Images at Librifly


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159.744 / 2.589.715 Entries   < previous page Page 820 / 1598 next page >
Cartouche with a Dragon and Armorial Trophy, Livre de Cartouches à divers usages (Book of Cartouches for Different Uses), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Franz Xaver Andreas Jungwierth, German,
A Parisian Ball – Dancing at the Mabille, Paris, Winslow Homer, American, 1836–1910, Harper's Weekly, Wood engraving in black ink on paper, Several couples dancing, doing very high kicking. In the background, a crowd of men wearing top
Frame with Two Scrolls of Leaves, Troisième Livre de Cadres (Third Book of Frames), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Carl Albert von Lespilliez, German, 1723 - 1796, François de Cuvilliés the Elder,
Deux diferents desseins de Tables, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Karl Albert von Lespilliez, 1723–1796, Nicolas Jean-Baptiste de Poilly, French, 1712–after 1758, Etching and engraving on
Design for Fountain with Putto Riding a Dolphin, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Georg Siegmond Roesch, Nicolas Jean-Baptiste de Poilly, French, 1712–after 1758, Etching and engraving on off-white
Design for a Sacred Vase, Juste-Aurèle Meissonnier, French, b. Italy, 1695–1750, Gabriel Huquier, French, 1695–1772, Engraving on paper, Incensor., Europe, France, 1695–1750, Print, Print
Stage Set for Il Trionfo della Pietà, Giovanni Francesco Grimaldi, Italian, 1606 – 1680, Giovanni Battista Galestruzzi, Italian, 1615 – 1669, Engraving in black ink on paper, Horizontal rectangle. A rocky landscape opens to the sea,
The Practitioners of the Visual Arts (upper half of torn sheet), Jan van der Straet, called Stradanus, Flemish, 1523–1605, Cornelis Cort, Dutch, 1533 - 1578, Engraving on laid paper, 1578, Print, Print
The Last Days of Harvest, from Harper's Weekly, December 6, 1873, p. 1092., Winslow Homer, American, 1836–1910, Wood engraving in black ink on newsprint paper, Horizontal scene showing, in the foreground, two small boys seated and
Cartouche with a Fountain and an Obelisk in the Background, Pierre Edme Babel, French, ca. 1720-1775, Pierre Edme Babel, French, ca. 1720-1775, Jacques Chéreau, French, 1688–1776, Engraving on off-white laid paper, Clouds and sun at
Quarter of a Ceiling, Livre de Plafonds (Book of Ceilings), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Franz Xaver Andreas Jungwierth, German, 1720–1790, François de Cuvilliés the Elder, Belgian, active
Porte d'Entrée de Choeur, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Karl Albert von Lespilliez, 1723–1796, Nicolas Jean-Baptiste de Poilly, French, 1712–after 1758, Etching and engraving on off-white laid
Unterschiedlich Augspurgische Goldschmidts Arbeit, 'Ver', Plate 1, Abraham Drentwet, 1647 – 1727, Jeremias Wolff, German, 1663–1750, Engraving, Germany, 1721–40, furniture, Print, Print
He Would be a Soldier, Thomas Nugent, English, active 1785 - 1801, Martin Archer Shee, Irish, 1769 - 1850, Stipple engraving on paper, In a landscape, a little boy stands with a gun on his right shoulder and a military cap on his head. On
Portrait of Madame Lambert (Marie de Laubespine), Pierre Drevet, 1663 - 1738, Nicolas de Largillière, 1656 - 1746, Engraving on paper, Almost full length portrait of the young woman seated in an armchair. In three-quarter view to right. Dress
L'Heure du Midi, from a set of the hours of the day, Antoine Aveline, French, 1691 – 1743, Jean Mondon, French, fl. 1736 – 1745, Engraving and etching on paper, In a rocaille framing. An unidentified coat of arms bottom center., France,
Peep-show, 21e Vue d/Optique Representant Prospectus Purfleet ad Tamesim in Comitatu Essex/Le Purfleet Sur la Tamise Dans le Comté d'Essex, Engraving in ink with washes of watercolor on paper, mounted on scrapbook page, Peep-show print, France,
Chestnutting, Winslow Homer, American, 1836–1910, John Andrew, Wood engraving printed in black ink on paper, Two boys and two girls holding a blanket into which a third boy, in a tree, shakes down chestnuts. Hillside in background, with
Frame with Masks and Trees, Troisième Livre de Cadres (Third Book of Frames), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Carl Albert von Lespilliez, German, 1723 - 1796, François de Cuvilliés the Elder,
Two Upright Panels, Livre de Paneaux irréguliers (Book of Irregular Panels), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Carl Albert von Lespilliez, German, 1723 - 1796, François de Cuvilliés the Elder,
Design for Fountain with Coat of Arms and Equestrian Statue, François de Cuvilliés the younger, German, 1731 - 1777, François de Cuvilliés the younger, German, 1731 - 1777, François de Cuvilliés the younger, German, 1731 - 1777,
Design for Cartouche, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Georg Siegmond Roesch, Nicolas Jean-Baptiste de Poilly, French, 1712–after 1758, Etching and engraving on off-white laid paper, Germany, 1745,
A Vocal Concert, Francesco Bartolozzi, Italian, active England, 1727–1815, Giovanni Francesco Barbieri (called Guercino), Italian, 1591 – 1666, Engraving in brown ink on white paper, Four boys, grouped around a table; two are seated
Peep-show, Le Port Du Vieux Toulon, Engraving in ink with washes of watercolor on paper, mounted on scrapbook page, Peep-show print, France, ca. 1750, Print, Print
Apotheosis of Saint Francis, Peltro William Tomkins, British, 1760 - 1840, Lodovico Carracci, Italian, 1555 - 1619, Stipple engraving on brown paper with white highlights, Saint Francis being lifted to Heaven by four angels, his palms
Cartouche with Wings and Escutcheons, Livre de Cartouches Reguliers (Book of Regular Cartouches), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Franz Xaver Andreas Jungwierth, German, 1720–1790, François de
Desseins D'Agraffes, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Etching and engraving on off-white laid paper, Germany, 1745, ornament, Print, Print
Le Temps de L'Après-dîné, from a set of the hours of the day, Francois Antoine Aveline, (French, 1718–1787), Jean Mondon, French, fl. 1736 – 1745, Engraving and etching on paper, In a rocaille framing. An unidentified coat of arms
Title Page, Nouveaux Livre de Paysages (New Book of Landscapes), Daniel Marot, French, active in the Netherlands and England, 1661–1752, Etching and engraving on white laid paper, On the right, stairs, with checkered floor and sphinxes,
Group of Apostles, Alphonse Alexandre Leroy, French, 1821 - after 1880, Titian, Italian, ca. 1488 - 1576, Stipple engraving on paper, France, ca. 1845, Print, Print
Frame with Rocaille Cartouche, Deuxième Livre de Cadres (Second Book of Frames), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Carl Albert von Lespilliez, German, 1723 - 1796, François de Cuvilliés the Elder,
Design for Two Cartouches, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Karl Albert von Lespilliez, 1723–1796, Nicolas Jean-Baptiste de Poilly, French, 1712–after 1758, Etching and engraving on off-white laid
Cartouche with Putto Blowing Conch, Livre de Cartouches Irréguliers (Book of Irregular Cartouches), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Carl Albert von Lespilliez, German, 1723 - 1796, François de
Print, Antoine-Alexandre-Joseph Cardon, Belgian, 1739 - 1822, Francesco Bartolozzi, Italian, active England, 1727–1815, Stipple engraving on paper, A bust length young woman, facing one quarter left, head turned frontally. She wears a
Peep-show, Vue Perspective de la Place Dauphine de Paris, du Côté de la Rue de Harlay, No. 162, Engraving in ink and washes on water color on paper, mounted on scrapbook page, Peep-show print, France, ca. 1750, Print, Print
Cupid and Psyche, Francesco Bartolozzi, Italian, active England, 1727–1815, Giovanni Battista Cipriani, Italian, 1727–1785, active England, 1755–1785, Emmanuel Matthias Diemar, German, 1761 - 1796, Stipple engraving on white paper,
Sea-Side Sketches – A Clam-Bake, Winslow Homer, American, 1836–1910, William H. Redding, American, active 1870s, Harper's Weekly, Wood engraving in black ink on paper, Two boys carrying a pail turn their heads away from the dead fish in
Plate 7, Receuil de Fontaines (Collection of Fountains), François Boucher, French, 1703 – 1770, Gabriel Huquier, French, 1695–1772, Gabriel Huquier, French, 1695–1772, Engraving on paper, Folio 7, plate 7 of a series of 7. Design
Florizel and Perdita, H. Mitchell, G. Singleton, English, Stipple engraving on paper, Florizel is discovered by Perdita asleep under a tree. Other figures gather wehat in the distance., England, 1809, Print, Print
Fan leaves, Eighth and ninth plates of the set, 'Divers Desseins de grands Eventails, Encrans, et autres Ornamens, inventés et gravés par Nicolas Loire', Alexis Loir, French, 1640 - 1713, Nicolas Loir, French, 1624 - 1679, Etching,
Pieces D'eaux à compagniee d'orangeriée et despalliers, magnifique (Fountain in Garden Design), in Nouveaux Livre de Parterres contenant 24 pensséz diferantes (New Book Containing 24 Different Variations for Garden Beds), Daniel Marot, French,
Jardin partage en quatres parterres et Thérasses (Garden Beds and Four Terraces), in Nouveaux Livre de Parterres contenant 24 pensséz diferantes (New Book Containing 24 Different Variations for Garden Beds), Daniel Marot, French, active in the
Plate 16 from Cahier d ornements et frises dessinés (Book of Ornaments and Friezes), Jacques Juillet, French, 1739 - 1784, Engraving on paper, A scrolling arabesque with a rosette of acanthus leaves at center., Paris, France, Europe, 1777,
Plate in Nouveaux Livre de Paysages (New Book of Landscapes), Daniel Marot, French, active in the Netherlands and England, 1661–1752, Etching and engraving on white laid paper, At the left, there is a large building decorated with niches
Design for Cartouche with Large and Small Compartments, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Karl Albert von Lespilliez, 1723–1796, Nicolas Jean-Baptiste de Poilly, French, 1712–after 1758, Etching
Peep-show, Vuë Perspective du Palais Royal de la Sarcuela, Maison de Plaisance du Roy d'Espagne, Engraving in ink with washes of watercolor on paper, mounted on scrapbook page, Peep-show print, France, ca. 1750, Print, Print
Four Continents, Johannes Meyer, 1655 - 1712, glass, Standing cup with medallions of two continents between scrollwork. Europe, crowned, holding scepter and shield with Habsburg coat of arms; attributes: horse, helmet, and banners (after an
Wall with Mirror and Console Table, Desseins de Lambris (Wainscoting Designs), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Carl Albert von Lespilliez, German, 1723 - 1796, Nicolas Jean-Baptiste de Poilly,
Peep-show, Vue Perspective de L'Interieur de L'Eglise de St. Marc, à Venise, Engraving in ink with washes of watercolor on paper, mounted on scrapbook page, Peep-show print, France, ca. 1750, Print, Print
Design for Cartouche Evoking the Chase, Jacques de Lajoüe, French, 1687–1761, Gabriel Huquier, French, 1695–1772, Engraving on white laid paper, Cartouche decorated with elements of the chase: a wounded stag, the head of a dog, a
Cartouche with Trumpets and Dragons, Livre de Cartouches Réguliers (Book of Regular Cartouches), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Balthazar Sigismond Setlezky, German, 1695 - 1774, François de
Plate 1, Receuil de Fontaines (Collection of Fountains), François Boucher, French, 1703 – 1770, Gabriel Huquier, French, 1695–1772, Chez Le Pere et Avaulez, Paris, France, Engraving on paper, Folio 1, plate 1 of a series of 7.
Design for a Quarter of a Ceiling, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Etching and engraving on off-white laid paper, Germany, 1745, interiors, Print, Print
Two Quarters of a Ceiling, Nouveau Livre de Plafonds (New Book of Ceilings), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Carl Albert von Lespilliez, German, 1723 - 1796, François de Cuvilliés the Elder,
Design for Fountain with Diana, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Johann Gottfried Haid, Nicolas Jean-Baptiste de Poilly, French, 1712–after 1758, Etching and engraving on off-white laid paper, 1745,
Two Quarters of a Ceiling, Nouveau Livre de Plafonds (New Book of Ceilings), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Carl Albert von Lespilliez, German, 1723 - 1796, François de Cuvilliés the Elder,
Diverses Pieces d'Ouvrages de Serrurerie, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Karl Albert von Lespilliez, 1723–1796, Nicolas Jean-Baptiste de Poilly, French, 1712–after 1758, Etching and engraving on
Developments du second et troisieme Etage., Juste-Aurèle Meissonnier, French, b. Italy, 1695–1750, Gabriel Huquier, French, 1695–1772, Engraving on white laid paper, 1st state. Second floor showing fireplace and mirror flanked with
Jesus Christ, the Virgin and St. John the Baptist with Saints Paul and Catherine, Marc Antonio Raimondi, Italian, 1483 – 1527, Raphael, (Italian, 1483–1520), Engraving on paper, The Virgin is seated, above in the clouds, at Christ's
Design for Two Snuffboxes, Three Watchcase Lids, and Three Wall Brackets, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Etching and engraving on off-white laid paper, Germany, 1745, ornament, Print, Print
Peep-show, Vue Perspective de la Place Dauphine à Paris, No. 71, Engraving in ink with washes of watercolor on paper, mounted on scrapbook page, Peep-show print, France, ca. 1750, Print, Print
Bound print, Alexis Peyrotte, French, 1699–1769, Gabriel Huquier, French, 1695–1772, Engraving on white laid paper, France, 1699–1769, ornament, Bound print
Peep-show, A View of the Hospital Piazza of St. Mari at Florence, No. 48, Engraving in ink with washes of watercolor on paper, mounted on scrapbook page, Peep-show print, France, 1760, Print, Print
Two Quarters of a Ceiling, Nouveau Livre de Plafonds (New Book of Ceilings), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Carl Albert von Lespilliez, German, 1723 - 1796, François de Cuvilliés the Elder,
Frame with Mascaron and Fantasy Crown, Deuxième Livre de Cadres (Second Book of Frames), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Carl Albert von Lespilliez, German, 1723 - 1796, François de Cuvilliés the
Plate in Nouveaux Livre de Parterres contenant 24 pensséz diferantes (New Book Containing 24 Different Variations for Garden Beds), Daniel Marot, French, active in the Netherlands and England, 1661–1752, Etching and engraving on white laid
Le Jeu de Tric-Trac [The Game of Tric-Trac], Johann Jakob Haid, German, 1704 - 1767, Silk brocade with details of paper painted in gouache; engraving on paper., Textile picture combined with an engraving 'Le Jeu de Tric-Trac' (The Game of
Wall with Trumeau Flanked by Doors, Livre de Lambris (Book of Wainscoting), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Carl Albert von Lespilliez, German, 1723 - 1796, François de Cuvilliés the Elder,
Cartouche with Garden Scene, Livre d’ornements (Book of Ornaments), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Franz Xaver Andreas Jungwierth, German, 1720–1790, François de Cuvilliés the Elder, Belgian,
A Man's Head, Large Front Face, Francesco Bartolozzi, Italian, active England, 1727–1815, Leonardo da Vinci, Italian, 1452 - 1519, Stipple engraving on brown paper, The man's forehead creased, his mouth turned down. A thick neck.,
Ecce Homo (copy), Lucas van Leyden, Netherlandish, ca. 1494–1533, Engraving on white laid paper, A town square. In foreground, groups of people. In middle distance, on a raised level, Christ is presented to people. There are people also in
Plate 6, Calèche à Bancs (Horse-drawn Carriage with Benches), Modèles de Voitures Louis XV (Models of Louis XV Carriages), Jean-François Chopard, French, active 18th century, Jean-François Chopard, French, active 18th century, Nicolas
Wall Niche with Fountain, Nouveaux desseins de Lambris (New Wainscoting Designs), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Carl Albert von Lespilliez, German, 1723 - 1796, François de Cuvilliés the Elder,
Partridge, Illustration for Every Saturday (I, October 1, 1870, p. 632), Harrison William Weir, English, 1824 – 1906, H. Harral, English, active 1870 – 1875, Every Saturday, Wood engraving in black ink on paper, Five partridges fly
Design for Panels with Tempietto with Minerva, Crowned by an Obelisk and Victory, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Karl Albert von Lespilliez, 1723–1796, Nicolas Jean-Baptiste de Poilly, French,
Title Page, Livre Nouveau de Morceaux de Fantaisie (New Book of Fantasy Pieces), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Carl Albert von Lespilliez, German, 1723 - 1796, François de Cuvilliés the Elder,
Two Upright Panels, Livre de Paneaux irréguliers (Book of Irregular Panels), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Carl Albert von Lespilliez, German, 1723 - 1796, François de Cuvilliés the Elder,
Design for Cartouche with Large and Small Compartments, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Karl Albert von Lespilliez, 1723–1796, Nicolas Jean-Baptiste de Poilly, French, 1712–after 1758, Etching
Juno, from the Three Goddesses, Hendrik Goltzius, Netherlandish, 1558 – 1617, Jan Saenredam, Dutch, 1565 - 1607, Engraving on laid paper, Juno, half-length, wearing a crown and holding a sceptre, accompanied by a peacock at right, ca.
Floor Plan of First Tier Boxes for an Opera House, Robert Bénard, French, 1734–1772, Engraving, Europe, France, 18th century, theater, Print, Print
Portrait of Marquis Niccola Santagelo, Tommaso Aloysio-Juvara, Italian, 1809 - 1875, Engraving on paper, Half-length portrait in three-quarter view to right. The sitter, a middle-aged man wears an evening jacket with orders., Italy,
Design for a Cartouche Evoking the Season of Autumn and The Chase, Jacques de Lajoüe, French, 1687–1761, Gabriel Huquier, French, 1695–1772, Engraving on white laid paper, Clusters of grapes, leaves, and gourds surround a cartouche
Plate 2, Berline à Panneaux arazée (Sedan with Flush Panels), Modèles de Voitures Louis XV (Models of Louis XV Carriages), Jean-François Chopard, French, active 18th century, Jean-François Chopard, French, active 18th century, Nicolas
Cartouche and Fountain with Venus and Amor, Pierre Edme Babel, French, ca. 1720-1775, Pierre Edme Babel, French, ca. 1720-1775, Jacques Chéreau, French, 1688–1776, Engraving on off-white laid paper, Asymmetrical cartouche showing
Abduction of Proserpine on a Unicorn, Albrecht Dürer, German, 1471–1528, Engraving on off-white laid paper, Pluto, riding a unicorn, galloping out of a swirl of sea-foam on the rocks at left, carries off the young Proserpine. Above,
Lafayette Theater, New York, James Eddy, Peter Grain, Engraving with etching in black ink on paper, Vertical rectangle. Elevation of facade of the building, with a portico in two storeys: the lower storey rusticated, three doorways; the upper
Cartouche Decorated with Elements of Fire, Jacques de Lajoüe, French, 1687–1761, François Joullain, France, 1697 – 1778, Engraving on white laid paper, The center of the cartouche is defined by an iron door which is surrounded by
Frame with Armorial Trophies, Premier Livre de Cadres (First Book of Frames), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Carl Albert von Lespilliez, German, 1723 - 1796, François de Cuvilliés the Elder,
Title plate of 'Divers Desseins de grands Eventails, Ecrans, et autres Ornemens', Alexis Loir, French, 1640 - 1713, Nicolas Loir, French, 1624 - 1679, Etching with engraving on white laid paper, Two Indian girls dance to the music of a lute
The Morning Walk – Young Ladies' School Promenading the Avenue, Winslow Homer, American, 1836–1910, Harper's Weekly, Wood engraving in black ink on paper, Young ladies out for a walk with their teacher., USA, March 28, 1868, figures,
Ornamental Friezes, Pierre Germain, French, 1703 - 1783, Jacques Jean Pasquier, French, died 1785, Engraving on paper, Rocaille design for four ornamental friezes., France, 1751, ornament, Print, Print
Desseins D'Agraffes, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Etching and engraving on off-white laid paper, Germany, 1745, ornament, Print, Print
Self-Portrait of A. N. Carracci, Francesco Bartolozzi, Italian, active England, 1727–1815, Annibale Carracci, Italian, 1560–1609, John Chamberlaine, English, 1745 - 1812, Engraving in the crayon manner on pale pink paper, Portrait of
Diferents Desseins de Moitie de Balcons, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Karl Albert von Lespilliez, 1723–1796, Nicolas Jean-Baptiste de Poilly, French, 1712–after 1758, Etching and engraving on
Two Upright Panels, Livre de Paneaux irréguliers (Book of Irregular Panels), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Carl Albert von Lespilliez, German, 1723 - 1796, François de Cuvilliés the Elder,
Peep-show, Vuë du Canal de Delft à la Haye Ville de Hollande, 16, Engraving in ink with washes of watercolor on paper, mounted on scrapbook page, Peep-show print, France, ca. 1766, Print, Print
Escallier du comte d'Albemarle a Voorte (Stairs of the Count d'Albemarle de Voorste), in Nouveaux livres de peintures de salles et d’escaliers (New Books on Paintings for Rooms and Stairs), Daniel Marot, French, active in the Netherlands and
All in the Gay and Golden Weather, Winslow Homer, American, 1836–1910, Appleton's Journal of Literature, Science and Art, D. Appleton and Company, New York, NY, D. Appleton and Company, New York, Wood engraving in black ink on paper,
Elevation of the wall of the salon of Princess Czartorinska., Juste-Aurèle Meissonnier, French, b. Italy, 1695–1750, Pierre Edme Babel, French, ca. 1720-1775, Engraving, black ink on white paper, Wall of a room decorated in the rocaille
Platte Bende decoup de Floeurs (Flat Band of Flowers, Five Different Variations), in Nouveaux Livre de Parterres contenant 24 pensséz diferantes (New Book Containing 24 Different Variations for Garden Beds), Daniel Marot, French, active in the

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