Images at Librifly

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Ludwig II, King of Hungary, Monogrammist AA, Italy, 1526, 1526, print, copperplate engraving, 145 mm x 120 mm, Bibliotheca Palat. Vindobonensis

Suleyman the Magnificent, Monogrammist AA, Italy, 1526, 1526, print, engraving, 148 mm x 124 mm

Autumnus, Autumn, The Four Seasons, 1570, print, copperplate engraving, sheet: 22.5 x 28.6 cm, M.u. 'AUTUMNUS / Virilitatis Typus'; u. 'Septembri, Octobri Autumnus, totoqe Nouémbri. That must be gray as Autumnus pomifer uuas

Hyems, Winter, The Four Seasons, 1570, print, copperplate engraving, sheet: 22.5 x 28.8 cm, M.u. 'HYEMS / Senectuti comparatur'; & 'Brumales Ianus, Februaryius atq December. Vis Hÿemis glacie currentes alligat undas

Bird of Paradise, Richard Teschner, Karlsbad 1879 - 1948 Vienna, print, color engraving, proof, sheet: 52.1 x 39.8 cm, Austria

David and Goliath, Marcantonio Raimondi, Argini near Bologna?, around 1480 - 1527/34 Bologna, around 1520-1525, print, copperplate engraving; 1st condition, without panel with signature at bottom right, 26.5 x 39.2 cm, right. Sir Edward

David and Goliath, Marcantonio Raimondi, Argini near Bologna?, around 1480 - 1527/34 Bologna, around 1520 - 1525, print, copperplate engraving, 26.7 cm x 39.8 cm

The banquet in the house of Simon the Pharisee, Marcantonio Raimondi, Argini near Bologna?, around 1480 - 1527/34 Bologna, around 1522-1524, print, copperplate engraving; 1st condition, 23.1 x 34.5 cm

Descent from the Cross, Marcantonio Raimondi, Argini near Bologna?, around 1480 - 1527/34 Bologna, around 1523-1525, print, copperplate engraving, 40.9 x 28.4 cm, verso, 'P. Mariette 1671 ran X

Paul preaches to the Athenians, Marcantonio Raimondi, Argini near Bologna?, around 1480 - 1527/34 Bologna, around 1520-1522, print, copperplate engraving, 26.5 x 34.9 cm, 'P. Mariette 1674, L.H. mousquetere 2666 de lorme

Martha leads Magdalena to Christ, Marcantonio Raimondi, Argini near Bologna?, around 1480 - 1527/34 Bologna, around 1520-1522, print, copperplate engraving, 23 x 34.2 cm

The Holy Family with the boy John, Marcantonio Raimondi, Argini near Bologna?, around 1480 - 1527/34 Bologna, around 1520-1522, print, copperplate engraving, 40.1 x 26.6 cm

Christ, Christ and the twelve apostles, Marcantonio Raimondi, Argini near Bologna?, around 1480 - 1527/34 Bologna, around 1520 - 1522, print, copperplate engraving, 20.6 cm x 13.5 cm

Peter, Christ and the twelve apostles, Marcantonio Raimondi, Argini near Bologna?, around 1480 - 1527/34 Bologna, around 1520 - 1522, print, copperplate engraving, 20.6 cm x 13.8 cm

Andrew, Christ and the twelve apostles, Marcantonio Raimondi, Argini near Bologna?, around 1480 - 1527/34 Bologna, around 1520 - 1522, print, copperplate engraving, 20.5 cm x 13.8 cm

Jakobus Maior, Christ and the twelve apostles, Marcantonio Raimondi, Argini near Bologna?, around 1480 - 1527/34 Bologna, around 1520 - 1522, print, copperplate engraving, 20.7 cm x 13.7 cm

John, Christ and the twelve apostles, Marcantonio Raimondi, Argini near Bologna?, around 1480 - 1527/34 Bologna, around 1520 - 1522, print, copperplate engraving, 20.8 cm x 13.6 cm

Philip, Christ and the twelve apostles, Marcantonio Raimondi, Argini near Bologna?, around 1480 - 1527/34 Bologna, around 1520 - 1522, print, copperplate engraving, 21 cm x 13.6 cm

Matthew, Christ and the twelve apostles, Marcantonio Raimondi, Argini near Bologna?, around 1480 - 1527/34 Bologna, around 1520 - 1522, print, copperplate engraving, 21 cm x 13.8 cm

Thomas, Christ and the twelve apostles, Marcantonio Raimondi, Argini near Bologna?, around 1480 - 1527/34 Bologna, around 1520 - 1522, print, copperplate engraving, 21.1 cm x 13.8 cm

Simon, Christ and the twelve apostles, Marcantonio Raimondi, Argini near Bologna?, around 1480 - 1527/34 Bologna, around 1520 - 1522, print, copperplate engraving, 20.9 cm x 13.5 cm

Judas Thaddeus, Christ and the twelve apostles, Marcantonio Raimondi, Argini near Bologna?, around 1480 - 1527/34 Bologna, around 1520-1522, print, copperplate engraving, 20.5 x 13.4 cm

Matthias, Christ and the twelve apostles, Marcantonio Raimondi, Argini near Bologna?, around 1480 - 1527/34 Bologna, around 1520 - 1522, print, copperplate engraving, reworked in pen, 20.7 cm x 13.5 cm

Saint Paul, Christ and the twelve apostles, Marcantonio Raimondi, Argini near Bologna?, around 1480 - 1527/34 Bologna, around 1520-1522, print, copperplate engraving, 20.9 x 13.5 cm

Petrus, Marcantonio Raimondi, Argini near Bologna?, around 1480 - 1527/34 Bologna, around 1520 - 1522, print, copperplate engraving, 21.6 cm x 13 cm

Petrus, Marcantonio Raimondi, Argini near Bologna?, around 1480 - 1527/34 Bologna, around 1520 - 1522, print, copperplate engraving, 21.7 cm x 13.4 cm, 'P. mariette 1670 c13 11 10s v 16 11

Martyrdom of St. Lawrence, Marcantonio Raimondi, Argini near Bologna?, around 1480 - 1527/34 Bologna, around 1525, print, copperplate engraving; 1st condition, 43.8 x 57.6 cm, 'P. Mariette 1688', in red chalk

Christ, Mary, John the Baptist and Saints Catherine of Alexandria and Paul, Marcantonio Raimondi, Argini near Bologna?, around 1480 - 1527/34 Bologna, around 1520, print, copperplate engraving, 42 x 28.9 cm, 'C D Natoir 65 raphael

The farmer's wife with two jugs, Barthel Beham, Nuremberg 1502 - 1540 Bologna, 1524, print, copperplate engraving

Pallas, Marcantonio Raimondi, Argini near Bologna?, around 1480 - 1527/34 Bologna, around 1522-1525, print, copperplate engraving, 26.2 x 15.7 cm, Alexandre-Pierre-François Robert-Dumesnil, 'P. Mariette

Lion hunt, Marcantonio Raimondi, Argini near Bologna?, around 1480 - 1527/34 Bologna, around 1524-1527, print, copper engraving, 26.7 x 31.2 cm, base inscription: 'QVE STABANT VIX HOSPITIBVS SPECTANDA SEPVLCHRA QVILIBET ARBITRIO IAM VIDET

Sea battle in the Strait of Messina, 1561, print, etching and engraving, sheet: 42.8 x 36.3 cm, o. 'FRETI SICVLI SIVE MAMERTINI VVLGO EL'; l. above: 'REZO

Bartholomew, Christ and the twelve apostles, Marcantonio Raimondi, Argini near Bologna?, around 1480 - 1527/34 Bologna, around 1520 - 1522, print, copperplate engraving, 20.8 cm x 13.6 cm

Hercules and Antaeus, Marcantonio Raimondi, Argini near Bologna?, around 1480 - 1527/34 Bologna, around 1520-1522, print, copperplate engraving; Crack in the printing plate can be seen above, 31 x 21.2 cm, 'P. Marietta 1668

Two apostles, Domenico Beccafumi called Mecarino, Cortine in Valdibiana Montaperti near Siena 1484 - 1551 Siena, around 1544-1547, print, copper engraving and clay plate, ochre, sheet: 41.1 x 20.8 cm

Group of men and women, Domenico Beccafumi called Mecarino, Cortine in Valdibiana Montaperti near Siena 1484 - 1551 Siena, around 1545-1547, print, copper engraving and two clay plates, light blue and blue, sheet: 14.4 x 22.2 cm

CLAUDE MELLAN, portrait of a lady, ca. 1636 - 1640, sheet, max. 160 x max. 130 mm, black and red chalk on handmade paper, old mounted on blue mount with gold frame, portrait of a Lady, CLAUDE MELLAN, 17TH CENTURY, BAROQUE, DRAWING, Black

HYACINTHE RIGAUD, portrait of the painter Sébastien Bourdon, ca. 1730 - 1733, sheet, 361 x 249 mm, black and white chalk on blue paper, portrait of the painter Sébastien Bourdon, HYACINTHE RIGAUD, 18TH CENTURY, BAROQUE, DRAWING, black

ROSALBA CARRIERA, portrait of Antoine Watteau, 1721?, sheet, 265 x 226 mm, pastel on blue handmade paper, old mounted, with gold frame, portrait of Antoine Watteau, ROSALBA CARRIERA, 18TH CENTURY, BAROQUE ROCOCO, DRAWING, pastel on blue

FRANÇOIS VERDIER, Calling of the Apostles, sheet, 324 x 274 mm, red chalk, heightened with white, border line on all sides, on brown vergé paper, Call of the Apostles, FRANÇOIS VERDIER, 17TH CENTURY, BAROQUE, DRAWING, red chalk,

LAURENT DE LA HIRE, Saint Francis, ca. 1639 - 1642, sheet, 357 x 236 mm, red chalk on handmade paper, old mounted on blue mount with gold frame, Saint Francis, LAURENT DE LA HIRE, 17TH CENTURY, FRENCH CLASSICISM, DRAWING, red chalk on

FRENCH, 17TH CENTURY, after SÉBASTIEN LECLERC, The Academy of Arts and Sciences, sheet, 255 x 381 mm, pen in black, ink, stained brown in places, on white-primed parchment, oxidized in places, The Academy of Arts and Sciences, French,

CHARLES EISEN, France on the throne, surrounded by allegorical figures, ca. 1764, sheet, 235 x 182 mm, pen and brush in black and gray over gray pen on handmade paper, old mounted, France on the throne, surrounded by allegorical figures,

CHARLES EISEN, Apollo presents the wreath to poetry, 1766, sheet, 132 x 83 mm, gray pen on paper, Apollo presents the wreath to poetry, CHARLES EISEN, 18TH CENTURY, ROCOCO, DRAWING, gray pen on paper, GRAPHITE, CHALK, PAPER, PEN

JACQUES CALLOT, landscape with deer hunting, sheet, 113 x 247 mm, brown pen on vergé paper, old mounted, landscape with deer hunting, JACQUES CALLOT, 17TH CENTURY, BAROQUE NORTH EUROPEAN MANIERISM, DRAWING, brown pen on vergé paper, old

CLAUDE MELLAN, half-length portrait of a man with a mustache and a toggle and a folded collar to the right, sheet, 162 x 123 mm, brown pen, all-round border line in orange-red, on vergé paper, a half-length portrait of a man with a mustache

GABRIEL PERELLE, NICOLAS PERELLE, ADAM PERELLE, group of trees with buildings, on the left two shepherds with their flock, sheet, diameter: 205 mm, pen and brush in gray and black, group of trees with buildings, on the left two shepherds

CHARLES ERRARD D. J., Kylix with Dionysian procession, 'Vase Borghese', ca. 1630 - 1643, sheet, 300 x 193 mm, brown pen, light brown wash, border line in brown on all sides, on paper, Kylix with Dionysian procession, 'Vase Borghese',

JOHANN JAKOB VON SANDRART, Abraham entertains the angels, sheet, 93 x 76 mm, pen and brush in black and gray, border line on all sides, on vergé paper, with reddened verso, Abraham entertains the angels, JOHANN JAKOB VON SANDRART, series,

JOHANN JAKOB VON SANDRART, Open Bible, title page, sheet, 94 x 75 mm, pen in black, gray wash, on vergé paper, with reddened verso, Open Bible, title page, JOHANN JAKOB VON SANDRART, series, The first book called Moÿse Genesis, part

JOHANN JAKOB VON SANDRART, The creation of heaven and earth, sheet, 98 x 78 mm, pen and brush in black and gray, border line on all sides, on vergé paper, with reddened verso, The creation of heaven and earth, JOHANN JAKOB VON SANDRART,

JOHANN JAKOB VON SANDRART, Cain and Abel, sheet, 95 x 79 mm, pen and brush in black and gray, border line on all sides, on vergé paper, with reddened verso, Cain and Abel, JOHANN JAKOB VON SANDRART, series, The first book called Moÿse

JOHANN JAKOB VON SANDRART, Lot flees from Sodom with his daughters, sheet, 95 x 80 mm, pen and brush in black and gray, border line on all sides, on vergé paper, with reddened verso, Lot flees from Sodom with his daughters, JOHANN JAKOB VON

JOHANN JAKOB VON SANDRART, The Deluge, sheet, 99 x 78 mm, pen and brush in black and gray, border line on all sides, on vergé paper, with reddened verso, The Deluge, JOHANN JAKOB VON SANDRART, series, The first book of Moÿse called

JOHANN JAKOB VON SANDRART, The Exodus of Abraham and Lot from Haran, sheet, 92 x 77 mm, pen and brush in black and gray, border line on all sides, on vergé paper, with reddened verso, The Exodus of Abraham and Lot from Haran, JOHANN JAKOB

JOHANN JAKOB VON SANDRART, The Circumcision of Ishmael, sheet, 92 x 79 mm, pen and brush in black and gray, border line on all sides, on vergé paper, with reddened verso, The Circumcision of Ishmael, JOHANN JAKOB VON SANDRART, series, The

JOHANN JAKOB VON SANDRART, angels accompany Lot from Sodom, sheet, 99 x 78 mm, pen and brush in black and gray, border line on all sides, on vergé paper, with reddened verso, angels accompany Lot from Sodom, JOHANN JAKOB VON SANDRART,

BERNHARD RODE, Mars in the forge of Vulcan, standing in front of Venus, dipping Cupid's arrows in honey, sheet, 156 x 185 mm, brown pen over black chalk, gray wash, on paper, Mars in the forge of Vulcan, in front of Venus standing, dipping

PAUL BRIL ?, ruin landscape, sheet, 235 x 346 mm, pen in brown, blue and brown wash, border line in brown on all sides, on beige vergé paper, ruin landscape, PAUL BRIL ?, 16TH CENTURY 17TH CENTURY, RENAISSANCE, DRAWING, pen in Brown,

JACQUES DE GHEYN II, The Phlegmatic, before 1596 - 1597, sheet, 204 x 164 mm, brown pen, blue-gray wash, penciled, on ribbed handmade paper, old mounted, The Phlegmatic, JACQUES DE GHEYN II, 16TH CENTURY, BAROQUE NORTH EUROPEAN

UNKNOWN, 16TH CENTURY, Saint Jerome, sheet, 87 x 111 mm, pen in black and brush in gray on vergé paper, Saint Jerome, Unknown, 16th century, 16TH CENTURY, RENAISSANCE, DRAWING, pen in black and brush in gray on vergé paper, INK?,

UNKNOWN, 17TH CENTURY, afterJOHANN WILHELM BAUR, Actaion surprises Diana bathing in the forest, 1641, sheet, 196 x 283 mm, pen in brown, border line in brown on all sides, on vergé paper, Actaion surprises Diana bathing in the forest,

MAARTEN VAN HEEMSKERCK ?, Christ and the blood-flowing woman, sheet, 247 x 198 mm, pen and brush in gray-brown on vergé paper, Christ and the blood-flowing woman, MAARTEN VAN HEEMSKERCK ?, 16TH CENTURY, RENAISSANCE NORTH EUROPEAN MANIERISM,

HENDRICK GOLTZIUS ?, Saint Anthony Hermit, representation, 153 x 103 mm, sheet, 169 x 114 mm, pen and brush in brown and black chalk, squared with black chalk, on ribbed handmade paper, drawn on cardboard, Saint Anthony Hermit, HENDRICK

Healing of a leper, engraving template, Adriaen de Weerdt, Brussels around 1510 - around 1590 Cologne, drawing, traces of chalk, pen in gray, washed, 25.2 x 18.5 cm, r. and unknown collector's stamp

CLAUDE MELLAN, Portrait of Maddalena Corvina, 1636, sheet, 109 x 86 mm, Black chalk on handmade paper, Portrait of Maddalena Corvina, CLAUDE MELLAN, 17TH CENTURY, BAROQUE, DRAWING, Black chalk on handmade paper, CHALK, HAND PAPER, CHALK

CLAUDE MELLAN, Portrait of Virginia de Vezzo da Velletri, 1626, sheet, 97 x 78 mm, Black chalk on handmade paper, Portrait of Virginia de Vezzo da Velletri, CLAUDE MELLAN, 17TH CENTURY, BAROQUE, DRAWING, Black chalk on handmade paper,

Venus and Cupid, 1516, print, copper engraving, sheet: 17.9 x 13.3 cm

Venus and Cupid on dolphins, 1515-1520, print, copper engraving, sheet: 26.9 x 17.4 cm, r.r. 'Ant. Sal. exc

Venus pulling a thorn out of her foot, 1515-1520, printmaking, copper engraving, sheet: 26.3 x 17 cm

Birth of Venus, 1515-1520, print, copper engraving, sheet: 26.2 x 17.2 cm

Bacchus and Erigone, The Love Adventures of the Gods, 1520-1539, print, copper engraving, sheet: 17.3 x 14 cm

Bacchus and Erigone, The Love Adventures of the Gods, 1520-1539, print, copper engraving, sheet: 17.3 x 13.6 cm

Bouquet of flowers in a richly decorated vase, 1599, print, copper engraving, sheet: 62.5 x 40.8 cm

Empress Maria Theresa as a widow, 1770, print, copper engraving, sheet: 40.5 x 28.9 cm

Empress Maria Theresia as a widow, 1770, print, copper engraving, sheet: 41.7 x 30 cm

Medallion of Count Wenzel Anton von Kaunitz-Rietberg, 1786, print, copper engraving, sheet: 48.7 x 48 cm

The effects of the reforms of Emperor Joseph II in the Austrian Netherlands, 1786, print, copper engraving, sheet: 48.8 x 62.5 cm, verso: r.o. 'FID.C' (under crown

View of the town of Teschen in Silesia, Ignaz Chambrez (Holleschau 1758 - 1842 Lemberg), around 1800, print, colored copper engraving, sheet: 39.9 x 46 cm, M.o. 'Vue de la Ville de Teschen en Silesie.' in print

Diploma of the Lodge of Truth (Freemason letter), Jacob Matthias Schmutzer (Vienna 1733 - 1811 Vienna), print, copper engraving, sheet: 35.7 x 43.2 cm

The Last Supper, 1800, print, copper engraving, sheet: 54 x 94.8 cm, below bottom 'Ferdinando III Austriaco Magno Hetruriae Duci' in print

Archduchess Maria Josepha lying in state 1676, Johann Martin Lerch (Oberlenningen 1643 - 1693 Vienna), around 1676, print, copper engraving, sheet: 14.1 x 19.1 cm

View of Florence from the north, Johann Andreas Pfeffel the Elder (Vogtsburg-Bischoffingen 1674 - 1748 (1750?) Augsburg), 1744, printmaking, copper engraving, etching, sheet: 53.2 x 72.6 cm

View of the Palazzo Pitti in Florence, Johann Sebastian Müller (Nuremberg 1715 - after 1785 London), 1744, print, copper engraving, etching, sheet: 53.7 x 72.4 cm

View of the Cathedral of Santa Maria del Fiore and the Baptistery of San Giovanni in Florence with the procession taking place in front of it, Bernardo Sansone Sgrilli (Italy, deceased 1755), 1744, printmaking, copper engraving, etching,

Frontispiece of the encyclopedia of Denis Diderot and Jean D'Alembert, Benoît Louis Prévost (Paris 1735 - 1804), 1764-1772, print, copper engraving, sheet: 47.9 x 31 cm

Theresa's last day, Johann Hieronymus Loeschenkohl (Elberfeld 1753 - 1807 Vienna), 1780, print, copper engraving, etching, sheet: 42.8 x 49 cm, l.l. 'N.F. 3101

Hercules kills Cacus, between 1600 and 1615, print, copperplate engraving, sheet: 20.5 x 11.3 cm, below bottom 'ME. ANGLL. BONAR: STATV. ROME. FEC., Luc. Kil. A.Sculp. Dom. Custos excud.AV

Hercules kills Cacus, between 1600 and 1615, print, copperplate engraving, sheet: 20.3 x 11.1 cm, below bottom 'ME. ANGLL. BONAR: STATV. ROME. FEC., Luc. Kil. A.Sculp. Dom. Custos excud.A.V

Hercules kills Cacus, between 1600 and 1615, print, copperplate engraving, sheet: 20.1 x 10.9 cm, below bottom 'ME. ANGLL. BONAR: STATV. ROME. FEC., Luc. Kil. A.Sculp. Dom. Custos excud.A.V

Garcon Boulanger, Etudes prizes dans le bas Peuple ou les Cris de Paris, Comte Anne Claude Philippe de Caylus (Paris 1692 - 1765 Paris), Étienne Fessard (Paris 1714 - 1774 Paris), 1737, print, copper engraving, etching, sheet: 24 .6 x 19.3

Hercules and Deianira, The Love Adventures of the Gods, 1520-1539, print, copper engraving, sheet: 17.3 x 13.7 cm

Cupid and Psyche, The Love Adventures of the Gods, 1520-1539, print, copper engraving, sheet: 18.5 x 13.6 cm, base inscription 'Parla Cvpido

Venus and Cupid, The Love Adventures of the Gods, 1520-1539, print, copper engraving, sheet: 17.9 x 13.6 cm, base inscription 'Di Venere E amore

Pluto and Proserpina, The Love Adventures of the Gods, 1520-1539, print, copper engraving, sheet: 18.3 × 13.5 cm, base inscription 'Plutone et Proserpina

1. Articles of Faith, print, engraving, sheet: 19.3 x 14.2 cm

2. Articles of Faith, print, engraving, sheet: 19.2 x 13.9 cm

Saturn and Philyra, The Love Adventures of the Gods, 1520-1539, print, copper engraving, sheet: 18.2 x 13.6 cm, base inscription 'Saturno

Mercury visits Herse, The love affairs of the gods, 1520-1539, print, copperplate engraving, sheet: 22 x 13.6 cm, below bottom '14' (inverted 4); Base inscription 'Mercurio parla a Glauros (detailed inscription

Allegory of the Old and New Covenant, Hieronymus Wierix (Antwerp 1553 - 1619 Antwerp), 1607, print, copper engraving, sheet: 20.7 x 12.7 cm

search results: Engraving clear search