Images at Librifly

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Ronce frutescente. Ronce bleue, from Traites des Arbres et Fruitiers, 1801-1819, after Pancrace Bessa, French, 1772 - 1835, 12 x 8 1/8 in. (30.48 x 20.64 cm) (plate), Color stipple engraving, retouched by hand, France, 19th century

Magnolia Glauca, from Description des Plantes Rares Cultivees a Malmaison et a Navarre, 1813, after Pierre-Joseph Redouté; Engraver: Coutant; Author: Aime-Jacques Bonpland, French, Flemish (active France), 1759–1840, 21 x 13 7/8 in. (53.34

Rosier de Provinsi a fleurs roses et simples, from La Couronne Des Roses, 1817-1824, After Pierre-Joseph Redouté; Engraver: François Langlois (called Ciartres), French, Flemish (active France), 1759–1840, 14 x 18 1/8 in. (35.56 x 46.04 cm)

Rosier Eglantier, from Les Roses, 1817-1824, François Langlois (called Ciartres); Artist: after Pierre-Joseph Redouté, French, Flemish (active France), 1759–1840, 13 1/2 x 10 in. (34.29 x 25.4 cm) (sheet, margins cut), Stipple engraving,

Rosa indica cruenta (Rosebush of Bengal with Crimson-of-Blood Flowers), 1817-1824, François Langlois (called Ciartres); Artist: After Pierre-Joseph Redouté, French, Flemish (active France), 1759–1840, 13 1/2 x 10 in. (34.29 x 25.4 cm)

Rosa damascene variegata (Rosebush of York and Lancaster), 1817-1824, Bessin; Artist: After Pierre-Joseph Redouté, French, Flemish (active France), 1759–1840, 14 x 10 1/4 in. (35.56 x 26.04 cm) (plate), Color stipple engraving with

Rosier d'Amour, from La Couronne Des Roses, 1817-1824, Bessin; Artist: after Pierre-Joseph Redouté, French, Flemish (active France), 1759–1840, 13 7/8 x 10 in. (35.24 x 25.4 cm) (plate), Stipple engraving, color-printed, finished by

Rosier a feuilles molles, from Les Roses, 1817-1824, Victor; Artist: after Pierre-Joseph Redouté, French, Flemish (active France), 1759–1840, 14 x 10 1/8 in. (35.56 x 25.72 cm) (sheet, margins cut), Stipple engraving, color-printed,

Rosa centifolia angelica rubra (Rosebush of Cumberland), 1817-1824, François Langlois (called Ciartres); Artist: After Pierre-Joseph Redouté, French, Flemish (active France), 1759–1840, 14 x 10 1/2 in. (35.56 x 26.67 cm) (sheet, margins

Rosier des Indes commun, from Les Roses, 1817-1824, Bessin; Artist: After Pierre-Joseph Redouté, French, Flemish (active France), 1759–1840, 14 x 10 1/4 in. (35.56 x 26.04 cm) (sheet, margins cut), Stipple engraving, color-printed,

Rosier a cent feuilles, foliace, from Les Roses, 1817-1824, François Langlois (called Ciartres); Artist: after Pierre-Joseph Redouté, French, Flemish (active France), 1759–1840, 13 7/8 x 10 1/8 in. (35.24 x 25.72 cm) (plate), Stipple

Rosier de Cels, from Les Roses, 1817-1824, After Pierre-Joseph Redouté; Engraver: Charlin, French, Flemish (active France), 1759–1840, 14 x 10 3/8 in. (35.56 x 26.35 cm) (plate), Stipple engraving, color-printed, finished by hand,

Rosier a feuilles de Laitue, from Les Roses, 1817-1824, François Langlois (called Ciartres); Artist: after Pierre-Joseph Redouté, French, Flemish (active France), 1759–1840, 13 3/4 x 10 1/8 in. (34.93 x 25.72 cm) (plate), Stipple

Rosa noisettiana (Rosebush of Philippe Noisette), 1817-1824, François Langlois (called Ciartres); Artist: after Pierre-Joseph Redouté, French, Flemish (active France), 1759–1840, 13 7/8 x 10 1/4 in. (35.24 x 26.04 cm) (plate), Color

Rosier de France a fleurs panachees, from Les Roses, 1817-1824, François Langlois (called Ciartres); Artist: after Pierre-Joseph Redouté, French, Flemish (active France), 1759–1840, 13 7/8 x 10 1/4 in. (35.24 x 26.04 cm) (plate), Stipple

Rosier a cent feuilles, from Les Roses, 1817-1824, Couten; Artist: after Pierre-Joseph Redouté, French, Flemish (active France), 1759–1840, 14 x 10 3/8 in. (35.56 x 26.35 cm) (sheet, margins cut), Stipple engraving, color-printed,

Fritillaire, Imperiale. Var. jaune, from Choix Des Plus Belle Fleurs et des Plus Beaux Fruits, 1827, Victor; Artist: after Pierre-Joseph Redouté, French, Flemish (active France), 1759–1840, 10 1/2 x 8 1/4 in. (26.67 x 20.96 cm) (plate),

Fritillaire Imperiale, from Choix Des Plus Belle Fleurs et des Plus Beaux Fruits, 1827, Pierre-Joseph Redouté, French, Flemish (active France), 1759–1840, 10 1/2 x 8 1/4 in. (26.67 x 20.96 cm) (plate), Stipple engraving, color-printed,

Jacinthe d'orient varité rose (Hyacinth), from Choix des Plus Belle Fleurs et des Plus Beaux Fruits, 1827, Bessin; Artist: After Pierre-Joseph Redouté, French, Flemish (active France), 1759–1840, 11 x 8 1/2 in. (27.94 x 21.59 cm) (plate),

Jacinte d'Orient. Variete bleue, from Choix Des Plus Belle Fleurs et des Plus Beaux Fruits, 1827, Victor; Artist: after Pierre-Joseph Redouté, French, Flemish (active France), 1759–1840, 10 3/4 x 8 1/2 in. (27.31 x 21.59 cm) (plate),

Paeonia flagrans (Peony), 1827, After Pierre-Joseph Redouté, French, Flemish (active France), 1759–1840, 11 x 8 1/2 in. (27.94 x 21.59 cm) (plate), Color stipple engraving with hand-coloring, France, 19th century

Rosier a cent feuilles, from Choix Des Plus Belle Fleurs et des Plus Beaux Fruits, 1827, François Langlois (called Ciartres); Artist: after Pierre-Joseph Redouté, French, Flemish (active France), 1759–1840, 10 3/4 x 8 1/4 in. (27.31 x

Bengale Thé hyménée, from Choix Des Plus Belle Fleurs et des Plus Beaux Fruits, 1827, Victor; Artist: after Pierre-Joseph Redouté, French, Flemish (active France), 1759–1840, 10 1/2 x 8 1/2 in. (26.67 x 21.59 cm) (plate), Stipple

Iris Xiphium, from Choix Des Plus Belle Fleurs et des Plus Beaux Fruits, 1827, François Langlois (called Ciartres); Artist: after Pierre-Joseph Redouté, French, Flemish (active France), 1759–1840, 10 3/4 x 8 1/2 in. (27.31 x 21.59 cm)

Hortensia, from Choix Des Plus Belle Fleurs et des Plus Beaux Fruits, 1827, after Pierre-Joseph Redouté; Engraver: François Langlois (called Ciartres), French, Flemish (active France), 1759–1840, 10 3/4 x 8 1/2 in. (27.31 x 21.59 cm)

Tropaeolum majus (Garden Nasturtium), 1827, After Pierre-Joseph Redouté, French, Flemish (active France), 1759–1840, 10 1/2 x 8 1/4 in. (26.67 x 20.96 cm) (plate), Color stipple engraving with hand-coloring, France, 19th century

Anemone simple, from Choix des plus belle fleurs et des plus beaux fruits, 1827, François Langlois (called Ciartres); Artist: After Pierre-Joseph Redouté, French, Flemish (active France), 1759–1840, 10 1/2 x 8 1/2 in. (26.67 x 21.59 cm)

Lychnide a grandes fleurs, from Choix des plus belle fleurs et des plus beaux fruits, 1827, François Langlois (called Ciartres); Artist: after Pierre-Joseph Redouté, French, Flemish (active France), 1759–1840, 11 x 8 1/2 in. (27.94 x 21.59

Narcissus gouani (Double Daffodil), 1827, after Pierre-Joseph Redouté; Engraver: Bessin, French, Flemish (active France), 1759–1840, 11 x 8 1/2 in. (27.94 x 21.59 cm) (plate), Color stipple engraving with hand-coloring, France, 19th

Papaver, from Choix Des Plus Belle Fleurs et des Plus Beaux Fruits, 1827, François Langlois (called Ciartres); Artist: after Pierre-Joseph Redouté, French, Flemish (active France), 1759–1840, 10 3/4 x 8 1/2 in. (27.31 x 21.59 cm) (plate),

Chevre-feuille, from Choix Des Plus Belle Fleurs et des Plus Beaux Fruits, 1827, Victor; Artist: after Pierre-Joseph Redouté, French, Flemish (active France), 1759–1840, 10 3/4 x 8 1/2 in. (27.31 x 21.59 cm) (plate), Stipple engraving,

Ligusticum cornubiense (Cornish Lovage), 1792 (published 1793), James Sowerby; Author: Inscribed notes by Sir James Edward Smith; Publisher: Sir James Edward Smith, English, 1759 - 1828, 17 1/2 x 10 7/8 in. (44.45 x 27.62 cm) (sheet),

Epidendrum tripterum (Triangular-fruited Epidendrum), 1793, James Sowerby; Author: Inscribed notes by Sir James Edward Smith; Publisher: Sir James Edward Smith, English, 1759 - 1828, 16 1/2 x 9 7/8 in. (41.91 x 25.08 cm) (plate), Hand-colored

Pergularia odoratissima (Chinese Creeper), 1793, James Sowerby; Author: Inscribed notes by Sir James Edward Smith; Publisher: Sir James Edward Smith, English, 1759 - 1828, 16 1/2 x 10 in. (41.91 x 25.4 cm) (plate), Hand-colored engraving,

The Cock Macaw from Jamaica, 1731-1738, Eleazer Albin, British (born Germany), British (born Germany), 1713 - 1759, 10 3/4 x 10 1/2 in. (27.31 x 26.67 cm) (plate), Hand colored engraving, England, 18th century

The Bleu Maccaw, 1737, Eleazer Albin, British (born Germany), British (born Germany), 1713 - 1759, 10 3/4 x 8 5/8 in. (27.31 x 21.91 cm) (plate), Hand colored engraving, England, 18th century

Mufle de veau, from Fleurs Dessinees d'apres Nature, c. 1800, after Gerard van Spaendonck; Engraver: Pierre Francois Legrand, French, 18th century, 19 3/8 x 12 in. (49.21 x 30.48 cm) (plate), Hand-colored stipple engraving, France, 18th-19th

Souci des Jardins, from Fleurs Dessinees d'apres Nature, c. 1800, after Gerard van Spaendonck; Engraver: Pierre Francois Legrand, French, 18th century, 18 7/8 x 12 5/8 in. (47.94 x 32.07 cm) (sheet, margins cut), Hand-colored stipple

Reine-Marguerite, from Fleurs Dessinees d'apres Nature, c. 1800, Gerard van Spaendonck (after); Engraver: Pierre Francois Legrand, French, 18th century, 18 1/2 x 13 in. (46.99 x 33.02 cm) (sheet, margins cut), Stipple engraving, black and

Anemone double, from Fleurs Dessinees d'apres Nature, c. 1800, Gerard van Spaendonck; Engraver: Pierre Francois Legrand, French, 18th century, 18 1/2 x 13 in. (46.99 x 33.02 cm) (sheet, margins cut), Stipple engraving, France, 18th-19th

Tulipe des Jardins, from Fleurs Dessinees d'apres Nature, c. 1800, after Gerard van Spaendonck; Engraver: Pierre Francois Legrand, French, 18th century, 19 7/8 x 14 in. (50.48 x 35.56 cm) (plate), Hand-colored stipple engraving, France,

Mais, Ble de Turquie, from Fleurs Dessinees d'apres Nature, c. 1800, Gerard van Spaendonck (after); Engraver: Pierre Francois Legrand, French, 18th century, 19 3/4 x 13 in. (50.17 x 33.02 cm) (plate), Hand-colored stipple engraving, France,

Hercules, c. 1499, Albrecht Dürer, German, 1471–1528, 12 11/16 x 8 11/16 in. (32.23 x 22.07 cm) (image), Engraving, Germany, 15th-16th century

The Cannon, 1518, Albrecht Dürer, German, 1471–1528, 8 9/16 x 12 1/2 in. (21.75 x 31.75 cm) (plate), Etching on iron, Germany, 16th century, The toolbox on this cannon bears the arms of Nuremberg, Albrecht Dürer's birthplace and home to

Lilium superbum (Superb Lily), 1805, de Gouy; Artist: After Pierre-Joseph Redouté, French, Flemish (active France), 1759–1840, 20 1/8 x 13 7/8 in. (51.12 x 35.24 cm) (sheet, margins cut), Color stipple engraving with hand-coloring,

Tulipa gesneriana var. dracontia (Parrot Tulip), 1816, After Pierre-Joseph Redouté, French, Flemish (active France), 1759–1840, 19 1/2 x 12 7/8 in. (49.53 x 32.7 cm) (plate), Stipple engraving, printed in color and hand-colored, France,

Convallaria majalis (Lily of the Valley), 1808, After Pierre-Joseph Redouté; Engraver: Bessin, French, Flemish (active France), 1759–1840, 21 x 19 in. (53.34 x 48.26 cm) (sheet, margins cut), Color stipple engraving with hand-coloring,

Study of Three Types of Poppies, 1805, After Jean Louis Prévost; Engraver: Louis Charles Ruotte, French, c.1760 - after 1810, 21 x 14 1/4 in. (53.34 x 36.2 cm) (sheet, margins cut), Color stipple engraving, France, 19th century

Caterpillars, Butterflies and Flower, 1705 (1705-1771), Maria Sibylla Merian, German, 1647-1717, 15 x 11 1/8 in. (38.1 x 28.26 cm) (sheet), Hand-colored etching and engraving, Germany, 18th century, In this beautifully balanced composition,

Moths, Caterpillars, and Foliage, 1705-1771, After Maria Sibylla Merian; Engraver: Joseph Mulder, German, 1647-1717, 15 1/4 x 11 1/4 in. (38.74 x 28.58 cm) (sheet), Hand-colored etching and engraving, Netherlands, 18th century

Sphinx Moth, Larva, Pupa, and Flower, 1705-1771, After Maria Sibylla Merian; Engraver: Joseph Mulder, German, 1647-1717, 15 x 10 3/4 in. (38.1 x 27.31 cm) (sheet), Hand-colored etching and engraving, Netherlands, 18th century, The Giant

Blue Butterflies and Foliage, 1705-1771, After Maria Sibylla Merian; Engraver: Pieter Sluyter (Sluiter), German, 1647-1717, 13 1/4 x 8 1/2 in. (33.66 x 21.59 cm) (sheet), Hand-colored etching and engraving, Netherlands, 18th century, The

Blue Butterflies and Red Larva, Blue Spines, c. 1705-1717, After Maria Sibylla Merian; Engraver: Joseph Mulder, German, 1647-1717, 13 x 9 5/8 in. (33.02 x 24.45 cm) (sheet), Hand-colored etching and engraving, Netherlands, 18th century, In

Euterpe, c. 1465, Master of the E-Series Tarocchi, 15th century, Italian, 7 1/16 x 3 15/16 in. (17.94 x 10 cm) (plate), Engraving heightened with gold, Italy, 15th century, Some of the earliest Italian prints ever made, the Tarocchi

Birds 27. 1. Pinnated Grous. 2. Blue-green Warbler. 3. Nashville W., 1808-1814, Alexander Wilson; Engraver: Alexander Lawson, American, 1766 - 1813, 13 x 10 1/2 in. (33.02 x 26.67 cm) (plate), Engraving, hand-colored, United States, 19th

Rosa gallica (Gallic Rose), 1798, Mary Lawrence; Etcher: Mary Lawrence; Publisher: Mary Lawrence, British, active 1790 - 1831, 13 x 11 in. (33.02 x 27.94 cm) (plate), Hand-colored etching and stipple engraving, England, 18th century

Iris pale, from Les Liliacées, vol. 7, 1813, after Pierre-Joseph Redouté; Engraver: de Gouy, French, Flemish (active France), 1759–1840, 20 1/4 x 13 5/8 in. (51.44 x 34.61 cm) (plate), Stipple engraving, color-printed, finished by

Rosier Aurore Poniatowska, from La Couronne Des Roses, 1817-1824, After Pierre-Joseph Redouté; Engraver: Charlin, French, Flemish (active France), 1759–1840, 14 x 10 1/8 in. (35.56 x 25.72 cm) (plate), Stipple engraving, color-printed,

Lathyrus latifolius (Everlasting Pea), 1827, After Pierre-Joseph Redouté; Engraver: Victor, French, Flemish (active France), 1759–1840, 10 3/4 x 8 1/2 in. (27.31 x 21.59 cm) (plate), Color stipple engraving with hand-coloring, France,

Epidendrum Barringtoniae (Large-flowered Epidendrum), 1793, James Sowerby; Author: Inscribed notes by Sir James Edward Smith; Publisher: Sir James Edward Smith, English, 1759 - 1828, 16 5/8 x 10 1/8 in. (42.23 x 25.72 cm) (plate), Hand-colored

And my Servant Job shall pray for you, 1825, William Blake, British, 1757–1827, 8 1/2 x 6 3/4 in. (21.59 x 17.15 cm) (sheet), Engraving, England, 19th century, The mystical ecstasy is temporary although it affects all the rest of man's

Decoration for a Masked Ball Given by the King, 1746, Charles-Nicolas Cochin, père; Artist: After Charles-Nicolas Cochin II, French, 1688 - 1754, 18 7/8 x 30 1/2 in. (47.94 x 77.47 cm) (plate)19 5/8 x 32 1/8 in. (49.85 x 81.6 cm) (sheet),

Fantasy Landscape with Antique Buildings and Ruins, c. 1550, Monogrammist DB, Italian, 7 13/16 x 12 5/16 in. (19.84 x 31.27 cm) (image, sheet), Engraving, Italy, 16th century

Hercules Destroys the Lernaean Hydra, 1550, Heinrich Aldegrever, German, 1502–after 1555/61, 3 5/8 x 2 5/8 in. (9.21 x 6.67 cm) (image), Engraving, Germany, 16th century, The deeds of Hercules were endlessly popular in the Renaissance as

Fireworks Display Presented to the Dauphin on his Sixth Birthday on September 3, 1735, in the Gardens at Meudon, 1736, Charles-Nicolas Cochin II, French, 1715-1790, 15 7/8 x 19 7/16 in. (40.32 x 49.37 cm) (plate)16 3/4 x 2n0 1/4 in. (42.55 x

The Venetian Wedding, 1584, Hendrick Goltzius, Dutch, 1558–1617, 17 x 28 7/8 in. (43.18 x 73.34 cm) (plate)17 3/8 x 28 7/8 in. (44.13 x 73.34 cm) (sheet), Engraving, Netherlands, 16th century

Hercules Chains Cerberus, 1550, Heinrich Aldegrever, German, 1502–after 1555/61, 3 5/8 x 2 11/16 in. (9.21 x 6.83 cm) (image), Engraving, Germany, 16th century, The deeds of Hercules were endlessly popular in the Renaissance as models of

Pardon, from 'Harper's Weekly', August 5, 1865, after Thomas Nast, American, 1840 - 1902, 13 11/16 x 9 1/8 in. (34.77 x 23.18 cm) (plate)15 13/16 x 11 3/16 in. (40.16 x 28.42 cm) (sheet), Wood engraving, United States, 19th century

Franchise, from 'Harper's Weekly', August 5, 1865, after Thomas Nast, American, 1840 - 1902, 13 5/8 x 9 3/16 in. (34.61 x 23.34 cm) (plate)15 11/16 x 11 1/8 in. (39.85 x 28.26 cm) (sheet), Wood engraving, United States, 19th century

Lidded punch bowl, from a set, c. 1867, Cristalleries de Baccarat, Baccarat, France, est. 1764, 23 x 13 15/16 in. (58.42 x 35.4 cm), Cased lead glass, France, 19th century, Baccarat punch bowls and goblets with Bacchus-themed decoration

Primula auricula (Primroses), 1827, After Pierre-Joseph Redouté; Engraver: Victor, French, Flemish (active France), 1759–1840, 10 3/4 x 8 1/4 in. (27.31 x 20.96 cm) (plate), Color stipple engraving with hand-coloring, France, 19th

Amaryllis de Josephine, from Les Liliacées, vol. 7, 1813, after Pierre-Joseph Redouté; Engraver: Charles Lemaire, French, Flemish (active France), 1759–1840, 20 1/2 x 27 in. (52.07 x 68.58 cm) (plate, double page), Stipple engraving,

Bouquet of Tulip, Peonies, and a Branch from an Apple Tree, 1805, After Jean Louis Prévost; Engraver: Louis Charles Ruotte, French, c.1760 - after 1810, 19 3/4 x 12 3/4 in. (50.17 x 32.39 cm) (sheet, margins cut), Color stipple engraving,

View of Flavian Amphitheater, called the Colosseum, 1776, Giovanni Battista Piranesi, Italian (Rome), Italian, 1720–1778, 19 3/8 x 27 5/8 in. (49.21 x 70.17 cm) (plate)21 3/8 x 30 3/8 in. (54.29 x 77.15 cm) (sheet), Etching and engraving,

Charles I, King of Great Britain, 1770, Sir Robert Strange; Artist: after Anthony van Dyck, Flemish, 1599–1641, 19 1/16 x 13 3/8 in. (48.42 x 33.97 cm) (image)21 15/16 x 14 1/8 in. (55.72 x 35.88 cm) (plate)21 3/4 x 14 3/8 in. (55.25 x 36.51

Marie Antoinette, 1775, Louis-Jacques Cathelin; Artist: after Jean Martial Frédou, French, 1739-1804, 16 1/4 x 11 3/8 in. (41.28 x 28.89 cm) (plate), Engraving, France, 18th century, This engraving preserves a lost portrait of the young

Portrait of Giovanni Battista Piranesi, 1790, Francesco Piranesi; Artist: after a statue by Angelini, Italian, 1748(56?) - 1810, 20 x 12 3/4 in. (50.8 x 32.39 cm) (image), Engraving, Italy, 18th century

Saint Jerome in His Study, 1514, Albrecht Dürer, German, 1471–1528, 9 5/8 x 7 1/4 in. (24.6 x 18.5 cm) (image), Engraving, Germany, 16th century, This engraving has always been regarded as one of Albrecht Dürer’s masterpieces. The

The Swallow-Tailed Indian Roller, 1802-1805, George Edwards, English, 1694 - 1773, 18 1/2 x 11 1/2 in. (46.99 x 29.21 cm) (plate), Hand-colored engraving, England, 19th century, A Natural History of Uncommon Birds was an early and important

Rendezvous at Marly, 1776-1777, Jean-Michel Moreau le Jeune; Engraver: Carl Gottlieb Guttenberg, French, 1741 - 1814, 10 1/2 x 8 1/2 in. (26.67 x 21.59 cm) (image)13 1/4 x 9 1/4 in. (33.66 x 23.5 cm) (plate)13 3/8 x 9 1/2 in. (33.97 x 24.13 cm)

Map of the World, c. 1710, Karel Allard; Artist: after Jacob De Wit, Dutch, 1648 - 1706, 19 7/8 x 23 1/4 in. (50.55 x 59.06 cm) (plate), Engraving, contempory color, Netherlands, 18th century

Miss Cowley, 1803, Peltro William Tomkins; Artist: after Samuel Medley, British, 1760 - 1840, 8 1/8 x 6 11/16 in. (20.64 x 16.99 cm) (plate)10 9/16 x 8 in. (26.83 x 20.32 cm) (sheet), Stipple engraving, England, 19th century

Couronnement de Voltaire, 1782, Charles-Etienne Gaucher; Artist: after Jean-Michel Moreau le Jeune, French, 1741 - 1814, 10 7/16 x 11 3/4 in. (26.51 x 29.85 cm) (plate)11 3/8 x 12 15/16 in. (28.89 x 32.86 cm) (sheet), Etching and engraving,

Henry W. Longfellow, 1881, William Edgar Marshall; Publisher: George Barrie, American, 1837-1906, 30 5/8 x 23 1/8 in. (77.79 x 58.74 cm) (plate)45 1/8 x 32 3/4 in. (114.62 x 83.19 cm) (sheet), Engraving, United States, 19th century

Cotton Field in America; Threshing with a Bow; Cotton Plant (Title), 1762, Denis Diderot, French, 1713-1784, 13 7/8 x 8 15/16 in. (35.24 x 22.7 cm) (plate)16 x 10 1/8 in. (40.64 x 25.72 cm) (sheet), Etching and engraving, France, 18th

Pedal-Mill (Plate I), 1762, Denis Diderot, French, 1713-1784, 13 7/8 x 8 15/16 in. (35.24 x 22.7 cm) (plate)16 x 10 1/8 in. (40.64 x 25.72 cm) (sheet), Etching and engraving, France, 18th century

Carding and Combing (Plate II), 1762, Denis Diderot, French, 1713-1784, 13 7/8 x 8 15/16 in. (35.24 x 22.7 cm) (plate)16 x 10 1/8 in. (40.64 x 25.72 cm) (sheet), Etching and engraving, France, 18th century

Glazing and Warping (Plate III), 1762, Denis Diderot, French, 1713-1784, 13 7/8 x 8 15/16 in. (35.24 x 22.7 cm) (plate)16 x 10 1/8 in. (40.64 x 25.72 cm) (sheet), Etching and engraving, France, 18th century

Weaving and Loom (Plate IV), 1762, Denis Diderot, French, 1713-1784, 13 7/8 x 8 15/16 in. (35.24 x 22.7 cm) (plate)16 x 10 1/8 in. (40.64 x 25.72 cm) (sheet), Etching and engraving, France, 18th century

Portrait Bust, 1773, Jacques Nicolas Tardieu fils, French, 1718 - 1795, 10 11/16 x 8 9/16 in. (27.15 x 21.75 cm) (plate)16 1/2 x 10 3/4 in. (41.91 x 27.31 cm) (sheet), Engraving, France, 18th century

The Brazilian Saw-billed Roller, 1802-1805, George Edwards, English, 1694 - 1773, 18 5/8 x 11 3/8 in. (47.37 x 28.96 cm) (sheet), Hand-colored engraving, England, 19th century

The Alchemist, c. 1558, Philips Galle; Artist: after Pieter Brueghel the Elder, Flemish, 1537 - 1612, 12 13/16 x 17 9/16 in. (32.54 x 44.61 cm) (image, trimmed within platemark)13 5/16 x 17 3/4 in. (33.81 x 45.09 cm) (sheet), Engraving,

Bacchus' tray, c. 1700, 1 5/8 x 14 3/4 x 14 3/4 in. (4.13 x 37.47 x 37.47 cm), Porcelain, China, Chinese export, The shape of this tray and painted 'gadrooning' on its lip, resemble those of silver salvers used to hold wine goblets. The tiled

Wild Turkey, 1825-1833, Prince Charles Lucien Bonaparte; Artist: after Titian Ramsey Peale; Engraver: Alexander Lawson, American, 1800 - 1885, 16 7/8 x 13 1/2 in. (42.86 x 34.29 cm) (sheet), Hand-colored engraving, United States, 19th

Frontispiece: Suite/ des cris des Marchands/ ambulants de Paris./ par J.D. Bertaux, 18th century, Jean Duplessis-Bertaux, French, 1750–1818, 4 x 3 in. (10.16 x 7.62 cm) (sheet), Etching and engraving, France (?), 18th century

The French Lady in London, late 18th century, Basset, Rue St. Jacques, No. 64, 13 1/2 x 9 3/4 in. (34.29 x 24.77 cm) (plate), Engraving, France, 18th century

Three French Gentlemen, 1581, Abraham de Bruyn; Artist: Jean-Louis Boissard; Publisher: Caspar Rutz, French, 1528 - 1602, 8 1/2 x 12 in. (21.59 x 30.48 cm) (plate), Copper engraving, old color, France, 16th century

Iris Bulbosa Flore, 1620, François L'Anglois, French, 1589 - 1647, 7 1/4 x 9 1/4 in. (18.42 x 23.5 cm) (plate), Hand-colored engraving, illumined with gold, France, 17th century

Plate 14 (Act V, Scene II), from Othello: Quinze equisses a l'eau forte, 1844, Théodore Chassériau, French, 1819 - 1856, 12 3/8 x 9 3/4 in. (31.43 x 24.77 cm) (image), Etching, engraving and roulette, France, 19th century

Anatra querquedula minore dia in Toscana Arzavola, Marzajola, Plate DCXCVII, from 'Ornithologia Methodice Digesta', 1767-1776, Saverio Manetti, Italian, 1723 - 1784, 13 11/16 x 10 13/16 in. (34.77 x 27.46 cm) (plate)19 x 14 9/16 in. (48.26 x

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