Images at Librifly

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Chamäleon cristatus, 1896, Photogravure, Image: 4 15/16 × 7 7/8 in. (12.6 × 20 cm), Photographs, Josef Maria Eder (Austrian, Krems an der Donau, 1855–1944 Kitzbühel) and, Eduard Valenta (Austrian, 1857–1937), Eder was the director

Hanging depicting a European conflict in South India, before 1763, Indian, Coromandel Coast, for the British market, Cotton (drawn and painted resist and mordant, dyed), 116 3/4 × 103 in. (296.5 × 261.6 cm), Textiles-Painted and Dyed, This

Vase in the shape of an archaic bronze vessel (gu), Qing dynasty (1644–1911), 18th century, China, Stoneware with relief decoration (Yixing ware), H. 10 1/8 in. (25.7 cm), Ceramics, Chen Jinhou (Chinese, active 18th century), Both the

Execution of the Conspirators, July 7, 1865, Albumen silver print from glass negative, Image: 16.8 x 24.2 cm (6 5/8 x 9 1/2 in.), Photographs, Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington, D.C.), Alexander Gardner's

Column with Hathor-emblem capital and names of Nectanebo I on the shaft, Late Period, Dynasty 30, 380–362 B.C., Possibly from Delta; From Egypt, Limestone, H. 102 cm (40 3/16 in.); W. 34.3 cm (13 1/2 in.); D. 34.3 cm (13 1/2 in.), Hathor

Landscape with a Large Building, 1818–83, Watercolor over graphite, 9 5/8 x 15 3/4 in. (24.4 x 40 cm), Drawings, Franz von Hauslab the Younger (Austrian, Vienna 1798–1883), Von Hauslab is a little known figure in the history of art. As

Zanclus cornutus / Acanthurus nigros, 1896, Photogravure, Image: 9 1/2 × 7 13/16 in. (24.2 × 19.8 cm), Photographs, Josef Maria Eder (Austrian, Krems an der Donau, 1855–1944 Kitzbühel) and, Eduard Valenta (Austrian, 1857–1937), Eder

Grüne Eidechse, 1896, Photogravure, Image: 3 5/8 × 6 1/4 in. (9.2 × 15.9 cm), Photographs, Josef Maria Eder (Austrian, Krems an der Donau, 1855–1944 Kitzbühel) and, Eduard Valenta (Austrian, 1857–1937), Eder was the director of an

Bow harp, Middle Kingdom, Dynasty 12, ca. 2030–1640 B.C., From Egypt, Upper Egypt, Thebes, Asasif, 1918–19, Wood, paint, L. 81.4 cm (32 1/16 in); W. 26.4 cm (10 3/8 in.), The harp, called benet in ancient Egyptian, was one of the

Ratte, 1896, Photogravure, Image: 5 7/16 × 9 3/4 in. (13.8 × 24.8 cm), Photographs, Josef Maria Eder (Austrian, Krems an der Donau, 1855–1944 Kitzbühel) and, Eduard Valenta (Austrian, 1857–1937), Eder was the director of an institute

Famous Themes for Painting Study Known as The Garden of Painting (Gaen), 狩野探幽筆　『画苑』, Edo period (1615–1868), 1670, Japan, One of a pair of handscrolls; ink on paper, 10 7/8 in. x 10 ft. 7 5/8 in. (27.6 x 324.2 cm),

X-Ray of Samples of Various Materials, 1896, Photogravure, Image: 9 1/16 × 6 15/16 in. (23 × 17.7 cm), Photographs, Josef Maria Eder (Austrian, Krems an der Donau, 1855–1944 Kitzbühel) and, Eduard Valenta (Austrian, 1857–1937), Eder

Decorated spoon, New Kingdom, Ramesside or Third Intermediate Period, Dynasty 19–20 or later, ca. 1295–1070 B.C. or later, From Egypt, Faience, L. 19 cm (7 1/2 in), Decorated spoons in the form of an arm and hand holding a shell have a

Hand eines 8 jährigen Mädchens, 1896, Photogravure, Image: 6 7/8 × 3 5/16 in. (17.4 × 8.4 cm), Photographs, Josef Maria Eder (Austrian, Krems an der Donau, 1855–1944 Kitzbühel) and, Eduard Valenta (Austrian, 1857–1937), Eder was

Hand eines 4 jährigen Kindes, 1896, Photogravure, Image: 7 13/16 × 3 1/4 in. (19.9 × 8.2 cm), Photographs, Josef Maria Eder (Austrian, Krems an der Donau, 1855–1944 Kitzbühel) and, Eduard Valenta (Austrian, 1857–1937), Eder was the

Three Archers and a Figure with a Spear, ca. 1670–72, Pen and brown ink, brush and brown wash, over black chalk underdrawing, 6 1/4 x 9 1/4 in. (15.9 x 23.5 cm), Drawings, Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5?–1682

Design for window, late 19th–early 20th century, Made in New York, United States, American, Gouache, watercolor and graphite on transparent paper mounted on board in original mat., Overall: 26 1/4 x 10 9/16 in. (66.7 x 26.8 cm), Drawings,

Bead with cuneiform inscription of Kurigalzu I or II, Kassite, ca. 14th century B.C., Mesopotamia, Kassite, Agate, H. 2.5 cm x W. 2.4 cm x Th. 1.3 cm, Stone-Ornaments-Inscribed, Eye-like beads and stones, made from naturally occurring agate

Allegory of History, 17th century, Pen and brown ink, brush and gray wash, over traces of graphite. Framing lines in pen and brown ink., 6 7/16 x 7 5/16 in. (16.4 x 18.5 cm), Drawings, François Chauveau (French, Paris 1613–1676 Paris

Standing Shiva or Temple Guardian (Dvarapala), ca. first half of the 10th century, Vietnam (Champa), Stone, H. 50 1/2 in. (128.3 cm), Sculpture, Located on a major sea route between India and China, Champa, in the central part of Vietnam,

Solfisch (Pleuronectes solea), 1896, Photogravure, Image: 6 3/4 × 13 5/8 in. (17.1 × 34.6 cm), Photographs, Josef Maria Eder (Austrian, Krems an der Donau, 1855–1944 Kitzbühel) and, Eduard Valenta (Austrian, 1857–1937), Eder was the

Pair of Dishes with Scenes from the Romance of the Three Kingdoms, Yuan (1271–1368)–Ming (1368–1644) dynasty, late 14th century, China, Carved red and black lacquer, Each: Diam. 6 in. (15.2 cm), Lacquer, The narrative scenes on this pair

Neugeborenes Kaninchen, 1896, Photogravure, Image: 2 11/16 × 5 7/16 in. (6.9 × 13.8 cm), Photographs, Josef Maria Eder (Austrian, Krems an der Donau, 1855–1944 Kitzbühel) and, Eduard Valenta (Austrian, 1857–1937), Eder was the

Return of the Prodigal Son, from The History of the Prodigal Son, ca. 1540, Engraving, Sheet: 2 3/8 x 3 7/8 in. (6 x 9.9 cm), Prints, Sebald Beham (German, Nuremberg 1500–1550 Frankfurt

Adam; Eve, Oil on canvas, Each 26 3/8 x 61 3/4 in. (67 x 156.8 cm), Paintings, Giuliano di Piero di Simone Bugiardini (Italian, Florence 1475–1554 Florence), These two paintings depicting the biblical story of the temptation of Eve were

The Dreamer, late 1770s, Pencil and sepia wash, 12 1/8 x 8 1/2 in. (30.8 x 21.6 cm), Drawings, Jean Honoré Fragonard (French, Grasse 1732–1806 Paris), Fragonard was trained as a history painter and received ample recognition from the Royal

Zwei Goldfische und ein Seefisch (Christiceps argentatus), 1896, Photogravure, Image: 4 15/16 × 6 9/16 in. (12.5 × 16.6 cm), Photographs, Josef Maria Eder (Austrian, Krems an der Donau, 1855–1944 Kitzbühel) and, Eduard Valenta (Austrian,

'Jonah and the Whale', Folio from a Jami al-Tavarikh (Compendium of Chronicles), ca. 1400, Attributed to Iran, Ink, opaque watercolor, gold, and silver on paper, H. 13 1/4 in. (33.7 cm), Codices, The story of Jonah and the Whale, mentioned

Viola d'Amore, 18th century, Bologna, Italy, Italian, Spruce, maple, ebony, Height: 29 15/16 in. (76 cm), Chordophone-Lute-bowed-unfretted, Johannes Florenus Guidantus, Italian (Italian, Bologna 1687–1760 Bologna), The viola d'amore,

Study of a Thistle, before 1822, Watercolor and gouache over graphite on buff-colored paper, Sheet: 17 7/16 x 11 13/16 in. (44.3 x 30 cm), Drawings, James Sowerby (British, London 1757–1822 London), The Sowerbys were an English family of

Fuss eines 17 jährigen Jünglings, 1896, Photogravure, Image: 8 1/4 in. × 7 in. (21 × 17.8 cm), Photographs, Josef Maria Eder (Austrian, Krems an der Donau, 1855–1944 Kitzbühel) and, Eduard Valenta (Austrian, 1857–1937), Eder was

Pope Gregory XVI Visiting the Church of San Benedetto at Subiaco, 1843, Oil on canvas, 49 1/4 x 55 3/8 in. (125.1 x 140.7 cm), Paintings, Jean-François Montessuy (French, Lyons 1804–1876 Lyons), The magnificently frescoed monastery of San

Carpet, second half 16th century, Made in Iran, Silk (warp), cotton (weft), wool (pile); asymmetrically knotted pile, Rug: H. 99 3/4 in. (253.4 cm), Textiles-Rugs, The scenes depicted on this carpet may allude to the bazm, or the feast that

Carnations and Amaranthus, Qing dynasty (1644–1911), China, Folding fan mounted as an album leaf; color on paper, 6 11/16 x 20 in. (17 x 50.8 cm), Paintings, Yun Shouping (Chinese, 1633–1690), Bringing emotion, history, inspiration,

'Laila and Majnun at School', Folio from a Khamsa (Quintet) of Nizami, A.H. 835/ A.D. 1431–32, Made in present-day Afghanistan, Herat, Ink, opaque watercolor, and gold on paper, Page: H. 12 5/16 in. (31.3 cm), Codices, This splendid

History of Kamakura, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 1/4 x 7 1/4 in. (21 x 18.4 cm), Prints, Kubo Shunman (Japanese, 1757–1820

Jérusalem, Saint Sépulcre, détails des chapiteaux, 1854, Salted paper print from paper negative, Image: 23.2 x 32.5 cm (9 1/8 x 12 13/16 in.), Photographs, Auguste Salzmann (French, 1824–1872), Salzmann’s photographs dissect the

A History of the Amistad Captives: Being a Circumstantial Account of the Capture of the Spanish Schooner Amistad, by the Africans on Board; Their Voyage, and Capture near Long Island, New York; with Biographical Sketches of Each of the Surviving

Cour, 7 rue de Valence, 1922, Gelatin silver print from glass negative, Image: 17.2 x 22.7 cm (6 3/4 x 8 15/16 in.), Photographs, Eugène Atget (French, Libourne 1857–1927 Paris), Atget found his vocation in photography in 1897, at the age

Hair Ornament, 12th–13th century, Found Iran, Gurgan, Gold; cast, fabricated, engraved, with a copper alloy inner sleeve, decorated with twisted wire and granulation, H. 2 7/8 in. (7.3 cm), Jewelry, Tubular hair ornaments have a deep

History of Kamakura, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 1/4 x 7 1/4 in. (21 x 18.4 cm), Prints, Kubo Shunman (Japanese, 1757–1820

The Dream of Aeneas, 1660–65, Oil on canvas, 77 1/2 x 47 1/2 in. (196.9 x 120.7 cm), Paintings, Salvator Rosa (Italian, Arenella (Naples) 1615–1673 Rome), Rosa was much sought after for his landscapes, but his ambition was to succeed as a

History of Kamakura: Enoshima Island, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 7 15/16 x 7 1/4 in. (20.2 x 18.4 cm), Prints, Totoya Hokkei (Japanese, 1780–1850

Finance Ministry, Burned. Exterior View, 1871, Albumen silver print from glass negative, Images approx.: 19 x 25 cm (7 1/2 x 9 13/16 in.), or the reverse, Photographs, Alphonse J. Liébert (French, 1827–1913), Even in our own era, when

Throne Leg in the Shape of a Griffin, late 7th–early 8th century, Attributed to probably Western Iran, Bronze; cast around a ceramic core and chased, Gr. H. (base on top of iron rod) = 22 7/16 in. (57.0 cm), Metal, This throne leg in the

Petronella Elias (1648–1667) with a Basket of Fruit, 1657, Oil on canvas, 31 5/8 x 26 in. (80.3 x 66 cm), Paintings, Ferdinand Bol (Dutch, Dordrecht 1616–1680 Amsterdam), Bol was a pupil of Rembrandt in the late 1630s, and followed his

Johann Joachim Winckelmann (1717–1768), ca. 1777, Oil on canvas, 25 x 19 3/8 in. (63.5 x 49.2 cm), Paintings, Anton Raphael Mengs (German, Ústi nad Labem (Aussig) 1728–1779 Rome), One of the most influential writers on art and

A Scene from Ancient History, Pen and black ink, gray wash, 22 1/2 x 16 in. (57.2 x 40.6 cm), Drawings, François Boitard (French, ca. 1670–ca. 1715

清, 吳大澂, 山水, 扇面, Fragrant Mountains, Qing dynasty (1644–1911), China, Folding fan mounted as an album leaf; ink on alum paper, 6 7/8 x 20 7/8 in. (17.5 x 53 cm), Paintings, Wu Dacheng (Chinese, 1835–1902), The round,

Working Drawing for T-Cart Phaeton No. 3295, 1877, Graphite with red and blue crayon, sheet: 11 15/16 x 19 1/8 in. (30.3 x 48.6 cm), Drawings, Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven,

Boulevard de Strasbourg, Corsets, Paris, 1912, Gelatin silver print from glass negative, Image: 22.4 x 17.5 cm (8 13/16 x 6 7/8 in.), Photographs, Eugène Atget (French, Libourne 1857–1927 Paris), Atget found his vocation in photography in

History of Kamakura: Visitors to Hoshinoi Well, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 x 7 in. (20.3 x 17.8 cm), Prints, Totoya Hokkei (Japanese, 1780–1850

The Queen of Flowers, ca. 1435–40, Engraving printed from two plates, sheet: 5 1/8 x 3 9/16 in. (13 x 9.1 cm), Prints, Master of the Playing Cards (German, active ca. 1425–50), The Queen of Flowers is one of the exceptionally beautiful and

Ono no Tofu Standing on the Bank of a Stream and Watching a Frog Leap to Catch a Willow Branch, Edo period (1615–1868), ca. 1825, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 5/8 x 7 5/8 in. (21.9 x 19.4 cm),

Hedgehog Amulet on a String, Middle Kingdom, mid-Dynasty 13, ca. 1750–1700 B.C., From Egypt, Memphite Region, Lisht North, cemetery, Pit 995, 1921–22, Glazed steatite, linen string, l. 0.9 cm (5/16 in), Although never very common,

Tadeus Langier, Zakopane, 1912–13, Gelatin silver print, Image: 12.6 x 17.6 cm (4 15/16 x 6 15/16 in.), Photographs, Stanislaw Ignacy Witkiewicz (Polish, Warsaw 1885–1939 Jeziory), Witkiewicz is a legendary figure in Polish cultural

History of Kamakura (where Minamoto Shogunate was Established), Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 x 7 1/4 in. (20.3 x 18.4 cm), Prints, Kubo Shunman (Japanese,

Spring Rain Collection (Harusame shū), vol. 1: “Books from Kanazawa Library” (Kanazawa Bunko) and “Foreign Cat of Shōmyōji Temple” (Shōmyōji no kara neko), from the series History of Kamakura (Kamakura shi), Edo period (1615–1868),

History of Kamakura, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 3/16 x 7 3/8 in. (20.8 x 18.7 cm), Prints, Totoya Hokkei (Japanese, 1780–1850

[The Ascent of Mont Blanc], 1861, Albumen silver print from glass negative, Image: 39.6 x 23.7 cm (15 9/16 x 9 5/16 in.), Photographs, Auguste-Rosalie Bisson (French, 1826–1900), While the transport of photographic equipment and the

History of Kamakura, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 1/4 x 7 1/8 in. (21 x 18.1 cm), Prints, Kubo Shunman (Japanese, 1757–1820

The History of the Coronation of James II, 1687, Illustrations: engraving and etching, 17 1/2 x 11 3/4 in. (44.5 x 29.8 cm), Books, William Sherwin (British, 1680–1720), Samuel Moore (British, active 1680–1720), John Collins (British,

Box with scene depicting Roman hero Gaius Mucius Scaevola before the Etruscan king Lars Porsena, Chased by George Michael Moser (1706–1783), 1741, British, London, Gold, Overall (confirmed): 1 3/4 × 4 9/16 × 3 5/8 in. (4.4 × 11.6 × 9.2

近代, 陳衡恪, 秋山蕭寺, 扇面, Remote Temple on the Autumn Mountain, dated 1920, China, Folding fan mounted as an album leaf; ink and color on alum paper, 7 15/16 x 22 in. (20.2 x 55.9 cm), Paintings, Chen Hengke (Chinese,

Jérusalem, Tombeau des rois de Juda, Frise supérieure et centrale, 1854, Salted paper print from paper negative, Image: 23.2 x 32.2 cm (9 1/8 x 12 11/16 in.), Photographs, Auguste Salzmann (French, 1824–1872), For Salzmann history was in

南宋 傳李唐 晉文公復國圖 卷, Duke Wen of Jin Recovering His State, Southern Song dynasty (1127–1279), mid-12th century, China, Handscroll; ink and color on silk, Image: 11 9/16 in. × 27 ft. 2 in. (29.4 × 828 cm), Paintings,

A Girl Writing a Letter, Edo period (1615–1868), 18th century, Japan, Polychrome woodblock print; ink and color on paper, H. 11 1/2 in. (29.2 cm); W. 8 1/4 in. (21 cm), Prints, Suzuki Harunobu (Japanese, 1725–1770), The seated young

[Needlework Altar Cloth, Durham], 1911-1912, Platinum print on fabric, Photographs, Frederick H. Evans (British, London 1853–1943 London), A bookseller turned photographer, Evans created some of the most famous pictures of architecture in

The Vimalakirti Sutra, 北宋 小楷書維摩詰經 卷, Northern Song dynasty (960–1127, dated January 13, 1119, China, Handscroll; gold and silver on purple silk, 11 in. × 26 ft. 7/8 in. (27.9 × 794.7 cm), Calligraphy, Unidentified

Dish with 'Kaleidoscope' Design, ca. 1580–85, Made in Turkey, Iznik, Stonepaste; polychrome painted under transparent glaze, H. 2 11/16 in. (6.8 cm), Ceramics, This dynamically decorated sixteenth-century dish in cobalt blue was produced at

Jérusalem, Casque trouvé dans le Jourdain, 1, 1854, Salted paper print from paper negative, Image: 23.5 x 33.3 cm (9 1/4 x 13 1/8 in.), Photographs, Auguste Salzmann (French, 1824–1872), For Salzmann history was in the details. Though

Two Camels Fighting, late 16th–early 17th century, Attributed to Iran, Ink, watercolor, and gold on paper, Painting: H. 4 1/8 in. (10.5 cm), Codices, The depiction of two camels fighting has a long history in Iranian art, stretching back

Demi-Mail Phaeton No. 4009, 1888, Graphite, sheet: 13 1/2 x 21 3/4 in. (34.3 x 55.2 cm), Drawings, Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in

Long-necked jar, Third Intermediate Period, Dynasty 21–22, ca. 1070–712 B.C., From Egypt, Eastern Delta, Tell Basta (Bubastis), Temple of Bastet, ancient cache, Silver, H. 11 cm (4 5/16 in.), WIne services do not seem to have a long

Jérusalem, Fragments judaïque et romain, 1854, Salted paper print from paper negative, Image: 23.5 x 30.9 cm (9 1/4 x 12 3/16 in.), Photographs, Auguste Salzmann (French, 1824–1872), For Salzmann history was in the details. Though the

History of Kamakura: Building Tsurugaoka Hachiman Shrine, Edo period (1615–1868), Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 1/16 x 7 1/4 in. (20.5 x 18.4 cm), Prints, Kubo Shunman (Japanese, 1757–1820

History of Kamakura: Poem-bridge of Egara Tenjin Shrine, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 1/4 x 7 3/16 in. (21 x 18.3 cm), Prints, Kubo Shunman (Japanese,

Bureau Table, 1750–90, Made in Massachusetts, United States, American, Mahogany, white pine, white oak, 30 x 38 7/8 x 22 5/8 in. (76.2 x 98.7 x 57.5 cm), Furniture, The block-front form was widely popular in Massachusetts, and many

Bronze oinochoe (jug), Classical, 4th century B.C., Greek, Bronze, H.: 9 13/16 in. (25 cm), Bronzes, In the long history of the oinochoe, the later forms become quite squat. This example is interesting for its large rotelles

Ewer and basin (lavabo set), ca. 1680–85, Moldovan, Silver, partially gilded, H.: 20 1/4 in., Diam.: 15 1/4 in., Wt.: 9.7lb. (51.4 cm, 38.7 cm, 4.4kg, ), Metalwork-Silver, Uniting the ornate Northern Baroque floral style with the exotic

Jérusalem, Ornements arabes, 1854, Salted paper print from paper negative, Image: 23.4 x 32.1 cm (9 3/16 x 12 5/8 in.), Photographs, Auguste Salzmann (French, 1824–1872), For Salzmann history was in the details. Though the ravages of time,

Don Quixote in His Study, 1857, Albumen silver print from glass negative, Image: 31.9 x 28 cm (12 9/16 x 11 in.), Photographs, William Frederick Lake Price (British, London 1810–1896 Lee, Kent), This carefully staged tableau was among the

Terracotta statuette of Eros flying, Hellenistic, ca. 200–150 B.C., Greek, Asia Minor, Myrina, Terracotta, H.: 10 1/8 in. (25.7 cm), Terracottas, Eros wears a thick wreath and a skimpy chlamys (cloak) and is portrayed as a winged

Fibula, Iron Age, ca. 8th–7th century B.C., Phrygia, Phrygian, Bronze, 2.32 x 0.67 x 2.76 in. (5.89 x 1.7 x 7.01 cm), Metalwork-Ornaments, Fibulae, ancient safety pins, had a long history in the ancient world, beginning in the late

Alms House Bird, from The Comic Natural History of the Human Race, 1851, Color lithography with watercolor and gum, sheet: 10 13/16 x 7 1/16 in. (27.4 x 18 cm), Prints, Henry Louis Stephens (American, Philadelphia, Pennsylvania 1824–1882

Gudgeon and Shark, from The Comic Natural History of the Human Race, 1851, Color lithography with watercolor and gum, sheet: 7 x 10 7/8 in. (17.8 x 27.7 cm), Prints, Henry Louis Stephens (American, Philadelphia, Pennsylvania 1824–1882

Gallows Bird, from The Comic Natural History of the Human Race, 1851, Color lithography with watercolor and gum, sheet: 7 x 7 3/16 in. (17.8 x 18.2 cm), Prints, Henry Louis Stephens (American, Philadelphia, Pennsylvania 1824–1882 Bayonne,

A Sepulchral Enquiry into English History, June 1, 1813, Hand-colored etching, sheet: 8 5/8 x 20 1/4 in. (21.9 x 51.4 cm), Prints, George Cruikshank (British, London 1792–1878 London

The Hen That Hatched This Egg (Henry L. Stephens): Title Page, The Comic Natural History of the Human Race, 1851, Color lithography with watercolor and gum, sheet: 11 1/4 x 7 1/4 in. (28.6 x 18.4 cm), Prints, Henry Louis Stephens (American,

Portrait of Charles Meryon, in profile, 1854, Etching on thin wove paper; second of three states, plate: 4 3/4 x 3 7/16 in. (12 x 8.8 cm), Prints, Félix Bracquemond (French, Paris 1833–1914 Sèvres), Text etched by Charles Meryon (French,

Scene from Ancient History (recto); Leg and Arm of a Nude Male Figure (verso), 1738–70, Red chalk, highlighted with white, on beige paper (recto); red chalk, stumped (verso), 9 15/16 x 15 3/8in. (25.2 x 39.1cm), Drawings, Nicola Marcola

Giraffe (John E. Owens as Jakey), from The Comic Natural History of the Human Race, 1851, Color lithography with watercolor and gum, sheet: 11 1/16 x 7 3/16 in. (28.1 x 18.2 cm), Prints, Henry Louis Stephens (American, Philadelphia,

Hum-Bug (P. T. Barnum), from the Comic Natural History of the Human Race, 1851, Color lithography with watercolor and gum, sheet: 13 1/2 x 8 13/16 in. (34.3 x 22.4 cm), Prints, Henry Louis Stephens (American, Philadelphia, Pennsylvania

Sun Bird (James S. Wallace), from The Comic Natural History of the Human Race, 1851, Color lithography with watercolor and gum, sheet: 10 13/16 x 7 1/16 in. (27.5 x 18 cm), Prints, Henry Louis Stephens (American, Philadelphia, Pennsylvania

Little Dear, from The Comic Natural History of the Human Race, 1851, Color lithography with watercolor and gum, sheet: 10 5/8 x 6 15/16 in. (27 x 17.7 cm), Prints, Henry Louis Stephens (American, Philadelphia, Pennsylvania 1824–1882

Vampyre, from The Comic Natural History of the Human Race, 1851, Color lithography with watercolor and gum, sheet: 7 1/16 x 10 13/16 in. (18 x 27.5 cm), Prints, Henry Louis Stephens (American, Philadelphia, Pennsylvania 1824–1882 Bayonne,

Old Shad & Young, from The Comic Natural History of the Human Race, 1851, Color lithography with watercolor and gum, sheet: 7 3/16 x 11 in. (18.2 x 28 cm), Prints, Henry Louis Stephens (American, Philadelphia, Pennsylvania 1824–1882

Lark, from The Comic Natural History of the Human Race, 1851, Color lithography with watercolor and gum, sheet: 10 7/16 x 7 1/16 in. (26.5 x 18 cm), Prints, Henry Louis Stephens (American, Philadelphia, Pennsylvania 1824–1882 Bayonne, New

Butcher Birds, from The Comic Natural History of the Human Race, 1851, Color lithography with watercolor and gum, sheet: 10 13/16 x 7 1/16 in. (27.4 x 17.9 cm), Prints, Henry Louis Stephens (American, Philadelphia, Pennsylvania 1824–1882

Woodpecker (William B. Gihon), from The Comic Natural History of the Human Race, 1851, Color lithography with watercolor and gum, sheet: 11 3/16 x 7 3/16 in. (28.4 x 18.2 cm), Prints, Henry Louis Stephens (American, Philadelphia, Pennsylvania

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