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Loggias of Raphael in the Vatican: Pilastro IX. B, esterno (sea horse), 1774, print, colored copper engraving, sheet: 107 x 48.3 cm, l.o. '#1

Loggias of Raphael in the Vatican: Pilastro V. B, esterno (river god), 1774, print, colored copper engraving, sheet: 105.3 x 50.5 cm, l.o. 'N°2

Loggias of Raphael in the Vatican: Pilastro VII. B, esterno (river god children playing), 1774, print, colored copper engraving, sheet: 105.8 x 48 cm, l.o. 'N°3

Loggias of Raphael in the Vatican: Pilastro VI. B, esterno (river goddess, right arm raised), 1774, print, colored copper engraving, sheet: 106.5 x 48.3 cm, l.o. '#4

Loggias of Raphael in the Vatican: Pilastro VIII. B, esterno (kingfisher), 1775, print, colored copper engraving, sheet: 107.8 x 47.8 cm, l.o. 'N°5

Loggias of Raphael in the Vatican: Pilastro X. B, esterno (dragon), 1775, print, colored copper engraving, sheet: 106 x 48.4 cm, l.o. 'N°6

Loggias of Raphael in the Vatican: Pilastro (ducks), 1775, print, colored copper engraving, sheet: 106.1 x 48.4 cm, l.o. 'N°7

Loggias of Raphael in the Vatican: Pilastro (bird eating berries), 1776, print, colored copper engraving, sheet: 106.4 x 48 cm, l.o. 'N°9

The Rake's Progress 8, The Rake's Progress, William Hogarth (London 1697 - 1764 London), 1735, print, copper engraving, sheet: 35.9 x 41.2 cm

Marriage à la Mode 1, Marriage à la Mode, William Hogarth (London 1697 - 1764 London), 1745, print, copper engraving and etching, sheet: 38.6 x 47 cm, below bottom 'Marriage - A - la - Mode, (Plate 1

Marriage à la Mode 2, Marriage à la Mode, William Hogarth (London 1697 - 1764 London), 1745, print, copper engraving and etching, sheet: 38.8 x 46.9 cm, below bottom 'Marriage - A - la - Mode, (Plate 2

Marriage à la Mode 3, Marriage à la Mode, William Hogarth (London 1697 - 1764 London), 1745, print, copper engraving and etching, sheet: 39 x 47.2 cm, below bottom 'Marriage - A - la - Mode, (Plate 3

Marriage à la Mode 4, Marriage à la Mode, William Hogarth (London 1697 - 1764 London), 1745, print, copper engraving and etching, sheet: 38.9 x 47 cm, below bottom 'Marriage - A - la - Mode, (Plate 4

Marriage à la Mode 5, Marriage à la Mode, William Hogarth (London 1697 - 1764 London), 1745, print, copper engraving and etching, sheet: 38.8 x 47 cm, below bottom 'Marriage - A - la - Mode, (Plate 5

Copy after an engraving by William Woollett after Richard Wilson: Cicero's country estate, Stang (died 1811), before 1811, drawing, pen and black ink, traces of pencil in the staffage figures, 35.4 x 51.7 cm, l.l. Duke Albert of Saxe-Teschen

St. Dominikus heals Napoleone Orsini, who has fallen fatally from his horse (engraving model), drawing, pen in brown, brown wash, traces of black chalk or graphite pencil; fingered, 11.9 x 9.1 cm, l.l. Duke Albert of Saxe-Teschen

St. Margareta with a wailing devil (engraving model), drawing, pen in brown, brown wash, over black chalk, heightened with white (through deliberate exposure of the toning ?); cracked down. Damaged in the lower corners., 10.4 x 8.2 cm, l.l.

St. George surrounded by four other saints (engraving model), drawing, pen and brown ink, brown and gray wash; the upper left figure covered with pen in black, the lower right figure corrections with grey-brown body colour; traces of black chalk;

Preliminary drawing for the title page of the series of engravings 'Thronus Justitiae', Joachim Antonisz. Wtewael (Utrecht 1566 - 1638 Utrecht), c. 1606, drawing, pen and ink in brown, washed gray, heightened with white; Scratches for transfer

Willem Lodewijk Count of Nassau (1560-1620), Michiel van Miereveld (Delft 1567 - 1641 Delft), drawing, sanguine and black chalk. Reworked in brown ink in an unknown hand; Remnants of a grid drawn in red chalk. Cut out following the head and collar

Gathering of the gods, wedding feast for Cupid and Psyche (engraving model), Pieter de Jode (Antwerp 1570 - 1634 Antwerp), drawing, pen in brown, brown wash, heightened with white (chalk?), over black chalk; cracked down. Vertical fold track;

Annunciation Mariae (engraving model), Peter Paul Rubens (Siegen 1577 - 1640 Antwerp), 1627, drawing, pen and brush in brown, with brown wash, over black chalk; fingered, 29.9 x 19.9 cm, l. and Duke Albert of Saxe-Teschen

The Adoration of the Shepherds (engraving model), anonymous, drawing, black chalk, pen and brush in brown, brush in gray, washed, opaque white, stippled, 29.2 x 19.6 cm, l.l. Duke Albert of Saxe-Teschen, l.u. 'PP Rubens

Frontispiece to Oliver Bonartus' Ecclesiasticum commentarius (engraving template for Corn. Galle), drawing, pen in brown, brown and gray (with opaque white) wash, white to cream-colored highlights (oil paint?), stippled., 32.2 x 19.6 cm, l.b.

Susanna bathing (engraving model), Gaspard de Crayer (Antwerp 1584 - 1669 Ghent), drawing, pen and brush in brown and grey-brown, washed, over black chalk, stippled; Caption: feather. foxing; Traces of multiple vertical and horizontal folds

Annunciation Mariae (engraving model), anonymous, drawing, black chalk, heightened with white chalk, on bluish gray paper, stippled. in the left lower corner trimmed and supplemented., 27.5 x 22.3 cm, r.r. Duke Albert of Saxe-Teschen

Seated shepherdess and kneeling shepherd (engraving model), Jacob Jordaens (Antwerp 1593 - 1678 Antwerp), drawing, black chalk, brushwork in grey, brown and opaque white, brown and washed with opaque white, on brown-tinted paper; cracked down.

Emperor Charles V (half-length portrait in the oval), Lucas Vorsterman (Zaltbommel 1595 - 1675 Antwerp), drawing, pen and brown ink (copper engraving style); ransacked cut to follow the oval. Small abrasions on the edges., 25.3 x 20.1 cm, bottom

Isabelle of Bourbon, Queen of Spain, wife of King Philip IV (engraving model), Paulus Pontius (Antwerp 1603 - 1658 Antwerp), drawing, black chalk, brush in gray and brown, gray wash, pen in brown, opaque white heightening; cracked down.

King Philip IV of Spain (engraving model), Paulus Pontius (Antwerp 1603 - 1658 Antwerp), drawing, black chalk, brush in gray-brown and black-grey, gray and brown wash, pen in brown, opaque white heightening; added to top right with graphite

Allegory with a locked tower and IHS symbol: Engraving template for the title page of 'Elogia Societatis Iesu' (1676), Erasmus Quellinus (Antwerp 1607 - 1678 Antwerp), 1676, drawing, brown pen, gray wash, over black chalk, stippled, 22.3 x

Allegory with angels over international crowds (merchants?), David Vinckboons (Mechelen 1576 - 1629 Amsterdam), drawing, brown pen, gray wash., 10.1 x 16.3 cm, r. and Duke Albert of Saxe-Teschen, carton: 'Vinckboons' [Monogr. adv ?];

St. Joseph and Mary, who places the Jesus child on his lap, above them God the Father and St. Ghost (engraving template for C. Galle), Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, black chalk, brush in gray, pen in

St. Dominic receives a rosary from Mary (model for the engraving by C. Galle), Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, black chalk, heightened with white chalk, brush and pen in gray, pen in brown, gray and

Elias with book and flaming sword (1), Life and miracles of the prophet Elias (41 engraving templates), Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, graphite pencil, brown pen, black chalk, gray wash, opaque white,

Elijah is fed with fire as an infant (2), Life and miracles of the prophet Elias (41 engraving templates), Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, graphite pencil, pen in brown, washed gray and grey-brown,

Elias before King Ahab, who sacrifices to Baal (4), Life and miracles of the prophet Elias (41 engraving models), Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, graphite pencil, pen in brown, black chalk (only in the

The preaching Elias, provided with bread and meat by two ravens (6), Life and miracles of the prophet Elias (41 engraving templates), Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, graphite pencil, pen in brown, black

Elias and Elisa as founders of the Carmelite order (17), Life and miracles of the prophet Elias (41 engraving templates), Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, graphite pencil, brown pen, black chalk, gray

Elias and King Ahab in Naboth's vineyard (20), Life and miracles of the prophet Elias (41 engraving templates), Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, graphite pencil, brown pen, black chalk, gray wash,

The Ascension of Elias (26), Life and Miracles of the Prophet Elias (41 Engraving Templates), Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, graphite pencil, brown pen, black chalk, gray wash, opaque white,

Christ between Moses and Elias, Carmelites kneeling at his feet (27), Life and miracles of the prophet Elias (41 engraving templates), Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, graphite pencil, pen in brown,

Elias with a protective cloak spread out over the assembled Carmelites (32), Life and miracles of the prophet Elias (41 engraving templates), Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, graphite pencil, brown pen,

Elias with crucifix as a Christian missionary (36), life and miracles of the prophet Elias (41 engraving templates), Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, graphite pencil, pen in brown, gray and brown wash,

Invasion of Rogers I of Sicily into a city (1080) - in the sky Elias with raised sword over fleeing Saracens, Life and miracles of the prophet Elias (41 engraving templates), Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing,

The Jesuit martyr D. Johannes de Goto, on the cross pierced by two lances and crowned by an angel with laurel (preparatory engraving), Abraham van Diepenbeeck (s' Hertogenbosch 1596–1675 Antwerp), Drawing, pen and ink in brown, brown wash,

St. Franz Xaver gets his lost crucifix back from a crab (engraving template), Abraham van Diepenbeeck (s'Hertogenbosch 1596 - 1675 Antwerp), drawing, graphite pencil, pen in brown, gray wash, 15.8 x 19.5 cm, l.l. Duke Albert of Saxe-Teschen

Carmelites offering their writings to the enthroned Ecclesia (template for the engraving by P. Clouvet), Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, graphite pencil, pen in brown, gray wash, corrections with light

Pilgrims in front of the forest chapel by S. Maria de Corten-bosch (preliminary drawing for the engraving by Jac. Neeffs), Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, pen in brown, brown wash, opaque white

Vienna I, Hofburg, court library, ground floor, floor plan, with later entry of the supporting pillars, 1733-1760, plan, copper engraving; Pen in red, sheet: 28 x 53.6 cm

Copy after Raphael: The Madonna of St. Sixtus, Apollonia Seydelmann (Venice 1767/68 - 1840 Dresden), 1809, drawing, brush in brown, 64.9 x 49.7 cm, l.l. Duke Albert of Saxe-Teschen, verso: according to Grünling 1823, no. 1113: company

Preliminary engraving of a smiling woman’s or bacchante’s head, Sébastien Le Clerc (Metz 1637 - 1714 Paris), around 1690?, drawing, red chalk, 22.8 x 17.4 cm, l.r. '2#' (feather

Draft for a copper engraving after the epitaph of Berbier Du Mets, Sébastien Le Clerc (Metz 1637 - 1714 Paris), after 1690, drawing, brown pen, red chalk, gray wash; Laid down on blue backing paper, 31.2 x 19 cm

Frontispiece to an engraving. (Ancient structure with a vase and a medallion head (mimesis); in the base a relief scene with the drinking Silenus; on the left in the foreground sitting female figure with a skull in her lap and a dog at her feet),

Diogenes and Alexander the Great (after an engraving by Salvator Rosa), Gauermann Jakob sketchbook; 43 paginated pages; (diary), Jakob Gauermann (Oeffingen near Stuttgart 1773 - 1843 Vienna), 1798, drawing, red chalk; Feather; Paint brush; black

The Miracles of St. Francis Xavier, around 1634, drawing, proof of a print (copper engraving and etching), revised and corrected by Rubens: black chalk, brown pen, brush, brown wash, white body color, 53 x 43.8 cm, verso on lamination: l.o.

Saint Paul, Nicolas Bazin (Troyes 1633 - 1710 Troyes), c. 1701, drawing, red chalk, 25.5 x 19 cm, below bottom 'SANCTVS PAULUS' (in the space reserved for the engraving legend at the bottom

The Apostle James Maior, Nicolas Bazin (Troyes 1633 - 1710 Troyes), c. 1702, drawing, red chalk, black chalk, 26.2 x 19.3 cm, bottom left 'S. JACQVES LE MAIEVR APOTRE' (in the space reserved for the engraving legend at the bottom

Matthew the Evangelist, Nicolas Bazin (Troyes 1633 - 1710 Troyes), c. 1704, drawing, red chalk, blue framing line, 26.6 x 20.5 cm, below bottom 'ST. MATHIEV EVANGELISTE' (in the field reserved for the engraving legend at the bottom

Mark the Evangelist, Nicolas Bazin (Troyes 1633 - 1710 Troyes), c. 1704, drawing, red chalk, blue framing line, 26.7 x 20.3 cm, below bottom 'ST. MARC EVANGELISTE' (in the field reserved for the engraving legend at the bottom

Luke the Evangelist, Nicolas Bazin (Troyes 1633 - 1710 Troyes), c. 1704, drawing, red chalk, blue framing line, 26.7 x 20.4 cm, below bottom 'ST. LUC EVANGELISTE' (in the field reserved for the engraving legend at the bottom

Preliminary drawing for a devotional picture with Madonna, Nicolas Bazin (Troyes 1633 - 1710 Troyes), c. 1699, drawing, red chalk, black chalk, 24.5 x 19 cm, bottom left 'NOSTRE DAME DE PASSAU' (in the field reserved for the engraving legend

John the Evangelist, Nicolas Bazin (Troyes 1633 - 1710 Troyes), c. 1704, drawing, red chalk, blue framing line, 26.6 x 20.4 cm, bottom left 'ST. JEAN EVANGELISTE' (in the field reserved for the engraving legend at the bottom

Saint Ignacius of Loyola, Nicolas Bazin (Troyes 1633 - 1710 Troyes), drawing, red chalk, 25.5 x 19 cm, bottom left 'SANCT. IGNATIVS DE LOIOLA' (in the space reserved for the engraving legend at the bottom

Group of figures (preliminary drawing ?) for the engraving of the 'Accademia di pittura' by Nicolas Dorigny after Carlo Maratta from 1705-1710, 1704-1710 or later, drawing, red chalk, brush in gray, washed, bottom center and bottom right.

Tracing after the engraving by Michel Dorigny, dated 1639, after Simon Vouet's altarpiece of Saint Margaret in the church of the 'Couvent des Minimes de la place Royale' in Paris, destroyed in 1798, Anonymous, after 1639, drawing, black and

D.I.C.: To-morrow, Christmas Eve at the D.I.C. Shop early with comfort. Open till Eleven p.m. Evening Post Print - 9679. ca 1905, Arrangement of text around central engraving showing Wellington, New Zealand Corporation Tramways tram in street

Walsh, Philip 1843-1914: S Barnabas Association for helping the Melanesian Mission. Mornington Branch. Name Mr J Kingston. Date June 19th 1895. P Walsh in & del. N.Z. Graphic Photo Engraving ca 1895, Certificate shows a scene of a bay with a

The wonderful performing fleas! The world's greatest novelty! The biggest wonder of the age! Printed at the Evening Post Office, Willis Street, Wellington, New Zealand, ca 1889, Arrangement of text with engraving about two-thirds down, showing

Booth, Macdonald & Co Ltd: Whitman baling press for hay and straw. 1907, Shows illustration of 'Whitman's Steel King', from St Louis, Missouri. Engraving provided by the Wittenberg Engraving Co. St Louis

View of Dubica fortress, fought over in 1788, from the Ottoman side, Johann Hieronymus Löschenkohl (1753-1807), publishing house, 1788, paper, colorised, copperplate engraving, plate size 28, 7×42, 9 cm, sheet size 33, 6×46, 5 cm,

Der desperate Uhrmacher.', Unknown, 1871, paper, wood engraving, height 35.9 cm, width 23.9 cm, Caricature, Satire, Politics, Media and Communication, Estate Constantin von Wurzbach, portrait, man, politician, weekly, monthly,

1st, Annagasse 3 - Greeting from the St. Anna-Hof - The pub and the taproom, inn J. Sedlmayer, picture postcard, C. Binder, Producer, Date around 1898, coated paperboard, wood engraving, height×width 9×14 cm, Hotel and Restaurant

1st, Stephansplatz 4 - Restaurant 'Deutsches Haus', picture postcard, questionable:, Date around 1898, coated paperboard, wood engraving, Height×Width 9×14 cm, Hotel and Restaurant Industry, St. Stephan's Cathedral, Attractions, 1st

15th, Fünfhausgasse 16 - Gruss aus der Kohlkreunze, picture postcard, questionable:, Date around 1898, coated paperboard, wood engraving, Height×Width 9, 1×13, 9 cm, Recreation and Leisure, Eat and Drink, Hotel and Restaurant Industry,

Business card, company label of Friedrich Bock, Tischlerei für Galanteriewaren, Neustiftgasse, Neubau 43, Vienna, Unknown, Date around 1840, paper, engraving, Height×Width 8, 7×12, 3 cm, Media and Communication, Bourgeoisie,

Business card, company label of Jacob Podius, k. k. Hof- und bürgerlicher Riemermeister in Kärntnerstraße, Stadt 942 ('Zum wilden Mann') resp. in the 'Haus zum goldenen Schiff', Mariahilf 155, Vienna, Unknown, Date around 1830, paper,

Business card, company label of copperplate engraver Ferdinand Bauer, 'Wendelstadt' , 'Zum Luftschützen', Neubau 131, Vienna, Ferdinand Bauer, copper engraver, Date around 1830, paper, copperplate engraving, Height×Width 6, 5×9, 7 cm,

Business card, company label of master carpenter Johann Müller, Ungargasse, Landstraße 384 ('Zum schwarzen Ochsen'), Vienna, Unknown, Date around 1830, paper, engraving, height×width 7×10 cm, Media and Communication, Bourgeoisie,

Business card, company label of the piano factory of Johann Baptist Streicher, Ungargasse, Landstraße 375, Vienna, Pfoehl, copper engraver, Date around 1840, paper, engraving, Height×Width 7, 3×10, 6 cm, Media and Communication,

Business card, company label of goldsmith Johann Seidel, Spittelberg 110, Vienna, Unknown, Date around 1835, paper, engraving, Height×Width 6, 1×9, 4 cm, Media and Communication, Bourgeoisie, Biedermeier, Advertisment, Trade,

Diligence picture for recognition of (probably school) achievements, Unknown, Date around 1840, paper, engraving, Height×Width 6, 1×9, 5 cm, Media and Communication, Bourgeoisie, Biedermeier, Advertisment, Services, predatory birds:

HET VERLOST WEENEN ...', Gaspar Bouttats (1625-1695), copper engraver, Hendrick van Dunwalt, Printer, 1683-1684, paper, copper engraving and type printing, height 32, 2 cm, width 44, 7 cm, Ottoman Siege of Vienna, War and War Events,

Satirical depiction of the French Revolution: 'Eternal Peace' (cemetery with grim reaper and the graves of 'Liberty' and 'Equality'), Friedrich Ludwig Neubauer, copper engraver, Date after 1789, paper, copperplate engraving, height 12, 5 cm,

Madame Fichtner as Marie in the folk drama Müller und sein Kind and as Margarethe in the comedy der rechte Weg (costume picture no. 6 for the theater newspaper), Andreas Geiger (1765-1856), copper engraver, 1832, colorised, copperplate

Caricature of Hans Kudlich, Johann Tomassich, xylographer, 1872, paper, wood engraving, height 38 cm, width 28, 1 cm, Caricature, Satire, Revolutions of 1848, 1849, Politics, politician, The Vienna Collection

Purchase calls: 'Ein Eyer-Weib in Wien', 'Ein Milchweib in Wien', 'Ein Nachtwächter in Wien', 'Ein Strohschneider in Wien', Joseph Eder (1760-1835), publishing house, Date around 1820, paper, copperplate engraving, sheet size 33×19, 3 cm,

Mandl arch with sales calls: among others wood chopper, plaster figure seller, porter, boot cleaner, peep-box man, pretzel baker, Jeremias Bermann (1770-1855), publishing house, Date around 1820, paper, colorised, copperplate engraving,

Mandl sheet with purchase calls: 'Höfo bind Reine!', 'Kimm Maijaran Knobl!', 'Kafte Leuwet!', 'An Asch', 'The whole new description!', 'Auf g'schaut!', 'Figuren!', 'Salami', 'Bando, Zwirn Kaufts!', 'Handle!', F. Mollis, publishing house,

Die allgemeinen Wünsche sämmtlicher Völker.' (Caricature), Unknown, 1848, paper, copperplate engraving, height 29 cm, width 23, 5 cm, Caricature, Satire, Politics, Revolutions of 1848, 1849, woman, The Vienna Collection

Die ersten Tage der Regierung König Franz I. oder Das Beyspiel der Söhne und der Regenten', Johann Hieronymus Löschenkohl (1753-1807), publishing house, 1792, paper, colorised, copperplate engraving, sheet size 42, 5×51, 5 cm,

The caricature card game: King of Hearts, Johann Hieronymus Löschenkohl (1753-1807), publishing house, 1806, paperboard, colorised, copperplate engraving, height×width 8, 7×5, 7 cm, Playing, Caricature, Satire, card games, man,

The burnt down house'. Posse by Schikaneder (Gallerie drolliger Scenen zur Theaterzeitung, Jg. 2, Nr. 13), Johann Wenzel Zinke (1782-1851), copper engraver, 1828, paper, colorised, copperplate engraving, sheet size 25, 2×31, 6 cm,

The caricature card game: Jack of hearts, Johann Hieronymus Löschenkohl (1753-1807), publishing house, 1806, paperboard, colorised, copperplate engraving, height×width 8.7×5.7 cm, Playing, Caricature, Satire, card games, man,

The caricature card game: Treff-König, Johann Hieronymus Löschenkohl (1753-1807), publishing house, 1806, paperboard, colorised, copperplate engraving, height×width 8, 7×5, 7 cm, Playing, Caricature, Satire, card games, man,

The caricature card game: Queen of Diamonds, Johann Hieronymus Löschenkohl (1753-1807), publishing house, 1806, paperboard, colorised, copperplate engraving, height×width 8.7×5.7 cm, Playing, Caricature, Satire, card games, woman,

The caricature card game: Queen of Spades, Johann Hieronymus Löschenkohl (1753-1807), publishing house, 1806, paperboard, colorised, copperplate engraving, height×width 8, 7×5, 7 cm, Playing, Caricature, Satire, card games, woman,

The caricature card game: Jack of spades, Johann Hieronymus Löschenkohl (1753-1807), publishing house, 1806, paperboard, colorised, copperplate engraving, height×width 8, 7×5, 7 cm, Playing, Caricature, Satire, card games, man,

Paris als Waffenplatz.' (Plan of Paris with registered scenes of the revolution of 1848), Unknown, 1848, paper, wood engraving, height 17, 2 cm, width 24, 6 cm, backing paper 18, 2×25, 2 cm, Revolutions of 1848, 1849, maps of cities,

CONTERFACTVR HOW THE HAVPTSTAD VIENNA IN AUSTRIA HAS BEEN OCCUPIED BY THE TVRCKEN. ANNO. 1529', questionable:, Date around 1600, paper, copperplate engraving, height 19, 2 cm, width 32, 7 cm, Fine Arts, Ottoman Siege of Vienna, War and War

search results: Engraving clear search