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Wilson's Statue, Edinburgh., George Washington Wilson (Scottish, 1823 - 1893), about 1865, Albumen silver print

Berne, Statue de Berthold de Zahringen, Adolphe Braun (French, 1812 - 1877), about 1865, Albumen silver print

Life-Size Statue Fragment: Left Eye, Unknown, 2nd - 3rd century, Bronze, 6.8 cm (2 11/16 in

Statue de Jeanne D'Arc by E. Fremiet, E. Dontenvill (French, active 1860s - 1870s), about 1875, Albumen silver print

Statuary Halls leading to the famous Venus de Milo Statue (in distance), Louvre, Paris, France., Underwood & Underwood (American, 1881 - 1940s), about 1900, Gelatin silver print

Part of a triangular base with a relief of the statue of Dionysos being transported to the sanctuary of another god (Theoxenia), Unknown, Athens, Greece, Europe, about 50 B.C., Marble with traces of polychromy, 46.7 × 64 × 19 cm (18 3/8 ×

Transportschlitten für Donnerstein (gros-kamen), Transport of a boulder for the construction of the tabernacle of Peter the Great in St. Petersburg, signed: Dessine par V. Blarenbergh, Gravé par R.D'Elvaux, PL., I, after p. 47, Blarenbergh,

Souvenir from Altdorf, Statue of William Tell in Altdorf and illustrations to other places in the canton of Uri, signed: C. Rorich (sc.), Taf. 13, according to p. 84, Rorich, Carl Franz (sc.), 1865, Ed. Osenbrüggen, C. Huber: Die Urschweiz:

Statue of Gutenberg, Strasbourg, Gutenberg monument in Strasbourg, pl. 27, after p. 422 (vol. 2), 1867, Louis Figuier: Savants du moyen âge. Geber, Mesué, Rhasès, Avicenne, Averroès, Abulcasis, Albert le Grand, Thomas d'Aquin, Roger

Schiff für den Transport des Donnersteins (gros-kamen), Ship for transporting a boulder to the construction of the equestrian monument of Peter the Great in St. Petersburg, signed: Sellier (sculp.), Pl. VII, after p. 47, Sellier, Louis (sc.),

Fischer, genre picture of bronze, Fig. 265: Bronze statue of a fisherman from the Casa della piccola fontana a musaïco, p. 379, 1856, Johannes Overbeck: Pompeji in seinen Gebäuden, Alterthümern und Kunstwerken [...]. Leipzig: Verlag von

Jan de Beyer, Dutch, 1705-1768, The Amphitheater at Cleves with the Statue of the Iron Man, 1746, pen and black ink and watercolor on buff laid paper, Sheet: 6 1/8 × 7 7/8 inches (15.6 × 20 cm

The Angel Gabriel, Marble statue of Archangel Gabriel in the Cathedral of Orvieto, signed: Francesco Mochi scolpi; Giuseppe Cades delineo; Pietro Bombelli incise, Tav., XXVI, Mochi, Francesco (scolpi); Cades, Giuseppe (delineo); Bombelli,

Capella da Levante, where are the adornments from the statue of Our Lord Sisto Quinto, Cross section of the Cappella Sistina in the Basilica of Santa Maria Maggiore in Rome, date estimated 46, fol. 45v, Fontana, Domenico (fec.); Bonifacio,

Entladen des Donnersteins (gros-kamen) mit Hilfe von Seilwinden, Unloading of a boulder from the ship with the help of winches for the construction of the equestrian hall of Peter the Great in St. Petersburg, signed: Sellier (sculp.), Pl. X,

Alfred Lorens, Russian, active 1860-1870, Statue of Peter the Great, St Petersburg, mid-19th century, albumen print, Image: 2 3/4 × 2 1/8 inches (7 × 5.4 cm

Rotterdam. Statue of Erasmus, View Erasmus Monument in Rotterdam, signed: L. Rohbock (del.); J.M. Kolb (sculp.), P. 146, p. 189, Rohbock, Ludwig (del.); Kolb, Joseph Maximilian (sculp.), 1863, Der Rhein und die Rheinlande in malerischen

Porch of the Lutenbach church, Procession with statue of saints in front of the church in Lautenbach, Haut Rhin, Signed: Bichbois del, Lith. De Engelmann, Pl. 24, to p. 62 (Part 1), Bichebois, Alphonse (del.); Engelmann, Godefroy (lith),

Idols of domestic worship, Fig. 260 a: Bronze statue of Apollo, Fig. 260 b: Statue of Bacchus and Satyr, p. 372, 1856, Johannes Overbeck: Pompeji in seinen Gebäuden, Alterthümern und Kunstwerken [...]. Leipzig: Verlag von Wilhelm Engelmann,

Statue of the goddess Lakschmi and two bas-reliefs, Fig. 1: Statue of the goddess Lakschmi from the pagoda of Bangalore, Fig. 2: Bas-relief of Dumar-Leyne, Fig. 3: Bas-relief from the Temple of Indra, Pl. 12, to S, 124, fol. 12r, Carl August

Salis statue, Parallel Title: Loth's Wife a Salt Column; Lot's wife looks back and freezes to the column of salt, Signed: B. S. Sedlezky sculp, copperplate engraving, plate LXXX (vol. 1), Füssli, Johann Melchior; Setlezki, Balthasar Sigmund

Unknown (Italian), Cape for Statue of the Virgin, early 18th Century, Bizarre Silk

Egyptian, Upper Part of a Statue of a Dignitary, c. 1500 BC, Quartzite, 11 1/4 x 8 1/8 x 5 1/2 in

Hilfsmittel zur Bewegung des Donnersteins (gros-kamen), Aid for the movement of a boulder for the construction of the tabernacle of Peter the Great in St. Petersburg, signed: V. Blarenbergh (del.); R. D'Elvaux (sc.), Pl. V, after p. 47,

Floor and statue in Venus temple, Fig. 73. Floor of Cella, Fig. 74. Statue in Peribolos, p. 87, 1856, Johannes Overbeck: Pompeji in seinen Gebäuden, Alterthümern und Kunstwerken [...]. Leipzig: Verlag von Wilhelm Engelmann, 1856

Sesto-Calende - Statue of Saint. Charles Borromeo, Above: View of Sesto Calende (Lombardy), below: Statue of Charles Borromeo, in the background right: the church dedicated to him Sacro Monte di Arona, to p. 302, Joliot, 1835, Alexandre

Bridge construction and equestrian statue of August II, Construction of a bridge, in the foreground allegorical figures of the builders with compass and plumbum, Signed: I. A. Richter del, C. F. Boetius sculps, copper title, Richter, Johann

Statue of Gutenberg, Mainz by Thornwaldsen, Gutenberg monument by Bertel Thorvaldsen in Mainz, pl. 22, to p. 308 (vol. 2), Tournois, E., 1867, Louis Figuier: Savants du moyen âge. Geber, Mesué, Rhasès, Avicenne, Averroès, Abulcasis,

Egyptian, Kneeling Man Holding a Statue of the God Osiris, 626/525 BC, Granite, 11 7/8 x 4 1/4 x 6 7/8 in

St. Thomas, Marble statue of Apostle Thomas in the Orvieto Cathedral, signed: Ippolito Scalza Orvietano scolpi; Giuseppe Cades Romano delineo; Giovanni Ottaviani Romano incise, Tav., XXIII, Scalza, Ippolito (scolpi); Cades, Romano (delineo);

Anonymous Artist, Two Women Seated by Plaster Cast of Statue of Ramesses II, between 1890 and 1900, albumen stereo print mounted on cream card, Mount (card): 3 1/2 × 7 inches (8.9 × 17.8 cm

The Annunciation, Marble statue in the Orvieto Cathedral, signed: Francesco Mochi scolpi; Giuseppe Cades delineo; Pietro Bombelli incise, Tav., XXV, Mochi, Francesco (scolpi); Cades, Giuseppe (delineo); Bombelli, Pietro (incise), Guglielmo

S Gravenhage. Statue of Willem I., Monument Wilhelm I in The Hague, signed: L. Rohbock (del.); Dammel & Umbach (sculp.), After p. 204, S, 297, Rohbock, Ludwig (del.); Dammel, W. (sculp.); Umbach (sculp.), 1863, Der Rhein und die Rheinlande

St. Matthew, Marble statue of Apostle Matthew in the Orvieto Cathedral, signed: Giovanni Bologna scolpi; Giuseppe Cades Romano delineo; Giovanni Ottaviani Romano incise, Tav., XXIV, Bologna, Giovanni da (scolpi), Cades, Giuseppe (delineo);

The statue of Napoleon seen from above, Statue of Napoleon Bonaparte seen in Paris from the hot-air balloon of Camille Flammarion, Signed: A. M, Fig. 50, p. 261, Marie, Adrien (del.), 1870, James Glaisher; Camille Flammarion; Wilfrid de

Egyptian, Unfinished Statue of a Standing Man, c. 663 BC, Limestone, 15 1/8 x 7 1/8 x 6 1/2 in

Statue of Arnold von Winkelreid. (At Stanz, Canton Unterwalden), Arnold Winkelried Statue in Stans, signed: W.H. Bartlett, R. Wallis, plate 30, after p. 120 (vol. 2), Bartlett, William Henry; Wallis, Robert William, 1836, William Beattie,

Amsterdam. Rembrandts-Statue, Statue of Rembrandt in Amsterdam, signed: L. Rohbock (del.); G. Heisinger (sculp.), After p. 446, p. 669, Rohbock, Ludwig (del.); Heisinger, G. (sculp.), 1863, Der Rhein und die Rheinlande in malerischen

S Gravenhage. Equestrian Statue of Willem I., Monument Wilhelm I. in The Hague, signed: L. Rohbock (del.); Joh. Poppel (sculp.), After p. 204, p. 301, Rohbock, Ludwig (del.); Poppel, Johann (sculp.), 1863, Der Rhein und die Rheinlande in

Hilfsmittel zum Verändern der Position des Donnersteins (gros-kamen), Tools for turning a boulder to build the equestrian statue of Peter the Great in St. Petersburg, Pl. VI, after p. 47, 1777, Marin, Carburis (comte de Céphalonie): Monument

Honorary statues of Livia and Drusus from the Pantheon, Fig. 264 a: Honorary statue of Livia, Fig. 264 b: Honorary statue of Drusus, p. 377, 1856, Johannes Overbeck: Pompeji in seinen Gebäuden, Alterthümern und Kunstwerken [...]. Leipzig:

Bewegung des Donnersteins (gros-kamen) mit Seilwinden, Movement of a boulder to build the equestrian statue of Peter the Great in St. Petersburg with winches, Pl. III, after p. 47, 1777, Marin, Carburis (comte de Céphalonie): Monument élevé

Roman, Statue of the Young Nero Wearing a Toga, ca. 50 CE, marble, Overall: 56 3/4 × 19 1/4 × 15 1/4 in. (144.1 × 48.9 × 38.7 cm

Altar, capital and statue of the Aesculap in the Aesculap temple, Fig. 64. Altar of the Aesculapian Temple, Fig. 65. Capitell, Fig. 66. Aesculap, p. 81, 1856, Johannes Overbeck: Pompeji in seinen Gebäuden, Alterthümern und Kunstwerken

Schiff mit Donnerstein (gros-kamen) gezogen von zwei Segelschiffen, Ship to transport a boulder for the construction of the equestrian statue of Peter the Great in St. Petersburg, signed: Sellier (sculp.), Pl. VIII, after p. 47, Sellier, Louis

Tombs of Ipsambul and Aegyptian statue pillars, Egyptian Architecture: Temple of Abu Simbel and Pillars, fig. 19-20, p. 44, Wilhelm Lübke: Geschichte der Architektur von den ältesten Zeiten bis auf die Gegenwart. Leipzig: Verlag von Emil Graul,

Egyptian, Headless Statue of Wedge-hor-menhet, 664/525 BC, stone, granite, Overall: 8 inches (20.3 cm

Statue of Eumachia and blind door, View statue of Eumachia in Pompeii, Fig. 88, p. 103, 1856, Johannes Overbeck: Pompeji in seinen Gebäuden, Alterthümern und Kunstwerken [...]. Leipzig: Verlag von Wilhelm Engelmann, 1856

Egyptian, Pair Statue of Mery and his wife Saty, between 1390 and 1350 BC, Carved Limestone, Overall: 13 5/16 × 7 3/8 × 6 1/2 inches (33.9 × 18.7 × 16.5 cm

Alexandre Evariste Fragonard, French, 1780-1850, Don Juan and the Commander's Statue, between 1825 and 1830, watercolor, Sheet: 18 1/2 × 14 7/8 inches (47 × 37.8 cm

Fountain with statue of William Tell, frontispiece, Müller, Adolph (gezeichnet); Winkles, Henry (gestochen), 1858, Heinrich Zschokke: Die Schweiz in ihren klassischen Stellen und Hauptorten; mit 72 Originalansichten, gezeichnet von Adolph

Anonymous Artist, Plaster Cast of Torso of Statue of Ramesses II, between 1890 and 1900, albumen stereo print mounted on cream card, Mount (card): 3 1/2 × 7 inches (8.9 × 17.8 cm

S Gravenhage. Statue of Willem II., Monument to Wilhelm II in The Hague, signed: L. Rohbock (del.); Kurz, G.M. (sculp.), P. 204, p. 299, Rohbock, Ludwig (del.); Kurz, Georg Michael (sculp.), 1863, Der Rhein und die Rheinlande in malerischen

Unknown (Argentinian), Crown for the Statue of the Virgin, 18th century, silver, Overall: 4 3/4 × 3 1/2 inches (12.1 × 8.9 cm

Alfred Lorens, Russian, active 1860-1870, Equestrian Statue of Nicolas I, mid-19th century, albumen print, Image: 2 3/4 × 2 1/4 inches (7 × 5.7 cm

Bridges Memorial coins, Coins with Augustus Bridge in Dresden and equestrian statue of August II, signed: I. A. Richter del, C. F. Boëtius sculp, Fig. 7, no. 8, after p. 96, Richter, Johann Adolf (del.); Boetius, Christian Friedrich (sc.);

Haarlem. The Great Church, View of Sint-Bavokerk and statue by Laurens Janszoon Coster, signed: L. Rohbock (del.); G. M. Kurz (sculp.), After p. 370, p. 553, Rohbock, Ludwig (del.); Kurz, Georg Michael (sculp.), 1863, Der Rhein und die

Statue of Galilee, in the grandstand of the University of Florence, Statue of Galileo Galilei in the University of Florence pictured in the 19th century, signed: H. Rousseau, F. Méaulle, frontispiece, Rousseu, H.; Méaulle, F., 1869, Louis

A Difference of Opinion, Print made by Auguste Boulard, 1852–1927, French, after Lawrence Alma-Tadema, 1836–1912, Dutch, active in Britain (from 1870), Printed by A. Salmon, active c.1860–1907, Published by Arthur Tooth & Sons Ltd.,

Common Sense Versus Precedent, Print made by John Doyle ('H.B.'), 1797–1868, Irish, Printed by Thomas McLean, 1788–1875, British, Published by Thomas McLean, 1788–1875, British, 1848, Lithograph in tan and black ink on moderately

Allegory of Trade, John Theodore Heins, 1697–1756, German, active in Britain (from 1720), 1743, Oil on canvas, Support (PTG): 29 1/2 x 54 inches (74.9 x 137.2 cm), allegory, banks, basket, city, men, river, statue, trade, turban,

Nuns Praying at Altar of a Church, Sir Robert Smirke the younger, 1781–1867, British, 1802-1804, Gray wash and graphite on moderately thick, moderately textured, beige, wove paper, Sheet: 13 1/2 × 10 9/16 inches (34.3 × 26.8 cm), altar,

John Bull and His Favourite Statue of Bronze!!, unknown artist, nineteenth century, 1802, Etching, hand-colored, Sheet: 12 15/16 x 9 1/8in. (32.9 x 23.2cm

Statue from near the Cayish Pagoda in Gunnyghaum, Robert Mabon, died 1798, British, undated, Brown wasn and graphite on medium, slightly textured, cream wove paper, Sheet: 11 7/8 × 19 5/8 inches (30.2 × 49.8 cm

The Colleoni Statue, Venice, James Holland, 1799–1870, British, ca. 1845, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 8 5/8 × 4 5/8 inches (21.9 × 11.7 cm), architectural subject, buildings, figures,

Statue of a Man, James Heath, 1757–1834, British, after James Bruce, 1730–1794, British, ca. 1804, Engraving

The Great Exhibition of 1851, James Duffield Harding, 1798–1863, British, 1851, Oil on canvas, Support (PTG): 14 x 21 inches (35.6 x 53.3 cm), city, crystal (lead glass), culture, exhibition, fair, figures (illustrations), industry,

Lady Elizabeth Keppel and a Servant, Print made by Edward Fisher, 1722–1785, British, after Sir Joshua Reynolds RA, 1723–1792, British, 1760s, Mezzotint on medium, slightly textured, cream laid paper, Sheet: 24 1/2 × 15 5/8 inches

The Triumphal Arches, Mr. Handel's Statue & c. in the South Walk of Vauxhall Gardens, John S. Muller, ca. 1715–1792, German, active in Britain, after Samuel Wale RA, 1721–1786, British, after 1751, Etching and engraving, hand colored,

The Education of Achilles, James Barry, 1741–1806, Irish, ca. 1772, Oil on canvas, Support (PTG): 40 1/2 x 50 3/4 inches (102.9 x 128.9 cm), art, centaurs, child, children, costume, death, diagram, gesture, Greek, herm, horse

Trees in the Villa Negroni Planted by M. Angelo, John Flaxman, 1755–1826, British, undated, Black ink and varnish on medium, slightly textured, beige laid paper, Sheet: 6 1/4 x 8 inches (15.9 x 20.3 cm), arches, columns, gardens,

Landscape with Classical Ruins, Print made by Lydia Bates, active 1784, after John Hamilton Mortimer, 1740–1779, British, 1784, Etching on moderately thick, moderately textured, cream laid paper, Sheet: 11 5/8 x 16 9/16 inches (29.5 x 42

The Opening of the Carnival at Rome, Paul Sandby RA, 1731–1809, British, after David Allan, 1744–1796, British, born in Scotland, Published by Paul Sandby RA, 1731–1809, British, ca. 1781, Aquatint and etching on medium, moderately

Progetto di collocazione delle statue antiche esistenti nella galleria di Firenze che rappresentano la favola di Niobe scheme for the configuration of the ancient statues in the gallery of Florence that represent the myth of Niobe(Florence, 1816),

Lady Amabel and Lady Mary, Daughters of Lord Royston and the Marchioness of Grey, Edward Fisher, 1722–1785, British, after Sir Joshua Reynolds RA, 1723–1792, British, Published by Edward Fisher, 1722–1785, British, 1762, Mezzotint

Handel in Vauxhall Gardens, Attributed to Edward Francis Burney, 1760–1848, British, undated, Graphite on medium, slightly textured, beige wove paper, mounted to medium, moderately textured, gray wove paper, Sheet: 7 1/8 × 4 1/8 inches

Northumberland House, London, Attributed to William James, active 1754–1771, British, after Canaletto, 1697–1768, Venetian, active in Britain (1746–55), ca. 1759, Oil on canvas, Support (PTG): 11 3/4 x 16 inches (29.8 x 40.6 cm),

Marble Portrait Statue of a Veiled Priestess at the British Museum, Stephen Thompson, active 19th century, British, early 1870s, Albumen print from wet collodion negative on thin, smooth, cream wove paper, Sheet: 10 1/4 × 8 inches (26 ×

Athenaeum, Print made by R. F. Cahusac, active 1830, British, after Decimus Burton, 1800–1881, British, 1830, Etching and line engraving on moderately thick, slightly textured, cream wove paper, Sheet: 12 15/16 x 18 7/8 inches (32.8 x 48

The Brothers Clarke with Other Gentlemen Taking Wine, Gawen Hamilton, ca. 1697–1737, British, formerly William Hogarth, 1697–1764, British, between 1730 and 1735, Oil on canvas, Support (PTG): 32 1/2 x 45 1/2 inches (82.6 x 115.6 cm),

View of Calcutta and its Environs: Statue of the Marquis Warren Hastings in Tank Square - Calcutta, Sir Charles D'Oyly, 1781–1845, British, active in India, undated, Watercolor, white gouache, gray wash, and graphite on moderately thick,

Statue of Dr. Johnson, James Heath, 1757–1834, British, after unknown artist, undated, Engraving, Sheet: 8 3/4 x 5 1/2in. (22.2 x 14cm

Place des Victoires, Paris, Thomas Rowlandson, 1756–1827, British, ca. 1783, Watercolor in pen and black ink over graphite on medium, moderately textured, cream antique laid paper, Sheet: 13 3/4 x 21 inches (34.9 x 53.4 cm) and Image: 13

The Young Roscius, Print made by unknown artist, ( J. B. ), 1804, Hand-colored etching on medium, smooth, cream wove paper, Sheet: 13 5/8 x 11 1/8 inches (34.6 x 28.3 cm) and Image: 13 x 10 5/8 inches (33 x 27 cm), arches, blocks, boots,

Study of Caryatides for Statue of Sir Thomas of Monro, Thomas Stothard, 1755–1834, British, 1806, Pen and brown ink on medium, slightly textured, cream laid paper, Sheet: 10 5/8 x 8in. (27 x 20.3cm) and Sheet: 10 1/4 × 8 1/4 inches (26 ×

Design for an Unidentified Country House, James Wyatt, 1746–1813, British, ca. 1800, Watercolor and graphite, with pen and black ink on moderately thick, moderately textured, cream wove paper, Sheet: 20 3/8 x 29 1/4 inches (51.8 x 74.3

The Spoiled Child, Scene I, Lewis Vaslet, 1742–1808, British, ca. 1802, Watercolor with black ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper, Sheet: 15 3/8 × 20 1/8 inches (39 × 51.1 cm) and

Statue of Cain and Abel in the Forest near Leytonstone, Capt. Thomas Hastings, 1778–1854, British, undated, Graphite on medium, slightly textured, cream wove paper, Sheet: 5 3/8 × 7 3/4 inches (13.7 × 19.7 cm

The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing, Print made by James Gillray, 1757–1815, British, Published by Hannah Humphrey, ca. 1745–1818, British,

Charing Cross, with the Statue of King Charles I and Northumberland House, Joseph Nickolls, active 1713–ca. 1755, British, ca. 1750, Oil on canvas, Support (PTG): 35 x 50 1/4 inches (88.9 x 127.6 cm), architectural subject, beggar,

Columbus and his Son, Edward Alfred Goodall, 1819–1908, British, after Joseph Mallord William Turner, 1775–1851, British, 1834, Line engraving, engraver's proof on thick, moderately textured, beige wove paper with beige chine-collé,

Monstrosities of 1822 - Pt. 5, Print made by George Cruikshank, 1792–1878, British, Published by Thomas McLean, 1788–1875, British, 1835, Etching, hand-colored on moderately thick, slightly textured, beige wove paper, Sheet: 10 11/16

Ponte Vecchio North Italian Set: No. 21, Sir David Young Cameron, 1865–1945, British, 1895, Etching, architectural subject, balconies, balustrade, boats, bridge (built work), buildings, cityscape, columns, costumes, marine art,

Bust of Shakespeare, Robert Smirke, 1752–1845, British, 1825, Graphite, pen and ink, brown wash, and gouache on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper,

Mrs. Mary Chauncey, Francis Hayman, 1707/8–1776, British, 1748, Oil on canvas, Support (PTG): 23 3/4 x 20 inches (60.3 x 50.8 cm), child, costume, flowers (plants), landscape, portrait, sculpture, statue, urns, woman

Subterranean Pool with Sculptural Torchere, attributed to Francis Danby, 1793–1861, Irish, undated, Brown wash, with scraping on medium, slightly textured, cream wove paper, Sheet: 10 1/4 x 9 inches (26 x 22.9 cm), architectural subject,

William Massey-Stanley driving his Cabriolet in Hyde Park, John Ferneley, 1782–1860, British, 1833, Oil on canvas, Support (PTG): 43 1/2 x 62 1/2 inches (110.5 x 158.8 cm), animal art, animals, architecture, art, bridle, cabriolet,

Illustration to R.S. Surtees', 'Jorrocks's Jaunts and Jollities': 'Lift me Up! Tie me in my Chair! Fill my Glass', Henry Thomas Alken, 1785–1851, British, undated, Graphite and watercolor on medium, slightly textured, blued white, wove

Views in the Levant: Faceless Bust of Statue Supporting a Broken Capital on Her Head, Willey Reveley, 1760–1799, British, ca. 1785, Watercolor with pen in gray ink, over graphite on medium, moderately textured, cream, laid paper, mounted

Prague, Thomas Shotter Boys, 1803–1874, British, ca. 1847, Watercolor, pen and black ink, brown ink, red ink, gouache, graphite, and scraping out on medium, moderately textured, cream wove paper, Sheet: 15 1/4 × 10 15/16 inches (38.7

search results: Statue clear search