Images at Librifly

search results: Engraving clear search

Wall with Double Door, Livre de Lambris (Book of Wainscoting), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Carl Albert von Lespilliez, German, 1723 - 1796, François de Cuvilliés the Elder, Belgian, active

Peep-show, Vüe Perspective du Chateau Royal de Tolede, et de la Grande Place Qui Est Au Devant, Engraving in ink with washes of watercolor on paper, mounted on scrapbook page, Peep-show print, France, ca. 1750, Print, Print

Peep-show, Vue de Bayonne de Côté du Port, No. 3, Engraving in ink with washes of watercolor on paper, mounted on scrapbook page, Peep-show print, France, ca. 1750, Print, Print

The Dance of St. Mary Magdalene, Lucas van Leyden, Netherlandish, ca. 1494–1533, Engraving on laid paper, In center foreground, Mary Magdalen, accompanied by a man, walks from left to right. In right mid-distance, two musicians. Numerous

Design for Footed Vase, in Vasses de la Maison Royalle de Loo Nouvellement (New Vases for the Royal House of Loo), Daniel Marot, French, active in the Netherlands and England, 1661–1752, Etching and engraving on white laid paper, Footed

Hebe, Domenico Pellegrini, Italian, 1759 - 1840, Stipple engraving on paper, Within a circular medallion is the half-length semi-nude figure of Hebe, reclining, resting her left arm on a tambourine, with a cup in her right hand. A remarque,

Title Page, from 'Livre de Fleurs...', Gilles Demarteau, Belgian, active in France, 1722 – 1776, Louis Tessier, French, 1719 - 1781, Engraving in a crayon manner on paper, In a garden setting, a baroque tablet, surmounted by a vase with

Design for Two Panels, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Karl Albert von Lespilliez, 1723–1796, Nicolas Jean-Baptiste de Poilly, French, 1712–after 1758, Etching and engraving on off-white laid

Quarter of a Ceiling, Livre de Portion de Plafonds et d'un Poëlle (Book of Portions of Ceilings and of a Stove), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, François de Cuvilliés the younger, German, 1731 -

Two Quarters of a Ceiling, Nouveau Livre de Plafonds (New Book of Ceilings), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Carl Albert von Lespilliez, German, 1723 - 1796, François de Cuvilliés the Elder,

Bound print, Alexis Peyrotte, French, 1699–1769, Gabriel Huquier, French, 1695–1772, Engraving on white laid paper, France, 1699–1769, ornament, Bound print

Peep-show, Vue d'Optique Representant Interior Sti Petri in Roma L'Interieur de St. Pierre de Rome, Engraving in ink with washes of watercolor on paper, mounted on scrapbook page, Peep-show print, France, ca. 1750, Print, Print

The Morning Bell, from Harper's Weekly, December 13, 1873, p. 1116., Winslow Homer, American, 1836–1910, Wood engraving in black ink on newsprint paper., Horizontal view of a wooden foot-bridge leading over a stream and a group of people,

Ewer, Silver gilt, Helmet-shaped ewer on domed foot, engraved with strapwork, and bearing lobed medallions in two sizes, the larger representing Asia and America, the smaller Geometry, Music, etc. Double-scrolled handle., The basin is marli

Bowery Theater, New York, NY, Alexander Jackson Davis, American, 1803–1892, Engraving with etching, brush and watercolor on paper, Vertical format. Exterior view of an architectural design for theater. The portico is shown, in Roman Doric

Design for Upper Part of a Trumeau with a Mirror and a Console Table, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Karl Albert von Lespilliez, 1723–1796, Nicolas Jean-Baptiste de Poilly, French, 1712–after

Design for Wall Niche with a Bed, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Etching and engraving on off-white laid paper, Germany, 1745, interiors, Print, Print

Watch-tower, Corner of Spring and Varick Streets, New York, Winslow Homer, American, 1836–1910, Wood engraving printed in black ink on paper, Upright page containing five scenes: At top is the interior of an observation room with a seated

Two Upright Panels, Livre de Paneaux irréguliers (Book of Irregular Panels), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Carl Albert von Lespilliez, German, 1723 - 1796, François de Cuvilliés the Elder,

Dad's Coming!', from Harper's Weekly, November 1, 1873, p. 969., Winslow Homer, American, 1836–1910, Wood engraving in black ink on newsprint paper, Horizontal scene at the shore’s edge with a woman carrying a child at right, a small

Two Upright Panels, Livre Nouveaux de Paneaux à divers usages (Book of New Panels for Various Uses), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Carl Albert von Lespilliez, German, 1723 - 1796, François de

Stage Design: Garden Scene with a Fountain, Part V, Plate 8, 'Architettura e Prospettive, ' Augsburg, Giuseppe Galli Bibiena, Italian, 1696–1756, Johann Andréas Pfeffel, German, 1674–1748, Etching with engraving in black ink on white

Décoration du bal masque donné par le roy dans la grande Galerie du Château de Versailles, à l’occasion du Mariage de Louis Dauphin de France avec Marie Thérèse Infante d’Espagne, la nuit du XXV. au XXVI février. M.D. CCXLV. (Decoration

Design for Cartouche with Large and Small Compartments, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Karl Albert von Lespilliez, 1723–1796, Nicolas Jean-Baptiste de Poilly, French, 1712–after 1758, Etching

Clelia Crossing the Tiber, Giulio Bonasone, Italian, 1500 /10 - 1574, Polidoro da Caravaggio, Italian, 1499 - 1543, Engraving on paper, Two women on a donkey crossing a river from left to right. A group of women on both sides of the river. In

Plate in Nouveaux Livre de Paysages (New Book of Landscapes), Daniel Marot, French, active in the Netherlands and England, 1661–1752, Etching and engraving on white laid paper, View of a triumphal arch, on a bridge, decorated with statues,

Design for a Landscape with Rocks, François de Cuvilliés the younger, German, 1731 - 1777, François de Cuvilliés the younger, German, 1731 - 1777, François de Cuvilliés the younger, German, 1731 - 1777, Etching and engraving on

Design for a Confessional, no. 4, Brother Isidore of the Billets Carmelites, Engraving on paper, An engraving showing the section, the elevation, and the plan of a Confessional. 'Nouveau Livre' etc. Bottom corners: 'R….' 'Sc…'; Along lower

Cartouche Topped by Laurel Wreath, Livre de Cartouches Reguliers (Book of Regular Cartouches), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Franz Xaver Andreas Jungwierth, German, 1720–1790, François de

Design for the Elevation of the Porte S. Denis, Martin Marvie, 1713–1790, Engraving on paper, Plan and elevation. Inscribed upper right, Line 'V. No. IV, Planche 1/2'; lower right: 310 and 311'., Europe, France, ca. 1750, Print, Print

Design for a Cartouche with Pastoral Motifs, Jacques de Lajoüe, French, 1687–1761, Gabriel Huquier, French, 1695–1772, Engraving on white laid paper, Cartouche decorated with a crook tied with a bow, a horn, a shepherd's hat, two

Army of the Potomac – Sleeping on their Arms, Harper's Weekly, Wood engraving in black ink on paper, The Union army asleep in a field with sentries posted., USA, May 28, 1864, figures, Print, Print

Deux diferents desseins de Tables, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Karl Albert von Lespilliez, 1723–1796, Etching and engraving on off-white laid paper, Germany, 1745, furniture, Print, Print

Quarter of a Ceiling, Livre de Portion de Plafonds en Vousures (Book of Portions of Vaulted Ceilings), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, François de Cuvilliés the younger, German, 1731 - 1777, Nicolas

Frame with Dolphins, Premier Livre de Cadres (First Book of Frames), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Carl Albert von Lespilliez, German, 1723 - 1796, François de Cuvilliés the Elder, Belgian,

Design for a Cartouche Evoking War, Jacques de Lajoüe, French, 1687–1761, Gabriel Huquier, French, 1695–1772, Engraving on white laid paper, At left of cartouche, a slave restrained by a ball and chain. A flag, spear, and shield are

No. 103, Theophil Hansen, Dutch, 1813 - 1891, J. & L. Lobmeyr GmbH, Vienna, Austria, founded ca. 1935, Mouth-blown crystal, cut and polished ornaments, Mouth-blown crystal pitcher with stopper, cut and polished ornamental engraving in the

The Approach of the British Pirate 'Alabama', Winslow Homer, American, 1836–1910, Harper's Weekly, Wood engraving in black ink on paper, Captain and crew sighting the pirate ship on the horizon., USA, April 25, 1863, figures, Print,

Plate 15 from Cahier d ornements et frises dessinés (Book of Ornaments and Friezes), Henri Salembier, French, 1753 - 1820, Jacques Juillet, French, 1739 - 1784, Engraving on paper, Page divided horizontally into two friezes, each with a

New York Charities - St. Barnabas House, 304 Mulberry Street, Winslow Homer, American, 1836–1910, Bross, Wood engraving printed in black ink on paper, Horizontal rectangle containting four vignettes: Upper left shows two young women, with

Desseins D'Agraffes, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Etching and engraving on off-white laid paper, Germany, 1745, ornament, Print, Print

People Leaving the New Theater, Amsterdam, Hubert Sihoute, Engraving on paper, Horizontal rectangle. The crowd leaving the theater through a door, filling the place outside. Two soliders stand in the doorcase. Three carriages and a sled are

Jacob at the Well, Cornelis Visscher, Netherlandish, 1629-1658, Johannes van Londerseel, Flemish, ca. 1570 - ca. 1624, Gysbert Gillisz. de Hondecoeter, Dutch, 1604 - 1653, Engraving on paper, laid down, Netherlands, ca. 1610, Print,

Le Temps De La Soirée, from a set of the hours of the day, Francois Antoine Aveline, (French, 1718–1787), Jean Mondon, French, fl. 1736 – 1745, Engraving and etching on paper, In a rocaille framing. An unidentified coat of artms bottom

Cartouche with Female Bust, Livre d’ornements (Book of Ornaments), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Franz Xaver Andreas Jungwierth, German, 1720–1790, François de Cuvilliés the Elder, Belgian,

Design for Ornament, Pierre Germain, French, 1703 - 1783, Jacques Jean Pasquier, French, died 1785, Engraving on paper, Rocaille vegetal ornament design., France, 1751, ornament, Print, Print

A Parisian Ball – Dancing at the Mabille, Paris, Winslow Homer, American, 1836–1910, Harper's Weekly, Wood engraving in black ink on paper, Couples dancing in the center of a dance hall. Large crowd of men with top hats in background.,

Cartouche with Bridge in Landscape, Livre d’ornements (Book of Ornaments), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Franz Xaver Andreas Jungwierth, German, 1720–1790, François de Cuvilliés the Elder,

Plate 13, Modèles de Voitures Louis XV (Models of Louis XV Carriages), Jean-François Chopard, French, active 18th century, Jean-François Chopard, French, active 18th century, Nicolas Jean-Baptiste de Poilly, French, 1712–after 1758,

Peep-show, Vue Perspective du Fameaux Pont de Remino Fabriquee du Temps d'Auguste Tibert Empereur Romain, No. 17, Engraving in ink with washes of watercolor on paper, mounted on scrapbook page, Peep-show print, France, ca. 1750, Print,

Cartouche with Portrait Bust, Livre de Cartouches Irréguliers (Book of Irregular Cartouches), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Franz Xaver Andreas Jungwierth, German, 1720–1790, François de

Jug and cover, Silver, wood, Urn shaped body on stem with stepped, circular foot; urn shaped finial on domed cover extending over lip; body decorated with beading and bright-cut engraving; family arms engraved on both sides; tan wood handle with

Portrait of Carolus Cignani, Henri Simon Thomassin, French, 1687 - 1741, Felice Cignani, Italian, 1660 - 1724, Engraving on paper, Italy, 1687-1741, Print, Print

L'Heure du Matin, from a set of the hours of the day, Antoine Aveline, French, 1691 – 1743, Jean Mondon, French, fl. 1736 – 1745, Engraving and etching on paper, In a rocaille framing. An unidentified coat of arms bottom center.,

Design with Apollo, François de Cuvilliés the younger, German, 1731 - 1777, Etching and engraving on off-white laid paper, Germany, 1745, figures, Print, Print

Wall with Chimneypiece and Mirror, Livre de Lambris (Book of Wainscoting), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Carl Albert von Lespilliez, German, 1723 - 1796, François de Cuvilliés the Elder, Belgian,

Cartouche with Fountain and Building, Livre Nouveau Morceaux de Fantaisie (New Book of Fantasy Pieces), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Carl Albert von Lespilliez, German, 1723 - 1796, François de

Emigrant Arrival at Constitution Wharf, Boston, Winslow Homer, American, 1836–1910, Charles F. Damoreau, American, active 1857, Ballou's Pictorial, Wood engraving in black ink on paper, Illustration on first page of issue, showing

Plate from the IVe Cahier de Vases Boettes de Pendules Tombeaux &c., Henri Sallembier, French, ca. 1753 - 1820, Jacques Juillet, French, 1739 - 1784, Engraving on paper, Vases and chandeliers., Europe, France, 1777, Print, Print

Peep-show, Place de l'Eglise de St. Marc et la Grande Place Terminée par l'Eglise de St. Geminien á Venise, Engraving in ink and washes of watercolor on paper, mounted on scrapbook page, Peep-show print, France, ca. 1750, Print, Print

Winter at Sea – Taking in Sail off the Coast, Winslow Homer, American, 1836–1910, Harper's Weekly, Wood engraving in black ink on paper, Men taking in the sail of a ship in the snow., USA, January 16, 1869, figures, Print, Print

Porte d'Entrée de Choeur, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Karl Albert von Lespilliez, 1723–1796, Nicolas Jean-Baptiste de Poilly, French, 1712–after 1758, Etching and engraving on off-white laid

Old Man with a Staff, Robert Dighton, British, ca. 1752 - 1814, Giovanni Francesco Barbieri (called Guercino), Italian, 1591 – 1666, Engraving in brown ink on white paper, The man's eyes are raised; he faces slightly left, with the staff

The Healing of the Lame Man at the Beautiful Gate of the Temple, Etching and engraving, Germany, 1778, print, print

Fan leaves, Tenth and eleventh plates of the set, 'Divers Desseins de grands Eventails, Encrans, et autres Ornamens, inventés et gravés par Nicolas Loire', Alexis Loir, French, 1640 - 1713, Nicolas Loir, French, 1624 - 1679, Etching,

Design for Wainscoting with a Buffet, Elevation and Plan, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Karl Albert von Lespilliez, 1723–1796, Nicolas Jean-Baptiste de Poilly, French, 1712–after 1758, Etching

Miracle of Loaves and Fishes, Michel Lasne, French, ca. 1590 - 1667, Engraving on paper, France, ca. 1650, Print, Print

Cartouche with View of Palace and Ruins, Livre d’ornements (Book of Ornaments), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Franz Xaver Andreas Jungwierth, German, 1720–1790, François de Cuvilliés the

Fan leaves, Fifth and sixth plates of the set, 'Divers Desseins de grands Eventails, Encrans, et autres Ornamens, inventés et gravés par Nicolas Loire', Alexis Loir, French, 1640 - 1713, Nicolas Loir, French, 1624 - 1679, Etching,

Le Salle de Spectacle, Bordeaux, Engraving on paper, Horizontal rectangle. Oblique view from the left corner of the front side. The street flanking this side is shown. Masts of ships are at its end. A corner hosue is shown at left. Soldiers,

Design for Cartouche with Large and Small Compartments, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Karl Albert von Lespilliez, 1723–1796, Nicolas Jean-Baptiste de Poilly, French, 1712–after 1758, Etching

Frontispiece: Relatione di Alfonso Isachi intorno l'origine, solennita`, traslatione, et miracoli della Madonna di Reggio (Alfonso Isachi's account of the origin, solemnity, translatione[?], and miracles of the Madonna of Reggio), Giovanni

Quarter of a Ceiling, Livre de Portion de Plafonds en Vousures (Book of Portions of Vaulted Ceilings), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, François de Cuvilliés the younger, German, 1731 - 1777, Nicolas

Massacre of the Innocents, Hendrik Goltzius, Netherlandish, 1558 – 1617, Claes Jansz. Visscher, Dutch, 1550 - 1612, engraving on paper, Netherlands, ca. 1585-86, Print, Print

Old Man's Head, Francesco Bartolozzi, Italian, active England, 1727–1815, Annibale Carracci, Italian, 1560–1609, John Chamberlaine, English, 1745 - 1812, Engraving in the crayon manner in red-brown ink on white paper, Old man with a

Cartouche with Tree, Livre de Cartouches Irréguliers (Book of Irregular Cartouches), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Balthazar Sigismond Setlezky, German, 1695 - 1774, François de Cuvilliés the

Two Quarters of a Ceiling, Nouveau Livre de Plafonds Irréguliers (New Book of Irregular Ceilings), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Carl Albert von Lespilliez, German, 1723 - 1796, François de

Peep-show, View Near the Park, Toward the Bridge of Leyden in The Hague, Georg Balthasar Probst, German, 1732 - 1801, Engraving on paper, Europe, 1732-1801, Print, Print

Design for Cartouche Evoking the Chase, Jacques de Lajoüe, French, 1687–1761, Gabriel Huquier, French, 1695–1772, Engraving on white laid paper, Cartouche decorated with elements of the chase: a hunting horn, two arrows (lower left), a

Plate 3, Receuil de Fontaines (Collection of Fountains), François Boucher, French, 1703 – 1770, Gabriel Huquier, French, 1695–1772, Gabriel Huquier, French, 1695–1772, Engraving on paper, Folio 3, plate 3 of a series of 7. Design

Deux Potences de fer, pour pendre des Enseignes, ou lanternes., François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Karl Albert von Lespilliez, 1723–1796, Nicolas Jean-Baptiste de Poilly, French, 1712–after 1758,

Cartouche with Two Putti and a Mermaid, Livre de Cartouches à divers usages (Book of Cartouches for Different Uses), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Franz Xaver Andreas Jungwierth, German,

Cartouche with Wine Leaves and Grapes, Livre de Cartouches Reguliers (Book of Regular Cartouches), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Carl Albert von Lespilliez, German, 1723 - 1796, François de

Design for Two Panels, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Karl Albert von Lespilliez, 1723–1796, Nicolas Jean-Baptiste de Poilly, French, 1712–after 1758, Etching and engraving on off-white laid

Cartouche with Lion, Livre de Cartouches Irréguliers (Book of Irregular Cartouches), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Balthazar Sigismond Setlezky, German, 1695 - 1774, François de Cuvilliés the

Jurors Listening to Counsel, Supreme Court, New City Hall, New York, Winslow Homer, American, 1836–1910, Harper's Weekly, Wood engraving in black ink on paper, Jury seated in the jury box listening to a lawyer., USA, February 20, 1869,

Certificate: Navy Department Discharge, Engraving in black ink on paper, France and USA, July 18, 1865, Print, Print

Design for Wall Niche with a Fountain, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Karl Albert von Lespilliez, 1723–1796, Nicolas Jean-Baptiste de Poilly, French, 1712–after 1758, Etching and engraving on

Design for Cartouche Evoking Aquatic Elements, Jacques de Lajoüe, French, 1687–1761, Gabriel Huquier, French, 1695–1772, Engraving on white laid paper, Cartouche decorated with aquatic elements: an oar, water reeds, and a trident at

Cartouche with a Genius, Livre de Cartouches à divers usages (Book of Cartouches for Different Uses), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Franz Xaver Andreas Jungwierth, German, 1720–1790, François de

Design for Ceramic Stove, Livre de Portion de Plafonds et d'un Poëlle (Book of Portions of Ceilings and of a Stove), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, François de Cuvilliés the younger, German, 1731 -

Peep-show, View of the Pond Near the Shooting Garden in the Hague, Georg Balthasar Probst, German, 1732 - 1801, Engraving on paper, France, 1732-1801, Print, Print

Fan leaves, Tenth and eleventh plates of the set, 'Divers Desseins de grands Eventails, Encrans, et autres Ornamens, inventés et gravés par Nicolas Loire', Alexis Loir, French, 1640 - 1713, Nicolas Loir, French, 1624 - 1679, Etching,

Fan leaves, Eighth and ninth plates of the set, 'Divers Desseins de grands Eventails, Encrans, et autres Ornamens, inventés et gravés par Nicolas Loire', Alexis Loir, French, 1640 - 1713, Nicolas Loir, French, 1624 - 1679, Etching,

Design for Cartouche with Putti Supporting Helmet, Livre Nouveau de Morceaux de Fantaisie (New Book of Fantasy Pieces), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Carl Albert von Lespilliez, German, 1723 - 1796,

Coronation of the Virgin, Master of the Die, Italian or German, 1530 - 1560, Antoine Lafréry, French, 1512 - 1577, Raphael, (Italian, 1483–1520), Engraving, The Coronation of the Virgin: Virgin and Christ seated at center, flanked by

Design for a Fan, No. 1 from 'Dessins d'Eventails et Ecrans', Nicolas Loir, French, 1624 - 1679, Etching with engraving on paper, Semicircular plate., France, Europe, France, ca. 1675, Print, Print

The Rat Catcher, Cornelis Visscher, Netherlandish, 1629-1658, Engraving on paper, In mid-foreground an old man standing in frontal position looking to right. He is seen up to his knees. At left, a dog; at right, a boy looking to left and

Cartouche with Musical Instruments, Livre de Cartouches Reguliers (Book of Regular Cartouches), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Carl Albert von Lespilliez, German, 1723 - 1796, François de Cuvilliés

Head of a Girl, Peltro William Tomkins, British, 1760 - 1840, Leonardo da Vinci, Italian, 1452 - 1519, Stipple engraving in brown ink on brown paper, A young girl, in profile, looking to the right. her hair is in a cap., England, 1803,

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