Images at Librifly

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La Venus Aphrodide, Les proportions du corps humain: mesurées sur les plus belles figures de l'antiquité, Audran, Gérard, 1640-1703, Etching, 1683, Plate 16, depicting views of the Venus Aphrodite. Plates 1-30 illustrate human proportions

Head of an Antonine Woman (Close to Faustina Minor); Italy (?); mid-2nd century; Italian marble, fine-grained, worked for insertion into statue; 27.5 × 21 × 21.5 cm (10 13, 16 × 8 1, 4 × 8 7, 16 in

Granite Statue. The Volunteer; American; about 1869 - 1873; Albumen silver print

Head of Plato (worked for insertion into a statue); Roman Empire; mid-3rd century; Marble, white; 36 cm (14 3, 16 in

Herculaneum Woman, Augusteum, ou, description des monumens antiques qui se trouvent à Dresde, Becker, Wilhelm Gottlieb, 1753-1813, Engraving, 1804-1811, i. e. 1812, Marble statue of a draped woman

The Bronze Statue of Dai-Bouts Daibutsu (the Great Buddha) of Kamakura; Felice Beato (English, born Italy, 1832 - 1909); Kamakura, Japan; 1863; Albumen silver print

Imitation of the Head of Demosthenes Worked for Insertion into a Statue; Europe (?); mid-18th century; Marble; 33 cm (13 in

Un Apolline, Galleria givstiniana del marchese Vincenzo Givstiniani, Lanfranco, Giovanni, 1582-1647, Natalis, Michel, 1610-1668, Engraving, between 1631 and 1637?, Torso of Dionysos, incorrectly restored as a statue of Apollo, currently

Statue of female figure; about 1870 - 1890; Albumen silver print

Centaurus amoris captiuus, Segmenta nobilium signorum e statuarū, Perrier, François, 1590?-1656?, Engraving, 1638, 3/4 rear view of Eros and centaur. The statue is reversed in the print

Place and Statue de Pasquin, Rome moderne: première ville de l'Europe: avec toutes ses magnificences et ses delices: nouvellement and très-exactement décrite: ce qui est suivi d'une description très-exacte du gouvernement and de l'Etat de Rome,

statue of a Greek or Roman god or warrior; French; about 1860; Albumen silver print

Fragment of a Statue of a Youth; Greece, Europe; late 5th century B.C; Marble; 16 x 12 x 13.7 cm (6 5, 16 x 4 3, 4 x 5 3, 8 in

Rome, Statue of Marcus Aurelius before the Capitol, Rome, Stereographic views of Italy, Underwood and Underwood, Underwood, Bert, 1862-1943, stereograph: gelatin silver, ca. 1900, A series of captioned stereographic views of Italy published

Marble Statue over the Memorial Well, Kanpur; Kanpur, India; about 1863 - 1887; Albumen silver print

Statue antique, sur un piédestal, entourée de personnages, le tout parmi des ruines, Robert, Hubert, 1733-1808, Saint Non, Jean Claude Richard de, 1727-1791, Aquatint, etching, brown ink, 1766

Fragment of a Head from an Acrolithic Statue; South Italy; about 450 B.C; Pentelic? marble; 20 × 20.6 × 9 cm (7 7, 8 × 8 1, 8 × 3 9, 16 in

Statva d'vna mvsa nel Palazzo Lancellotti ai Coronari, Raccolta di statue antiche e moderne, Aquila, Francesco Faraone, ca. 1676-1740, Rossi, Domenico de', 17th/18th cent., Zenobi, Gaetano, fl. 1698-1707, Engraving, 1704, Lower left:

Statue of Isis, Musei Capitolini; Rome, Italy, Europe; about 1850 - 1859; Salted paper print; 19.2 x 10 cm (7 9, 16 x 3 15, 16 in

Head from a Statue of a Male Figure; about 500 B.C; Limestone; 29.5 × 19.5 × 14 cm (11 5, 8 × 7 11, 16 × 5 1, 2 in

Piazza San Marco and Lion of Venice statue, Venice; Italian; about 1865; Albumen silver print

Marquis of Lansdown Herakles, Society of Dilettanti drawings, prints, and letters, Agar, John Samuel, ca. 1770-ca. 1835, Ink and wash drawing, between 1806 and 1835, Annotations: Ancient Sculpture marble statue of Hercules plate 40.

View of a French park, statue and small building in background; French; about 1865; Albumen silver print

Cawnpore; The Memorial Well, the Marble Statue by Marochetti, under a different aspect of light; Samuel Bourne (English, 1834 - 1912); Kānpur, Uttar Pradesh, India, Asia; October 1866 - November 14, 1867; Albumen silver print

Statue of female figure; about 1870 - 1890; Albumen silver print

Gotthardbahn Tell-Statue in Lugano; Adolphe Braun & Cie (French, 1876 - 1889); Dornach, France; about 1875–1882; Albumen silver print

Fragment of a Statue of a Youth; Greece, Europe; late 5th century B.C; Marble; 22.5 x 23 x 25 cm (8 7, 8 x 9 1, 16 x 9 13, 16 in

Statue of woman with branch; about 1870 - 1890; Albumen silver print

Statue of female figure in military helmet; about 1870 - 1890; Albumen silver print

Statue of female figure with pitcher; about 1870 - 1890; Albumen silver print

statue of a female; French; about 1860; Albumen silver print

Hercules a labore quiescens, Segmenta nobilium signorum e statuarū, Perrier, François, 1590?-1656?, Engraving, 1638, Front view of the Farnese Herakles. The statue is reversed in the print

Statue of Laocoön and His Sons; about 1870 - 1890; Albumen silver print

statue, French park; French; about 1860; Albumen silver print

Head from a Statue of a Male Figure; about 540 B.C; Limestone; 29.8 × 20 × 21 cm (11 3, 4 × 7 7, 8 × 8 1, 4 in

Rouen. Statue de Jeanne d'Arc; French; about 1865; Albumen silver print

Fragment from a Funerary Statue; Syria; first half of 2nd century; White, porous limestone; 29 × 10.9 × 30 cm (11 7, 16 × 4 5, 16 × 11 13, 16 in

Head from a Statue; Etruria; late 5th century B.C; Marble; 11.4 × 11.6 × 13 cm (4 1, 2 × 4 9, 16 × 5 1, 8 in

Nebuchadnezzar before the Destroyed Statue; Regensburg, Bavaria, Germany; about 1400 - 1410; Tempera colors, gold, silver paint, and ink on parchment; Leaf: 33.5 x 23.5 cm (13 3, 16 x 9 1, 4 in

Fountain in front of the facade of the city hall at the entry of Willem IV and his consort in Breda on 13 September 1737, Iven Besoet, after Pieter de Swart, 1737, Fountain in front of the facade of the city hall at the entry of Willem IV and his

Allegorical performance with in the middle the female personification of the Roman Church, crowned with a tiara. She tramples on a rabbi holding a Hebrew text and the personification of the Roman Empire, holding a statue of Victoria in her hands.

Quantekong as first emperor of China / The goddess Quonin, Bernard Picart (workshop of), after Bernard Picart, 1726, Sheet with two representations of Chinese gods. Above: A Chinese god, Quantekong, dressed as the first emperor, sits next to a

and reverse of medal of the academy of drawing in Amsterdam, Harmanus Vinkeles, after Jacobus Buys, 1765 - 1800, Drawing, depicted as woman with flame on head, sitting with pen and drawing board in hands on stone facing a statue, which she

Statue La Résistance (Resistance) of Alexandre Falguière and soldiers during siege of Paris, Félix Bracquemond, 1874, Statue of naked woman seated on cannon with arms crossed (La Resistance) symbolizing the resistance of French soldiers against

The Grote Markt of Bruges with in the foreground the statue of Jan Breydel and Pieter de Coninck. Behind it market stalls and the belfry, Grote Markt in Bruges., print maker: Gerrit Haverkamp, (signed by artist), publisher: Johannes Henricus de

Allegory with Alessandro Farnese, the Duke of Parma, as an advocate of the Catholic Church in the Netherlands, 1585. Parma as Hercules with club and shield is pointed to a rock by the personification of (Catholic) Religion to the Temple of virtue.

Statue of Moses in Rome, Cornelis van Dalen (II), after François Perrier, after Michelangelo, 1648 - 1664, Statue of Moses, the famous sculpture by Michelangelo, now in St. Peter's in Rome., print maker: Cornelis van Dalen (II), (mentioned

Figures symbolizing the city of Rome. In the foreground the river god Tiber and the wolf suckling Remus and Romulus, on a pedestal a statue of a Roman emperor. In the background a view of Rome. An angel blows on a trumpet from which hangs a cloth

Front and rear view of a statue of Venus. Below the scene the four-line, Latin epigram no. 206 about the birth of Venus by Ausonius. Top right the number twenty-two in Roman numerals, front and back view of a statue of Venus., print maker: Maria

Gate of a country house with a lion statue on a column, print maker: Jacobus Cornelis Gaal, Netherlands, c. 1854, paper, etching, h 97 mm × w 125 mm

Philosopher with book and soldier and man by statue Capricci (series title), print maker: Giovanni Battista Tiepolo, (mentioned on object), Giovanni Battista Tiepolo, Italy, in or before c. 1735, paper, etching, h 133 mm × w 172 mm

The portrait bust of Karel van Mander is honored by a trumpet-blowing putto with the symbol of eternity, a snake biting its own tail Beside the base on which the statue stands, Father Time sits with a scythe To the right, Minerva points a putto at

The foot of William III lying at Hellevoetsluis on 28 October 1688, before leaving for England on 11 novenber 1688. The fleet was prepared in the port of Hellevoetsluis for Prince William III's voyage with his army to England. A panorman statue of

Three female personifications with horns of plenty and statue of Minerva, print maker: Giovanni Domenico Tiepolo, (mentioned on object), Giovanni Battista Tiepolo, (mentioned on object), 1741 - 1745, paper, etching, h 173 mm × w 162 mm

Coin issued on the occasion of the unveiling of the statue of Michiel Adriaansz. de Ruyter, Jan Dam Steuerwald, after David van der Kellen (1804-1879), 1841 - 1843, Coin issued on the occasion of the unveiling of the statue of Michiel Adriaansz.

Tomb of the Leaders of the Powhatan of Tsenacommacah (Virginia), Bernard Picart (workshop of), 1721, The Powhatan of Virginia preserve the bodies of their leaders. Inside the tomb is a statue of Kiwasa. A priest keeps watch over the bodies next to

In the centre, a horseman is depicted above two bound slaves, recessed Corinthian columns with the statue of a Roman general in between. From series of 12 sheets, Chimney atrium (series title), print maker: Jean Lepautre, Jean Lepautre,

Statue of Liberty, Theodoor Koning, after Jacobus van Meurs, 1758 - 1829, In a park, a man shows a statue of Liberty to a boy and a girl. The statue is on a pied-à-terre., print maker: Theodoor Koning, (mentioned on object), Jacobus van

On a stage, an actress pierces two sausages which she holds in front of her breast. On the left a statue of the muse of song and dance, Melpomene, and above it a statue of Voltaire with a rod in his hand. In front of the stage a laughing audience

View of a torii with a fox statue on either side, behind which a staircase leading to a temple building, View of the Inari sanctuary in Oji Oji Inari no zu, print maker: Utagawa Toyoharu, (mentioned on object), publisher: Nishimura Yohachi,

Fountain with statue of Fortuna, Jean Lepautre, 1661, At bottom are two naked youths sitting on a dolphin., print maker: Jean Lepautre, Jean Lepautre, publisher: Pierre Mariette (II), (mentioned on object), France, (possibly), 1661, paper,

A monument to the Italian sculptor Antonio Canova. A monument consisting of three layers. The lower layer contains a frieze with clergy and men making a deal. The middle layer shows the Three Graces mourning. On top a statue of the reclining artist,

A doctor writes a prescription standing at a table. An old woman, a man with a clyster and a boy are watching. The patient, a sick woman, is lying in bed. In the interior, a painting hangs on the wall with a pastoral scene. On top of the bar is a

George sinks slightly through his knees at the foot of a statue of Apollo. Behind it flies the fire-breathing dragon. The king stands half erect from his throne, which is placed under a canopy. People are watching all around. In the foreground two

Assassination of Julius Caesar, Bartolomeo Pinelli, 1818, The assassination of Julius Caesar by Brutus and other senators. In the background the statue of Pompey., print maker: Bartolomeo Pinelli, (mentioned on object), Bartolomeo Pinelli,

A man in a spiritual robe is, in a church interior, reading a large book that has been thrown open on a reader with a crucifix. In the background a semicircular chapel with a statue of Mary on the wall, on the left a funerary monument in the wall,

A statue of the goddess Diana stands on a water with the remains of Roman ruins on the bank. Two women bring flowers and fruit to the statue as offerings. In the background on the right a high mountain and a temple, The sacrifice of Diana., print

Equestrian statue of William I, Prince of Orange, at the Noordeinde in The Hague, anonymous, after Alfred Emile O'Hara de Nieuwerkerke, 1845 - 1903, Equestrian statue of William I by Alfred Emile O'Hara De Nieuwerkerke at the Noordeinde in The

The Horatii swear to fight for Rome, Bartolomeo Pinelli, 1817, The father of the Horatii has his three sons, at an altar and in front of a statue of the Lupa Capitolina suckling the twins Romulus and Remus, swear that they will fight for the

Frontispice for the third volume of the album of the Société des Aquafortistes with allegory on beauty and nature and art. A naked woman with a mirror sits on a monumental throne in the shape of a small temple. To the left in front of the throne

On the right a wall panel with a weapon trophy above Hercules fighting the seven-headed monster. Second edition, Atrium with statue of Louis XIV Liure de Cheminées à la Moderne (title series)., print maker: Juan Dolívar, (mentioned on object),

Allegorical performance with female personifications of the four seasons dancing to music made by Father Time. In the foreground on the right a boy with an hourglass, a reference to the passing of time. In the foreground left a naked boy blowing

Cicero sits on a bench with the title of the book and hands a written document to a messenger on the right. On the left a writing woman with scales on her back. In the background a niche with a statue of a goddess and the wolf with Romulus and Remus,

Alcove with variant for right half, Jean Lepautre, 1678, Alcove with a door with dessus-de-porte with figures on the left. The right side is a variant with a statue of a woman on a pedestal., print maker: Jean Lepautre, (mentioned on object),

Soldiers decorate statue of woman with lance and freedom hat with laurel garlands, Johannes Christiaan Bendorp, after Jan Arends, 1796, print maker: Johannes Christiaan Bendorp, (mentioned on object), intermediary draughtsman: Jan Arends,

Statue of the god Bacchus with a young satyr standing behind him, Bacchus with a young satyr Signorum Veterum Icones II (series title), print maker: Jan de Bisschop, (mentioned on object), Michelangelo, (attributed to), Northern Netherlands,

Alcove with soldiers killing man in bed, Jean Lepautre, c. 1665, The wall is decorated with paired Corinthian pilasters, between them is a statue of a man on a pedestal. From series of 6 sheets., print maker: Jean Lepautre, (mentioned on

Abel, Dirk Jurriaan Sluyter, 1826 - 1886, Statue of Abel. On a fire altar next to him lies the lamb., print maker: Dirk Jurriaan Sluyter, (mentioned on object), Amsterdam, 1826 - 1886, paper, etching, engraving, h 176 mm × w 138 mm

Statue of Justitia (Justice) on the front facade of the Stadhuis op de Dam, Hubert Quellinus, after Artus Quellinus (I), 1719 - 1783, Statue of Justitia, the personification of Justice, on the right on the tympanum on the front (east) facade of

Statue of Laurens Jansz. Coster, Johannes George Frans van Arum, after Rombertus Julianus van Arum, after Louis Royer, 1860, Statue of Laurens Jansz. Coster. Surrounding it are a number of allegorical objects, including a globe, a harp, a

On the left is a statue of Mercury. From series of 6 pages, underbody with variant for right half Cheminées a l'Italienne (series title)., print maker: Jean Lepautre, (mentioned on object), Jean Lepautre, publisher: Gérard Jollain (I),

Flora, Johannes van der Kellen, 1862, Statue of Flora with a garland of flowers on her head and in her left hand a horn with flowers and grapes. Near Flora on the pedestal is a lion looking up at her. The image after which this print was made is

Statue de Stenen Roelandt, Caspar Jacobsz. Philips, 1772, Statue de Stenen Roelandt, which is located on the Nieuwezijds Voorburgwal, between the Korte Kolksteeg and the Korte Lijnbaanssteeg, in Amsterdam., print maker: Caspar Jacobsz.

Walking figures, an equestrian statue, trees and a lamppost in Trafalgar Square, London, Trafalgar Square, print maker: Etha Fles, (signed by artist), 1895 - 1910, paper, drypoint, h 159 mm × w 240 mm

Statue of Perseus, Friedrich Wilhelm Burmeister, 1863, A statue of Perseus. The Greek hero is naked and wears the winged helmet of Mercury. In his right hand he holds the hilt of a sword. Next to his left leg is the Aegis, the shield of Athena

Statue of a faun with Bacchus on his shoulders, Cornelis Cort, c. 1570 - c. 1575, A faun stands in a niche and carries the young Bacchus on his shoulders. On the left, a tree stump on which is the skin of a buck and a pan flute., print maker:

Interior of a Japanese Temple, Bernard Picart (workshop of), 1726, View of the interior of a Japanese temple with a huge statue of a saint under a drapery in the center. Along the walls are statues of gods and fabulous creatures. Believers kneel

Statue of Atlas on the rear facade of the City Hall on the Dam, Hubert Quellinus, after Artus Quellinus (I), 1719 - 1783, Statue of Atlas, bearer of the celestial vault containing all stars, constellations and planets, in the center of the

Three men near antique remains and next to a statue on a pedestal. Behind a wall high columns of a ruin. Third print from a series of ten, A statue in front of a ruin Les Soireés de Rome (series title) Roman faces., print maker: Hubert Robert,

A doctor writes a prescription standing at a table. An old woman, a man with a clyster and a boy are watching. The patient, a sick woman, is lying in bed. In the interior, a painting hangs on the wall with a pastoral scene. On top of the bar is a

Images of Chinese gods, Bernard Picart (workshop of), 1726, Sheet with two representations of Chinese gods. Top: Interior of a temple with a statue of the god Vitek. Believers kneel in worship at an altar. On the left, a procession of believers

Statue of Temperantia (Temperance) on the rear façade of the City Hall on Dam Square, Hubert Quellinus, after Artus Quellinus (I), 1719 - 1783, Statue of Temperantia, the personification of Temperance, on the left of the tympanum on the rear

Statue of Gerlach On left and right his name and titles, Statue of Gerlach of Nassau, print maker: anonymous, Schonhofer, (mentioned on object), Germany, (possibly), 1600 - 1699, paper, engraving, etching, h 144 mm × w 94 mm

Statue of Vigilantia (Vigilance) on the rear façade of the Stadhuis on Dam Square, Hubert Quellinus, after Artus Quellinus (I), 1719 - 1783, Statue of Vigilantia, the personification of Vigilance, on the right on the tympanum on the rear

A vestibule with pilasters and doors on either side of a statue in a semicircular niche. Underneath an antechamber with pilasters and a door, flanked by panels with medallions and garlands at the top. Prentntnumber 277., Vestibule in antichamber

The statue of Michiel de Ruyter, as it was erected in Vlissingen in 1841., Statue of Michiel de Ruyter, print maker: Frans Molenaar (1821-1886), (mentioned on object), Frans Molenaar (1821-1886), (attributed to workshop of), Louis Royer,

In the foreground a half-naked man is sitting in a thinking pose on a stone, while behind him is a female figure (Minerva?). In the background a statue of a male figure, Title print with allegorical figures Eaux Fortes Nouvelles, L'Eau Forte and

Alcove with variant for right half, Jean Lepautre, 1678, Alcove with two Corinthian columns on the left with an opening in the wall between them in which a statue stands. On the right, a variant with panels., print maker: Jean Lepautre,

Allegorical representation of the independence of America. Personification of America sitting on throne for which a statue of Freedom is erected. Part of a group of illustrations with small allegories on the political situation in the year 1780,

Unveiling at Amsterdam of the Memorial to the People's Spirit of 1830 and 31, dato 27 Aug.s 1856, anonymous, 1856 - 1858, Official ceremony at the unveiling of the National Monument in honor of the Ten Day Field Campaign 1831 and in memory of the

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