Images at Librifly


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Gathering Berries, Winslow Homer, American, 1836–1910, Edward Lagarde, American, 19th century, Harper's Weekly, Wood engraving in black ink on paper, Young girls and boys picking berries on the shore of a lake. Five children are on the
Three Vases, Suitte de vases projetes pour Nimphenbourg (Set of Vases Designed for Nymphenburg), François de Cuvilliés the younger, German, 1731 - 1777, Jean-Charles Delafosse, French, 1734–1791, Matthäus Günther, German, 1705 –
Design for a Quarter of a Ceiling, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Etching and engraving on off-white laid paper, Germany, 1745, interiors, Print, Print
Coupe, ét Profil sur la largeur du Batiment, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Karl Albert von Lespilliez, 1723–1796, Nicolas Jean-Baptiste de Poilly, French, 1712–after 1758, Etching and
Cartouche with Ruins and Columns, Livre Nouveau de Morceaux de Fantaisie (New Book of Fantasy Pieces), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Carl Albert von Lespilliez, German, 1723 - 1796, François de
Monk's Head, Francesco Bartolozzi, Italian, active England, 1727–1815, Annibale Carracci, Italian, 1560–1609, John Chamberlaine, English, 1745 - 1812, Stipple engraving in sanguine ink on white paper, The young man shows the collar of
Design for Cartouche with Large and Small Compartments, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Karl Albert von Lespilliez, 1723–1796, Nicolas Jean-Baptiste de Poilly, French, 1712–after 1758, Etching
Title Page, Nouveau Livre de Serrurie (New Book of Ironsmithing), Daniel Marot, French, active in the Netherlands and England, 1661–1752, Etching and engraving on white laid paper, Image of an ornate iron gate; above, two ornate finials
Trophy with Bucolic Implements, Plate 3 from 'Suite de différentes Attributs, Trophées, et Groupes de fleurs, ' Suite II, Pierre Ranson, French, 1736–1786, Etienne Claude Voysard, French, 1746 - 1812, Engraving on paper, A drum,
Angles et Montans de Bordures Differemment Variés, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Etching and engraving on off-white laid paper, Germany, 1745, furniture, Print, Print
Title Page, Livre de Portion de Plafonds et d'un Poëlle (Book of Portions of Ceilings and of a Stove), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, François de Cuvilliés the younger, German, 1731 - 1777,
Wainscoting with Three Panels and Mirror, Nouveaux desseins de Lambris (New Wainscoting Designs), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Carl Albert von Lespilliez, German, 1723 - 1796, François de
The New Theatre in Amsterdam, Engraving on paper, Horizontal rectangle. In front of the theatre is a sqaure which is bordered at the frontside by a canal and a street. People are crossing to the theatre by carriages and by walking. Caption: 'DE
Christ and the Centurion, Michel Lasne, French, ca. 1590 - 1667, Engraving on paper, France, ca. 1590–1667, Print, Print
Rail Road Suspension Bridge near Niagara Falls, C. Parsons, Nathaniel Currier, American, 1813–88, James Merritt Ives, 1824 – 1895, Engraving on paper, The bridge in the middleground between the American and Canadian banks of the Niagara
Frieze, from the set, 'Ornemens à la Mode', Jacques Androuet Du Cerceau the Elder, French, ca. 1515 - after 1584, Engraving on laid paper, Three friezes; top: with two cornucopias; center: with a woman's head; bottom: with a flower basket.
Trophy with Gardening Implements, Plate 6 from 'Suite de différentes Attributs, Trophées, et Groupes de fleurs, ' Suite II, Etienne Claude Voysard, French, 1746 - 1812, Pierre Ranson, French, 1736–1786, Engraving on paper, Gardening
Cartouche with Armorial Trophy, Livre d’ornements (Book of Ornaments), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Franz Xaver Andreas Jungwierth, German, 1720–1790, François de Cuvilliés the Elder,
Bacchanal, Andrea Mantegna, Italian, ca. 1431 - 1506, Engraving, possible addition of brown ink on off-white laid paper, laid down, Beneath an apple tree intertwined with grape wines, six men, one satyr, and four putti indulge in wine from
Peep-show, Vue de Jerusalem, Jérusalem, Ville Capitale de la Palestine Sous David et Salomon, est Si Célébre Par Son Temple et Les Magnifiques Ouvrages que Ses Deux Princes Firent Batir..., Engraving in ink with washes of watercolor on paper,
Wall Niche with Fountain, Desseins de Lambris (Wainscoting Designs), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Carl Albert von Lespilliez, German, 1723 - 1796, Nicolas Jean-Baptiste de Poilly, French,
Skating at Boston, Winslow Homer, American, 1836–1910, Harper's Weekly, Wood engraving in black ink on paper, A group of figures skating on the ice. At left, a woman kneels to lace her skate. In the center, a boy has fallen. Beside him, a
Plate 3, Berline à deux Fonds (Sedan with Two Bottoms), Modèles de Voitures Louis XV (Models of Louis XV Carriages), Jean-François Chopard, French, active 18th century, Jean-François Chopard, French, active 18th century, Nicolas
Cartouche with Ruins and Columns, Livre Nouveau de Morceaux de Fantaisie (New Book of Fantasy Pieces), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Carl Albert von Lespilliez, German, 1723 - 1796, François de
Cartouche with Two Winds, Livre de Cartouches Reguliers (Book of Regular Cartouches), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Carl Albert von Lespilliez, German, 1723 - 1796, François de Cuvilliés the
Elevation and Plan for a Public Fountain, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Nicolas Jean-Baptiste de Poilly, French, 1712–after 1758, Etching and engraving on off-white laid paper, Germany, 1745,
New England Factory Life – 'Bell-Time', Winslow Homer, American, 1836–1910, Harper's Weekly, Wood engraving in black ink on paper, Factory workers going home with their dinner pails and baskets., USA, July 25, 1868, figures, Print,
print, The Lady's Magazine, London, England, Engraving, brush with purple, pink, yellow, and brown ink on paper, 1826, costume & accessories, print
Perpetual Calendar, Ortensio Toro, Italian, active 16th century, Giovanni Battista De Rossi, Italian, ca. 1601 - 1678, Nicolaus van Aelst, Flemish, ca. 1527 - 1613, Engraving on laid paper, Circular table, with the arms of Cardinal
Flip glass, Glass, Straight-flaring sides, decorated with etched sprays of flowers with foliage, heightened with engraving., Netherlands, mid-18th century, glasswares, Decorative Arts, Flip glass
Plate 11, Broüette vue par le Côté (Wheelbarrow Viewed from the Side), Modèles de Voitures Louis XV (Models of Louis XV Carriages), Jean-François Chopard, French, active 18th century, Jean-François Chopard, French, active 18th century,
Cartouche with Trophies and a Pyramid, Pierre Edme Babel, French, ca. 1720-1775, Pierre Edme Babel, French, ca. 1720-1775, Jacques Chéreau, French, 1688–1776, Engraving on off-white laid paper, Cartouche with seated winged naked woman,
Frame with Cartouche, Premier Livre de Cadres (First Book of Frames), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Carl Albert von Lespilliez, German, 1723 - 1796, François de Cuvilliés the Elder, Belgian,
Joseph Andrews, William Byrne, English, 1743 - 1805, Samuel Middimane, English, 1746 - 1818, Francesco Bartolozzi, Italian, active England, 1727–1815, Thomas Hearne, English, 1744 - 1817, Engraving on paper, The Inn scene, from
Parterre en platebende de Gazon (Flat Garden Beds with Grass), in Nouveaux Livre de Parterres contenant 24 pensséz diferantes (New Book Containing 24 Different Variations for Garden Beds), Daniel Marot, French, active in the Netherlands and
Basket of Flowers, Plate, Jean-Baptiste Pillement, French, 1728–1808, Louis Crépy, Etching, with engraving, in sanguine, ruled borders in etched lines Support: white laid paper, France, France, ca. 1760, ornament, Print, Print
Plate 11 from Cahier d ornements et frises dessinés (Book of Ornaments and Friezes), Henri Salembier, French, 1753 - 1820, Jacques Juillet, French, 1739 - 1784, Engraving on paper, Horizontal rectangle with a scrolling rinceau., Europe,
Machines de Théatres (Theatrical Machinery), pl. XV, vol. 10 from Encyclopédie, ou, arts et des métiers (Encyclopedia, or a Systematic Dictionary of the Sciences, Arts, and Crafts), Denis Diderot, French, 1713–1784, Robert Bénard,
Desseins de Cartouches et D'Agraffes, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Etching and engraving on off-white laid paper, Germany, 1745, ornament, Print, Print
Two Quarters of a Ceiling, Nouveau Livre de Plafonds (New Book of Ceilings), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Carl Albert von Lespilliez, German, 1723 - 1796, François de Cuvilliés the Elder,
Quarter of a Ceiling, Livre de Plafonds (Book of Ceilings), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Franz Xaver Andreas Jungwierth, German, 1720–1790, François de Cuvilliés the Elder, Belgian, active
Boys Playing with a Bird, Francesco Bartolozzi, Italian, active England, 1727–1815, Giovanni Francesco Barbieri (called Guercino), Italian, 1591 – 1666, Engraving in brown ink on white paper, Four nude boys grouped about an urn. One, to
Design for a Cartouche Representing an Allegory of the Painter, Jacques de Lajoüe, French, 1687–1761, Gabriel Huquier, French, 1695–1772, Engraving on white laid paper, An artist wearing a hooded smock is seated in front of an oval
Peep-show, View of the Great Bierkade, The Hague, Georg Balthasar Probst, German, 1732 - 1801, Engraving on paper, Europe, 1732-1801, Print, Print
Rebels Outside Their Works at Yorktown Reconnoitring [sic] with Dark Lanterns, Winslow Homer, American, 1836–1910, Harper's Weekly, Wood engraving in black ink on paper, Confederate soldiers with rifles and bayonettes. Two figures in the
Peep-show, Vue d'Optique, Place de la Basilique de Saint Jean de Latran Mere et Chef de Toutes Les Eglises de Rome, No. 104, Engraving in ink with washes of watercolor on paper, mounted on scrapbook page, Peep-show print, France, ca. 1750,
On the Beach at Long Branch – The Children's Hour, Winslow Homer, American, 1836–1910, James L. Langridge, American, b. England, 1837, Harper's Weekly, Wood engraving in black ink on paper, Nurses and children on the beach. In the left
Milieux de Traverses de Bordures Variés Differemment, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Etching and engraving on off-white laid paper, Germany, 1745, furniture, Print, Print
Profil de deux Venteaux de la porte Cochere (Profile of Two Venteaux of a Carriage Door), Livre de Portes Cocheres (Book of Carriage Doors), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Carl Albert von Lespilliez,
Title Plate, Livre Nouveaux de Paneaux à divers usages (Book of New Panels for Various Uses), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Carl Albert von Lespilliez, German, 1723 - 1796, François de Cuvilliés
Design for Cartouche with Large and Small Compartments, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Johann Gottfried Haid, Nicolas Jean-Baptiste de Poilly, French, 1712–after 1758, Etching and engraving on
Peep-show, Vue d'un Superbe Pallais de Rome, Giovanni Battista Piranesi, Italian, 1720–1778, Engraving in ink and washes of water-color on paper, mounted on scrapbook page, Peep-show print, France, ca. 1750, Print, Print
Cartouche with Carquois and Lion, Livre de Cartouches Irréguliers (Book of Irregular Cartouches), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Balthazar Sigismond Setlezky, German, 1695 - 1774, François de
Peep-show, Vue de Blackwall, en Regardant Vers Greenwich, 62, Engraving in ink with washes of watercolor on paper, mounted on scrapbook page, Peep-show print, France, ca. 1750, Print, Print
Design for Cartouche, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Georg Siegmond Roesch, Nicolas Jean-Baptiste de Poilly, French, 1712–after 1758, Etching and engraving on off-white laid paper, 1745,
Cartouche with Mercury's Staff, Livre de Cartouches Irréguliers (Book of Irregular Cartouches), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Balthazar Sigismond Setlezky, German, 1695 - 1774, François de
Deux diferents desseins de Tables, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Karl Albert von Lespilliez, 1723–1796, Etching and engraving on off-white laid paper, Germany, 1745, furniture, Print, Print
Design for Wainscoting with a Mirror and a Console Table, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Karl Albert von Lespilliez, 1723–1796, Nicolas Jean-Baptiste de Poilly, French, 1712–after 1758, Etching
Two Quarters of a Ceiling, Nouveau Livre de Plafonds (New Book of Ceilings), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Carl Albert von Lespilliez, German, 1723 - 1796, François de Cuvilliés the Elder,
The Banquet of Belshazzar, Jan Harmensz Muller, Dutch, 1571 - 1628, etching and engraving, Netherlands, ca. 1590–1620, Print, Print
Deux diferents desseins de Tables, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Karl Albert von Lespilliez, 1723–1796, Etching and engraving on off-white laid paper, Germany, 1745, furniture, Print, Print
Designs for Tapestry Chair Seats, Plate 2 from 'Cahier de Cartouches et Ornemens de l'Oeuvre de Ranson', Pierre Gabriel Berthault, French, ca. 1748 - ca. 1819, Pierre Ranson, French, 1736–1786, Engraving on paper, Two curvilinear chair
Design with Pedestal with Two Children, One as a Soldier, Michael Hartwagner, German, d. 1776, Michael Hartwagner, German, d. 1776, François de Cuvilliés the younger, German, 1731 - 1777, Etching and engraving on off-white laid paper,
Garden Pavilion and Latticed Gallery with an Alternative Design plate 365 from the publication 'L'Art de Treillageur ou menuiserie des jardins', André-Jacob Roubo, French, 1739–1791, Engraving on off-white laid paper, Elevation of a domed
Design with a Young Cadet with his Tutor in a Garden with a Fountain, François de Cuvilliés the younger, German, 1731 - 1777, François de Cuvilliés the younger, German, 1731 - 1777, François de Cuvilliés the younger, German, 1731 -
Peep-show, Vue du Palais de l'Ambassadeur de Venise, a Rome, No. 89, Engraving in ink with washes of watercolor on paper, mounted on scrapbook page, Peep-show print, France, ca. 1750, Print, Print
The Robin's Note, Winslow Homer, American, 1836–1910, Fields and Osgood, Boston, Wood engraving in black ink on paper, Young lady swinging in a hammock on a shaded porch of a country house. Robin in upper right singing among the foliage and
Ugolino and His Sons, Luigi Sabatelli, Italian, 1772–1850, Luigi Bardi, Italian, 1814–1843, Engraving on paper, 1814–1825, mythology, Print, Print
Le Corps des Cadets, François de Cuvilliés the younger, German, 1731 - 1777, François de Cuvilliés the younger, German, 1731 - 1777, François de Cuvilliés the younger, German, 1731 - 1777, Etching and engraving on off-white laid
Peep-show, Vue Generale de la Ville d'Amsterdan du Côté de Tye (A General View of the City of Amsterdam from the Tye), Thomas Bowles, British, 1712 - after 1753, Peter Van Ryne, Engraving in ink with washes of watercolor on paper, mounted on
Deux différents desseins de Comodes (Designs for Two Commodes) in Livre de Diferents Dessein de Comodes (Book of Designs for Commodes), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Karl Albert von Lespilliez,
St. Valentine's Day – The Old Story in All Lands, Winslow Homer, American, 1836–1910, Harper's Weekly, Wood engraving in black ink on paper, Couples from different nations and time periods shown., USA, February 22, 1868, figures,
Virgin, Infant, and Joseph with an Angel Playing on a Violin, Francesco Bartolozzi, Italian, active England, 1727–1815, Giovanni Francesco Barbieri (called Guercino), Italian, 1591 – 1666, Engraving in brown ink on paper, The Virgin
Peep-show, Vue de la Maison Royale de Somerset Avec l'Eglise de St. Marie Dans le Strand à Londres (A View of Somserset House with St. Mary's Church in the Strand London), Nicolas Jean-Baptiste de Poilly, French, 1712–after 1758, Engraving in
Cartouche Topped by Open Crown, Livre de Cartouches Reguliers (Book of Regular Cartouches), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Franz Xaver Andreas Jungwierth, German, 1720–1790, François de Cuvilliés
Boston Evening Street Scene, at the Corner of Court and Brattle Streets, Winslow Homer, American, 1836–1910, Ballou's Pictorial, Wood engraving in black ink on paper, Illustration on first page of issue, showing a street scene with numerous
Angles et Montans de Bordures Differemment Variés, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Etching and engraving on off-white laid paper, Germany, 1745, furniture, Print, Print
Alphabet (Incunabulum page ?), David Roelands, Dutch, b. 1572, Engraving on white laid paper, Letters various sizes inscribed on a sheet of paper., England, n.d., ephemera, Print, Print
Peep-show, Entree de la Ville de Venise Venant de Chiogia Avec l'Isle de St. Georges le Majeur Sur le Côté, Engraving in ink with washes of watercolor on paper, mounted on scrapbook page, Peep-show print, France, ca. 1750, Print, Print
Elevation and Plan of a Portal, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Karl Albert von Lespilliez, 1723–1796, Etching and engraving on off-white laid paper, Germany, 1745, interiors, Print, Print
Peep-show, Vue d'optique Representat le Pont Marie et le Pont Rouge a Paris, No. 66, Engraving in ink with washes of watercolor on paper, mounted on scrapbook page, Peep-show print, France, ca. 1750, Print, Print
Remittuntur Eipeccata Multa Quoniam Dilexit Multum, Engraving on paper, Europe, before 1896, Print, Print
Frame with Putti, Deuxième Livre de Cadres (Second Book of Frames), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Carl Albert von Lespilliez, German, 1723 - 1796, François de Cuvilliés the Elder, Belgian,
Oeuvres de Juste-Aurèle Meissonnier, Juste-Aurèle Meissonnier, French, b. Italy, 1695–1750, Pierre-Alexandre Aveline, French, 1702–1760, Gabriel Huquier, French, 1695–1772, Engraving on white laid paper, Title page for the Oeuvres
Cartouche with Wine Leaves and Drums, Livre de Cartouches à divers usages (Book of Cartouches for Different Uses), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Franz Xaver Andreas Jungwierth, German, 1720–1790,
Religion, Francesco Bartolozzi, Italian, active England, 1727–1815, Angelika Kaufmann, Swiss, 1741 - 1807, Stipple engraving and etching in sanguine ink on paper, Full-length figure of a young woman, standing, turned toward the right,
Saint Jerome, Agostino Carracci, Italian, 1557 – 1602, Francesco Brizio, 1574 - 1623, Engraving on paper, Europe, 1602, religion, Print, Print
Wall with Mirror and Console Tables, Livre de Lambris (Book of Wainscoting), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Carl Albert von Lespilliez, German, 1723 - 1796, François de Cuvilliés the Elder,
Paulus Aemelius, Stipple engraving in brown ink on paper, Paulus Aemelius instructs his children. A classical interior with three adults and four children. One child holds up a bird café., Italy, 1783, Print, Print
Frame with Dragons, Troisième Livre de Cadres (Third Book of Frames), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Carl Albert von Lespilliez, German, 1723 - 1796, François de Cuvilliés the Elder, Belgian,
L'Enseigne de Gersaint, Pierre-Alexandre Aveline, French, 1702–1760, Antoine Watteau, (French, 1684–1721), Engraving on paper, After the painting by Watteau for the dealer, Gersaint. Shop scene of a picture dealer, with figures
Wall with Central Mirror, Console Table, and Tapestries, Nouveaux desseins de Lambris (New Wainscoting Designs), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Carl Albert von Lespilliez, German, 1723 - 1796,
Design for a Cartouche Representing the Continent of Africa, Jacques de Lajoüe, French, 1687–1761, Gabriel Huquier, French, 1695–1772, Engraving on white laid paper, Asymmetrical cartouche with a giant lizard, a crocodile at top, the
Flora Dispensing Her Favours on the Earth, Thomas Woolnooth Sr., British, 1785 - 1871, Richard Cosway, English, 1742 – 1821, Stipple engraving on paper, England, 1807, Print, Print
Portrait of Joseph Marie Jacquard (1752–1834), Claude Bonnefond, (French, 1796–1860), V. Vebert, V. Vebert, Engraving on paper, Interior, with a man seated in an armchair, his body turned toward the left, looking out at the viewer.
A Plate of Mechanics, Francesco Bartolozzi, Italian, active England, 1727–1815, Leonardo da Vinci, Italian, 1452 - 1519, Line engraving in brown ink on white paper, Men work in an outdoor studio on a gigantic wheeled contraption supported
Mourning Figure, John Keyse Sherwin, English, 1751 - 1790, Stipple engraving in brick red ink on paper, Within an oval a female figures sites before a tomb and weaves a flower garland. Flowers stren on the ground about her., England, 1784,
Saint John, writing, seated on an Eagle, Giulio Romano, Italian, 1499–1546, Agostino Veneziano, Italian, ca. 1490 - after 1536, Antonio Salamanca, Italian, ca. 1500 - 1562, Engraving on paper, Saint John, sitting within a penumbra of
Side Wall Elevation of the Riding Academy, Vienna, Giuseppe Galli Bibiena, Italian, 1696–1756, Engraving with black ink on white paper, Horizontal rectangle. Side elevation of the winter riding school, Vienna, decorated for the wedding of
Design for a Cartouche with Crayfish (Horizontal), Jacques de Lajoüe, French, 1687–1761, Gabriel Huquier, French, 1695–1772, Engraving on white laid paper, Cartouche with large crayfish dominating the central space. At top, elements of

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