Images at Librifly

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St. Margaret, 15th century, Anonymous Master M. Z., German, active c. 1500, 4 7/8 x 3 3/8 in. (12.38 x 8.57 cm) (image), Engraving, Germany, 15th century

Scene of Pillaging, 18th century, 8 5/8 x 8 7/8 in. (21.91 x 22.54 cm) (image)8 3/4 x 8 7/8 in. (22.23 x 22.54 cm) (sheet), Engraving, Germany, 18th century

Saint Jerome Reading in an Italian Landscape, c. 1654, Rembrandt Harmensz. van Rijn, Dutch, 1606–1669, 10 1/4 x 8 1/4 in. (26.04 x 20.96 cm) (plate), Etching, drypoint, and engraving, The Netherlands, 17th century, Rembrandt never

The Adoration of the Shepherds, c. 1656-1657, Rembrandt Harmensz. van Rijn, Dutch, 1606–1669, 5 7/8 x 7 11/16 in. (14.92 x 19.53 cm) (plate), Etching, drypoint, and engraving, The Netherlands, 17th century, Here Rembrandt challenged

Woman Bathing Her Feet at a Brook, 1658, Rembrandt Harmensz. van Rijn, Dutch, 1606–1669, image, sheet: 6 7/16 x 3 3/8 in. (16.35 x 8.57 cm), Etching and engraving, only state, The Netherlands, 17th century, Female nudes dominated

Star of the Kings, 17th century, Jan van de Velde; Artist: Pieter Molijn, Dutch, 1595 - 1661, 8 1/16 x 6 5/16 in. (20.48 x 16.03 cm) (image), Engraving, The Netherlands, 17th century

The Education of Achilles by the Centaur Chiron, 18th century, Charles-Clément Bervic; Artist: after Jean Baptiste Regnault, French, 1756 - 1822, 18 x 14 3/16 in. (45.72 x 36.04 cm) (image)22 3/4 x 17 1/4 in. (57.79 x 43.82 cm) (sheet),

Landscape with Tobias and the Angel, c. 1660, Anthonie Waterloo, Flemish, about 1610 - 1690, 11 1/2 x 9 13/16 in. (29.21 x 24.92 cm) (plate), Etching and engraving, Netherlands, 17th century, The tiny figures of Raphael and Tobias heighten

The Flight into Egypt (a night piece), 1651, Rembrandt Harmensz. van Rijn, Dutch, 1606–1669, 5 x 4 5/16 in. (12.7 x 11 cm) (plate), Etching, engraving, and drypoint, with later pen and ink notations below the margin, fifth state of six,

Moses Presenting the Ten Commandments, 1699, Begun by Robert Nanteuil; Engraver: Completed by Gérard Edelinck; Artist: After Philippe de Champaigne; Publisher: Pierre Drevet, French, 1623-1678, 22 1/8 x 16 3/8 in. (56.2 x 41.59 cm) (image),

Two Mice, c. 1450-1480, Unknown German, 15th century, image, sheet: 1 7/8 x 3 5/8 in. (4.76 x 9.21 cm), Engraving with ink wash, Germany, 15th century

The Temptation of St. Anthony, 17th century, David Teniers, the Younger, Flemish, 1610–1694/96, 6 3/4 x 4 5/8 in. (17.15 x 11.75 cm) (image, sheet), Etching with engraving, Netherlands, 17th century

Hendrik Goltzius, after 1617, Jonas Suyderhoef, Dutch, about 1613 - 1686, 16 1/8 x 19 7/8 in. (40.96 x 50.48 cm) (image), Engraving, The Netherlands, 17th century, Heaped around this likeness of Hendrick Goltzius (1558-1617) are emblems of

Frederick de Vries, 1597, Hendrick Goltzius, Dutch, 1558–1617, 14 1/4 x 10 9/16 in. (36.2 x 26.83 cm) (plate)14 3/8 x 10 9/16 in. (36.51 x 26.83 cm) (sheet), Engraving, Netherlands, 16th century

Golgotha, 1517, Lucas Huygensz van Leyden, Dutch, c. 1490 - 1533, 11 1/4 x 16 1/4 in. (28.58 x 41.28 cm) (image), Engraving, Netherlands, 16th century, A prodigious talent, Lucas van Leyden took an original approach to storytelling in

Conversion of St. Paul, 1509, Lucas Huygensz van Leyden, Dutch, c. 1490 - 1533, 11 1/16 x 15 13/16 in. (28.1 x 40.16 cm) (image, trimmed within platemark), Engraving, Netherlands, 16th century, Lucas depicts Saul of Tarsus traveling to

Christ, 1513, Lucas Huygensz van Leyden, Dutch, c. 1490 - 1533, 4 5/8 x 2 13/16 in. (11.75 x 7.14 cm) (image), Engraving, Netherlands, 16th century

St. Paul, 1510, Lucas Huygensz van Leyden, Dutch, c. 1490 - 1533, 4 9/16 x 2 13/16 in. (11.59 x 7.14 cm) (image, trimmed within platemark), Engraving, Netherlands, 16th century

St. Andrew, 1510, Lucas Huygensz van Leyden, Dutch, c. 1490 - 1533, 4 1/2 x 2 3/4 in. (11.43 x 6.99 cm) (image), Engraving, Netherlands, 16th century

St. John, 1510, Lucas Huygensz van Leyden, Dutch, c. 1490 - 1533, 4 5/8 x 2 7/8 in. (11.75 x 7.3 cm) (image), Engraving, Netherlands, 16th century

St. James Major, 1510, Lucas Huygensz van Leyden, Dutch, c. 1490 - 1533, 4 5/8 x 2 13/16 in. (11.75 x 7.14 cm) (image, trimmed within platemark), Engraving, Netherlands, 16th century

St. Thomas, 1510, Lucas Huygensz van Leyden, Dutch, c. 1490 - 1533, 4 9/16 x 2 13/16 in. (11.59 x 7.14 cm) (image, trimmed within platemark), Engraving, Netherlands, 16th century

St. Thaddeus, 1510, Lucas Huygensz van Leyden, Dutch, c. 1490 - 1533, 4 5/8 x 2 7/8 in. (11.75 x 7.3 cm) (image), Engraving, Netherlands, 16th century

St. Peter, 1510, Lucas Huygensz van Leyden, Dutch, c. 1490 - 1533, 4 9/16 x 2 3/4 in. (11.59 x 6.99 cm) (image, trimmed within platemark), Engraving, Netherlands, 16th century

Flower Gardener, c. 1730, Martin Engelbrecht, German, 1684 - 1756, 10 1/2 x 7 1/2 in. (26.67 x 19.05 cm) (image)12 3/4 x 7 in. (32.39 x 17.78 cm) (plate)17 x 8 3/4 in. (43.18 x 22.23 cm) (sheet)19 3/4 x 15 3/4 x 1 1/8 in. (50.17 x 40.01 x 2.86

Fountain Craftsman, 1690, Nicolas de Larmessin II, French, 1638 - 1694, 10 1/4 x 7 3/4 in. (26.04 x 19.69 cm) (image)11 1/8 x 7 7/8 in. (28.26 x 20 cm) (plate)14 3/8 x 9 3/4 in. (36.51 x 24.77 cm) (sheet)19 3/4 x 15 3/4 x 1 1/8 in. (50.17 x

Flower Gardener, 1690, Nicolas de Larmessin II, French, 1638 - 1694, 10 1/4 x 7 3/4 in. (26.04 x 19.69 cm) (image)11 1/8 x 8 in. (28.26 x 20.32 cm) (plate)14 1/4 x 9 3/4 in. (36.2 x 24.77 cm) (sheet)19 3/4 x 15 3/4 x 1 1/8 in. (50.17 x 40.01 x

Flower Gardener, c. 1730, Martin Engelbrecht, German, 1684 - 1756, 10 1/2 x 7 1/2 in. (26.67 x 19.05 cm) (image)12 5/8 x 8 in. (32.07 x 20.32 cm) (plate)14 x 8 5/8 in. (35.56 x 21.91 cm) (sheet)19 3/4 x 15 3/4 x 1 1/8 in. (50.17 x 40.01 x 2.86

Un Corps de Garde, 1762, Per Gustav Floding; Artist: after François Boucher, French, 1703–1770, 12 13/16 x 9 3/8 in. (32.54 x 23.81 cm) (plate)15 1/2 x 10 3/16 in. (39.37 x 25.88 cm) (sheet), Engraving, etching and aquatint (lavis) in black

Un Corps de Garde, 1762, Per Gustav Floding; Artist: after François Boucher, French, 1703–1770, 12 7/8 x 9 5/16 in. (32.7 x 23.65 cm) (plate)15 3/4 x 10 5/16 in. (40.01 x 26.19 cm) (sheet), Engraving, etching and aquatint (lavis) in bistre

Trochi, Turbines, Neritae Helices, from 'Neues Systematisches Conchylien-Cabinet', 1784, Vogel; Author: Friedrich Heinrich Wilhelm Martini; Author: Johann Hieronymus Chemnitz, German, active 18th century, 10 5/16 x 8 1/16 in. (26.19 x 20.48

Chamae, Pinnae, from 'Neues systematisches Conchylien-Cabinet', 1784, Friedrich Heinrich Wilhelm Martini; Artist: Johann Hieronymus Chemnitz, German, 1729-1780, 9 5/8 x 7 1/4 in. (24.45 x 18.42 cm) (image)11 15/16 x 9 5/16 in. (30.32 x 23.65

Chamae, Pinnae, from 'Neues systematisches Conchylien-Cabinet', 1784, Friedrich Heinrich Wilhelm Martini; Artist: Johann Hieronymus Chemnitz, German, 1729-1780, 8 7/8 x 6 11/16 in. (22.54 x 16.99 cm) (image)11 3/4 x 9 3/8 in. (29.85 x 23.81

Chaucer's Canterbury Pilgrims, 1809 (printed later), William Blake, British, 1757–1827, 14 x 37 3/4 in. (35.56 x 95.89 cm) (sheet), Engraving with chine appliqué, England, 19th century

L'urne mystérieuse' plate with initials 'S.D.M.' for the French market, c. 1800, 1 x 9 1/2 x 9 1/2 in. (2.54 x 24.13 x 24.13 cm), Porcelain, China, 18th-19th century, The central design on this plate is known as L'urne mystérieuse, after an

Figue blanche ronde, 19th century, Michel Bouquet, French, 1807-1890, 12 3/8 x 9 7/16 in. (31.43 x 23.97 cm) (plate), Roulette, engraving, France, 19th century

Noisetier d'Amerique, 19th century, Michel Bouquet, French, 1807-1890, 12 3/4 x 9 7/16 in. (32.39 x 23.97 cm) (plate), Roulette, engraving, France, 19th century

Ferdinand II, à cheval, 16th century, Aegidius Sadeler II, Flemish, 1570–1629, 35 x 24 5/8 in. (88.9 x 62.55 cm) (image), Engraving, Netherlands, 16th century

The Beheading of Saint Catherine, 16th century, Domenico Campagnola, Italian, 1500-1564, 7 5/16 in. (18.57 cm) (image, oval vert. diameter), Engraving, Italy, 16th century

Nefflier à gros Fruit, 19th century, Michel Bouquet, French, 1807-1890, 12 1/2 x 9 3/8 in. (31.75 x 23.81 cm) (plate), Roulette, engraving, France, 19th century

Adamboe, from Hortus Indicus Malebaricus (Vol. 4), 1678-1703, Hendrik Adriaan van Rheede tot Drakenstein; Publisher: Joannis van Someren and Joannis van Dyke, Dutch, 1636–1691, 13 1/2 x 17 1/4 in. (34.29 x 43.82 cm) (image)16 x 19 3/4 in.

Nialel, from Hortus Indicus Malebaricus (Vol. 4), 1678-1703, Hendrik Adriaan van Rheede tot Drakenstein; Publisher: Joannis van Someren and Joannis van Dyke, Dutch, 1636–1691, 13 9/16 x 17 1/4 in. (34.45 x 43.82 cm) (image)15 15/16 x 19 3/8

Virgin with the Child Swaddled, 1520, Albrecht Dürer, German, 1471–1528, 5 9/16 x 3 11/16 in. (14.13 x 9.37 cm) (image), Engraving, Germany, 16th century

Virgin and Child with the Monkey, c. 1498, Albrecht Dürer, German, 1471–1528, 7 7/16 x 4 3/4 in. (18.89 x 12.07 cm) (image), Engraving, Germany, 15th century

Five Footsoldiers and Mounted Turk, c. 1496, Albrecht Dürer, German, 1471–1528, 4 3/16 x 3 in. (10.64 x 7.62 cm) (image)19 3/4 × 15 3/4 × 1 1/8 in. (50.17 × 40.01 × 2.86 cm) (outer frame), Engraving, Germany, 15th-16th century, At

Three Men in Conversation, 1497-1498, Albrecht Dürer, German, 1471–1528, 13 1/16 x 9 in. (33.18 x 22.86 cm) (image), Engraving, Germany, 16th century, Whether or not this engraving refers to contemporary peasant uprisings, as some

Saint Jerome in His Study, 1514, Albrecht Dürer, German, 1471–1528, 9 3/4 x 7 1/2 in. (24.77 x 19.05 cm) (image), Engraving, Germany, 16th century

The Great Horse, 1505, Albrecht Dürer, German, 1471–1528, 6 1/2 x 4 5/8 in. (16.51 x 11.75 cm) (image), Engraving, Germany, 16th century, Albrecht Dürer was so revered by his students that one of them requested and received a lock of the

Vue Perspective du Fauxbourg et du port de Scheveningue a une lieue de la Haye en Hollande, c. 1780, Jacques Chéreau, French, 1688–1776, 9 1/8 x 16 1/16 in. (23.18 x 40.8 cm) (image), Hand-colored engraving, France, 18th century

The Ill-Assorted Couple, 1495-1496, Albrecht Dürer, German, 1471–1528, 5 3/16 x 5 7/16 in. (13.18 x 13.81 cm) (image), Engraving, Germany, 15th century, Prints about the pitfalls of 'unequal love' commonly depicted an older man ensnared

Portrait of Cardinal André Hercule de Fleury, 1730, Pierre Drevet; Artist: After Hyacinthe Rigaud, French, 1663-1738, 20 x 14 5/8 in. (50.8 x 37.15 cm) (image, sheet), Engraving and etching, France, 18th century

La Noblesse (Peach) from Pomona Londinensis, 19th century, William Hooker, English, 1779 - 1832, 13 1/4 x 9 7/8 in. (33.66 x 25.08 cm) (plate), Aquatint and stipple engraving, England, 19th century

La Galande (Peach) from Pomona Londinensis, 19th century, William Hooker, English, 1779 - 1832, 13 1/4 x 10 in. (33.66 x 25.4 cm) (plate), Aquatint and stipple engraving, England, 19th century

Spring Crocuses, plate from Transactions of the Horticultural Society, London, vol VII, 1830 (1805-30; 1831-48), after Charles John Robertson, British, 1798 - 1830, 11 1/2 x 9 1/4 in. (29.21 x 23.5 cm) (sheet), Hand-colored engraving,

Emperor Maximilian I, 1520, Lucas Huygensz van Leyden, Dutch, c. 1490 - 1533, 10 1/4 x 7 5/8 in. (26.04 x 19.37 cm) (image, trimmed within platemark), Engraving and etching, Netherlands, 16th century, Lucas van Leyden created this portrait

Ananaserobeer from Pomona Austriaca, ..., 1787-1796, Johann Kraft, Austrian, 1738–1808, 8 1/2 x 6 3/8 in. (21.59 x 16.19 cm) (plate), Hand-colored engraving, Austria, 18th century

Erdbeer aus Carolina from Pomona Austriaca, ..., 1787-1796, Johann Kraft, Austrian, 1738–1808, 8 3/8 x 6 1/2 in. (21.27 x 16.51 cm) (plate), Hand-colored engraving, Austria, 18th century

Die gute Christbirn aus Spanien from Pomona Austriaca, 1792-1796, Johann Kraft, Austrian, 1738–1808, 8 1/4 x 6 3/8 in. (20.96 x 16.19 cm) (plate)15 7/16 × 10 in. (39.21 × 25.4 cm) (sheet), Hand-colored engraving, Austria, 18th century

Die Fassbirn from Pomona Austriaca, 1792-1796, Johann Kraft, Austrian, 1738–1808, 8 1/4 x 6 3/8 in. (20.96 x 16.19 cm) (plate)15 7/16 × 10 1/4 in. (39.21 × 26.04 cm) (sheet), Hand-colored engraving, Austria, 18th century

Frieze with Tritons and Nymphs, c. 1517, Girolamo Mocetto, Italian, (Venice), c. 1470–c. 1531, 4 5/16 x 12 9/16 in. (10.95 x 31.91 cm) (image), Engraving, Italy, 16th century, Although Venice originated in the early Middle Ages as a

Tulips and Iris, from Livre de Fleurs, 1620, François L'Anglois; Publisher: François L'Anglois, French, 1589 - 1647, 7 x 9 1/8 in. (17.78 x 23.18 cm) (plate), Hand-colored engraving, illumined with gold, France, 17th century

Satyr’s Family, c. 1520, Benedetto Montagna, Italian, c. 1480-1556/58, 6 1/8 x 4 1/16 in. (15.56 x 10.32 cm) (image), Engraving, Italy, 16th century, If Renaissance imagery is reliable evidence, satyrs and humans frequently intermarried.

David Beheading Goliath, c. 1520-25, Marcantonio Raimondi; Artist: After Raphael (Raffaello Sanzio or Santi), Italian, c. 1475/1480–c.1534, 10 3/8 x 15 1/2 in. (26.39 x 39.37 cm) (image), Engraving, Italy, 16th century, Modeled after a

Rosa gallica, 1796, Mary Lawrence; Etcher: Mary Lawrence; Publisher: Mary Lawrence, British, active 1790 - 1831, 13 x 10 3/4 in. (33.02 x 27.31 cm) (plate), Hand-colored etching and stipple engraving, England, 18th century

Rhea Sylvia (Romulus and Remus), c. 1530, Heinrich Aldegrever, German, 1502–after 1555/61, 5 13/16 x 3 7/8 in. (14.76 x 9.84 cm) (image), Engraving, Germany, 16th century, In Roman mythology Rhea Sylvia was the mother of Romulus and Remus,

Title Page. Dedicated to LeBrun, from Livres De Toutes Sortes De Fleurs d'aspres Nature, c. 1660, Jean-Baptiste Monnoyer, French, 1636- 1699, 19 1/4 x 14 7/8 in. (48.9 x 37.78 cm) (plate), Hand-colored engraving, France, 17th century

Vase of Flowers, c. 1675-1685, After Jean-Baptiste Monnoyer, French, 1636- 1699, 19 1/2 x 14 3/4 in. (49.53 x 37.47 cm) (plate), Hand-colored etching and engraving, France, 17th century

Blue Vase of Flowers. Hyacinth, narcissus, peonies, and anemonies, from Livres de Plusieurs Vase de Fleurs faicts d'Apres le Naturel, c. 1660, Jean-Baptiste Monnoyer, French, 1636- 1699, 19 3/8 x 14 1/2 in. (49.21 x 36.83 cm) (plate),

Basket of Flowers, c. 1660, Nicolas de Poilly; Artist: After Jean-Baptiste Monnoyer, French, 1626-1696, 19 x 14 3/4 in. (48.26 x 37.47 cm) (plate), Engraving and etching, hand-colored, France, 17th century

Iris Germanica from Icones Plantarum Medicinalium, 1788-1812, Joseph Jakob Plenck, Austrian, 1738–1807, 16 3/4 x 12 in. (42.55 x 30.48 cm) (plate)18 11/16 × 13 in. (47.47 × 33.02 cm) (sheet), Hand-colored engraving, Austria, 18th-19th

Iris florentina, from Icones Plantarum Medicinalium, 1788 (?), Joseph Jakob Plenck, Austrian, 1738–1807, 17 1/4 x 9 1/4 in. (43.82 x 23.5 cm) (plate), Hand-colored engraving and gouache, Austria, 18th century

Solanum Melongena from Icones Plantarum Medicinalium, 1788-1812, Joseph Jakob Plenck, Austrian, 1738–1807, 17 x 11 1/2 in. (43.18 x 29.21 cm) (plate)18 11/16 × 12 3/4 in. (47.47 × 32.39 cm) (sheet), Hand-colored engraving and gouache,

Prunus Cerasus from Icones Plantarum Medicinalium, 1788-1812, Joseph Jakob Plenck, Austrian, 1738–1807, 17 x 10 3/8 in. (43.18 x 26.35 cm) (plate)18 5/8 × 13 in. (47.31 × 33.02 cm) (sheet), Hand-colored engraving and gouache, Austria,

Amygdalus persica from Icones Plantarum Medicinalium, 1788-1812, Joseph Jakob Plenck, Austrian, 1738–1807, 17 1/4 x 11 3/4 in. (43.82 x 29.85 cm) (plate)18 7/16 × 12 3/4 in. (46.83 × 32.39 cm) (sheet), Hand-colored engraving and gouache,

Pyrus Malus, from Icones Plantarum Medicinalium, 1788 (?), Joseph Jakob Plenck, Austrian, 1738–1807, 17 x 11 3/4 in. (43.18 x 29.85 cm) (plate), Hand-colored engraving and gouache, Austria, 18th century

Pyrus Communis from Icones Plantarum Medicinalium, 1788-1812, Joseph Jakob Plenck, Austrian, 1738–1807, 17 x 9 3/4 in. (43.18 x 24.77 cm) (plate)18 5/8 × 12 7/8 in. (47.31 × 32.7 cm) (sheet), Hand-colored engraving and gouache, Austria,

Rosa Centifolia, from Icones Plantarum Medicinalium, 1788 (?), Joseph Jakob Plenck, Austrian, 1738–1807, 17 x 9 3/4 in. (43.18 x 24.77 cm) (plate), Hand-colored engraving and gouache, Austria, 18th century

Rosa Alba from Icones Plantarum Medicinalium, 1788-1812, Joseph Jakob Plenck, Austrian, 1738–1807, 17 1/8 x 9 3/8 in. (43.5 x 23.81 cm) (plate)18 5/8 × 12 15/16 in. (47.31 × 32.86 cm) (sheet), Hand-colored engraving and gouache, Austria,

Helleborus Foetidus from Icones Plantarum Medicinalium, 1788-1812, Joseph Jakob Plenck, Austrian, 1738–1807, 18 x 12 1/4 in. (45.72 x 31.12 cm) (plate)18 5/8 × 13 in. (47.31 × 33.02 cm) (sheet), Hand-colored engraving and gouache, Austria,

Alcea Rosea from Icones Plantarum Medicinalium, 1788-1812, Joseph Jakob Plenck, Austrian, 1738–1807, 17 3/8 x 10 1/4 in. (44.13 x 26.04 cm) (plate)18 5/8 × 12 7/8 in. (47.31 × 32.7 cm) (sheet), Hand-colored engraving and gouache, Austria,

Belle de Havre (apple), from Traite des Arbres Fruitiers, 1807-1835, after P. Jean Turpin; Engraver: Bocourt, French, 1755 - 1840, 12 3/8 x 9 5/8 in. (31.43 x 24.45 cm) (plate), Hand-colored stipple engraving, France, 19th century

Framboisier a Fruit rouge (Raspberries), from Traite des Arbres Fruitiers, 1807-1835, after P. Jean Turpin; Engraver: Bouquet, French, 1755 - 1840, 12 1/2 x 9 1/2 in. (31.75 x 24.13 cm) (plate), Hand-colored stipple engraving, France, 19th

Grenadier a fruit doux, from Traite des Arbres Fruitiers, 1807-1835, after P. Jean Turpin; Engraver: Bouquet, French, 1755 - 1840, 12 1/2 x 9 1/2 in. (31.75 x 24.13 cm) (plate), Hand-colored stipple engraving, France, 19th century

Bezi de Chaumontel (Pears), from Traite des Arbres Fruitiers, 1807-1835, Antoine Poiteau (after); Engraver: Bouquet, French, 1766 - 1854, 12 1/4 x 9 3/8 in. (31.12 x 23.81 cm) (plate), Hand-colored stipple engraving, France, 19th century

Fraisier de Virginie (Grandes fleurs), from Traite des Arbres Fruitiers, 1807-1835, after Antoine Poiteau; Engraver: Gabriel, French, 1766 - 1854, 12 1/4 x 9 1/4 in. (31.12 x 23.5 cm) (plate), Hand-colored stipple engraving, France, 19th

Capron commun. (Strawberries), from Traite des Arbres Fruitiers, 1807-1835, after P. Jean Turpin; Engraver: Bouquet, French, 1755 - 1840, 12 3/4 x 9 3/4 in. (32.39 x 24.77 cm) (plate), Hand-colored stipple engraving, France, 19th century

The Sleeping Congregation, 1736, William Hogarth, British, 1697–1764, 10 x 7 3/4 in. (25.4 x 19.69 cm) (sheet), Etching and engraving, England, 18th century

Adam and Eve, 1504, Albrecht Dürer, German, 1471–1528, 9 13/16 x 7 9/16 in. (24.92 x 19.21 cm) (image), Engraving, Germany, 16th century

Pavie de Pompone. (Peaches), from Traite des Arbres Fruitiers, 1807-1835, after Antoine Poiteau; Engraver: Bouquet, French, 1766 - 1854, 11 3/4 x 9 1/4 in. (29.85 x 23.5 cm) (plate), Hand-colored stipple engraving, France, 19th century

Pavie jaune. (Peaches), from Traite des Arbres Fruitiers, 1807-1835, after Antoine Poiteau; Engraver: Bouquet, French, 1766 - 1854, 12 1/4 x 9 5/8 in. (31.12 x 24.45 cm) (plate), Hand-colored stipple engraving, France, 19th century

Study of Sunflowers, 1805, Louis Charles Ruotte; Artist: After Jean Louis Prévost, French, c.1760 - after 1810, 19 x 12 3/8 in. (48.26 x 31.43 cm) (plate), Stipple engraving, printed in color, France, 19th century

Genista pedunculata, from Stripes Novae, 1784, J. J. Juillet; Artist: after Pierre-Joseph Redouté, French, Flemish (active France), 1759–1840, 16 x 11 in. (40.64 x 27.94 cm) (plate), Hand-colored engraving, Belgium, 18th century

Erodium supracanum, from Geraniologia, seu Erodii, Pelargonii, Monsoniae et Grieli historia iconibus illustrata, 1787-1788, François Hubert; Artist: after Pierre-Joseph Redouté, French, Flemish (active France), 1759–1840, 15 3/4 x 10

Erodium chamaedryoides, from Geraniologia, seu Erodii, Pelargonii, Monsoniae et Grieli historia iconibus illustrata, 1787-1788, François Hubert; Artist: after Pierre-Joseph Redouté, French, Flemish (active France), 1759–1840, 15 3/4 x

Pelargonium acerifolium, from Geraniologia, seu Erodii, Pelargonii, Monsoniae et Grieli historia iconibus illustrata, 1787-1788, after Pierre-Joseph Redouté; Engraver: Milsan, French, Flemish (active France), 1759–1840, 15 5/8 x 10 3/4

Geranium varium, from Geraniologia, seu Erodii, Pelargonii, Monsoniae et Grieli historia iconibus illustrata, 1787-1788, François Hubert; Artist: after Pierre-Joseph Redouté, French, Flemish (active France), 1759–1840, 15 1/2 x 10 3/4

Iris germanica (Bearded Iris), 1812, After Pierre-Joseph Redouté; Engraver: de Gouy, French, Flemish (active France), 1759–1840, 21 x 14 in. (53.34 x 35.56 cm) (plate), Stipple engraving, printed in color and hand-colored, France, 19th

Amaryllis brasiliensis (Brazilian Amaryllis), 1816, After Pierre-Joseph Redouté; Engraver: Bessin, French, Flemish (active France), 1759–1840, 20 1/2 x 14 1/4 in. (52.07 x 36.2 cm) (plate), Stipple engraving, printed in color and

Saint Lucy, c. 1510, Master I.I.C.A., Italian, (Northern Italy), active c. 1500 –1510, 7 3/4 x 6 3/8 in. (19.69 x 16.19 cm) (image), Engraving, Italy, 16th century, This sheet is the only Saint Lucy by Master I. I. CA in the United

The Sea Monster, c. 1498, Albrecht Dürer, German, 1471–1528, 10 1/8 x 7 9/16 in. (25.72 x 19.21 cm) (image), Engraving, Germany, 15th-16th century, The elaborately coiffed woman seems considerably less perturbed by her abduction than does

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