Images at Librifly

search results: Statue clear search

St. John from St. John Lateran's Basilica, Camillo Rusconi, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773, Red chalk on paper, Drawing after statue by Camillo Rusconi of St. John the Baptist from St. John Lateran's Basilica

Hope from the loggia at St. Peter's, Giuseppe Lironi, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773, Red chalk on paper, Drawing after statue by Giuseppe Lironi of Hope, located in the loggia at St. Peter's. The statue is of

St. Francis from façade of S. Silvestro in Capite, Vincenzo Felice, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773, Red chalk on paper, Drawing after the statue by Vincenzo Felice of St. Francis on the façade of S. Silvestro

St. Ignatius Loyola from St. Peter's colonnade, Giovanni Maria de Rossi, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773, Red chalk on paper, Drawing after statue by Giovanni Maria de Rossi of St. Ignatius Loyola on the

St. Mary of Egypt from St. Peter's colonnade, Lazzaro Morelli, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773, Red chalk on paper, Drawing after statue by Lazzaro Morelli of St. Mary of Egypt (S. Maria Egiziaca), located on

St. Balbina from St. Peter's colonnade, Giovanni Maria de Rossi, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773, Red chalk on paper, Drawing after statue by Giovanni Maria de Rossi of St. Balbina on the North Colonnade of St.

St. Clare on façade of S. Silvestro in Capite, Giuseppe Mazzoni, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773, Red chalk on paper, Drawing after statue by Giuseppe Mazzoni of St. Clare on the façade of S. Silvestro in

St. Julian of Antinoe from St. Peter's colonnade, Antonio Gabbani, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773, Red chalk on paper, Drawing after statue by Antonio Gabbani of St. Julian of Antinoe on the North Colonnade of

St. Francis de Sales from St. Peter's colonnade, Paolo Reggiani, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773, Red chalk on paper, Drawing after statue by Paolo Reggiani of St. Francis de Sales on the North Colonnade of St.

St. Francis Borgia (de Borja) from St. Peter's colonnade, Vincenzo Mariotti, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773, Red chalk on paper, Drawing after statue by Vicenzo Mariotti of St. Francis Borgia (de Borja) on the

St. Nicholas of Tolentino from St. Peter's colonnade, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773, Nicola Artusi, Red chalk on paper, Drawing after statue by Nicola Artusi of St. Nicholas of Tolentino on North Colonnade of

St. Nicholas of Bari from colonnade of St. Peter's, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773, Fabio Canusi, Red chalk on paper, Drawing after statue by Fabio Canusi of St. Nicholas of Bari (S. Nicola da Bari) He extends

St. Stephen from façade of S. Silvestro in Capite, Michelangelo Borgognone, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773, Red chalk on paper, Drawing after statue by Michelangelo Borgognone of St. Stephen on the façade of

St. Bernard from St. Peter's colonnade, Lazzaro Morelli, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773, Red chalk on paper, Drawing after statue by Lazzaro Morelli of St. Bernard (S. Bernardo), located on the Noth Colonnade

St. Lucy from St. Peter's colonnade, Giovanni Maria de Rossi, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773, Red chalk on paper, Drawing after a statue by Giovanni Maria De Rossi of St. Lucy on the North Colonnade of St.

Niche with statue, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773, Red chalk on paper, Two columns support a pediment with a frieze. Below this is another frieze. Within this structure is a smaller niche that houses a statue.,

Tammany Hall at 14th Street, Collodion prints mounted on yellow cardboard, View of the building seen from across the street. Depicts a three story building, the roof surmounted by an elaborate niche containing a statue., Europe, 1875,

Head of Apollo, Giuseppe Longhi, Italian, 1766–1831, Color pencil on cream paper, Drawing of the head of Apollo, the Greek and Roman god of the sun, light, music, prophecy, healing, and poetry, from a classical statue. His head,

Rooftops, Rome, Italy, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite on cardboard, A view looking down upon houses. Roofs are shown in the left and right foreground, probably of houses flanking the street which

Design for a surtout de table (Centerpiece), Pen and ink on paper, A fountain ensemble, with a statue of female goddess at the center, surrounded by a circle of six dancing nymphs connected with flowering garlands, flanked by two domed,

Half-tone Engraving: How to Obtain a Patent, Copp & Co. Patent Attorneys, Washington, D.C., James Henry Moser, Canadian, 1854–1913, Halftone engraving in black ink on paper, At top, on a banner across a shield: HOW TO OBTAIN / A PATENT.

Wall Elevation, Frederick Crace, English, 1779–1859, Pen and black ink, brush and blue and yellow washes on wove paper, Side wall with paneled door center, marble pilasters either side, window far right, statue in a niche at left.,

Egyptian Antiquities, Romolo Achille Liverani, Italian, 1809 - 1872, Alessandro Sanquirico, Italian, 1777 - 1849, Pen and black ink, brush and watercolor, graphite on paper, Horizontal rectangle. Three colorful capitals in Egyptian style,

Design for the Elevation of an Altar, Pen and ink, brush and bistre wash, black chalk on laid paper, Vertical rectangle. The mensa of the altar is not shown; elevation is flanked by slit volutes. The central part of the retable consists of a

Ship's Figurehead of Benjamin Franklin, Frederic Edwin Church, American, 1826–1900, Graphite on paper, Ship's figurehead, a full-length statue of Benjamin Franklin, lying in a sandy bank with scrub growth., USA, 1854, figures, Drawing,

Stage Design, Portico with Monument, Pen and brown ink, brown wash, traces of graphite on off-white laid paper, Vertical rectangle. Portico with statue against garden background. Only half the setting is shown., Italy, early 19th century,

Project for a tabernacle, Filippo Marchionni, Italian, 1732–1805, Black chalk, pen, brush, ink and gray watercolor on paper, Vertical composition of a tabernacle. Top: The elevation of the facade of a church with a dome. Below is a dado,

Studies from a Bridge in Florence, Italy, Walter Shirlaw, American, b. Scotland, 1838–1909, Black crayon on cream laid paper, The central part of one railing is obliquely shown. A niche with a statue rises over a double row of balusters.

Fountain, Pen and brown ink, brush and brown wash on off-white lined paper, lined, A niche with pilasters framed a statue (Flora?) who stand upon a pedestal. Below, water flows from a mask, and two conch shells held by mermen. A basin supported

Calendrier Perpétual, Brush and watercolor over engraving on light blue laid paper, Engraving of a perpetual calendar in the form of a monument within a decorative border. The calendar is hand colored with shades of beige, gold, blue.

Exterior of Westminster Hall, Ernest Clifford Peixotto, American, 1869–1940, Charles Scribner's Sons, New York, New York, USA, Brush and grey watercolor, white gouache on cream wove paper, The entrance to the palace, left. At right,

Sketches and Script, Carlo Marchionni, Italian, 1702–1786, Pen and black ink on laid paper, Two sketches of a door with a niche in the upper floor. The latter is framed in rectangle and has a shell above. One sketch gives the measurements for

Study of man, woman and child heads, sitting child, Giovanni Battista Naldini, Italian, 1537 - 1591, Red chalk on light brown paper, At left above is the man’s head turned toward the right. In the center is the child upright sitting as in a

Antique Female Statue, Felice Giani, Italian, 1758–1823, Pen and ink, brush and sepia wash over traces of graphite on cream paper, Shown at oblique angel, turned left. Lowered left hand holds corner of dress. Lowered right hand holds paper

Four Grotesque Candelabrum, Red chalk, incised lines on paper, Five stripes had been prepared with incised lines. First stripe, at left: a terminus stands at the bottom; an ovoidal medallion with a lying woman is over it. A harpy, two figures

Frieze, Block-printed on handmade paper, Square of paper. Architectural construction suggestive of a temple of classical antiquity, with statue of Jupiter in the center., France, 1785–90, Wallcoverings, Frieze

Section of a Villa, Pen and black ink, brush and rose, blue, black and gray watercolor on paper, Section of a villa with three rooms. Steps lead to the front and rear entrances of the main floor. The frame is in the rear of a portico and leads

Saint Paul Preaching at Athens, Marc Antonio Raimondi, Italian, 1483 – 1527, Raphael, (Italian, 1483–1520), Engraving on paper, St. Paul, with his hands raised, stands on steps at the left. In back, three men listening, stand also on

Stage Design, Interior of Temple, Pen and brown ink, brush and sepia wash on paper, Horizontal rectangle. Inside of temple in antique style. Statue of goddess on pedestal in foreground at right. Openings between columns closed by hangings.,

Project for an altar, Robert Mylne, Scottish, 1734 – 1811, Pen and ink, brush, sepia, gray watercolor on paper, The mensa stands upon steps, in the interval of two pairs of columns, supporting the entablature and the pediment. Between the

Arabesque Panel, Pen and brown ink, brush and brown wash, white gouache on white laid paper, The design springs from two seated female figures with a vase between them, from which rises a column supporting prancing horses. Above, a relief panel

Design for a Candlestick, Luigi Righetti, Italian, 1780 - 1819, Pen and ink, brush and watercolor, graphite on paper, Vertical rectangle. Design for a candlestick intended to be executed in gilded and green bronze and white and colored marble.

Landscape View, Pen and ink, brush and wash on paper, Landscape. Building partially concealed by trees. Statue of sphinx., France and Italy, 1750–1825, landscapes, Drawing, Drawing

Design for Pedestal with 'Winged Victory' Statue Atop, A.N. Davenport Co., Pen and black ink on thin cream laid paper, 1900–05, furniture, Drawing, Drawing

Drawing, Brush and brown wash, pen and ink on paper, Title page. Two pairs of columns on either end with a statue standing between each pair. Elaborate column tops with a detailed relief frieze above. At center top, three winged putti flying

Three Studies of Man in a Habit, Arnold William Brunner, American, 1857–1925, Graphite and white heightening on grey-blue paper, Probably for a cast or statue – three studies of bust of man in a hood. Two bust on left face right, upper

Six Theseus Subjects for the Palazzo Gaddi, Forli, Felice Giani, Italian, 1758–1823, Pen and ink, brush and grey watercolor wash over black chalk on paper, Six octagonal drawings of Theseus subjects. Written top left, 'Camera di/ compagnia/

Portrait of Captain Thomas Coram (1668-1751), William Nutter, British, 1754 - 1802, William Hogarth, English, 1697 - 1764, Robert Cribb, British, Stipple engraving with etching on paper, He is seated and holds in his right hand a metal,

Hygeia, after an Antique Statue in Giustiniani Collection, Rome, Felice Giani, Italian, 1758–1823, Pen and ink, brush and bistre wash, traces of graphite on laid paper, Woman seated upon rock, raises her right hand with device. Coiling

Section of a Parliament Building or Academy, Pen and black ink, brush and gray and pink wash, black chalk on paper, Section a horizontal building. The vaulted assembly room is at the right. The vaulted ceiling is decorated with figures and

Salon, with Oriental carpet and grand piano, McMillen, Inc., Brush and gouache on cream wove paper, Maquette for salon with Oriental carpet, piano, green upholstered chairs, a fireplace, a couch; marble statue with gold snake., New York,

Ruins with Vase, Herm, and Colonnade, Louis-Joseph Le Lorrain, French, 1715–1759, Brush and gray wash, black chalk on paper with additions across upper and lower margin, lined with cardboard and border of blue paper, Ruins of a temple

Wall Decoration for Cosimo III de' Medici, Giovanni Battista Foggini, 1652 – 1725, Pen and brown ink, brush and watercolor, black chalk, graphite on white laid paper, Vertical rectangle. Statue of the armoured king, galloping to the left

Design for Fountain with Coat of Arms and Equestrian Statue, François de Cuvilliés the younger, German, 1731 - 1777, François de Cuvilliés the younger, German, 1731 - 1777, François de Cuvilliés the younger, German, 1731 - 1777,

Design for a Garden Parterre of Cut Grass and Colored Gravel, from Nouveaux Livre de Parterres (New Book of Garden Beds) from Oeuvres du Sr. Marot, Daniel Marot, French, active in the Netherlands and England, 1661–1752, Pierre Husson,

Garden Pavilion, Cut paper on wood frame, Magic lantern slide, optical toy. On black field, garden pavilion on high basement; six blue columns in main story, with female statue on pedestal in center intercolumniation. Attic story crowned with

Park with Fountain and Statue, Hubert Robert, French, 1733 – 1808, Red crayon on paper, In an exterior park or garden, a curved colonnaded wall at left, a large fountain at center, and a sculpture of a woman at left. In the middleground,

Decorative panel, Jules Desfossé, French, active 1851 - 1863, Block-printed paper, Statue of an infant, standing on vine-covered pedestal, supporting a basket of vining flowers., Paris, France, 1856–57, Wallcoverings, Decorative panel

Textile, Medium: cotton Technique: block printed on plain weave, Design shows diamond shaped frame with pseudo-Egyptian hieroglyphics and figures in medallions. Three pseudo-Egyptian animal gods appear within the diamond shapes. The colors –

Elevation of a Temporary Trumphal Arch, Nicolas Jean-Baptiste de Poilly, French, 1712–after 1758, Antoine Hérisset, French, 1685 - 1769, Charles André Tramblin, French, active mid-18th century, Joseph Labbé, Etching with engraved

Study of a Statue, or Cast, Arnold William Brunner, American, 1857–1925, Graphite on light brown paper, Sculpture, nude man reclining to left, over a sword—possibly a study of The Dying Gual., USA, 1878, figures, Drawing, Drawing

Sepulchral Monument, Pen and brown ink, brush and gray wash on paper, Design for a sepulchral monument. Elevation view. Staircases lead up to a platform in the center of which stands a sarcophagus upon a pedestal supported by winged skulls. A

Nine Circular Compositions with Diety Subject Matter, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash on cream laid paper, Nine compositions: 1. chariot of victory holding mace in right hand. Coliseum shown in rear.

Britannia, Block printed on handmade paper, Pillar and arch design. 'Britannia' enthroned amidst Corinthian columns, arches and urns. Corinthian columns support alternatively large and small arches. An urn on a pedestal beneath each of the smaller

Britannia, Mills & Co./Hartford, 1793, Block printed on handmade paper, a) Corinthian columns support alternatively large and small arches. An urn on pedestal beneath each of smaller arches. In larger arches: Concave colonade of doric columns

Stage Design: Palace Architecture with Trophies, Pen and bistre on laid paper, Vertical rectangle showing quarter section of palace interior richly decorated with pilaster, pedestals, sculptures, trophies and flags. In the background is a statue

Architectural Interior Elements; Verso: Anatomical Studies, Felice Giani, Italian, 1758–1823, Pen and ink over traces of graphite on laid paper, Three studies of ceilings with grotesques; five studies of moldings; study of partition with

Portrait of Jean-Balthasar Keller, Pierre Drevet, 1663 - 1738, Etching on paper in black ink, Keller stands in front of the foundry. His right hand rests on a gun; with his left he points to the equestrian statue of Louis XIV, another work by

Troisieme Livre de Cartouches, Jacques de Lajoüe, French, 1687–1761, Gabriel Huquier, French, 1695–1772, Gabriel Huquier, French, 1695–1772, Engraving on white laid paper, Title page cartouche in which is written: TROISIEME/LIVRE de

Wall with Fountain and Buffet, Livre de Lambris (Book of Wainscoting), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Carl Albert von Lespilliez, German, 1723 - 1796, François de Cuvilliés the Elder, Belgian,

Cartouche with a Colonade and a Statue, Pierre Edme Babel, French, ca. 1720-1775, Pierre Edme Babel, French, ca. 1720-1775, Jacques Chéreau, French, 1688–1776, Etching and engraving on off-white laid paper, Cartouche with winged putti

Cartouche with Trophies, a Statue and a Pyramid, Pierre Edme Babel, French, ca. 1720-1775, Pierre Edme Babel, French, ca. 1720-1775, Jacques Chéreau, French, 1688–1776, Etching on off-white laid paper, Cartouche design with trophies,

Design for a Marble Throne for the Statue of St. Peter, St. Peter's, Rome, Luigi Vanvitelli, Italian, 1700 – 1773, Pen and brown ink, graphite on cream laid paper, Design for a marble throne for the Statue of St. Peter at St. Peter's

Sculpture Gallery: Project for the Decoration of a Hall in a Palace during the Reign of the Emperor Napoleon as King of Italy, Black chalk on white laid paper, Design for a sculpture gallery. At right, is a section of a wall with windows. Pillars

Recto: Christ healing paralytics near the pool of Bethesda; Verso, above: Mercury, patron of travellers; Verso, below: studies of a man near an open door, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and ink, brush and

Set Design for Scene 3, 'La Vita Humana overo, ' from 'Il Trionfo della Pieta', Giovanni Battista Galestruzzi, Italian, 1615 – 1669, Giovanni Francesco Grimaldi, Italian, 1606 – 1680, Etching on off-white laid paper, A set design for an

Place Vendôme During the Fair of Saint-Ovide, Paris, Hand-colored etching on paper, For a peep show. Horizontal rectangle. The statue of Louis XIV is flanked by rows of two wooden huts each. That in front at left houses at the front the 'JEU/DU

Project for a painted ceiling, Flaminio Innocenzi Minozzi, Italian, 1735 – 1817, Brush and gray and brown wash, pen and ink, on paper., One quarter is shown. An entablature is shown from below. Above its front rise the balustrades of upper

Handscreen, Engraved, hand-colored and painted paper leaf, turned wood handle, Obverse: palace gardens with carriages, pedestrians, and large equestrian statue in center, surrounded by scrolling border. Reverse: tributes to Louis XV,

Study of Mark Anthony from a Statue, Daniel Huntington, American, 1816–1906, Graphite Support: white wove paper, Rome, Italy, USA, 1840, figures, Drawing, Drawing

Design for a Fountain, Pen and black ink, brush and gray wash, traces of graphite on off-white laid paper, A statue of Diana within a decorated niche. Water pours from a mask at the columnar support upon boulders. At bottom, a plan., Italy,

Project for a monument for Foro Bonaparte, Milan, 1800, Felice Giani, Italian, 1758–1823, Pencil, pen, and black ink; gray wash watercolor. Paper., Vertical rectangle. Very large. Steps lead to the round base, the lower part of which is

Antique Ruins with Figures Contemplating, Pen and ink, brush and wash on paper, Horizontal rectangle. Partially ruined temple with columns on left and large niche at the back containing fountain with statue of Neptune (Poseidon) with raised

Whale Hunt by the Emperor Claudius in the harbour at Ostia, pl. 19 in the Venationes Ferarum, Avium, Piscium series, Adriaen Collaert, Flemish, ca. 1560 – 1618, Philips Galle, Flemish, 1537 - 1612, Jan van der Straet, called Stradanus,

Design for a wall fountain, Izabel M. Coles, American, 1890 - 1964, Black ink and watercolors on paper, Design for a wall fountain set in a niche, composed of a herm blowing paired pipes, with jets of water issuing from green frogs at the base

Sketchbook Page: Statue on Pedestal, Kenyon Cox, American, 1856–1919, Graphite on laid paper, Sketch of a sculpture of a standing figure on a pedestal., Paris, France, 1877–78, albums (bound) & books, Sketchbook folio, Sketchbook

Sketchbook Page: Statue on Pedestal, Kenyon Cox, American, 1856–1919, Graphite on laid paper, Recto: Sculpture of a figure on a pedestal, with urn and trees in background., Verso: Bust of nude woman, gazing toward the left., Paris,

Sketchbook Page: Classical Statue, Kenyon Cox, American, 1856–1919, Pen and brown ink, graphite on paper, Sketch of classical statue of nude female figure, missing legs below knees, arms, and head., USA, 1883, albums (bound) & books,

Sketchbook Page: Classical Statue, Kenyon Cox, American, 1856–1919, Graphite on paper, Recto: Sketch of classical statue of nude female figure from rear, missing arms, head, and legs below knee., Verso: Beginning of the draft of a letter

Elevation of a Fountain, Pen and black ink, brush and watercolor, traces of graphite, off-white laid paper, A statue of Diana stands on a richly decorated niche. Water flows from a mask on the column below onto rocks, a snake, duck and plants.

Design for a loggia, Lead pencil, pen and ink, bistre on paper, On top, the elevation. Part of the left half only is outlined. Bottom: the plan, scheme of a triumphal arch. A Palladian arch with two rows of three columns each, and with

The elevation of a tower-like structure for a firework at the feast of St. Rosalia in Palermo, Pencil with grey and black brush on paper, Vertical composition of a tower-like structure. A dado is at the bottom with sprial-shaped candelabra and

Stage Design: Garden Scene with a Fountain, Part V, Plate 8, 'Architettura e Prospettive, ' Augsburg, Giuseppe Galli Bibiena, Italian, 1696–1756, Johann Andréas Pfeffel, German, 1674–1748, Etching with engraving in black ink on white

Project for a Sepulchral Monument, Pen and ink, brush and watercolor on paper, Vertical rectangle. Retable scheme. Below are a base and a dado. A sarcophagus with the tablet for the inscription between its legs stands below in the center of the

Architectural Fantasy: Temple of Athena Interior, Pen and black ink, gray wash and white gouache over pencil on laid paper, Flights of stairs lead downwards to the transept from a hall at left and from the apse at right. The design of the center

Palace of Electricity, St. Louis World's Fair', James E. Blake Co., Metal, Oblong, with ornate curved sides, cinched where lid meets box body, featuring raised horizontal decoration depicting large pavillion-like building, inscribed 'St.

Design for a fan: Worship of Venus by Art, Pencil, pen and ink, brown wash, Before a classic portico, a female figure with the attributes of the Visual Arts kneels in adoration before a statue of Venus. Cupid flies above. Other figures,

Commemorative textile, Material: cotton Technique: plain weave, Commemorative fabric celebrating the Columbian Exposition of 1892–93 in Chicago. Vertical pink stripes have elaborate laurel wreaths with ribbons that contain portraits of George

Fan leaves, Eighth and ninth plates of the set, 'Divers Desseins de grands Eventails, Encrans, et autres Ornamens, inventés et gravés par Nicolas Loire', Alexis Loir, French, 1640 - 1713, Nicolas Loir, French, 1624 - 1679, Etching,

Textile, Medium: cotton Technique: printed by engraved copper plate on plain weave, Copper plate print. Design shows statue of Jeanne d' Arc in wreath of asters and bay leaves against background of red stripes with stars. Cotton printed in dark

search results: Statue clear search