Images at Librifly search results: Engraving clear search 159.744 / 2.589.715 Entries < previous page Page 853 / 1598 next page > Shoe-Black, 1739, print, copper engraving, sheet: 25.5 x 19.7 cm, below bottom 'Shoe Black' in press Soldier putting on trousers, 1517, print, copper engraving, sheet: 15.7 x 11.4 cm The swearing-in of the ratification of the Spanish-Dutch peace treaty on May 15, 1648 in the town hall of Münster, 1650, print, copper engraving, sheet: 47.2 x 58.2 cm, l.top. 'PAX OPTIMA RERUM' in press Pietà with angels, 1608, print, copper engraving, sheet: 44.7 x 26.7 cm The Abduction of Proserpina, 1605, print, copper engraving, sheet: 44.6 x 61.4 cm Interior of St. Stephen's Cathedral in Vienna with a view of the choir, Georg Christian Wilder (Nuremberg 1797 - 1855 Nuremberg), 1823, print, copper engraving, etching, sheet: 36 x 28.5 cm Interior of St. Stephen's Cathedral in Vienna with a view of the choir, Georg Christian Wilder (Nuremberg 1797 - 1855 Nuremberg), 1823, print, copper engraving, etching, sheet: 36 x 28.5 cm Madonna della Seggiola, 1804, print, etching, copper engraving, sheet: 32.7 x 31.6 cm, below bottom 'Third test print Madonna della Seggiola, print, etching, copper engraving, sheet: 44.2 x 33.8 cm Christ on the Cross with Saints Mary and John, 16th century, printmaking, copper engraving, etching, sheet: 41.9 x 27.6 cm The coronation ceremony of Louis XV, King of France and Navarre, in the church of Reims: The king on his way to the church, Pierre Dulin (Paris 1669 - 1748 Paris), 1722, printmaking, copper engraving, sheet (double sheet): 62.5 x 88cm The coronation ceremony of Louis XV, King of France and Navarre, in the church of Reims: The arrival of the Holy Ampoule, Pierre Dulin (Paris 1669 - 1748 Paris), 1722, printmaking, copper engraving, sheet (double sheet): 62.5 x 88 cm The coronation ceremony of Louis XV, King of France and Navarre, in the church of Reims: The coronation of the king, Pierre Dulin (Paris 1669 - 1748 Paris), 1722, printmaking, copper engraving, sheet (double sheet): 62.5 x 88 cm Marriage of Maria Theresa on February 12, 1736, anonymous, 1736, print, copper engraving, sheet: 20.1 x 30.4 cm Coronation of Maria Theresa as Queen of Bohemia in Prague on May 12, 1743, Elias Baeck (Augsburg 1679 - 1747 Augsburg), 1743, print, copper engraving, etching, sheet: 50.6 × 40.7 cm, l.l. 'Cum Privilegio Sac. Rome. Imp. Vicariat et C. Pr. Ball on the occasion of the wedding of Duke Carl Alexander of Lorraine and Archduchess Maria Anna of Austria, 1744, (after) 1744, print, copper engraving, etching, sheet: 56.3 × 76.6 cm The Queen of Hungary putting on Bavaria Breeches (Caricature of the War of the Austrian Succession), 1742, Anonymous WVDSDSW, English), 1742, Print, copper engraving, etching, Sheet: 22.7 × 24.5 cm European Medical Council around Maria Theresia (caricature of the War of the Austrian Succession), 1742, (after) 1742, print, copper engraving, etching, sheet: 19.6 × 32.9 cm Coronation of Maria Theresa in St. Vitus Cathedral in Prague, 1743, (after) 1743, print, copper engraving, etching, sheet: 55 × 38.6 cm, below bottom 'Cum Priv., legio Regio' in press Homage of the Bohemian Estates in Prague's Vladislav Hall, 1743, (after) 1743, print, copperplate engraving, etching, sheet: 37 × 53.9 cm, below bottom 'Cum Privig. Regio' in press Triumphal arch on the occasion of the marriage of Joseph II to Isabella of Parma-Bourbon on October 6, 1760 in Vienna, Georg David Christoph Nicolai (Nuremberg 1702 - 1775 Vienna), 1760, print, copper engraving, etching, sheet: 74.4 × 53.7 Festive decorations in Bozen on the occasion of the marriage of Joseph II to Isabella von Parma-Bourbon on October 6, 1760 in Vienna, Gustav Andreas Wolfgang (Germany, 1692 - 1775), 1761, print, copper engraving, etching, sheet: 75.4 × 47, The coronation of Franz Stephan von Lorraine as Roman-German Emperor on October 4, 1745 in Frankfurt am Main, anonymous, 1745, printmaking, copper engraving and etching on paper, sheet: 37.7 × 48.3 cm, 'AS | ALBERTINA GRAPH. SAMMLG' (round Mourning scaffold for Emperor Charles VI. in the Hofkirche of the Augustinians in Vienna from 16.-18. November 1740, 1740, printmaking, etching and engraving on paper, sheet: 50.8 × 32.8 cm Catafalque for King Philip II (upper part), 1621, print, copper engraving, sheet: 45.4 × 31.5 cm Catafalque for King Philip II (middle part), 1621, print, copper engraving, sheet: 35.5 × 40.9 cm, M.o. 'CATAFALCO FATTO IN SIVIGLIA P LA ... MORTE DEL RE FILIPPO III' in print Catafalque for King Philip II (right part), 1621, print, copper engraving, sheet: 34.8 × 43.2 cm From the series 'Lascivie' Satyr and Nymph, Lascivie, Agostino Carracci (Bologna 1557 - 1602 Parma), 1585-1600, printmaking, copper engraving, sheet: 15.6 × 12.2 cm Martin Luther in death, print, steel engraving, sheet: 54.3 × 38.7 cm, in the frame bottom left 'A strong castle is, our God!'; r.b. 'Eduard Schuler sculps'; below M.u. 'MARTIN LUTHER, IN DEATH., After the original painting by his friend Petrus Canisius, Dominicus Custos (Antwerp 1560 - 1615 Augsburg), 1612, print, copper engraving, sheet: 19.3 × 12.3 cm Spindler, Carl: Wallrade, in: 'Der Jew' (book illustration), Spindler, Carl: Vergissmeinnicht (book illustration), 1833, print, steel engraving, etching, sheet: 13.8 × 9.5 cm Spindler, Carl: The invalid (book illustration), Spindler, Carl: Forget-me-not (book illustration), 1833, print, steel engraving, etching, sheet: 13.7 × 9.9 cm Spindler, Carl: Rosine, in: The Alpine roses (book illustration), Spindler, Carl: Forget-me-not (book illustration), 1833, print, steel engraving, etching, dotting style, sheet: 13.5 × 9.4 cm Spindler, Carl: Athanasia (book illustration), Spindler, Carl: Vergissmeinnicht (book illustration), 1833, printmaking, steel engraving, etching, dotting style, sheet: 13 × 9.4 cm Spindler, Carl: 'Die Mohrin von Toledo II' (book illustration), Spindler, Carl: Vergissmeinnicht (book illustration), 1831, print, steel engraving, etching, sheet: 13.7 × 9.2 cm Spindler, Carl: Fearless and true I (book illustration), Spindler, Carl: Forget-me-not (book illustration), 1831, print, steel engraving, etching, sheet: 13.7 × 9 cm Spindler, Carl: Zaragoza (book illustration), Spindler, Carl: Forget-me-not (book illustration), 1833, print, steel engraving, etching, sheet: 13.3 × 9.4 cm Madonna della Seggiola, 1804, print, etching, copper engraving, sheet: 32.2 x 31.8 cm, below bottom 'Second test print Coronation of Maria Theresa in St. Vitus Cathedral in Prague, 1743, (after) 1743, print, copper engraving, etching, sheet: 54.4 × 36.8 cm, below bottom 'Cum Priv., legio Regio' in press Kotzebue, August von: Ubaldo, Act Four, Scene Four (book illustration), 1825-1844, printmaking, steel engraving, etching, sheet: 14.5 × 8.6 cm Venturia calls on Coriolanus to spare the city (book illustration), Nösselt, Friedrich: Textbook of world history for girls' schools and for private lessons of adolescent girls, first part, 4th edition, 1833 (book illustration), 1833, prints, Maximilian I and Maria von Burgundy (book illustration), Nösselt, Friedrich: Textbook of world history for girls' schools and for private lessons of adolescent girls, first part, fourth edition, 1833 (book illustration), 1833, prints, steel Zwingli's farewell to wife and children (book illustration), Nösselt, Friedrich: Textbook of world history for girls' schools and for private lessons of adolescent girls, third part, tenth edition, 1850 (book illustration), 1830-1850, Allegorical figure: Opulentia (wealth and abundance), round medallions for the meeting room of the Karlsruhe Estates House, 1848, print, copper engraving, etching, plate ocher, sheet: 34.6 × 28.2 cm Allegorical figure: Pietas (piety), round medallions for the meeting room of the Karlsruhe Estates House, 1848, print, copper engraving, etching, plate ocher, sheet: 34.6 × 28.2 cm Allegorical figure: Virtus (bravery), round medallions for the meeting room of the Karlsruhe Estates House, 1848, print, copper engraving, etching, plate ocher, sheet: 34.6 × 28.2 cm Allegorical figure: Pax (Peace), round medallions for the meeting room of the Karlsruhe Estates House, 1848, print, copper engraving, etching, plate ocher, sheet: 33.6 × 28.2 cm Allegorical figure: Justitia (Justice), round medallions for the meeting room of the Karlsruhe House of Estates, 1848, print, copper engraving, etching, plate ocher, sheet: 35.1 × 28.7 cm Allegorical figure: Sapientia (insight and reason), round medallions for the meeting room of the Karlsruhe Estates House, 1848, print, copper engraving, etching, plate ocher, sheet: 31.7 × 28.1 cm Allegorical figure: Fidelitas (loyalty), round medallions for the meeting room of the Karlsruhe House of Estates, 1848, printmaking, copper engraving, etching, plate ocher, sheet: 34.3 × 28.2 cm Allegorical figure: Prudentia (Prudence), round medallions for the meeting room of the Karlsruhe Estates House, 1848, print, copper engraving, etching, plate ocher, sheet: 34.6 × 28.2 cm Returning knight, around 1846, print, copper engraving, etching, sheet: 33.8 × 22.6 cm Schiller, Friedrich: The Count of Habsburg (illustration), around 1850, print, copper engraving, etching, sheet: 24.3 × 33.2 cm The Falkensteiner ride in a border with gnomes and mountain spirits in gold print, 1850, printmaking, copper engraving, etching, gold, sheet: 64 × 45.5 cm Funeral structure for Prince Eugene of Savoy in St. Stephen's Cathedral on July 9, 1736, 1736, print, copper engraving on paper, sheet: 75.5 × 53 cm, 'ALBERTINA WIEN' (round stamp on reverse), [m.u.] 'Cum Privilegio S.C.Maj Coronation of Eleonore Magdalena von Pfalz-Neuburg, wife of Emperor Leopold I, as Roman-German Empress on January 19, 1690 in the Augsburg Cathedral, from: Johann Friedrich Wieland, Das Hoch-beehrente Augspurg oder Whrgrundliche Dinge ..., Main portal of the Church of SS. Giovanni e Paolo in Venice with funeral decorations on the occasion of the funeral ceremony for Grand Duke Cosimo II of Tuscany on May 25, 1621 (title page), From: Esequie fatte in Venetia dalla natione Fiorentina Painting in the funeral decoration for the funeral ceremony for Grand Duke Cosimo II of Tuscany in the Church of SS. Giovanni e Paolo in Venice on May 25, 1621, From: Esequie fatte in Venetia dalla natione Fiorentina al Serenissimo D. Cosimo II di Painting in the funeral decoration for the funeral ceremony for Grand Duke Cosimo II of Tuscany in the Church of SS. Giovanni e Paolo in Venice on May 25, 1621, From: Esequie fatte in Venetia dalla natione Fiorentina al Serenissimo D. Cosimo II di Mourning decoration on the long side of the interior of the Church of SS. Giovanni e Paolo in Venice for the funeral of Grand Duke Cosimo II of Tuscany on May 25, 1621, from: Esequie fatte in Venetia dalla natione Fiorentina al Serenissimo D. Painting in the funeral decoration for the funeral ceremony for Grand Duke Cosimo II of Tuscany in the Church of SS. Giovanni e Paolo in Venice on May 25, 1621, From: Esequie fatte in Venetia dalla natione Fiorentina al Serenissimo D. Cosimo II di Painting in the funeral decoration for the funeral ceremony for Grand Duke Cosimo II of Tuscany in the Church of SS. Giovanni e Paolo in Venice on May 25, 1621, From: Esequie fatte in Venetia dalla natione Fiorentina al Serenissimo D. Cosimo II di Painting in the funeral decoration for the funeral ceremony for Grand Duke Cosimo II of Tuscany in the Church of SS. Giovanni e Paolo in Venice on May 25, 1621, From: Esequie fatte in Venetia dalla natione Fiorentina al Serenissimo D. Cosimo II di Funeral ceremony for Grand Duke Cosimo II of Tuscany in the Church of SS. Giovanni e Paolo in Venice on May 25, 1621, From: Esequie fatte in Venetia dalla natione Fiorentina al Serenissimo D. Cosimo II di Toscana Il di 25 di Maggio 1621, Venice, Plan of the nave of the church of SS. Giovanni e Paolo in Venice for the funeral of Grand Duke Cosmo II of Tuscany on May 25, 1621, from: Esequie fatte in Venetia dalla natione Fiorentina al Serenissimo D. Cosimo II di Toscana Il di 25 di Maggio Catafalque to the funeral of Grand Duke Cosimo II of Tuscany in the Church of SS. Giovanni e Paolo in Venice on May 25, 1621, From: Esequie fatte in Venetia dalla natione Fiorentina al Serenissimo D. Cosimo II di Toscana Il di 25 di Maggio 1621, View of the altar to the funeral of Grand Duke Cosimo II of Tuscany in the Church of SS. Giovanni e Paolo in Venice on May 25, 1621, from: Esequie fatte in Venetia dalla natione Fiorentina al Serenissimo D. Cosimo II di Toscana Il di 25 di Maggio Statues on the catafalque to the funeral of Grand Duke Cosimo II of Tuscany in the Church of SS. Giovanni e Paolo in Venice on May 25, 1621, From: Esequie fatte in Venetia dalla natione Fiorentina al Serenissimo D. Cosimo II di Toscana Il di 25 di Mourning decoration on the portal side in the interior of the Church of SS. Giovanni e Paolo in Venice for the funeral of Grand Duke Cosimo II of Tuscany on May 25, 1621, from: Esequie fatte in Venetia dalla natione Fiorentina al Serenissimo D. Painting in the funeral decoration for the funeral ceremony for Grand Duke Cosimo II of Tuscany in the Church of SS. Giovanni e Paolo in Venice on May 25, 1621, From: Esequie fatte in Venetia dalla natione Fiorentina al Serenissimo D. Cosimo II di Painting in the funeral decoration for the funeral ceremony for Grand Duke Cosimo II of Tuscany in the Church of SS. Giovanni e Paolo in Venice on May 25, 1621, From: Esequie fatte in Venetia dalla natione Fiorentina al Serenissimo D. Cosimo II di Mourning decoration on the long side of the interior of the Church of SS. Giovanni e Paolo in Venice for the funeral of Grand Duke Cosimo II of Tuscany on May 25, 1621, from: Esequie fatte in Venetia dalla natione Fiorentina al Serenissimo D. Order awarded by the Marquis de Dangeau in the church of St. Germain-de-Prés in Paris, around 1700, print, copper engraving on paper, sheet: 33 × 29.7 cm Entry of Princess Elisabeth Christine of Braunschweig-Wolfenbüttel as the bride of King Charles III. in Milan on June 11, 1708, anonymous, 1708, printmaking, engraving on paper, sheet: 48.7 × 35.8 cm Arch of triumph (obverse) of the Duke of Parma in Rome on the occasion of the procession of taking possession of San Giovanni in Laterano by Pope Alexander VIII on October 23, 1689, 1689, print, copper engraving on paper, sheet: 45.3 × 28.6 cm Reception of Princess Marie Louise of Orleans by Charles II King of Spain in Burgos on November 14, 1679, 1679/80, printmaking, copperplate engraving from two plates on paper, calendar for the year 1680 printed in red and black type printing in Marriage of Princess Marie Louise of Orleans per procurationem to Charles II King of Spain on August 31, 1679 in Fontainbleau, 1679/80, printmaking, copperplate engraving from two plates on paper, calendar for the year 1680 printed in red and Marriage of Princess Marie Louise of Orleans per procurationem with Charles II King of Spain on August 31, 1679 in Fontainbleau, 1679/80, printmaking, copper engraving of two plates on paper, in the lower margin imprinted calendar for the year Equestrian statue of King Charles I of England at Charing Cross in London, From: Britannia Illustrata or Nouveau Theater de la Grande, published by Joseph Smith, London 1724, 1724, Print, engraving on paper, sheet: 25.9 × 28.8 cm, [r.b.] Historical scenes on the election of Pope Alexander VIII in 1689, 1689, print, copper engraving on paper, sheet: 53.3 × 40.1 cm, [bottom bottom] 'Romae Cum Privilegio Summi Pontificis Superiorum permissu 1689 The corpse of Empress Anna on the parade bed, 1618, print, copper engraving on paper, sheet: 38.5 × 35.2 cm Second firework display for the Chinea festival ('Festa della Chinea') in Rome in 1726: 'Bravery rides Pegasus', 1726, print, etching and copper engraving on paper, sheet: 38.7 × 48.7 cm Arch of the Duke of Parma in Rome on the occasion of the procession of the taking of San Giovanni in Laterano by Pope Benedict XIII. on September 24, 1724, 1724, printmaking, engraving and etching on paper, sheet: 54.8 × 38.4 cm Fireworks pyramid in the palace of the Spanish ambassador in Paris, Antonio Martin Duke of Alba, on the occasion of the birth of the Spanish heir to the throne in 1707, around 1707/08, print, copper engraving on paper, sheet: 57.6 × 40.4 cm, Funeral structure for the Dauphin Louis of Bourbon and his wife Maria Adelaide in St. Denis on February 24, 1712, 1713, print, copper engraving on paper, sheet: 48.6 × 33.6 cm 'Count of Bükenburg | General of the Allied Army.', c. 1760, print, copper engraving on paper, sheet: 29.9 × 19.5 cm Hieronymus, Prince of Caraffa (1564-1633), Imperial General, From: Galeazzo Gualdo Priorato, Historia di Ferdinando Terzo Imperatore, Vienna 1672, ad p.106, around 1675, print, etching and copper engraving on paper, sheet: 28.2 × 19 cm Banquet in the palace of the Spanish ambassador in Paris, Antonio Martin Duke of Alba, on the occasion of the birth of the heir to the Spanish throne in 1707, around 1707/08, print, copper engraving on paper, sheet: 59.1 × 40.3 cm, [l.top.] Coronation of the Holy Roman Emperor Charles VI. in St. Bartholomew's Cathedral in Frankfurt am Main on December 22, 1711, from: 'Complete diary, everything that happened before, during and after the most impressive election and coronation View of the fireworks pyramid and coat of arms erected for Emperor Charles VI on January 16, 1712 in front of Nuremberg. and Empress Elisabeth Christine, 1712, print, copper engraving on paper, sheet: 52.2 × 66 cm Allegory of the birth of Archduke Leopold Johann on April 13, 1716, anonymous, 1716, printmaking, etching and copperplate engraving on paper, sheet: 34 × 25.3 cm, [below] 'Destiny luck, and time! You have three monarchies, | no different Allegory of the reign of Emperor Charles VI, around 1720, print, copper engraving on paper, sheet: 57.4 × 47.3 cm Handing over of the Confessio Augustana to Emperor Charles V on June 25, 1530 at the Reichstag in Augsburg, around 1630, print, copper engraving and etching on paper, sheet: 35.7 × 47.8 cm, [m.l.u.] 'Mich. Mr. Figurav.'; [M.] 'Georg Köler Procession for the taking possession ('possesso') of San Giovanni in Laterano in Rome by the newly elected Pope Alexander VII on May 9, 1655, around 1655/56, print, copper engraving on paper, sheet: 34.7 × 48.4 cm Allegory of Duke Charles Emmanuel II of Savoy: Overcoming death through eternal glory, From: Giulio Vasco, Del Funerale Celebrato nel Duomo di Torino all'Altezza Reale di Carlo Emanuele II. Duca di Savoia, Principe di Piemonte, Rè di Cipri, Death halts the life and reign of Duke Charles Emmanuel II of Savoy (supraporte at Turin Cathedral during the funeral ceremonies 1675), From: Giulio Vasco, Del Funerale Celebrato nel Duomo di Torino all'Altezza Reale di Carlo Emanuele II. Duca di State bed with the body of Duke Charles Emanuel II of Savoy in the Sala delle Dignità in the Palazzo Reale in Turin 1675, From: Giulio Vasco, Del Funerale Celebrato nel Duomo di Torino all'Altezza Reale di Carlo Emanuele II. Duca di Savoia, The departure of the heralds from the cathedral in Turin during the funeral ceremonies for Duke Charles Emmanuel II of Savoy on October 27, 1675, From: Giulio Vasco, Del Funerale Celebrato nel Duomo di Torino all'Altezza Reale di Carlo Emanuele II Interior of Turin Cathedral during the funeral ceremonies of Duke Charles Emanuel II of Savoy from October 28 to November 4, 1675, From: Giulio Vasco, Del Funerale Celebrato nel Duomo di Torino all'Altezza Reale di Carlo Emanuele II Duca di Funeral scaffolding for Duke Charles Emanuel II of Savoy in a side chapel of Turin Cathedral, From: Giulio Vasco, Del Funerale Celebrato nel Duomo di Torino all'Altezza Reale di Carlo Emanuele II. Duca di Savoia, Principe di Piemonte, Rè di search results: Engraving clear search 159.744 / 2.589.715 Entries < previous page Page 853 / 1598 next page >