Images at Librifly

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River God, plate from a suite of 6 ornamental designs with the Judgement of Paris, Adriaen Collaert, Flemish, ca. 1560 – 1618, Adriaen Collaert, Flemish, ca. 1560 – 1618, Engraving on laid paper, A river god with rushes in his hair

Venus, plate from a suite of 6 ornamental designs with the Judgement of Paris, Adriaen Collaert, Flemish, ca. 1560 – 1618, Adriaen Collaert, Flemish, ca. 1560 – 1618, Engraving on laid paper, A contestant for Paris’ apple, Venus, the

Paris, plate from a suite of 6 ornamental designs with the Judgement of Paris, Adriaen Collaert, Flemish, ca. 1560 – 1618, Adriaen Collaert, Flemish, ca. 1560 – 1618, Engraving on laid paper, Paris holds his shepherd’s staff under a

Minerva, plate from a suite of 6 ornamental designs with the Judgement of Paris, Engraving on laid paper, A contestant for Paris’ apple, Minerva is armed and holds a shield with the Gorgon’s head. The figure is set within a medallion on a

Mercury, plate from a suite of 6 ornamental designs with the Judgement of Paris, Adriaen Collaert, Flemish, ca. 1560 – 1618, Adriaen Collaert, Flemish, ca. 1560 – 1618, Engraving on laid paper, Mercury shown in a landscape, holding a

River God, plate from a suite of 6 ornamental designs with the Judgement of Paris, Engraving on laid paper, River god with rushes in his hair reclines on a bank. Beside him is a crane and a vessel from which water and fish flow. The figure is set

Two Upright Panels, Livre de Paneaux à divers usages (Book of Panels for Various Uses), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Carl Albert von Lespilliez, German, 1723 - 1796, François de Cuvilliés the

Design for a Quarter of a Ceiling, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Etching and engraving on off-white laid paper, Germany, 1745, interiors, Print, Print

St. Peter Nolasque Carried to Offices by Angels, Claude Mellan, French, 1598 - 1688, Engraving on paper, Two angels carry the old man, Saint Peter Nolasque, through the choir of a church, while robed figures stand at left and in the

Les Solitaires de Normandie, Engraved, hand-colored and painted paper leaf, turned wood handle, Handscreen with a paper leaf and turned wood handle. Obverse: oval medallion with a hand-colored engraving of a woman flanked by a hunter and a

Les Solitaires de Normandie, Engraved, hand-colored and painted paper leaf, turned wood handle, Handscreen with paper leaf and turned wood handle. Obverse: hand-colored engraving of a couple building a treehouse in the forest, surrounded by a

Les Solitaires de Normandie, Engraved, hand-colored and painted paper leaf, turned wood handle, Handscreen with paper leaf and turned wood handle. Obverse: oval medallion with a hand-colored engraving showing figures in a forested landscape,

Les Solitaires de Normandie, Engraved, hand-colored and painted paper leaf, turned wood handle, Handscreen with paper leaf and turned wood handle. Obverse: oval medallion with a hand-colored engraving showing five figures in a forested landscape,

La générosité et la reconnoissance (Generosity and Gratitude), Engraved and hand-colored paper leaf, turned wood handle, Obverse: hand-colored engraving of a man giving gold coins to three women in front of a bust of Napoleon, surrounded by a

La Pucelle d'Orleans (The Maid of Orleans), Engraved and hand-colored paper leaf, turned wood handle, Obverse: hand-colored engraving of a soldier entering a village on a white horse, seemingly with a message. Reverse: text entitled La Pucelle

Fanfan et Colas, Engraved and hand-colored paper leaf, turned wood handle, Obverse: hand-colored engraving of a woman with two small boys, one wealthy and one poor, in a garden setting, surrounded by a scrolling framework. Reverse: text from

Handscreen, Engraved, hand-colored and painted paper leaf, turned wood handle, Obverse: hand-colored engraving showing Justice with scales and sword, with cherubs holding banners telling events from the life of Louis XV, in a scrolling

Handscreen, Engraved, hand-colored, and painted paper leaf, turned wood handle, Handscreen. Hand-colored engraving on board. Obverse: a scrolling rocaille border, a female figure with mirror representing ‘perfect work’, a young and old

Le lion s'en allant en Guerre (The Lion going to War), Engraved and hand-colored paper leaf, turned wood handle, Handscreen with paper leaf and turned wood handle. Obverse: engraving of the fable Le lion s'en allant en Guerre (The Lion going to

Les Solitaires de Normandie, Engraved, hand-colored and painted paper leaf, turned wood handle, Handscreen with a paper leaf and turned wood handle. Obverse: oval medallion with a hand-colored engraving showing two couples eating a meal in a

Panoramic handscreen, Medium: paper, wood, bone, iron Technique: colored engraving on paper, turned wood handle, carved ivory fittings, A square handscreen with semi-circles cut away in each corner, and a black turned wood handle. The stiff

Title Page, from 'Livre de Dessins', Michel P. Mouton, Engraving on paper, Two children work in a goldsmith's workshop. The title stands on an escutcheon in the center. The coat of arms and two devices of Mouton are on top., Europe, France,

Design for Fountain with an Anchor, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Georg Siegmond Roesch, Nicolas Jean-Baptiste de Poilly, French, 1712–after 1758, Etching and engraving on off-white laid paper,

Bound print, Alexis Peyrotte, French, 1699–1769, Gabriel Huquier, French, 1695–1772, Engraving on white laid paper, France, 1699–1769, ornament, Bound print

The Adoration of the Magi, Pietro Testa, Italian, ca. 1611 - 1650, Engraving on white paper, Grand volumns of the Corinthian order at left. In front, the Virgin and Joseph sit with the Child standing by their knees. The three Kings offer their

Cartouche with Dragon and Bird, Livre de Cartouches Irréguliers (Book of Irregular Cartouches), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Carl Albert von Lespilliez, German, 1723 - 1796, François de

A Spring Idyl, Wood engraving in black ink on paper, Left, profile of woman sitting, looking at two swans swimming in pond; center, two white swans facing left, swimming. Vegetation throughout., USA, 1886, figures, Ephemera, Ephemera

Memora Mortes, Engraving on paper, Two skeletons hold up a drapery revealing a tondo carved with a mass of dead figures, a third skeleton, with wings kneels before it. Plate 2 of Errard and Genga, Anatomia, Rome, 1691., Rome, Italy, 1691,

Daphne Encountered by Apollo, Giovanni Volpato, Italian, 1740 - 1803, Johann August Nahl The Younger, German, 1752 - 1825, Engraving on paper, Within an oval engramement, Apollo, in the grab of a shepherd, encounters Daphne, seated under

Design for a Quarter of a Ceiling, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Etching and engraving on off-white laid paper, Germany, 1745, interiors, Print, Print

Portrait of Arthur, 3rd Duke of Bretagne (1393-1458), Nicolas Pitau II, French, 1670 - 1724, F. Jean Chaperon, Engraving on paper, Knee-length portrait in three-quarter view to left. The Duke is dressed in heavy armor, except his head which

Design for a Sphinx, pl. 2, Deuxieme Cahiers des arabesques dessinés par J. B. Huet... [Book 2, Portfolios of Arabesques Designed by J.B. Huet], Jean-Baptiste Huët, (French, 1745–1811), Louis-Marin Bonnet, French, 1736 - 1793, Crayon

Catafalque of Maria-Theresa of Austria, Notre Dame, Paris, Jean Bérain, the Elder, French, 1640 - 1711, Daniel Marot, French, active in the Netherlands and England, 1661–1752, Engraving in black ink on paper, Vertical rectangle. The

Cartouche Topped by Rococo Crown, Livre de Cartouches Reguliers (Book of Regular Cartouches), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Franz Xaver Andreas Jungwierth, German, 1720–1790, François de

Design for a Quarter of a Ceiling, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Karl Albert von Lespilliez, 1723–1796, Nicolas Jean-Baptiste de Poilly, French, 1712–after 1758, Etching and engraving on

Grotesque Ornament with Satyrs, from a set of twenty ornament panels, Agostino Veneziano, Italian, ca. 1490 - after 1536, Antonio Salamanca, Italian, ca. 1500 - 1562, Engraving on laid paper, Vertical rectangle showing a symmetrical

Grotesque with Putti and Manticore, Master of the Die, Italian or German, 1530 - 1560, engraving on laid paper, Vertical rectangle showing symmetrical grotesque composition. At top, putti wrestle two manticore. Below, a candelabrum motif, two

Rinceaux Design with Putto, plate 3, from A New Book of Ornaments Useful to all Artists, Simon Gribelin II, French, 1661 - 1733, Etching, engraving on white paper, Cupid is supported at the center by rinceaux arising from two entwined

Plate in Nouveaux Livre de Paysages (New Book of Landscapes), Daniel Marot, French, active in the Netherlands and England, 1661–1752, Etching and engraving on white laid paper, A pastoral scene in the foreground inside an arcade; two

Two Upright Panels, Livre de Paneaux à divers usages (Book of Panels for Various Uses), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Carl Albert von Lespilliez, German, 1723 - 1796, François de Cuvilliés the

Whale Hunt by the Emperor Claudius in the harbour at Ostia, pl. 19 in the Venationes Ferarum, Avium, Piscium series, Adriaen Collaert, Flemish, ca. 1560 – 1618, Philips Galle, Flemish, 1537 - 1612, Jan van der Straet, called Stradanus,

Dedication plate, from Livre de bijouterie (Book of Designs for Goldsmiths and Jewelers), Léonard Thiry, Flemish, 1550, Rosso Fiorentino, Italian, 1494 - 1540, René Boyvin, French, 1525 - 1625, Paul de la Houve, French, 1575 - 1643,

Plate 10, from Livre de bijouterie (Book of Designs for Goldsmiths and Jewelers), Léonard Thiry, Flemish, 1550, Rosso Fiorentino, Italian, 1494 - 1540, René Boyvin, French, 1525 - 1625, Paul de la Houve, French, 1575 - 1643, Engraving

Plate 11, from Livre de bijouterie (Book of Designs for Goldsmiths and Jewelers), Léonard Thiry, Flemish, 1550, Rosso Fiorentino, Italian, 1494 - 1540, René Boyvin, French, 1525 - 1625, Paul de la Houve, French, 1575 - 1643, Engraving

Plate 12, from Livre de bijouterie (Book of Designs for Goldsmiths and Jewelers), Léonard Thiry, Flemish, 1550, Rosso Fiorentino, Italian, 1494 - 1540, René Boyvin, French, 1525 - 1625, Paul de la Houve, French, 1575 - 1643, Engraving

Plate 13, from Livre de bijouterie (Book of Designs for Goldsmiths and Jewelers), Léonard Thiry, Flemish, 1550, Rosso Fiorentino, Italian, 1494 - 1540, René Boyvin, French, 1525 - 1625, Paul de la Houve, French, 1575 - 1643, Engraving

Plate 14, from Livre de bijouterie (Book of Designs for Goldsmiths and Jewelers), Léonard Thiry, Flemish, 1550, Rosso Fiorentino, Italian, 1494 - 1540, René Boyvin, French, 1525 - 1625, Paul de la Houve, French, 1575 - 1643, Engraving

Plate 15, from Livre de bijouterie (Book of Designs for Goldsmiths and Jewelers), Léonard Thiry, Flemish, 1550, Rosso Fiorentino, Italian, 1494 - 1540, René Boyvin, French, 1525 - 1625, Paul de la Houve, French, 1575 - 1643, Engraving

Plate 16, from Livre de bijouterie (Book of Designs for Goldsmiths and Jewelers), Léonard Thiry, Flemish, 1550, Rosso Fiorentino, Italian, 1494 - 1540, René Boyvin, French, 1525 - 1625, Paul de la Houve, French, 1575 - 1643, Engraving

Plate 17, from Livre de bijouterie (Book of Designs for Goldsmiths and Jewelers), Léonard Thiry, Flemish, 1550, Rosso Fiorentino, Italian, 1494 - 1540, René Boyvin, French, 1525 - 1625, Paul de la Houve, French, 1575 - 1643, Engraving

Plate 18, from Livre de bijouterie (Book of Designs for Goldsmiths and Jewelers), Léonard Thiry, Flemish, 1550, Rosso Fiorentino, Italian, 1494 - 1540, René Boyvin, French, 1525 - 1625, Paul de la Houve, French, 1575 - 1643, Engraving

Plate 19, from Livre de bijouterie (Book of Designs for Goldsmiths and Jewelers), Léonard Thiry, Flemish, 1550, Rosso Fiorentino, Italian, 1494 - 1540, René Boyvin, French, 1525 - 1625, Paul de la Houve, French, 1575 - 1643, Engraving

Plate 2, from Livre de bijouterie (Book of Designs for Goldsmiths and Jewelers), Léonard Thiry, Flemish, 1550, Rosso Fiorentino, Italian, 1494 - 1540, René Boyvin, French, 1525 - 1625, Paul de la Houve, French, 1575 - 1643, Engraving

Plate 20, from Livre de bijouterie (Book of Designs for Goldsmiths and Jewelers), Léonard Thiry, Flemish, 1550, Rosso Fiorentino, Italian, 1494 - 1540, René Boyvin, French, 1525 - 1625, Paul de la Houve, French, 1575 - 1643, Engraving

Plate 3, from Livre de bijouterie (Book of Designs for Goldsmiths and Jewelers), Léonard Thiry, Flemish, 1550, Rosso Fiorentino, Italian, 1494 - 1540, René Boyvin, French, 1525 - 1625, Paul de la Houve, French, 1575 - 1643, Engraving

Plate 4, from Livre de bijouterie (Book of Designs for Goldsmiths and Jewelers), Léonard Thiry, Flemish, 1550, Rosso Fiorentino, Italian, 1494 - 1540, René Boyvin, French, 1525 - 1625, Paul de la Houve, French, 1575 - 1643, Engraving

Plate 5, from Livre de bijouterie (Book of Designs for Goldsmiths and Jewelers), Léonard Thiry, Flemish, 1550, Rosso Fiorentino, Italian, 1494 - 1540, René Boyvin, French, 1525 - 1625, Paul de la Houve, French, 1575 - 1643, Engraving

Plate 6, from Livre de bijouterie (Book of Designs for Goldsmiths and Jewelers), Léonard Thiry, Flemish, 1550, Rosso Fiorentino, Italian, 1494 - 1540, René Boyvin, French, 1525 - 1625, Paul de la Houve, French, 1575 - 1643, Engraving

Plate 7, from Livre de bijouterie (Book of Designs for Goldsmiths and Jewelers), Léonard Thiry, Flemish, 1550, Rosso Fiorentino, Italian, 1494 - 1540, René Boyvin, French, 1525 - 1625, Paul de la Houve, French, 1575 - 1643, Engraving

Plate 8, from Livre de bijouterie (Book of Designs for Goldsmiths and Jewelers), Léonard Thiry, Flemish, 1550, Rosso Fiorentino, Italian, 1494 - 1540, René Boyvin, French, 1525 - 1625, Paul de la Houve, French, 1575 - 1643, Engraving

Plate 9, from Livre de bijouterie (Book of Designs for Goldsmiths and Jewelers), Léonard Thiry, Flemish, 1550, Rosso Fiorentino, Italian, 1494 - 1540, René Boyvin, French, 1525 - 1625, Paul de la Houve, French, 1575 - 1643, Engraving

A Couple Seated on a Bed, Engraving on white laid paper, View of the interior of a bedroom with a canopied bed on a dais under which is visible a chamber pot and slippers. At left, the door latch is secured closed with a knife. Upon the bed, a

The Discovery of America, plate 1 from the 'Nova Reperta' (New Inventions of Modern Times), Jan van der Straet, called Stradanus, Flemish, 1523–1605, Theodor Galle, ca. 1571 - 1633, Philips Galle, Flemish, 1537 - 1612, Engraving on laid

Divers Couronnemens de Panneaux de Menuiserie, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Etching and engraving on off-white laid paper, Germany, 1745, ornament, Print, Print

Design for Three Wall Brackets with Vases, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Etching and engraving on off-white laid paper, Germany, 1745, ornament, Print, Print

Design for a Silver Platter, Caspar-Gottlieb Eisler, Martin Engelbrecht, German, 1684–1756, Engraving on white laid paper, Design for rocaille silver, serving dish. Asymmetric in form with two, twisting handles. Ornamented with root

Frieze, from the set, 'Ornemens à la Mode', Jacques Androuet Du Cerceau the Elder, French, ca. 1515 - after 1584, Engraving on laid paper, Three freizes; top: with a plant in an escutcheon; center: with an escutcheon in heart shape; bottom:

Comb Case with Wig and Lice Combs, tortoiseshell, paint, Retangular case (a) with engraved decoration of floral borders surrounding a coat of arms with 'IAMAICA' etched above and '1671' below; one large toothed comb (b) with engraved floral

Title Page, from Nouveaux Livre de Parterres (New Book of Garden Beds), Daniel Marot, French, active in the Netherlands and England, 1661–1752, Pierre Husson, Etching and engraving on white laid paper, Landscape architecture design for

Ornamental Foliage with a Mask and a Bowl of Fruit (Autre, offrant au milieu d'en bas un mascaron...) Ornamental Foliage with an Old Man and Two Children, Enea Vico, Italian, 1523–1567, Engraving on white laid paper, Sheet contains two

Surtout de Table (Table centerpiece), Cast and gilt bronze with hand engraving, cut glass, silvered-mirrored glass, Centerpiece consisting of two urn-shaped freestanding gilt bronze candelabra, two bowls on pedestals, one large bowl supported

Deux diferents desseins de Comodes, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Karl Albert von Lespilliez, 1723–1796, Etching, engraving on off-white laid paper, Two small table designs, one above the other

Designs for Two Knife Handles, Johann Theodor de Bry, German, 1561 - 1623, Engraving on paper, Two knife handles with classical and figural motifs terminating in a pierced top, Netherlands, 16th century, metalwork, Print, Print

Innocent Revenge, Christian Josi, Dutch, ca. 1765 - 1828, Richard Westall, English, 1765 - 1836, Stipple engraving on paper, Children at play. Two little girls tickle the nost of a sleeping boy with a shaft of wheat. Garden setting in the

Diverses Pieces d'Ouvrages de Serrurerie, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Karl Albert von Lespilliez, 1723–1796, Nicolas Jean-Baptiste de Poilly, French, 1712–after 1758, Etching and engraving on

Plate from 'Le Livre de toutes sortes de fleurs d'après nature', Jean-Baptiste Monnoyer, (French, 1636–1699), Engraving on paper, Plate from 'Le Livre de toutes sortes de fleurs d'après nature, ' book of bound engravings., France,

Diverses pièces de serruriers (Various Designs for Locksmiths), Hugues Brisville, French, active ca. 1663, Jean Bérain, the Elder, French, 1640 - 1711, Gabriel Ladame, French, active ca. 1645 - 1668, Nicolas Langlois, French, 1640 -

Desseins D'Agraffes, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Etching and engraving on off-white laid paper, Germany, 1745, ornament, Print, Print

No. 132, Professor Josef Storck, Austria, 1830 - 1902, J. & L. Lobmeyr GmbH, Vienna, Austria, founded ca. 1935, Meyr's Neffen, Adolf, Mouth-blown crystal, facet-cut and polished, Mouth-blown crystal oval decanter with stopper, facet-cut

Cartouche Topped by Open Crown, Livre de Cartouches Reguliers (Book of Regular Cartouches), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Franz Xaver Andreas Jungwierth, German, 1720–1790, François de Cuvilliés

Cartouche with Lion, Livre de Cartouches Irréguliers (Book of Irregular Cartouches), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Carl Albert von Lespilliez, German, 1723 - 1796, François de Cuvilliés the

Plate 2, Receuil de Fontaines (Collection of Fountains), François Boucher, French, 1703 – 1770, Gabriel Huquier, French, 1695–1772, Gabriel Huquier, French, 1695–1772, Engraving on paper, Folio 2, plate 2 of a series of 7. Design

Deux diferents desseins de Comodes, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Karl Albert von Lespilliez, 1723–1796, Poilly Family, French, Etching and engraving on off-white laid paper, Design of elevation

Caius Marius in Prison, Giorgio Ghisi, 1520 - 1582, Polidoro da Caravaggio, Italian, 1499 - 1543, Engraving on laid paper, Caius Marius seated, at right, with one hand clutching his chest, the other extended toward two Cimbrian soldiers

Design for Cartouche Evoking Death, Jacques de Lajoüe, French, 1687–1761, Gabriel Huquier, French, 1695–1772, Engraving on white laid paper, Cartouche decorated with elements of death. At top, a skull wearing a papal cap. A fatal weapon

Design with Pedestal with Two Children, One Wearing the Imperial Crown, François de Cuvilliés the younger, German, 1731 - 1777, Michael Hartwagner, German, d. 1776, François de Cuvilliés the younger, German, 1731 - 1777, Etching and

Wall with Painting and Consoles, Desseins de Lambris (Wainscoting Designs), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Carl Albert von Lespilliez, German, 1723 - 1796, Nicolas Jean-Baptiste de Poilly, French,

Design for Ornament, Pierre Germain, French, 1703 - 1783, Jacques Jean Pasquier, French, died 1785, Engraving on paper, Rocaille vegetal ornament design., France, 1751, ornament, Print, Print

Plaete Bendes, Figuréz et Broderée, in Nouveaux Livre de Parterres contenant 24 pensséz diferantes (New Book Containing 24 Different Variations for Garden Beds), Daniel Marot, French, active in the Netherlands and England, 1661–1752,

Plate 10, Cabriolet (Open Top), Modèles de Voitures Louis XV (Models of Louis XV Carriages), Jean-François Chopard, French, active 18th century, Jean-François Chopard, French, active 18th century, Nicolas Jean-Baptiste de Poilly, French,

The Union Cavalry and Artillery Starting in Pursuit of the Rebels up the Yorktown Turnpike, Winslow Homer, American, 1836–1910, Harper's Weekly, Wood engraving in black ink on paper, The Union Cavalry, mounted on their horses, charging up a

Peep-show, Vue Perspective de Bilbao, Ville d'Espagne dans la Biscaye, Engraving in ink and washes of watercolor on paper, mounted on scrapbook page, Peep-show print, France, ca. 1750, Print, Print

The New Theatre Chestnut Street, Philadelphia, William Birch, Black ink engraving on paper, Horizontal rectangle. Oblique view of the facade with two groups of people upon the sidewalk in front of it, three are beside the upper right corner.

Peep-show, Vue des Environs D'ostende, N. Courteille, French, active 18th century, Vanvelle, French, active 18th century, Engraving in black ink with washes of brown, red, and black watercolors on paper, mounted, Peep-show print, after

Autre Poële avec Tous ces Ornemens et Principales Moulures Dorés…Un Tableau au Dessus, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Etching and engraving on off-white laid paper, Germany, 1745, interiors,

Garden Pavilion in the Corinthian Order, André-Jacob Roubo, French, 1739–1791, Engraving, Elevation of a garden pavilion with an archway, four double columns and two female statues. Inscription across the top margin., France, 1775, Print,

Almanac for the Year 1791 with Portraits of the King and Queen of France, Etching or engraving, brush and wash on paper, Framed almanac, Europe, France, ca. 1791, Print, Print

Portrait of Jean IV, Duke de Bretagne (1293-1345), Nicolas Pitau II, French, 1670 - 1724, F. Jean Chaperon, Engraving on paper, Bust-length portrait in side view, to right, of a young man wearing a ducal crown and a cape. The oval portrait

Cartouche with a Fountain in a Garden Setting in the Background, Pierre Edme Babel, French, ca. 1720-1775, Pierre Edme Babel, French, ca. 1720-1775, Jacques Chéreau, French, 1688–1776, Engraving on off-white laid paper, Cartouche

Peep-show, Vue Perspective de la Ville de Basle en Suisses du Cote du Fauxbourg de Saint Alban, No. 33, Engraving in ink with washes of watercolor on paper, mounted on scrapbook page, Peep-show print, France, ca. 1750, Print, Print

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