Images at Librifly

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Emperor Charles VII on his deathbed in the presence of his family and members of the court, 1745, print, etching and copperplate engraving from two plates (image and text plate), sheet: 48 × 38.8 cm, [r.b.] 'Cum Privilegio Sac. Rome. Imp.

Funeral scaffolding for Emperor Karl VII in the Theatinerkirche in Munich in March 1745, 1745, print, etching and copper engraving on paper, sheet: 45.7 × 25.2 cm, [m.u.] 'C. P.S.R.I. Vicar

Triumphal arch (reverse) of the Duke of Parma in Rome on the occasion of the procession for the taking possession of San Giovanni in Laterano by Pope Alexander VIII on October 23, 1689, 1689, print, copper engraving on paper, sheet: 45.3 × 28.4

Entry of King Charles VII of France and Joan of Arc in Reims on July 16, 1429, 1628, print, copper engraving and etching on paper, sheet: 23.2 × 29.7 cm

Calendar sheet to commemorate the birth of the French Prince Charles de Bourbon, Duc de Berry in 1686, 1686, printmaking, copperplate engraving from two plates on paper, calendar for the year 1687 printed in red and black type printing in the

Statue of King Charles II of England as Roman Emperor: upper part, 1684, printmaking, engraving (upper part) on paper, sheet: 58.1 × 51.1 cm

Equestrian statue of King Charles II of England in Newby Park in North Yorkshire, From: Britannia Illustrata or Nouveau Theater de la Grande, published by Joseph Smith, London 1724, 1724, Print, copperplate engraving on paper, Sheet: 26.2 ×

Departure of King Charles II of England from the Netherlands (coast near Scheveningen) to England in 1660, 1660, printmaking, engraving and etching on paper, sheet: 41.9 × 52.1 cm

Procession at the Vrijdagmarkt in Ghent for the proclamation of King Charles II of Spain as Count of Flanders on May 2, 1666: portrait medallions of the members of the Estates, Werden, Vorsterman, 1666/67, printmaking, copper engraving and

Procession at the Vrijdagmarkt in Ghent for the proclamation of King Charles II of Spain as Count of Flanders on May 2, 1666: portrait medallions of the members of the Estates, Werden, Vorsterman, 1666/67, printmaking, copper engraving and

Procession at the Vrijdagmarkt in Ghent for the proclamation of King Charles II of Spain as Count of Flanders on May 2, 1666: portrait medallions of the members of the Estates, Werden, Vorsterman, 1666/67, printmaking, copper engraving and

Procession at the Vrijdagmarkt in Ghent for the proclamation of King Charles II of Spain as Count of Flanders on May 2, 1666: portrait medallions of the members of the Estates, Werden, Vorsterman, 1666/67, printmaking, copper engraving and

Marriage of Princess Marie Louise of Orleans per procurationem to Charles II King of Spain on August 31, 1679 in Fontainbleau, 1679/80, printmaking, copperplate engraving from two plates on paper, calendar for the year 1680 printed in red and

Reception of Princess Marie Louise of Orleans as the bride of King Charles II of Spain near Burgos in November 1679, 1679/80, printmaking, copperplate engraving from two plates on paper, calendar for the year 1680 printed in red and black type

Coronation of Archduke Joseph as Roman King on January 26, 1690 in the Church of St. Ulrich and St. Afra in Augsburg, anonymous, around 1690/95, copper engraving on paper, sheet: 55.4 × 40 cm, [bottom] legend 1-21: '1. The altar [...] 21 A

Solemn entry of Emperor Ferdinand III. in Regensburg on December 12, 1652, (1652/53), prints, copper engraving and type print with decorative borders on paper, sheet: 36.7 × 49 cm

Reception of King Frederick I of Prussia in Amsterdam on July 26, 1702, Pieter van den Berge (Netherlands, 1659 - 1737), 1702, printmaking, copper engraving and etching, text in typeprint, on paper, sheet: 45.8 × 31, 1 cm

Laying out of Margrave Georg Friedrich I of Brandenburg-Ansbach-Kulmbach, (1603), print, copper engraving on paper, sheet: 44.5 × 38.2 cm

Coronation of the Hereditary Prince of Hesse-Kassel as King Frederick I of Sweden on May 3, 1720 in Stockholm, From: Antonio Foresti, The Historical Maps of the World Initially described in Italian ... Anjetzo translated into German by ... GS,

The siege of Schweidnitz by King Frederick II of Prussia in 1758, anonymous, around 1765, printmaking, copperplate engraving and etching on paper, sheet: 37 × 49.6 cm, [top right/bottom] '7

Returning knight, around 1846, print, copper engraving, etching, sheet: 39.1 × 19.7 cm

Painting in the funeral decoration for the funeral ceremony for Grand Duke Cosimo II of Tuscany in the Church of SS. Giovanni e Paolo in Venice on May 25, 1621, From: Esequie fatte in Venetia dalla natione Fiorentina al Serenissimo D. Cosimo II di

Funeral structure for Cardinal Alessandro Farnese in the church of S. Lucia Nuova in Rome on April 28, 1589, From: Giovanni Giacomo de Rossi (editor), Libro de catafalchi, tabernacoli. Con varii disegni di porte fenestre et altri ornamenti di

The corpse of Emperor Ferdinand II on the parade bed, From: Nikolaus Helwig, Caesar Victoriosus, sive Theatrum historiae universalis catholico-protestantium, This is: A credible historical description of all commemorative things and dealings,

Funeral structure for Queen Anna Maria of France in the Basilica of San Lorenzo in Florence on May 22, 1666, From: Rucellai, Luigi: Esequie d'Anna Maria Maurizia d'Austria Christianissima Regina di Francia celebrate in Firenze dal Serenissimo

Funeral procession with the body of Duke Charles Emmanuel II of Savoy in Turin from the Palazzo Reale to the Cathedral on June 15, 1675, From: Giulio Vasco, Del Funerale Celebrato nel Duomo di Torino all'Altezza Reale di Carlo Emanuele II Duca di

Procession at the Vrijdagmarkt in Ghent for the proclamation of King Charles II of Spain as Count of Flanders on May 2, 1666: portrait medallions of the members of the Estates, Werden, Vorsterman, 1666/67, printmaking, copper engraving and

Funeral scaffolding for Georg Friedrich von Greiffenclau zu Vollrads, prince-prince and archbishop of Mainz, on July 16, 1629 in Mainz Cathedral, anonymous, 1629, print, copper engraving and etching on paper, sheet: 25.5 × 17.3 cm

Wedding celebration of James (III) Stuart and Maria Clementia Sobieska in the Bishop's Palace in Montefiascone on September 1, 1719, (1719), print, engraving on paper, sheet: 35.5 × 42.4 cm

Funeral procession with the coffin of Landgrave Ludwig V of Hesse-Darmstadt to the town church on September 11, 1626 (jul.) in Darmstadt, From: 'Honor Gedechtnus Dess Translucent High-born Princes and Lords Mr. Ludwigen Landgraven zu Hessen Graven

The rear vault of the prince's crypt (Ludwig's crypt) in the town church in Darmstadt, from: 'Honor Gedechtnus Dess Translucent High-born Princes and Lords Mr. Ludwig Landgraven zu Hessen Graven zu Catzenelnbogen Dietz zigenhain und Nidda',

Reception of King James II of England by King Louis XIV of France in the castle of Saint-Germain-en-Laye on January 7, 1689, 1689, print, copper engraving in two parts on paper, sheet: 86.7 × 57 cm, [below] 'ALMANAC POUR L'AN DE GRACE.

'Wolfgang Goethe.', From: Illustrirte Zeitung, Leipzig, January 25, 1845, p.49, 1845, print, wood engraving on paper, sheet: 18 × 15.1 cm

Banquet of King James I of England in York House (Westminster) in London on November 18, 1623, (1623/24), print, copper engraving with text in one column in type printing on paper, sheet: 33.3 × 17.5 cm

Triumphal Arch of the Dutch Congregation for King James I of England on the occasion of his entry into London on March 15, 1604, From: Stephen Harrison (editor), The archs of triumph Erected in honor of the High and mighty prince. James. the first

Allegorical homage leaf on the occasion of the coronation of Ferdinand IV as Roman-German king on June 18, 1653 in Regensburg, anonymous, 1653, print, copperplate engraving on paper, sheet: 35.9 × 45.6 cm, [r.u.] 'Reichs | tags |

'Arabia Britannica' triumphal arch for King James I of England on the occasion of his entry into London on March 15, 1604, From: Stephen Harrison (editor), The archs of triumph Erected in honor of the High and mighty prince. James. the first of

Assassination of King Henry IV of France on May 14 in Paris and execution of the murderer Francois Ravaillac there on May 27, 1610, anonymous, 17th century, copper engraving on paper, sheet: 27.5 × 40.1 cm

Entry of King Henry IV of France into Paris through the Porte Neuve city gate on March 22, 1594, c. 1595, copper engraving and etching with four-column typed text on paper, sheet: 36.8 × 53.4 cm

King Henry IV of France accompanied by his soldiers on the way to the Church of Notre Dame in Paris on March 22, 1594, c. 1595, copper engraving and etching with five-column typed text on paper, sheet: 37.4 × 54.1 cm

On March 22, 1594, King Henry IV of France observes the Spanish troops withdrawing from St. Denis through the Paris city gate, c. 1595, copper engraving and etching with five-column typed text on paper, sheet: 37.8 × 52.9 cm, [o.] '3. figures

The body of King Henry IV of France on the parade bed in the Palais du Louvre in Paris in May 1610, 1610, copper engraving on paper, sheet: 33.2 × 24.3 cm, [r.u.] 'Avec Privilege du Roy

The body of King Henry IV of France on the parade bed in the Palais du Louvre in Paris in May 1610, 1610, engraving on paper, sheet: 23.3 × 14.3 cm

Funeral structure for King Henry IV of France on July 1, 1610 in Rome, (1610?), copperplate engraving on paper, sheet: 34.9 × 18.4 cm

The corpse of the Roman-German King Ferdinand IV on the parade bed, anonymous, (1654?), print, copperplate engraving on paper, sheet: 23.5 × 32.4 cm, [m.b.] 'Ferdinandus. III. DG Romanorum Hugarie & Bohemie' (handwritten in pencil

Execution of the Wallachian rebel leaders Hora (Horja, Horia) and Kloska (Glotska, Klocka) on February 28, 1785 in Karlsburg, anonymous, around 1790, copper engraving and etching on paper, sheet: 36.5 × 44.2 cm, [u. ] 'The 2000 peasants

The three Wallachian rebel leaders Horea, Closca and Crisan, around 1785, engraving on paper, sheet: 21.9 × 28 cm

The corpse of Emperor Joseph I on the parade bed with allegorical and symbolic accessories, (1711), copper engraving and two-column text in type printing, sheet: 36.5 × 28.7 cm, round stamp 'AS | ALBERTINA GRAPH. SAMMLG' (verso, stamped twice

Funeral structure for Pope Innocent XI. on August 20, 1689 in St. Peter's Basilica in Rome, anonymous, (1689), engraving and etching on paper, sheet: 51.2 × 36.2 cm

Festival altar in the Augsburg Cathedral on August 21, 1721 to celebrate the canonization of John of Nepomuk, festive decorations in the Augsburg Cathedral on the occasion of the canonization of John of Nepomuk, engraved by Johann David Curiger,

Festive decorations on one of the side portals of the Augsburg Cathedral on August 21, 1721 to celebrate the canonization of John of Nepomuk, Festive decorations in the Augsburg Cathedral on the occasion of the canonization of John of Nepomuk,

Festive decorations on one of the side portals of the Augsburg Cathedral on August 21, 1721 to celebrate the canonization of John of Nepomuk, Festive decorations in the Augsburg Cathedral on the occasion of the canonization of John of Nepomuk,

Allegorical and scenic festive pedestals in the Augsburg Cathedral on August 21, 1721 to celebrate the canonization of John of Nepomuk, festive decorations in the Augsburg Cathedral on the occasion of the canonization of John of Nepomuk, engraved

Entry of the Pope into the Basilica of San Giovanni in Laterano in Rome with festive decorations for the canonization of John of Nepomuk on March 19, 1729, 1729, copper engraving on paper, sheet: 52.6 × 62.1 cm, [below] 'Nel presente disegno

Canonization of John of Nepomuk on March 19, 1729 in the Basilica of San Giovanni in Laterano in Rome, 1729, engraving of two plates (image and title plate) on paper, sheet: 69.9 × 49.3 cm

Funeral structure for Pope Innocent XII. at St. Peter in Rome on October 6, 1700, (1700), etching and engraving on paper, Sheet: 58.6 × 36.6 cm, [M.o.] 'Architettura di Gio: Battista Contini.' (below the title

Arch of the Duke of Parma on the occasion of the procession of Pope Innocent XII taking possession of San Giovanni in Laterano. on April 13, 1692, (1692), etching and engraving on paper, sheet: 48.2 × 31.2 cm

Arch of the Duke of Parma on the occasion of the procession of Pope Innocent XII taking possession of San Giovanni in Laterano. on April 13, 1692, (1692), etching and engraving from two plates on paper, sheet: 55.7 × 29.8 cm

The Carroceto estate of Prince Giovanni Battista Borghese during the visit of Pope Innocent XII. on April 22, 1697, Domenico de Rossi (1659 - 1730), 1697, engraving and etching on paper, sheet: 47.2 × 69 cm

Scenes from the coronation of the Duke of Braganza as King John IV of Portugal in Lisbon on December 16, 1640, anonymous, 1643, copper engraving on paper, sheet: 24.9 × 32.8 cm, [m.] 'Johannes the fourth | King of Portugal and | Algarbe etc.'

Funeral procession with the body of Pope Innocent XIII. from the Quirinale Palace to the Vatican on March 9, 1724, anonymous, 1724, etching and engraving on paper, sheet: 30.7 × 42.3 cm

Front of the triumphal arch for Emperor Ferdinand III. on the occasion of his entry into Regensburg on December 12, 1652 for the opening of the Reichstag, (1652/53), print, copperplate engraving on paper, sheet: 56.9 × 42.1 cm, [bottom right]

Back of the triumphal arch for Emperor Ferdinand III. on the occasion of his entry into Regensburg on December 12, 1652 for the opening of the Reichstag, (1652/53), print, copperplate engraving on paper, sheet: 57.3 × 42.3 cm, [r.u.] 'Cum

Emperor Franz I of Austria in his study in the Hofburg in Vienna, 1828, print, copper engraving on paper, sheet: 35.4 × 43.4 cm, 'D' (blind stamp); 'ALBERTINA WIEN'(round stamp, verso

Front of the triumphal arch for Emperor Ferdinand III. on the occasion of his entry into Regensburg on December 12, 1652 for the opening of the Reichstag, (1652/53), print, copper engraving on paper, sheet: 51.7 × 41.5 cm, [bottom right] 'Cum

Coronation of Eleonora von Gonzaga, wife of Emperor Ferdinand III, as Roman-German Empress on August 4, 1653 in Regensburg | View of Regensburg, from: Johann Georg Schleder, Theatrum Europaeum, vol.7, Frankfurt am Main, Matthäus Merians

Portrait of Saint Nikolaus von der Flüe, around 1620, print, copper engraving (portrait), woodcut (decorated border) and type print (text) on paper, sheet: 26.7 × 15.7 cm, two-column text below the portrait of Jakob Sudermann

Coronation of Ferdinand III. to the Roman-German king on December 30, 1636 in Regensburg, anonymous, (1636/37), print, copperplate engraving on paper, sheet: 23.4 × 33 cm, [upper left] 'Victoria brings her wages | King Ferdinand the Roman

Allegory of the triumph of Emperor Ferdinand II after the Battle of Weißer Berg 1620, 1620, print, copperplate engraving on paper, sheet: 37.8 × 49.1 cm, 'RESTITUIT REM | IMPERIAL | ECCLESIAE | PROVINCIARUM | LITTERARUM | EXULUM' (band and

Solemn entry of Emperor Ferdinand III. in Regensburg on December 12, 1652, (1652/53), printmaking, copper engraving and type printing with decorative borders on paper, sheet: 41.5 × 52.9 cm, [m.o.] 'Anno. 1652. the 1/12 of December.' (old

The Battle of Focșani on July 31 and August 1, 1789, (1789), print, copperplate engraving on paper, watercolor coloring, sheet: 30 × 37.6 cm

The body of the governess Isabella Clara Eugenia Infanta of Spain, who died on December 1, 1633, on the parade bed in the Cathedral of St. Gudule in Brussels, From: Jean Puget de La Serre, Mausolee erigé a la memoire immortelle de tres-haulte,

Mausoleum for Archduchess Isabella Clara Eugenia of Austria, From: Jean Puget de La Serre, Mausolee erigé a la memoire immortelle de tres-haulte, tres-puissante, et tres-auguste princesse Isabelle, Claire, Eugenie, d'Ausstriche, Infante d'

Mausoleum for Archduchess Isabella Clara Eugenia of Austria, (after) 1634, engraving on paper, sheet: 27.9 × 19 cm

Epitaph for Archduchess Isabella Clara Eugenia, anonymous, 1634, engraving on paper, sheet: 43.9 × 32.1 cm

Allegorical representation of the visit of Pope Pius VI. with Emperor Joseph II in Vienna in 1782, anonymous, 1782, etching and copperplate engraving as well as typed text on paper, sheet: 33.3 × 20.6 cm

Entry of the Roman-German Emperor Leopold I into Nuremberg on August 16, 1658, accompanied by the city councillors, (1658), print, copper engraving on paper, sheet: 24.6 × 31.9 cm, [below left] 'These gentlemen have alternately white carried

Double-headed imperial eagle with medallion portrait of Emperor Leopold I and electoral coat of arms, Caspar Merian (Frankfurt am Main 1627 - 1686 Wartha near Wieuwerd), after 1658, print, copper engraving and etching on paper, sheet: 27.4 ×

Gate of honor for King Wladislaw IV and Queen Luisa Maria of Poland in Danzig 1646, (1646), print, copper engraving on paper, sheet: 59.3 × 40 cm, engraved text within and below the image

Entry and German royal election of Ferdinand IV from May 20 to June 2, 1653 in Augsburg, anonymous, (1653), print, copper engraving and four-column type print, on paper, assembled, sheet: 62.4 × 56.9 cm

Epitaph of Landgrave Ludwig V. of Hesse-Darmstadt in the princely crypt of the town church in Darmstadt, from: 'Honorary Gedechtnus Of The Translucent High-born Princes and Lords Mr. Ludwigen Landgraven zu Hessen Graven zu Catzenelnbogen Dietz

Scenes from the coronation celebrations of Ferdinand IV as Roman-German king on June 18, 1653 in Regensburg (coronation, accolade, plaque, coronation coin), anonymous, (1653), print, copper engraving on paper, sheet: 29.6 × 29, 5 cm

Back of the triumphal arch for Emperor Ferdinand III. on the occasion of his entry into Regensburg on December 12, 1652 for the opening of the Reichstag, (1652/53), print, copper engraving on paper, sheet: 60.4 × 42.7 cm, [bottom right] 'Cum

Homage of the citizens of Augsburg to King Gustav II Adolf of Sweden on the wine market in Augsburg on April 24, 1632, 1634, print, copper engraving on paper, sheet: 36.6 × 50.8 cm, [l.u.] 'Serenissimus, Potentissimus et Invictissimus

Dedication sheet with legend to the sheet: Entry of Emperor Leopold I with his bride Margarita Teresa of Spain into Vienna on December 5, 1666, (1666), print, copper engraving on paper, sheet: 40.6 × 56.5 cm, 'Dem Of all the super easy,

Erection of a festival tree in honor of the court painter and manufactory director Charles Le Brun in the courtyard of the Gobelin manufactory in Paris, Sébastien Le Clerc (Metz 1637 - 1714 Paris), around 1684, print, etching and copperplate

Publisher's signet of Wolfgang Kilian: View of the workshop, Wolfgang Kilian (Augsburg 1581 - 1662 Augsburg), around 1620, print, copper engraving, sheet: 13.1 x 10.3 cm, M.o. 'LABORATORY IMPROBUS OMNIA VINCIT.' in print

Rome: View of the Roman Forum (Roma antica), Giuseppe Vasi (Corleone 1710 - 1782 Rome), 1765, print, copper engraving, sheet: 100 x 68.7 cm

Rome: View of the 'Città Leonina' (Roma barocca), Giuseppe Vasi (Corleone 1710 - 1782 Rome), 1765, print, copper engraving, sheet: 100.7 x 68.5 cm

History, the genius of draftsmanship and the god of good taste and study gather at the foot of the bust of Pierre-Jean Mariette, Pierre-Philippe Choffard (Paris 1730 - 1809 Paris), 1775, print, copper engraving, sheet: 18 x 10 cm, below 'L'

La Guinguette, Divertissement pantomime du Théâtre Italy, Pierre François Basan (France, 1723 - 1797), 1752, printmaking, copper engraving, etching, sheet: 31.5 x 35.8 cm

Hunting a dragon, print, copper engraving, sheet: 20.2 x 26.8 cm

Mascarade à la Grecque: title, Benigno Bossi (Italy, 1727 - 1792), 1771, printmaking, copper engraving, etching, sheet: 25.3 x 17 cm

Leopold Mozart with his two children Maria Anna (Nannerl) and Wolfgang playing music, Jean-Baptiste Delafosse (Paris1721 - 1775 Paris), 1764, print, copper engraving, sheet: 35.7 cm x 20.2 cm

Royal Academicians, Charles Bestland (British, 1763 - 1837), about 1800, Print, stipple engraving, 65.6 x 81.3 cm

Loggias of Raphael in the Vatican: Title page, Loggias of Raphael in the Vatican ('Loggie di Rafaele nel Vaticano'), 1772, print, copperplate engraving, colored etching, sheet: 58.3 x 39.9 cm

Raphael's loggias in the Vatican: Gate B, Raphael's loggias in the Vatican ('Loggie di Rafaele nel Vaticano'), 1772, print, copper engraving, colored etching, sheet: 72.3 x 41.1 cm

Raphael's loggias in the Vatican: Series I/1, Raphael's loggias in the Vatican ('Loggie di Rafaele nel Vaticano'), 1772, print, copperplate engraving, colored etching, sheet: 102.4 x 38.8 cm

Raphael's loggias in the Vatican: Series I/3, Raphael's loggias in the Vatican ('Loggie di Rafaele nel Vaticano'), 1772, print, copper engraving, colored etching, sheet: 102.5 x 39.7 cm

Raphael's loggias in the Vatican: Series I/4, Raphael's loggias in the Vatican ('Loggie di Rafaele nel Vaticano'), 1772, print, copper engraving, colored etching, sheet: 102.2 x 38.2 cm

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