Images at Librifly

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The Flagellation, 1512, Albrecht Dürer, German, 1471–1528, 4 9/16 x 2 7/8 in. (11.59 x 7.3 cm) (image), Engraving, Germany, 16th century, Much of the gory non-Gospel detail in the Passion literature was connected to Old Testament

Christ Crowned with Thorns, c. 1512, Albrecht Dürer, German, 1471–1528, 4 9/16 x 2 7/8 in. (11.59 x 7.3 cm) (image), Engraving, Germany, 16th century

Crucifixion, c. 1511, Albrecht Dürer, German, 1471–1528, 4 1/2 x 2 7/8 in. (11.43 x 7.3 cm) (image), Engraving, Germany, 16th century

Descent from the Cross, c. 1507, Albrecht Dürer, German, 1471–1528, 4 1/2 x 2 3/4 in. (11.43 x 6.99 cm) (image), Engraving, Germany, 15th-16th century

Entombment, 1512, Albrecht Dürer, German, 1471–1528, 4 1/2 x 2 7/8 in. (11.43 x 7.3 cm) (image), Engraving, Germany, 16th century

Man of Sorrows by the Column, 1509, Albrecht Dürer, German, 1471–1528, 4 5/8 x 2 13/16 in. (11.75 x 7.14 cm) (image), Engraving, Germany, 16th century, To make Christ's persecution real and present, pictures began to show the resurrected

Agony in the Garden, 1508, Albrecht Dürer, German, 1471–1528, 4 1/2 x 2 13/16 in. (11.43 x 7.14 cm) (image), Engraving, Germany, 16th century

Christ Taken by the Jews, 1508, Albrecht Dürer, German, 1471–1528, 4 1/4 x 2 7/8 in. (10.8 x 7.3 cm) (image), Engraving, Germany, 16th century

The Nativity, 1504, Albrecht Dürer, German, 1471–1528, 7 1/4 x 4 5/8 in. (18.42 x 11.75 cm) (image), Engraving, Germany, 16th century, The beautiful architecture and scenery of this print hide significant symbolic meanings associated with

St. George on Horseback, 1505-1508, Albrecht Dürer, German, 1471–1528, 4 1/4 x 3 1/4 in. (10.8 x 8.26 cm) (plate)5 1/2 x 4 1/4 in. (13.97 x 10.8 cm) (sheet), Engraving, Germany, 16th century

Christ Before Caiaphas, 1512, Albrecht Dürer, German, 1471–1528, 4 9/16 x 2 7/8 in. (11.59 x 7.3 cm) (image), Engraving, Germany, 16th century

Christ in Limbo, 1512, Albrecht Dürer, German, 1471–1528, 4 1/2 x 2 7/8 in. (11.43 x 7.3 cm) (image), Engraving, Germany, 16th century, Durer executed the Engraved Passion during the years 1507-1512, while in his mid-twenties. In the

Resurrection, 1512, Albrecht Dürer, German, 1471–1528, 4 1/2 x 2 7/8 in. (11.43 x 7.3 cm) (image), Engraving, Germany, 16th century, According to the sixteenth-century biographer Vasari, a number of Dürer's prints reached Florence,

St. Peter and St. John Healing Cripple at Gate of Temple, 1513, Albrecht Dürer, German, 1471–1528, 4 5/8 x 2 15/16 in. (11.75 x 7.46 cm) (image), Engraving, Germany, 16th century, This last scene of the 'Engraved Passion' has been left

Ecce Homo, 1512, Albrecht Dürer, German, 1471–1528, 4 9/16 x 2 7/8 in. (11.59 x 7.3 cm) (image), Engraving, Germany, 16th century

Pilate Washing His Hands, 1512, Albrecht Dürer, German, 1471–1528, 4 1/2 x 2 7/8 in. (11.43 x 7.3 cm) (image), Engraving, Germany, 16th century

Christ Carrying the Cross, 1512, Albrecht Dürer, German, 1471–1528, 4 1/2 x 2 7/8 in. (11.43 x 7.3 cm) (image), Engraving, Germany, 16th century

The Small War Horse, 1505, Albrecht Dürer, German, 1471–1528, 6 1/2 x 4 1/4 in. (16.51 x 10.8 cm) (image), Engraving, Germany, 16th century

The Coat-of-Arms with the Skull, 1503, Albrecht Dürer, German, 1471–1528, 8 11/16 x 6 1/4 in. (22.07 x 15.88 cm) (image), Engraving, Germany, 16th century

St. Simon, 1523, Albrecht Dürer, German, 1471–1528, 4 5/8 x 2 15/16 in. (11.75 x 7.46 cm) (sheet), Engraving, Germany, 16th century

Virgin and Child Seated by a Tree, 1513, Albrecht Dürer, German, 1471–1528, 4 5/8 x 2 15/16 in. (11.75 x 7.46 cm) (image), Engraving, Germany, 16th century

Philip Melancthon, 1526, Albrecht Dürer, German, 1471–1528, 6 7/8 x 5 1/16 in. (17.46 x 12.86 cm) (image), Engraving, Germany, 16th century

Wilibald Pirkheimer, 1524, Albrecht Dürer, German, 1471–1528, 7 1/8 x 4 3/8 in. (18.1 x 11.11 cm) (image), Engraving, Germany, 16th century

Sudarium Displayed by Two Angels, 1513, Albrecht Dürer, German, 1471–1528, 3 7/8 x 5 7/16 in. (9.84 x 13.81 cm) (image), Engraving, Germany, 16th century

Erasmus of Rotterdam, 1526, Albrecht Dürer, German, 1471–1528, 9 11/16 x 7 1/2 in. (24.61 x 19.05 cm) (sheet)19 3/4 × 15 3/4 × 1 1/8 in. (50.17 × 40.01 × 2.86 cm) (outer frame), Engraving, Germany, 16th century

Inondation (Deluge), 1894, Charles Ricketts, Swiss-English, British (born Switzerland), 1866-1931, 3 1/2 x 3 11/16 in. (8.89 x 9.37 cm) (plate), Wood engraving on Japan paper, England, 19th century

Virgin Crowned by Two Angels, 1518, Albrecht Dürer, German, 1471–1528, 5 13/16 x 3 15/16 in. (14.76 x 10 cm) (image), Engraving, Germany, 16th century

Durer's Coat of Arms, 17th century, Michel Le Blon, Dutch, 1587 - 1656, 3 7/16 x 2 3/8 in. (8.73 x 6.03 cm) (image), Engraving, Netherlands, 17th century

Virgin on the Crescent with Crown of Stars and Scepter, 1516, Albrecht Dürer, German, 1471–1528, 4 9/16 x 2 7/8 in. (11.59 x 7.3 cm) (image), Engraving, Germany, 16th century

The Peasant Couple at Market, 1519, Albrecht Dürer, German, 1471–1528, 4 1/2 x 2 13/16 in. (11.43 x 7.14 cm) (image), Engraving, Germany, 16th century

Virgin Crowned by One Angel, 1520, Albrecht Dürer, German, 1471–1528, 5 7/16 x 3 7/8 in. (13.81 x 9.84 cm) (image), Engraving, Germany, 16th century

St. Sebastian Tied to a Column, c. 1498-1499, Albrecht Dürer, German, 1471–1528, 4 3/16 x 2 15/16 in. (10.64 x 7.46 cm) (image), Engraving, Germany, 15th-16th century

Christ Carrying the Cross, 1511, Albrecht Dürer, German, 1471–1528, 5 x 3 13/16 in. (12.7 x 9.68 cm) (sheet), Woodcut, Germany, 16th century, Albrecht Dürer made three series of Passion prints, two in woodcut and one engraved. Genius

The Crucifixion, c. 1480, Israhel van Meckenem, German, c. 1445–1503, 8 1/8 x 5 5/8 in. (20.64 x 14.29 cm) (image), Engraving, Germany, 15th century, The improbable image of Christ seated on the cross, awaiting death, provided viewers

The Resurrection of Christ, c. 1480, Israhel van Meckenem, German, c. 1445–1503, 8 1/4 x 5 3/4 in. (20.96 x 14.56 cm) (image), Engraving, Germany, 15th century

The Flagellation, c. 1480, Israhel van Meckenem, German, c. 1445–1503, 8 3/16 x 5 3/4 in. (20.8 x 14.61 cm) (image), Engraving, Germany, 15th century, Israhel van Meckenem was the most prolific 15th century engraver in Germany, as well as

The Dissimilar Couple, c. 1495-1497, Israhel van Meckenem, German, c. 1445–1503, 6 5/16 x 4 5/16 in. (16.03 x 10.95 cm) (image), Engraving, Germany, 15th-16th century, Israhel van Meckenem engraved a series on the vagaries of love. Here a

The Dance at the Court of Herod, c. 1500, Israhel van Meckenem, German, c. 1445–1503, 8 7/16 x 12 3/8 in. (21.43 x 31.43 cm) (image), Engraving, Germany, 15th-16th century, Israhel van Meckenem staged this embellished Gospel story in

The Falconer and a Noble Lady, c. 1495-1503, Israhel van Meckenem, German, c. 1445–1503, 6 5/16 x 4 1/4 in. (16.03 x 10.8 cm) (image), Engraving, Germany, 15th-16th century

High Priest Refusing Joachim's Offering, c. 1490-1500, Israhel van Meckenem, German, c. 1445–1503, 10 5/16 x 7 1/8 in. (26.19 x 18.1 cm) (image), Engraving, Germany, 15th-16th century, This engraving is one of twelve plates in Israhel van

Saint Ottilia, c. 1475-1480, Israhel van Meckenem, German, c. 1445–1503, 6 3/8 x 4 15/16 in. (16.19 x 12.54 cm) (image), Engraving, Germany, 15th century, Saint Ottilia was the daughter of a duke of Alsace in the 7th century. Because she

Joust of Two Wild Men, c. 1480, Israhel van Meckenem, German, c. 1445–1503, 5 1/16 x 7 1/2 in. (12.86 x 19.05 cm) (image), Engraving, Germany, 15th century, In this spoof on the excesses of courtly pageantry, the headgear of the jousting

Saint Mary the Egyptian and Saint Mary Magdalen, c. 1500-1503, Israhel van Meckenem, German, c. 1445–1503, 7 1/8 x 8 in. (18.1 x 20.32 cm) (image), Engraving, Germany, 15th-16th century, These two former prostitutes offer rather extreme

The Judgment of Solomon, c. 1465, Israhel van Meckenem; Artist: After Master E.S., German, or Swiss, active c. 1450–1467, 8 1/8 x 5 1/16 in. (20.64 x 12.86 cm) (image)9 1/4 x 6 1/2 in. (23.5 x 16.51 cm) (sheet), Hand-colored engraving,

Saint John the Evangelist on the Island of Patmos, c. 1475-1480, Martin Schongauer, German, c. 1440/53–1491, 6 5/16 x 4 1/2 in. (16.03 x 11.43 cm) (image), Engraving, Germany, 15th century

A Bishop's Crozier, c. 1475-1480, Martin Schongauer, German, c. 1440/53–1491, 10 11/16 x 4 3/8 in. (27.15 x 11.11 cm) (image), Engraving, Germany, 15th century, Martin Schongauer was the son of a goldsmith and likely learned to engrave

Saint Sebastian, c. 1480-1490, Martin Schongauer, German, c. 1440/53–1491, 6 1/8 x 3 13/16 in. (15.56 x 9.68 cm) (image), Engraving, Germany, 15th-16th century, Saint Sebastian is said to have survived the Roman firing squad that shot him

Ecce Homo, c. 1480, Martin Schongauer, German, c. 1440/53–1491, 6 5/16 x 4 7/16 in. (16.03 x 11.27 cm) (image), Engraving, Germany, 15th century

A Foolish Virgin, 16th century, After Martin Schongauer; Artist: Urs Graf, German, c. 1440/53–1491, 6 x 3 7/8 in. (15.24 x 9.84 cm) (image), Engraving, Switzerland, 16th century

A Foolish Virgin, c. 1475 or 1491, Martin Schongauer, German, c. 1440/53–1491, 5 3/4 x 4 5/16 in. (14.61 x 10.95 cm) (image), Engraving, Germany, 15th century

The Death of the Virgin, 1470-1475, Martin Schongauer, German, c. 1440/53–1491, 10 1/8 x 6 3/4 in. (25.72 x 17.15 cm) (image), Engraving, Germany, 15th century, This complex engraving about the apocryphal story of the Virgin's death was

The Second Wise Virgin, c. 1480-1488, Martin Schongauer, German, c. 1440/53–1491, 4 3/4 x 3 1/4 in. (12.07 x 8.26 cm) (image), Engraving, Germany, 15th century

The Third Foolish Virgin, c. 1480-1488, Martin Schongauer, German, c. 1440/53–1491, 4 3/4 x 3 1/4 in. (12.07 x 8.26 cm) (image), Engraving, Germany, 15th century

The Fifth Foolish Virgin, c. 1480-1488, Martin Schongauer, German, c. 1440/53–1491, 4 3/4 x 3 1/4 in. (12.07 x 8.26 cm) (image), Engraving, Germany, 15th century

The Fourth Wise Virgin, c. 1480-1488, Martin Schongauer, German, c. 1440/53–1491, 4 5/8 x 3 1/8 in. (11.75 x 7.94 cm) (image), Engraving, Germany, 15th century

The Crucifixion with Four Angels, c. 1475, Martin Schongauer, German, c. 1440/53–1491, 12 1/4 x 8 3/8 in. (31.12 x 21.27 cm) (image), Engraving, Germany, 15th century

Christ Blessing The Virgin, c. 1480, Martin Schongauer, German, c. 1440/53–1491, 6 1/4 x 6 in. (15.88 x 15.24 cm) (image), Engraving, Germany, 15th century, The Virgin Mary and Jesus sit enthroned as co-rulers of heaven, though the orb in

The Flight into Egypt, 1470-1475, Martin Schongauer, German, c. 1440/53–1491, 9 3/4 x 6 9/16 in. (24.77 x 16.67 cm) (image), Engraving, Germany, 15th century

Saint Christopher, c. 1475-1480, Martin Schongauer, German, c. 1440/53–1491, 6 1/4 x 4 3/8 in. (15.88 x 11.11 cm) (image), Engraving, Germany, 15th century

Saint George and the Dragon, c. 1480-1490, Master AG, German, active c. 1470–1490, 4 7/16 x 6 5/8 in. (11.27 x 16.83 cm) (image), Engraving, Germany, 15th century, One day a soldier named George was riding through the Libyan countryside,

The Flagellation, c. 1480, Martin Schongauer, German, c. 1440/53–1491, 6 3/8 x 4 1/2 in. (16.19 x 11.43 cm) (image), Engraving, Germany, 15th century, Martin Schongauer's fierce linework reflects the loathing aimed at Christ in the Passion

Christ Before Pilate, c. 1480, Martin Schongauer, German, c. 1440/53–1491, 6 3/8 x 4 1/2 in. (16.19 x 11.43 cm) (image), Engraving, Germany, 15th century

Christ Before Pilate, 1584, After Martin Schongauer; Artist: Adrian Huybrechts I (called Huberti), German, c. 1440/53–1491, 6 7/16 x 4 1/2 in. (16.35 x 11.43 cm) (plate), Engraving, Netherlands, 16th century

Christ Before the High Priest Caiaphas, c. 1480, Martin Schongauer, German, c. 1440/53–1491, 6 3/8 x 4 1/2 in. (16.19 x 11.43 cm) (image), Engraving, Germany, 15th century

The Agony in the Garden, c. 1480, Martin Schongauer, German, c. 1440/53–1491, 6 7/16 x 4 9/16 in. (16.35 x 11.59 cm) (image), Engraving, Germany, 15th century, After the Last Supper, Christ went to pray on Mount Olivet, bringing along

The Annunciation, c. 1480, Martin Schongauer, German, c. 1440/53–1491, 6 3/8 x 4 7/16 in. (16.19 x 11.27 cm) (image), Engraving, Germany, 15th century, The angel Gabriel tells Mary, a virgin, that she will bear the son of God, Jesus.

Coat of Arms with a Lion and a Cock, c. 1503, Albrecht Dürer, German, 1471–1528, 7 1/8 x 4 13/16 in. (18.1 x 12.24 cm) (image), Engraving, Germany, 15th-16th century, The foliage in this mock coat of arms shows Albrecht Dürer's brilliant

St. Christopher with the Head Turned to the Right, 1521, Albrecht Dürer, German, 1471–1528, 4 5/8 x 2 15/16 in. (11.75 x 7.46 cm) (image), Engraving, Germany, 16th century

The Capture of Christ, c. 1480, Martin Schongauer, German, c. 1440/53–1491, 6 7/16 x 4 9/16 in. (16.35 x 11.59 cm) (image), Engraving, Germany, 15th century

Elizabeth, Queen of England, 1596, Crispin de Passe the Elder; Artist: Joannes Woutnelius, Dutch, c. 1565-1637, 13 3/4 x 10 1/8 in. (34.93 x 25.72 cm) (plate)13 3/4 x 10 1/8 in. (34.93 x 25.72 cm) (sheet), Engraving, Netherlands, 16th

The Forge of the Heart, 1529, Master I.B., German, active 1523-1530, 5 13/16 x 3 5/16 in. (14.76 x 8.41 cm) (image), Engraving, Germany, 16th century, This dazzling allegory is no bigger than a bookplate, which evidently it was. Its

Triumph of Bacchus, 1534, Master V. G., German, image, sheet: 2 x 9 5/8 in. (5.08 x 24.45 cm), Engraving, Germany, 16th century, Bacchus rides the chariot, but he looks more hung over than triumphant. His gesture suggests that he may not

Design for Tankard With a Landscape, c. 1594, Paul Flindt the Younger, German, 1567-after 1631, 4 5/8 x 5 1/16 in. (11.75 x 12.86 cm) (sheet), Punch engraving, Germany, 16th-17th century, Like many of the German artists in this exhibition,

Bathsheba, 16th century, Jacob Binck, German, about 1500-1569, 4 x 6 1/4 in. (10.16 x 15.88 cm) (image), Engraving, Germany, 16th century, Bathsheba was bathing one hot day when King David spotted her from his balcony. Powerless against her

Ornament with Two Genii Riding on Two Chimeras, 1544, Sebald Beham, German, 1500–1550, 1 3/8 x 3 15/16 in. (3.49 x 10 cm) (image), Engraving, Germany, 16th century, Sebald Beham was one of the Little Masters, followers of Albrecht Dürer

The Genius with the Alphabet, 1542, Sebald Beham, German, 1500–1550, 1 11/16 x 3 1/16 in. (4.29 x 7.78 cm) (image), Engraving, Germany, 16th century, These rich impressions demonstrate the harder appearance of Sebald Beham's engravings,

The Expulsion from Paradise, 1543, Sebald Beham, German, 1500–1550, 3 1/4 x 2 1/4 in. (8.26 x 5.72 cm) (image), Engraving, Germany, 16th century

Virgin and Child with a Parrot, 1549, Sebald Beham, German, 1500–1550, 3 1/4 x 2 1/4 in. (8.26 x 5.72 cm) (image), Engraving, Germany, 16th century, The Nuremberg brothers Barthel and Sebald Beham were among the elite Little Masters, the

Ornamental Leg-Shaped Vessel, 1543, Augustin Hirschvogel, German, 1503-1553, 6 1/8 x 3 1/2 in. (15.56 x 8.89 cm) (image), Engraving, Germany, 16th century, These fantastical vessels, one with a serpent handle (P.68.187) and another with

Rubbings of the Li Ssu-hsun, 13th century, Li Yung, Chinese, 678 - 747, 3/4 x 6 3/16 x 13 1/8 in. (1.91 x 15.72 x 33.34 cm), Ink on paper, China, 13th century, This album of rubbings was made during the thirteenth century from a stone tablet

Christ Crowned with Thorns, c. 1480, Martin Schongauer, German, c. 1440/53–1491, 6 7/16 x 4 1/2 in. (16.35 x 11.43 cm) (image), Engraving, Germany, 15th century

St. Sebald, 1521, Sebald Beham, German, 1500–1550, 5 15/16 x 4 3/8 in. (15.08 x 11.11 cm) (image), Engraving, Germany, 16th century

Plate with portrait bust, c. 1750, 1 5/8 x 14 in. (4.13 x 35.56 cm), Porcelain, China, 18th century, The portrait on this plate is unidentified, but may represent Queen Caroline of England, wife of George II, as all known services with this

Dedit mihi Dominus Artem mercedem meam Et in illa laudabo nomen eius, 1592, Jacob Hoefnagel; Artist: after Joris Hoefnagel, Flemish, 1575 - 1630, 6 3/8 x 8 5/8 in. (16.19 x 21.91 cm) (plate), Hand-colored engraving, with gold leaf borders,

Per tal variare Natura e bella, 1592, Jacob Hoefnagel; Artist: after Joris Hoefnagel, Flemish, 1575 - 1630, 6 1/4 x 8 1/2 in. (15.88 x 21.59 cm) (plate), Hand-colored engraving, with gold leaf borders, 16th century

Ampliat aetatis spatium tutissima virtus omne solum forti patria est, ut piscibus aquor, 1592, Jacob Hoefnagel; Artist: after Joris Hoefnagel, Flemish, 1575 - 1630, 6 3/8 x 8 5/8 in. (16.19 x 21.91 cm) (plate), Hand-colored engraving, with

Grata Ioui est querous qui nos seruatque fouetque - Seruanti ciuem querna Corona datur, 1592, Jacob Hoefnagel; Artist: after Joris Hoefnagel, Flemish, 1575 - 1630, 6-3/8 x 8-1/2 in. (16.2 x 21.6 cm), Hand-colored engraving, with gold leaf

Saint Jerome Hearing the Trumpet of the Last Judgment, c. 1621, Jusepe (Giuseppe) de Ribera, Spanish (active in Italy), 1591-1652, 12 1/8 x 9 1/8 in. (30.8 x 23.18 cm) (image)12 1/4 x 9 5/8 in. (31.12 x 24.45 cm) (sheet), Etching and engraving,

Rebecca and Eleazar at the Well, c. 1540s, School of Fontainebleau; Artist: After Francesco Primaticcio, 1504 - 1570, 14 1/4 x 12 3/4 in. (36.2 x 32.39 cm) (plate)15 x 13 3/8 in. (38.1 x 33.97 cm) (sheet), Etching and engraving, Italy, 16th

A King Pursued by a Unicorn, c. 1555, Jean Duvet, French, 1485 - 1570, 9 3/16 x 15 5/16 in. (23.34 x 38.89 cm) (image), Engraving, France, 16th century, The myth of the unicorn likely grew out of ancient sightings of the Indian rhinoceros,

Arch of Vespasian, 1775, Giovanni Battista Piranesi, Italian (Rome), Italian, 1720–1778, 19 1/4 x 27 7/8 in. (48.9 x 70.8 cm) (plate)21 3/8 x 30 1/4 in. (54.29 x 76.84 cm) (sheet), Etching and engraving, Italy, 18th century, Even the

Adam and Eve, 1638, Rembrandt Harmensz. van Rijn, Dutch, 1606–1669, 6 7/16 x 4 5/8 in. (16.3 x 11.7 cm) (plate), Etching, The Netherlands, 17th century, Rembrandt's insistent realism displeased seventeenth-century critics, who preferred

The Blind Fiddler, 1631, Rembrandt Harmensz. van Rijn, Dutch, 1606–1669, 3 1/16 x 2 1/16 in. (7.8 x 5.3 cm) (plate), Etching and engraving, The Netherlands, 17th century

Rembrandt with Plumed Cap and Lowered Sabre, 1634, Rembrandt Harmensz. van Rijn, Dutch, 1606–1669, 5 1/8 x 4 1/4 in. (13 x 10.8 cm) (plate, oval), Etching and engraving, The Netherlands, 17th century, Several things could have inspired

Student at a Table by Candlelight, 1642, Rembrandt Harmensz. van Rijn, Dutch, 1606–1669, 5 3/4 x 5 3/16 in. (14.6 x 13.2 cm) (plate), Etching and engraving, The Netherlands, 17th century

Saint Jerome in a Dark Chamber, 1642, Rembrandt Harmensz. van Rijn, Dutch, 1606–1669, 5 7/8 x 6 11/16 in. (15 x 17 cm) (plate), Etching, drypoint, and engraving, The Netherlands, 17th century, Jerome, the 4th-century scholar who

Esther before Ahasuerus, c. 1705, Gérard Audran; Artist: after Antoine Coypel, French, 1661-1728, 18 5/16 x 22 7/8 in. (46.51 x 58.1 cm) (plate)20 x 25 5/16 in. (50.8 x 64.29 cm) (sheet), Engraving, France, 18th century, Even though he is

Christ on the Cross with Two Saints, 15th century, Master AG, German, active c. 1470–1490, 10 11/16 x 7 3/16 in. (27.15 x 18.26 cm) (image), Engraving, Germany, 15th century

Ostrich, 1450-1480, Unknown German, 15th century, 3 1/4 x 2 5/8 in. (8.26 x 6.67 cm) (sheet), Engraving, Germany, 15th century

Beheading of Saint Barbara, c. 1501, Anonymous Master M. Z., German, active c. 1500, 6 x 4 7/8 in. (15.24 x 12.38 cm) (image), Engraving, Germany, 15th-16th century, According to legend, the nobleman Dioscurus was so afraid that a suitor

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