514, figures, Print, Print

Mountain of the Holy Cross, Colorado, Thomas Moran, American, b. Britain, 1837–1926, Bogert, Wood engraving on cream wove paper, View of mountainous landscape, central mountain with delineated cross shape; trees in the middle ground and

Three Saints, the Virgin and Child in the Clouds, Francesco Bartolozzi, Italian, active England, 1727–1815, Giovanni Francesco Barbieri (called Guercino), Italian, 1591 – 1666, Engraving in brown ink on white paper, The three saints in

The Entombment, Martin Schongauer, German, 1450–1491, Engraving on laid paper, The Disciples place the body of Christ in the tomb. One of them, left, supports Him about the waist; another, right, holds the legs. In the foreground, St.

The Milk Woman, Louis-Marin Bonnet, French, 1736 - 1793, Engraving and etching in the crayon-manner in blue, black and red ink over gold leaf, on off-white laid paper., Portrait of a young woman, facing front, presenting a gilded milk can.

Elevation and Plan for a Public Fountain, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Nicolas Jean-Baptiste de Poilly, French, 1712–after 1758, Etching and engraving on off-white laid paper, Germany, 1745,

Plate 8, Cabriolet (Open Top), Modèles de Voitures Louis XV (Models of Louis XV Carriages), Jean-François Chopard, French, active 18th century, Jean-François Chopard, French, active 18th century, Nicolas Jean-Baptiste de Poilly, French,

Design for Three Parts of Picture Frames, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Etching and engraving on off-white laid paper, Germany, 1745, furniture, Print, Print

Peep-show, Vue d'Optique Representant les Environs du Marché aux Chevaux de Stetin en Allemagne, Engraving in ink with washes of watercolor on paper, mounted on scrapbook page, Peep-show print, France, ca. 1750, Print, Print

Design for Candle Holder, Pierre Germain, French, 1703 - 1783, Jacques Jean Pasquier, French, died 1785, Engraving on paper, Rocaille design for candle holder, with seven candles., France, 1751, ornament, Print, Print

Trophy with Implements of the Hunt, Plate 3 from 'Suite de Trophées de chasse, ' Suite VI, Etienne Claude Voysard, French, 1746 - 1812, Pierre Ranson, French, 1736–1786, Engraving on paper, Falcons, a hunting horn and other implements of

Two Quarters of a Ceiling, Nouveau Livre de Plafonds (New Book of Ceilings), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Carl Albert von Lespilliez, German, 1723 - 1796, François de Cuvilliés the Elder,

Frame with Trophy and Turkish Bonnet, Deuxième Livre de Cadres (Second Book of Frames), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Carl Albert von Lespilliez, German, 1723 - 1796, François de Cuvilliés the

Brutus, Domenico Cunego, Italian, 1727 - 1803, Gavin Hamilton, Scottish, 1723 - 1798, Engraving on paper, Rome, Italy, 1768, Print, Print

Desseins de Cartouches, et de Consoles, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Etching and engraving on off-white laid paper, Germany, 1745, ornament, Print, Print

Station-House Lodgers, Winslow Homer, American, 1836–1910, Harper's Weekly, Wood engraving in black ink on paper, View of a men sleeping on the floor as the jailor looks in the door., USA, February 7, 1874, figures, Print, Print

Design for the Plan of the Porte S. Denis, Martin Marvie, 1713–1790, Engraving on paper, Plan, side elevation. Inscribed upper right, Line 'V. No. IV, Planche 1/2'; lower right: 310 and 311'., Europe, France, ca. 1750, Print, Print

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