Images at Librifly


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Silver Ewers, Wits Salvers, Representing the Triumphs of Doria. 17th Century
Grand Banquet of the Officers of the Coldstream Guards, in St. James's Palace
Entertainment to theCommissioned Officers and Privates of the Coldstream Guards at the Portman Street Barracks
Epsom, the Race for 'the Derby Stakes', June 1, 1850
Sketch in the Ring, 'I'Ll Bet against Clincher
His Excellency Jung Bahadour, Ambassador from the Court of Nepaul
Departure of the 'Viceroy' Steamer from the Dock Quay, Galway
Church, Schools, and Vicarage of St. Just, Penwith
Exhibition of American Plants at the Royal Botanic Society's Gardens, Regent's Park
Christ with the Disciples in the Corn Field, Exhibition of the New Society of Painters in Water Colours
Plate Presented to Major General Wemyss, C.B
Launch of the 'Pelican, ' Steamship, at Cork
Christening of the Infant Prince Arthur, in the Royal Chapel at Buckingham Palace, June 29, 1850
The Royal Font
The 'Orion' Sinking
The 'Orion' Steamer
Interior of the Church of St. Stephen, Rochester Row, Westminster
Ascent of the Nassau Balloon, from Vauxhall Gardens, on Saturday, June 29, 1850
The Return from Market
New Rolling Machine for Making Horse-Shoe Nails 1873
Shrine in St. Alban's Abbey Recently Discovered 1873
The Chinese Imperial Marriage: The Imperial Palace Pekin China 1873
The Floods: The Valley of the Thames from the Round Tower Windsor Castle 1873
A Sailor's Offering: A Scene in Normandy 1873
Mr. Justice Archibald 1873
New Bridge Across the Nile Near Cairo Egypt 1873
A Chinese Marriage Procession 1873
The Chinese Imperial Marriage at Pekin: Horses and Camels Presented to the Emperor. How the Chinese Saw the Bridal Procession. Led Horses in the Bridal Procession. 1873
The Exile of Siberia in Sight of St. Petersburg. From the Late Exhibition at the Dudley Gallery 1873
Conference Between Ironmasters and Workmen's Delegates at Cardiff Wales 1873
Hot Sulphur Spring Near the Yellowstone River Montana North America 1873
The Old Lion of the Zoological Society's Collection London 1873
Dessert Service of Plate for Lord Northbrook Governor-General of India 1873
The Late Dean Ramsay of Edinburgh 1873
Castle Geyser and Hot Spring Montana North America 1873
China: The Steamer Travancore Taking in Cargo at Singapore 1873
Digging Out. 1873
The Strike in South Wales: Interior of a Collier's Cottage 1873
The Strike in South Wales: Tip Girls Leaving the Dowlais Works 1873
The Strike in South Wales: Exodus of Miners from Merthyr Tydvil 1873
Collision Between H.M.S. Northumberland and H.M.S. Hercules at Madeira 1873
H.M.S. Immortalite Finding the Derelict Margaret Pollock at Sea 1873
The Late Emperor Napoleon III: Camden Place Chiselhurst January 9 1873
The Late Emperor Napoleon III: The Lying in State: Crowd at the Gate Chiselhurst 1873
The Late Emperor Napoleon III: Room Where the Emperor Died Chiselhurst 1873
The Late Emperor Napoleon III: The Lying in State Chiselhurst 1873
The Late Emperor Napoleon III: Funeral Procession Approaching the Chapel Chiselhurst 1873
The Late Emperor Napoleon III: Funeral Service in St. Mary's Chapel Chiselhurst 1873
Napoleon III. After His Death 1873
Napoleon I. May 5 1821 Aged 52 St. Helena Two Days after His Death
The Late Emperor Napoleon III: Camden Place Exterior View of the House Showing the Emperor's Study and Bedroom Chiselhurst 1873
Traineau Russe 1873
Funeral of the Emperor Napoleon III: The Empress Eugenie 1873
Funeral of the Emperor Napoleon III: The Prince Imperial 1873
Knebworth Hertfordshire the Seat of the Late Lord Lytton 1873
Meet of the Four-in-Hand Club in Hyde Park London 1873
The Vienna Exhibition: Entrance to the Western Nave from the Rotunda 1873
Shakspeare Memorial Window for Stratford-on-Avon Church 1873
Spain: Carlist Prisoners in the Alhambra at Granada 1873
Spain: A Carlist Ambuscade 1873
Interior of Strasbourg Cathedral Showing the Choir Screen, 1617, Engraving, sheet: 6 15/16 x 14 7/16 in. (17.6 x 36.7 cm), Johann Jakob Arhardt (German, 1613–1674
Hesperides sive de Malorum Aureorum cultura et usu. Libri Quatuor, 1646, plates: etching, engraving, Overall: 13 3/4 x 9 1/2 x 1 15/16 in. (35 x 24.2 x 5 cm), Books, This book on citrus fruit by Giovanni Battista Ferrari (1584–1655),
Phaeton, from The Four Disgracers, 1588, Engraving, Diameter: 13 3/16 in. (33.5 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem), After Cornelis Cornelisz van Haarlem (Netherlandish, Haarlem 1562–1638
Portrait of Rudolph II, 1603, Engraving, Sheet: 13 1/4 x 9 7/8 in. (33.7 x 25.1 cm), Prints, Aegidius Sadeler II (Netherlandish, Antwerp 1568–1629 Prague), After Hans von Aachen (German, Cologne 1552–1616 Prague), This allegorical
Martyrdom of St. Lawrence, 1571, Engraving, Sheet: 19 13/16 x 13 3/4 in. (50.3 x 34.9 cm), Prints, Cornelis Cort (Netherlandish, Hoorn ca. 1533–1578 Rome), After Titian (Tiziano Vecellio) (Italian, Pieve di Cadore ca. 1485/90?–1576
The Declaration of Independence (July 4, 1776), 1823, Engraving; sixth state of six, image: 20 3/16 x 30 3/16 in. (51.3 x 76.7 cm), Prints, Asher Brown Durand (American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey), After John
Poetry, ca. 1465–67, Engraving, Image: 6 9/16 x 3 1/2 in. (16.6 x 8.9 cm), Prints, Anonymous, Italian, Ferrarese, 15th century, The fifty engravings of the so-called Tarocchi di Mantegna were not designed by the Mantuan artist Andrea
The Surrender of the Khan of Badakhsan, 1772, Etching and engraving, Sheet: 25 3/4 × 39 9/16 in. (65.4 × 100.5 cm), Prints, Pierre Philippe Choffard (French, Paris 1730–1809 Paris), after Jean Damascene (French, Rome 1727–1781 Beijing),
The Works of the late Professor Camper, on The Connexion [sic] between the Science of Anatomy and The Arts of Drawing, Painting, Statuary, 1794, Illustrations: etching and engraving, 12 3/8 x 9 13/16 x 1 3/16 in. (31.5 x 25 x 3 cm), Books
Bacchus Carried by Two Satyrs, dated 1528, Engraving, 2 3/8 x 3 1/2 in. (6.0 x 8.9 cm), Prints, Agostino Veneziano (Agostino dei Musi) (Italian, Venice ca. 1490–after 1536 Rome
Le Diable a Paris. . . Paris et Les Parisiens, Vol. II, 1846, Wood Engraving, Overall: 11 1/4 x 7 7/8 x 1 3/4 in. (28.5 x 20 x 4.5 cm), Books, Andrew, Best, Leloir (French), Bara et Gerard (French, active mid-19th century), Henri-Désiré
Zeichen-Mahler und Stickerbuch zur Selbstbelehrung für Damen, Zweiter Theil, 1798, Plates: engraving, hand colored engraving, silk and metal thread embroidery on silk on one page, Sheet: 10 5/8 x 16 3/4 in. (27 x 42.5 cm), Books, This is the
Man with Umbrella, Head of Man, Newspaper Engraving (from Sketchbook), Graphite, pen, ink, and watercolor on paper, Drawings, John William Casilear (American, New York 1811–1893 Saratoga Springs, New York
Plate (one of a pair), ca. 1735–40, Chinese, possibly for Scottish market, Hard-paste porcelain, Overall: 1 7/8 × 15 1/4 in. (4.8 × 38.7 cm), Ceramics-Porcelain-Export, After a design by Jean-Baptiste Monnoyer (French, Lille 1636–1699
Martyrdom of St. Lawrence, 1621, Engraving; second state of two, sheet: 15 3/8 x 10 7/8 in. (39 x 27.6 cm), Prints, Lucas Vorsterman I (Flemish, Zaltbommel 1595–1675 Antwerp), After Peter Paul Rubens (Flemish, Siegen 1577–1640 Antwerp),
The Story of Niobe, n.d., Engraving; first state, sheet: 10 3/8 x 30 1/8 in. (26.4 x 76.5 cm), Prints, Jan (Pietersz.) Saenredam (Netherlandish, Zaandam ca. 1565–1607 Assendelft), Sculpted by Polidoro da Caravaggio (Italian, Caravaggio ca.
The Two Sisters, ca. 1769–70, Oil on canvas, 28 1/4 x 22 in. (71.8 x 55.9 cm), Paintings, Jean Honoré Fragonard (French, Grasse 1732–1806 Paris), This picture must date to the late 1760s and was engraved with the title 'Les Jeunes Soeurs'
The American Landscape, 1830, Illustrations: engraving, 13 x 10 1/16 in. (33 x 25.5 cm), Books
Saint James the Major turned towards right, holding staff, ca. 1500–1550, Engraving; first state of two, Sheet: 8 1/16 × 5 5/16 in. (20.5 × 13.5 cm), Prints, School of Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534
The Iliad of Homer, The Odyssey of Homer, Compositions from The Tragedies of Aeschylus, and The Theogony, Works and Days of Hesiod, 1795–1817, Illustrations: line engraving and stipple engraving (Hesiod only), Book: 11 3/16 × 17 5/8 × 2
North American Papier Mâché Ornament Imperishable Stone, Florentine Mosaic and Scagliola Marble Works, 19th century, Wood engraving, sheet: 13 x 9 in. (33 x 22.9 cm), Prints
Leaf from Aedes Walpolianae mounted with two prints: (a): The Loves of Venus and Adonis; (b): The Loves of Venus and Adonis, before 1741, (a, b): engraving and etching, Leaf: 28 15/16 × 20 1/2 in. (73.5 × 52 cm), Miscellaneous, After
Saint Jerome in the Wilderness, ca. 1591, Etching and Engraving, 9 3/4 x 7 9/16 in. (24.8 x 19.2 cm), Prints, Annibale Carracci (Italian, Bologna 1560–1609 Rome), Annibale Carracci was one of the most important artists working in Italy
The Loves of Venus and Adonis, before 1741, Engraving and etching, sheet: 11 5/8 x 13 9/16 in. (29.5 x 34.5 cm), Prints, After Francesco Albani (Italian, Bologna 1578–1660 Bologna
Pair of side chairs, 1795–1800, Made in Philadelphia, Pennsylvania, United States, American, Painted maple with white pine, 38 1/2 x 21 1/2 x 18 1/2 in. (97.8 x 54.6 x 47 cm), Furniture, The design for this oval-back chair was based on an
Powder Horn, Horn, 18th to 19th century; engraving, late 19th to early 20th century, New York; New York, New York, American, Horn (cow), wood, L. 13 3/8 in. (34 cm); Diam. 3 1/4 in. (8.3 cm); Wt. 9 oz. (255.1 g), Firearms Accessories-Powder
Fisher & Bird's Marble Yard, 287 Bowery, New York, ca. 1836, Engraving, image: 9 7/8 x 8 7/8 in. (25.1 x 22.5 cm), Prints, John Baker (American, active 1830–40
The Feast of the Gods at the Marriage of Cupid and Psyche, 1587, Engraving printed from three plates; second state, 16 15/16 x 33 5/8in. (43 x 85.4cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem), After
The Virgin seated on a cloud, 1580–84, Etching with some engraving, sheet: 6 x 4 7/16 in. (15.2 x 11.3 cm), Prints, Federico Barocci (Italian, Urbino ca. 1535–1612 Urbino), Although Federico Barocci produced only four prints, they were of
The Fall of Phaeton, from the series Ovid's Metamorphoses, ca. 1588, Engraving, Image: 6 15/16 x 9 15/16 in. (17.7 x 25.2 cm), Prints, Anonymous, Netherlandish, 17th century, After Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617
Assumption of the Virgin, 1624, Engraving, sheet: 25 3/8 x 17 3/8 in. (64.4 x 44.1 cm) (arched), Prints, After Peter Paul Rubens (Flemish, Siegen 1577–1640 Antwerp
Sheet of Fabric Labels with Sixteen Views of Buildings in Boston, New York, Philadelphia, Baltimore, Providence and Washington, ca. 1835, Engraving, plate: 9 x 10 7/8 in. (22.8 x 27.6 cm), Prints, Anonymous, American, 19th century
Major General Charles Lee, 1840–95, Etching and engraving, image: 6 1/8 x 4 7/16 in. (15.5 x 11.3 cm), Prints, Alexander Hay Ritchie (American, Glasgow, Scotland 1822–1895 New Haven, Connecticut), After B. Rushbrooke (American (?),
Interior View of Strasbourg Cathedral, 1617, Engraving, sheet: 20 3/16 x 14 1/4 in. (51.2 x 36.2 cm), Prints, Attributed to Isaak Brun
Illustrated Catalogue Spring of 1888, 1888, Illustrations: wood engraving, 5 7/8 x 8 9/16 in. (15 x 21.8 cm), Books
Knight, Death, and the Devil, 1513, Engraving, Sheet: 9 13/16 x 7 11/16 in. (25 x 19.6 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg), Dürer's Knight, Death, and the Devil is one of three large prints of 1513–14
Farnese Hercules, ca. 1592, dated 1617, Engraving, sheet: 16 9/16 x 11 15/16 in. (42.1 x 30.4 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem), It was Goltzius' poor health as well as his desire to see the
Oven Tile with Samson and the Lion (Based on an Engraving by Master E.S.), ca. 1490, Made in probably South Tyrol, Austria, Austrian, Unglazed Earthenware (terra cotta), Overall: 9 7/8 x 8 1/8 x 2 11/16in. (25.1 x 20.6 x 6.8cm), Ceramics
Iconologie par Figures ou Traité complet des Allegoris, 1781, Engraving, Overall: 8 7/16 x 5 11/16 in. (21.5 x 14.5 cm), Books
Speculum Romanae Magnificentiae: The Farnese Hercules, 1562, Engraving, Sheet: 17 7/16 x 11 7/8 in. (44.3 x 30.2 cm), Prints, Jacob(us) Bos (Netherlandish, Hertogenbosch ca. 1520, active Rome ca. 1549–80

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