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The Manger, 1899, Gertrude Käsebier, American, 1852–1934, United States, Photogravure, No. 2 from the portfolio "American Pictorial Photography, Series II (1901), edition 34/150, 25.7 x 14.4 cm (image/paper), 38 x 28 cm (hinged paper
Table of the Permeability of Various Substances to Roentgen Rays, 1896, Josef Maria Eder (Austrian, 1855–1944) and, Eduard Valenta (Austrian, 1857–1937), Austria, Photogravure, plate No. 5 from "Research on Photography with Röntgen Rays
The Dance, 1899, Rudolph Eichemeyer, Jr., American, 1862–1932, United States, Photogravure, No. 7 from the portfolio "American Pictorial Photography, Series II (1901), edition 34/150, 13.9 x 17.2 cm (image), 15.4 x 18.4 cm (paper),
Spring, 1898, Clarence H. White, American, 1871–1925, United States, Photogravure, No. 18 from the portfolio "American Pictorial Photography, Series I" (1899), edition 146/150, 11.5 x 1.6 cm, 13.6 x 6.3 cm, 11.5 x 1.6 cm (sight,
Vesper Bells, 1897, Rudolph Eichemeyer, Jr., American, 1862–1932, United States, Photogravure, No. 6 from the portfolio "American Pictorial Photography, Series I" (1899), edition 146/150, 18.9 x 14.7 cm (image), 21.2 x 16 cm (paper),
Ebony and Ivory, 1897, F. Holland Day, American, 1864-1933, United States, Photogravure, No. 8 from the portfolio "American Pictorial Photography, Series I" (1899), edition 146/150, 16.8 x 14.4 cm (image/paper), 38 x 28 cm (hinged paper
Coquette, 1898, Charles I. Berg, American, 1856–1926, United States, Photogravure, No. 13 from the portfolio "American Pictorial Photography, Series II (1901), edition 34/150, 18.4 x 13.4 cm (image), 20.4 x 14.9 cm (paper), 28.5 x 19.7
La Cigale, 1898, Frank Eugene, American, 1865–1936, United States, Photogravure, No. 3 from the portfolio "American Pictorial Photography, Series II (1901), edition 34/150, 12.2 x 16.8 cm (image/paper), 38 x 28 cm (hinged paper
Beauty is Truth, Truth Beauty, 1896/97, F. Holland Day, American, 1864-1933, United States, Photogravure, No. 1 from the portfolio "American Pictorial Photography, Series I" (1899), edition 146/150, 19.5 x 17.5 cm (image, curved top), 38
Early Morn, 1894, Alfred Stieglitz, American, 1864–1946, United States, Photogravure, from the portfolio "American Pictorial Photography, Series I" (1899), edition 146/150, 14 x 19.8 cm (image/paper), 12.5 x 17.9 cm (first hinged paper),
Unidentified young woman posed, standing at chair back, Parisian School of Photography, 1871–1888, Albumen silver print
Campo Santo's Gallery of the Disconsolate. No. 2. Pisa., The London School of Photography, 1865–1875, Albumen silver print
Infant Photography Gives the Painter an Additional Brush, Oscar Gustave Rejlander (British, born Sweden, 1813 - 1875), London, England, about 1856, Albumen silver print, 6 × 7.1 cm (2 3/8 × 2 13/16 in
A Glacier fountain, A Glacier Stream, Photography, p. 124, Edwards, Ernest, 1866, H. B. George, The Oberland and its glaciers: explored and illustrated with ice-axe and camera. London: Bennett, 1866
An extinct moulin, Extinct Glacier Mill, Photography, p. 68, Edwards, Ernest, 1866, H. B. George, The Oberland and its glaciers: explored and illustrated with ice-axe and camera. London: Bennett, 1866
A terminal cave, Glacier Estuary, Photography, p. 235, Edwards, Ernest, 1866, H. B. George, The Oberland and its glaciers: explored and illustrated with ice-axe and camera. London: Bennett, 1866
The gorge of the Massa, Massa Gorge, Photography, p. 171, Edwards, Ernest, 1866, H. B. George, The Oberland and its glaciers: explored and illustrated with ice-axe and camera. London: Bennett, 1866
The Ober Aletsch glacier, from the Sparrenhorn, Oberaar Glacier as seen from the Sparrenhorn, photography, integrated into p. 140, Edwards, Ernest, 1866, H. B. George, The Oberland and its glaciers: explored and illustrated with ice-axe and
The Oberland mountains, from the Torrenthorn, Oberland Mountains seen from Torrenthorn; Photography, integrated into p. 142, Edwards, Ernest, 1866, H. B. George, The Oberland and its glaciers: explored and illustrated with ice-axe and camera.
Glacier motion - ice and rock, Crevasse, Photography, p. 12, Edwards, Ernest, 1866, H. B. George, The Oberland and its glaciers: explored and illustrated with ice-axe and camera. London: Bennett, 1866
A glacier table, Glacier Table, Photography, p. 62, Edwards, Ernest, 1866, H. B. George, The Oberland and its glaciers: explored and illustrated with ice-axe and camera. London: Bennett, 1866
Striations opposite the Grimsel, Rock formation with glacier traces at the Grimsel; Photography, p. 221, Edwards, Ernest, 1866, H. B. George, The Oberland and its glaciers: explored and illustrated with ice-axe and camera. London: Bennett,
Waved suface of the Aar glacier, Surface of the Aaregletscher, Photography, p. 25, Edwards, Ernest, 1866, H. B. George, The Oberland and its glaciers: explored and illustrated with ice-axe and camera. London: Bennett, 1866
Glacier stream on the Eismeer, Glacier Stream on the Arctic Ocean, Photography, p. 227, Edwards, Ernest, 1866, H. B. George, The Oberland and its glaciers: explored and illustrated with ice-axe and camera. London: Bennett, 1866
The Jungfraujoch, Jungfraujoch, Photography, Included after p. 36, Edwards, Ernest, 1866, H. B. George, The Oberland and its glaciers: explored and illustrated with ice-axe and camera. London: Bennett, 1866
The Lauteraar yoke, from the downturn, Lauteraarjoch, Photography, Engaged after p. 108, Edwards, Ernest, 1866, H. B. George, The Oberland and its glaciers: explored and illustrated with ice-axe and camera. London: Bennett, 1866
The Viescherhörner, from the Eismeer path, Fiescher Horns seen from the Ice Sea, photography, integrated into p. 78, Edwards, Ernest, 1866, H. B. George, The Oberland and its glaciers: explored and illustrated with ice-axe and camera.
The Oeschinen See and Blümlis Alp, Oeschinensee and Blüemlisalp, photography, integrated into p. 202, Edwards, Ernest, 1866, H. B. George, The Oberland and its glaciers: explored and illustrated with ice-axe and camera. London: Bennett,
Final fall of Unter Grindelwald glacier, Glacier Falls of the Lower Grindelwald Glacier; Photography, p. 87, Edwards, Ernest, 1866, H. B. George, The Oberland and its glaciers: explored and illustrated with ice-axe and camera. London: Bennett,
Upper ice-fall of the Ober Grindelwald glacier, Upper Grindelwald glacier, photography, frontispiece, Edwards, Ernest, 1866, H. B. George, The Oberland and its glaciers: explored and illustrated with ice-axe and camera. London: Bennett,
A dirt cone, Moraine Hills on the Lower Grindelwald Glacier; Photography, p. 59, Edwards, Ernest, 1866, H. B. George, The Oberland and its glaciers: explored and illustrated with ice-axe and camera. London: Bennett, 1866
The Rhone glacier, Rhone glacier, photography, integrated into p. 22, Edwards, Ernest, 1866, H. B. George, The Oberland and its glaciers: explored and illustrated with ice-axe and camera. London: Bennett, 1866
Medial Moraine on the Ober Aletsch glacier, Middle Moraine on the Upper Aletsch Glacier; Photography, integrated into p. 56, Edwards, Ernest, 1866, H. B. George, The Oberland and its glaciers: explored and illustrated with ice-axe and camera.
A remodeled glacier, On the Aaregletscher, photography, p. 70, Edwards, Ernest, 1866, H. B. George, The Oberland and its glaciers: explored and illustrated with ice-axe and camera. London: Bennett, 1866
The Nesthorn, from the Ober Aletsch glacier, Nesthorn and Upper Aletsch Glacier, photography, integrated into p. 154, Edwards, Ernest, 1866, H. B. George, The Oberland and its glaciers: explored and illustrated with ice-axe and camera.
An active moulin, Active Glacier Mill, Photography, p. 66, Edwards, Ernest, 1866, H. B. George, The Oberland and its glaciers: explored and illustrated with ice-axe and camera. London: Bennett, 1866
Ice needles, Unter Grindelwald glacier, Ice needles of the lower Grindelwald Glacier; Photography, integrated into p. 26, Edwards, Ernest, 1866, H. B. George, The Oberland and its glaciers: explored and illustrated with ice-axe and camera.
On the under Grindelwald glacier, Tourists on the Lower Grindelwald Glacier; Photography, p. 5, Edwards, Ernest, 1866, H. B. George, The Oberland and its glaciers: explored and illustrated with ice-axe and camera. London: Bennett, 1866
Flame, electricity and the Camera, man's progress from the first kindling of fire to the wireless telegraph, and the photography of color : Iles, George, 1852
The Barnet book of photography : a collection of practical articles
In nature's image; chapters on pictorial photography : Adams, Washington Irving Lincoln, 1865-1946
Tararu Creek, Thames. From the album: N.Z. Scenery, Burton Brothers studio, photography studio, 1870s, Dunedin
Colombo Street Bridge, Christchurch, Muir & Moodie studio, photography studio, circa 1905, New Zealand, gelatin dry plate process
Routeburn Station, Burton Brothers studio, photography studio, 1883, New Zealand, gelatin dry plate process
Oamaru, Public Hall, Burton Brothers studio, photography studio, 1885, Dunedin, black-and-white photography
Vavau, Burton Brothers studio, photography studio, 1890s, Dunedin, black-and-white photography
The Lighthouse, French Pass, Muir & Moodie studio, photography studio, 1904, Dunedin, photography
A geyser, Whakarewarewa, Burton Brothers studio, photography studio, New Zealand, black-and-white photography
Fitzgerald Brothers Circus & Menagerie, Burton Brothers studio, photography studio, circa 1894, Dunedin, gelatin dry plate process, Fitzgerald Bros. Circus & Menagerie
Mud cone near Whakarewarewa, Burton Brothers studio, photography studio, New Zealand, black-and-white photography
Wellington, Muir & Moodie studio, photography studio, circa 1903, Dunedin, gelatin dry plate process
Wellington, Muir & Moodie studio, photography studio, circa 1905, Dunedin, gelatin dry plate process
View looking across a garden at the back of a rural property, Burton Brothers studio, photography studio, circa 1880, New Zealand, black-and-white photography
Wong Koon, Berry & Co, photography studio, circa 1915, Wellington
Dannevirke Railway Stn., Muir & Moodie studio, photography studio, 1904, Dunedin, photography
Colombo Street, Christchurch, Burton Brothers studio, photography studio, circa 1880s, Dunedin, black-and-white photography
Symonds Street, Auckland, Burton Brothers studio, photography studio, New Zealand, gelatin dry plate process
Onehunga, Auckland, Muir & Moodie studio, photography studio, circa 1905, Dunedin, gelatin dry plate process
The Big Pump, Grahamstown, Burton Brothers studio, photography studio, early 1880s, Dunedin, gelatin dry plate process, View of a mining pump
Nurses Home, Wellington, Muir & Moodie studio, photography studio, circa 1905, Dunedin, gelatin dry plate process
Port Chalmers, Burton Brothers studio, photography studio, circa 1885, Dunedin, black-and-white photography
The landing place, Mango [Mago], Fiji, Burton Brothers studio, photography studio, 1884, Dunedin, black-and-white photography, Bay with rocky foreshore in foreground. A colonial building is centre left nestled under coconut trees near the
Milford Sound, Burton Brothers studio, photography studio, 1882, Dunedin, black-and-white photography
Greymouth, Muir & Moodie studio, photography studio, circa 1904, Dunedin, photography
Sumner, Christchurch, Muir & Moodie studio, photography studio, 1912, Christchurch
Alick and Maud Blyth, Berry & Co, photography studio, August 1918, Wellington, Portrait of Alick and Maud Blyth
The Thames from Totara Point. From the album: N.Z. Scenery, Burton Brothers studio, photography studio, 1870s, Dunedin
Mount Stokes and the Empress Glacier, Burton Brothers studio, photography studio, 1893, Dunedin, black-and-white photography
[Kauri Point Mill, met stacking timber, Onehunga], Burton Brothers studio, photography studio, New Zealand, gelatin dry plate process
Forbury Road Dunedin N. Z., Muir & Moodie studio, photography studio, Dunedin, collotype
Parnell, Auckland, Burton Brothers studio, photography studio, Dunedin, gelatin dry plate process
West Coast Road, Burton Brothers studio, photography studio, 1879, Dunedin, wet collodion process
Dunollie State Mine, Grey, Muir & Moodie studio, photography studio, 1901-1916, New Zealand, black-and-white photography
Supreme Court - Auckland, Burton Brothers studio, photography studio, 1800s, Dunedin, photography
Waimangu Geyser, Burton Brothers studio, photography studio, 1900-1904, Dunedin, black-and-white photography
[Cemetery, Pacific Island], Burton Brothers studio, photography studio, Dunedin, black-and-white photography
Waikouaiti Bay from Puketeraki, Burton Brothers studio, photography studio, New Zealand, gelatin dry plate process
The University, Dunedin, Burton Brothers studio, photography studio, Dunedin, gelatin dry plate process, Otago University buildings, tower at left
Oamaru, Burton Brothers studio, photography studio, 1800s, Dunedin, photography
Fijian Curios, Burton Brothers studio, photography studio, circa 1884, Dunedin, black-and-white photography, Studio set up of a kava bowl, kava cup and weaved basket on top of a weaved mat, above two fans, two hair combs, necklaces and two
[King George of Tonga], Burton Brothers studio, photography studio, 26 July 1884, New Zealand, black-and-white photography, Semi-formal outdoor portrait of King George of Tonga, 86 years old, in front of the palace at Neiafu
Stewart Island from the steamer, Muir & Moodie studio, photography studio, circa 1903, Dunedin, black-and-white photography
Grahamstown, Burton Brothers studio, photography studio, New Zealand, black-and-white photography
Mona Muir, Burton Brothers studio, photography studio, circa 1890, Dunedin, photography
Cathedral Peaks from Midwinter Island, Lake Manapouri, Burton Brothers studio, photography studio, 1889, Dunedin, gelatin dry plate process
[Tern, Oyster Catcher, Dotterel, Plover, Turnstone Godwit and Stilt Birds], Burton Brothers studio, photography studio, Dunedin, black-and-white photography
[Tongariro], Burton Brothers studio, photography studio, Dunedin, black-and-white photography
General Post Office, New Plymouth, Muir & Moodie studio, photography studio, 1905, Dunedin, photography
Christchurch, Burton Brothers studio, photography studio, Dunedin, gelatin dry plate process
Wong She, Berry & Co, photography studio, circa 1915-1920, Wellington
Caswell Sound, Burton Brothers studio, photography studio, 1883, Dunedin, gelatin dry plate process
Junction of Wanganui and Ongaruhe Rivers, King Country, Burton Brothers studio, photography studio, 1885, Dunedin, black-and-white photography
Station Cape Foulwind, Westport, Muir & Moodie studio, photography studio, 1900s, Dunedin
Lofley’s Glen - Near Taupo, Burton Brothers studio, photography studio, Late nineteenth century, Dunedin, photography
[Smith Sound], Burton Brothers studio, photography studio, 1885, Dunedin, black-and-white photography
[Pembroke from Lake Wanaka], Burton Brothers studio, photography studio, Dunedin, black-and-white photography
Wellington from Mt. Victoria, Burton Brothers studio, photography studio, circa 1880, Dunedin, photography
Princess St.- Dunedin - Looking North, Burton Brothers studio, photography studio, 1800s, Dunedin, photography
Kaikoura Bay, Muir & Moodie studio, photography studio, circa 1911, Dunedin, black-and-white photography
Panorama of Dunedin, Otago, NZ. From the album: Panorama of Dunedin, Otago, NZ, Burton Brothers studio, photography studio, 1874, Dunedin, black-and-white photography

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