Images at Librifly

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Semi-circular Council Chamber Dedicated to Nature with Alternate Suggestions, Unknown, Pen and gray ink, graphite, gray, rose wash, Statue of Nature stands behind a burning brazier. Behind, a niche simulating the interior of a tent, with an

Decorative panel, Jules Desfossé, French, active 1851 - 1863, Block-printed paper, Statue of an infant or putti standing on vine-covered pedestal, supporting a basket of vining flowers., Paris, France, 1856–57, Wallcoverings, Decorative

Project: The elevation of an altar, Black chalk, pen, ink, brush and bistre on paper, Vertical composition with the elevation of an altar. Three steps lead to the mensa in the center of a dado. A niche with triangular pediment forms the central

Sepulchral Chamber, Pen and black ink, brush and watercolor, gouache, graphite on paper, lined, The sheet depicts an interior of a cross-shaped space with an open skylight. The interior is viewed through the entrance into the space. Inside,

The Catologue of the artist's work (Table of Contents of the Vedute di Roma), Giovanni Battista Piranesi, Italian, 1720–1778, Etching, Unrecorded; Hind, p. 6 (14). Arranged like a bulletin board with lists, beginning 'Antichita Romane'

St. Peter's Basilica from the Pincio, Rome, Frederic Edwin Church, American, 1826–1900, Brush and oil, graphite on thin cream paperboard, A statue with the figure of a woman is supported by a column, the lower part of which sticks in the

Sidewall, Block-printed, Grisaille paper, white and black pattern on gray. Full repeat not included in fragment. Ruins, fragments of walls, pedestals topped by classical urns and draped statue, in background (not complete) bridge (?) support by

The Statute Law, Study for Right Panel of 'The Reign of Law, ' Frieze for Appellate Court, New York, Kenyon Cox, American, 1856–1919, Brush and brown wash, red-brown pastel, graphite on canvas, The central alleogrical figure represents The

Elevation of a Country Villa, Pen and black ink, brush and rose, brown and blue watercolor, black wash, with black chalk indications on paper, Elevation of a free standing villa. The central part of the building has two stories, the upper one

Architectural Fantasy with Fountain and Obelisk, Louis-Joseph Le Lorrain, French, 1715–1759, Black chalk, brush and gray wash on off-white laid paper, A fountain, an obelisk, and a statue of a horse are shown against parts of a colonnade.

Design for Tapestry, Charles-Nicolas Cochin the elder, French, 1688 - 1754, Gilles-Marie Oppenord, French, 1672–1742, Etching on paper, A lofty central arch is flanked by two lower and narrower ones. A statue of Venus holding an apple

Cartouche with a Statue of Mercury, Pierre Edme Babel, French, ca. 1720-1775, Pierre Edme Babel, French, ca. 1720-1775, Jacques Chéreau, French, 1688–1776, Etching on off-white laid paper, Cartouche design with a statue of Mercury,

Pavilion in a park, Pen and brown ink with gray wash and traces of graphite on off-white laid paper, Vertical rectangle. The pavilion has the general shape of a triumphal arch, with one entrance on each side. The central room has a circular

Decorative panel, Jules Desfossé, French, active 1851 - 1863, Block-printed paper, Statue of an infant, standing on vine-covered pedestal, supporting a basket of vining flowers., Paris, France, 1856–57, Wallcoverings, Decorative panel

Antique Statue of a Priestess, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and sepia wash on off white laid paper, Figure shown walking toward right while holding something in his left hand., Italy, ca. 1820, figures,

Cartouche with Trophies, a Pyramid and a Statue, Pierre Edme Babel, French, ca. 1720-1775, Pierre Edme Babel, French, ca. 1720-1775, Jacques Chéreau, French, 1688–1776, Etching on off-white laid paper, Cartouche decorated with symbols

Parthenon and Erectheion, Athens, Frederic Edwin Church, American, 1826–1900, Graphite on green-gray paper, Horizontal view of the west side of the Parthenon in the right middleground; the southern side of the Erechtheion in the center;

Bacchanalian Scene, Johann Sebastian Bach, German, 1685 - 1750, Pen and grey ink, brush and grey, green, and pink watercolor washes on off-white laid paper, with watermark of Fleur-de-lis in a shield surmounted by a crown. (Probably Dutch

Design for Equestrian Monument of Charles III, Pen and brown ink, brush and blue-gray watercolor on cream laid paper, Design for an equestrian monument of Charles III. The male figure seated upon his horse, whose front legs are raised and hind

Wood Engraving. Vignette., Engraving and Etching, Statue of the seated Athene., Europe and USA, 1800–1830, Wood Engraving. Vignette

Design with Minerva under an Arch, Red chalk on paper, The statue and the right of the ornamentation is shown. The architecture is of stone. A canopy hangs over the statue. A putto holds the ends of a bowknot to which a trophy is fastened, in

Section of a Vestibule, Pen and ink, brush and watercolor on paper, The entrance is at left. Two folding doors flank a niche in which a statue of a classical woman stands. In oblong panel, with a rinceau beside a medallion serves as a frieze.,

Worship of Venus in a Classical Landscape, Felice Giani, Italian, 1758–1823, Pen and black ink, brush and brown wash, graphite on cream laid paper, A statue of Venus is shown in profile at right. A man carrying a child points to it; he

Sheets of Studies after Bolognese Monuments, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash, black chalk on paper, Sheet of studies of sculptures and architectural fragments. It shows ten fragments of monuments,

Unfinished cartoon for cotton printing: Unidentified subject, B. M. Lebert, 1759–1836, Hartmann et Fils, (Munster, France), Pen and grey washes on cream-colored paper (mounted), The design for a textile shows three scenes from an

Monuments de Paris, Hippolyte Le Bas, (French, 1782–1867), Leisner, 1787 – 1857, Oberkampf & Cie., (Jouy-en-Josas, France, 1759–1815), Medium: cotton Technique: printed by engraved roller on plain weave, Design in pale brown on white

Fragment, Medium: cotton Technique:printed by engraved copper plate on plain weave, Scene of Cupid with woman with wings on her head holding a lyre; scene of woman kneeling before a statue of Cupid, scene of Cupid tying the hands of a woman and

Jeanne d'Arc, Charles Abraham Chasselat, (French, 1782–1843), Hartmann et Fils, (Munster, France), Medium: cotton Technique: printed by engraved copper plate on plain weave, Cotton, plate-printed in red; six scenes from the life and

Decorative panel, Jules Desfossé, French, active 1851 - 1863, Block-printed paper, Statue of an infant, standing on vine-covered pedestal with a burgundy cameo in the base. Putto is facing right, supporting a basket of vining flowers. Printed

Ceiling of Cabinet dedicated to Peace, Palazzo Quirinale, Rome, Felice Giani, Italian, 1758–1823, Pen and dark gray ink, brush and gray wash over black chalk ruled lines on light greenish-beige wove paper. Support: light greenish-beige wove

Decorative panel, Jules Desfossé, French, active 1851 - 1863, Block-printed paper, Statue of an infant, standing on vine-covered pedestal with burgundy cameo in base. Putti is facing left, supporting a basket of vining flowers. Gold

Decorative panel, Jules Desfossé, French, active 1851 - 1863, Block-printed paper, Statue of an infant, standing on vine-covered pedestal with a burgundy and lavender cameo in base. Putti is facing left, supporting a basket of vining flowers.

The Sense of Smell, François-Thomas Mondon, French, ca. 1709 – 1755, Etching, brush and watercolor on paper, At left a woman and a kneeling man are amelling flowers taken from a basket which he holds. A shepherdess stands at right,

The Worship of Amor Vincitor, Felice Giani, Italian, 1758–1823, Pen and black ink, brush and brown wash, graphite on cream laid paper, The statue of Amor Vincitor is shown in the right center. A girl lies at its foot, a young man leans upon

Decorative panel, Jules Desfossé, French, active 1851 - 1863, Block-printed on machine-made paper, Statue of an infant, standing on vine-covered pedestal with burgundy cameo in base. Putti is facing right, supporting a basket of vining

The Death of Julius Caesar, Pen and black ink, gray, red, and yellow wash on white laid paper, laid down, Brutus stands in profile in the right foreground over the dying Caesar to his left. Caesar shields his head with his tunic and lies before

Decorative panel, Jules Desfossé, French, active 1851 - 1863, Block-printed paper, Statue of an infant, standing on vine-covered pedestal with a burgundy and tan cameo in base. Putto is facing right, supporting a basket of vining flowers.

Decorative panel, Jules Desfossé, French, active 1851 - 1863, Block-printed paper, Statue of an infant standing on a vine-covered pedestal with a burgundy cameo in base. Putti faces left, supporting a basket of flowers. Printed on a

Monuments of Paris, Hippolyte Lebas, Leisner, 1787 – 1857, Oberkampf & Cie., (Jouy-en-Josas, France, 1759–1815), Medium: cotton Technique: mordant for red printed by engraved plate, yellow added by brush, Circular and oval medallions

Venetian Architecture Capriccio with the Colleoni by Andrea Verrochio, Felice Giani, Italian, 1758–1823, Black chalk with traces of graphite on laid paper, Very high somewhat altered monument of Colleoni, seen from right corner of back with

Design of Wall Decoration and Equestrian Monument for Law Courts, Naples, Italy, Giovanni Battista Natali III, Italian, 1698 - 1765, Pen and black ink, brush and gray wash, graphite on ivory paper, Design of wall decoration and monument

Le Romain, Jean-Baptiste Marie Huet, (French, 1745–1811), Medium: cotton Technique: printed by engraved roller and block on plain weave, Scenes of Rome printed in purple and yellow. The scenes shown are the Pantheon, Arch of Constantine,

Monumens de Paris, Hippolyte Le Bas, (French, 1782–1867), Leisner, 1787 – 1857, Medium: cotton Technique: printed by engraved roller on plain weave, Four familiar scenes of Paris; statue of Henri IV on Pont Neuf, the Fountain of the

Waistcoat, Medium: silk, metallic thread, metal paillettes and sequins, painted details Technique: embroidered in couched, satin, stem, and knot stitches on taffeta, printed appliqués on 5-harness satin, Gentleman's waistcoat of white

BARROW. ENGRAVED BY W. ROFFE, FROM THE STATUE BY M. NOBLE. LONDON, JAMES S. VIRTUE

THE ARTIST (N° 11.). STATUE OF COUNT FRÉDERIC OF HEROD by G. Geefs. Lithographed by van der haert. Lith. by Dewasme, Edit

H. THIRIAT.SC. JEAN COUSIN CHAPU SCULP. E. FROMENT. Statue of Jean Cousin, in Sens (Yonne), by Chapu

Recumbent lion, Bertel Thorvaldsen, 1770-1844, No earlier than May 1825, Sculpture, Statue, Throughout the ages, the lion has often been used in art as a symbolical guardian of one thing or another. This lion was originally created in order to

George Gordon Byron, Bertel Thorvaldsen, 1770-1844, May 1831, Sculpture, Statue, Childe Harold is what is written on the book, and this identifies the man. Containing certain autobiographical features spanning the years 1812-18, Child

Angel, Bertel Thorvaldsen, 1770-1844, December 1830, Sculpture, Statue, Cast, Height 141.5 cm, Sculpture, European, Modernity (1800 - 1914

Christian IV, Bertel Thorvaldsen, 1770-1844, No earlier than January 18, 1840 - No earlier than April 30, 1840, Sculpture, Statue, Cast, Height 212.3 cm, Sculpture, European, Modernity (1800 - 1914

Włodzimierz Potocki, Bertel Thorvaldsen, 1770-1844, June 1821 - October 1821, Sculpture, Statue, Cast, Height 215.2 cm, Sculpture, European, Modernity (1800 - 1914

Eugène de Beauharnais, Bertel Thorvaldsen, 1770-1844, 1827, Sculpture, Statue, Monument to the Duke of Leuchtenberg Eugène de Beauharnais. Erected in marble on the Duke’s tomb in St. Michael’s Church in Munich in 1830. Eugène de

Jelizaveta Aleksejevna Osterman-Tolstaja, Bertel Thorvaldsen, 1770-1844, 1863, Sculpture, Statue, The countess visited Rome in 1815, there commissioning a full-length portrait statue in marble from Thorvaldsen. Carved, Height 138 cm,

Maria Fjodorovna Barjatinskaja, Bertel Thorvaldsen, 1770-1844, Presumably no earlier than 1821 - 1825, Sculpture, Statue, The Russian Princess Maria Barjatinskaja (1793-1858) came to Rome in 1818 with her husband. On his wish she was modelled

Dancing Girl, Bertel Thorvaldsen, 1770-1844, July 5, 1817, Sculpture, Statue, Cast, Height 175.5 cm, Sculpture, European, Modernity (1800 - 1914), Italy, Lazio, Rome

Psyche, Bertel Thorvaldsen, 1770-1844, No earlier than September 1806 - No later than November 1806, Sculpture, Statue, Cast, Height 131.7 cm, Sculpture, European, Modernity (1800 - 1914

Hebe, Bertel Thorvaldsen, 1770-1844, 1816, Sculpture, Statue, Cast, Height 153 cm, Sculpture, European, Modernity (1800 - 1914

Goddess of Hope, Bertel Thorvaldsen, 1770-1844, End of 1817, Sculpture, Statue, Cast, Height 160.8 cm, Sculpture, European, Modernity (1800 - 1914

Roman warrior, Bertel Thorvaldsen, 1770-1844, No earlier than November 1821 - No later than October 1822, Sculpture, Statue, Cast, Height 194 cm, Sculpture, European, Modernity (1800 - 1914

Seated Jew, Bertel Thorvaldsen, 1770-1844, No earlier than November 1821 - No later than October 1822, Sculpture, Statue, Cast, Height 143 cm, Sculpture, European, Modernity (1800 - 1914

Friedrich Schiller, Bertel Thorvaldsen, 1770-1844, No later than September 9, 1836, Sculpture, Statue, Schiller is regarded as one of the greatest classical German poets. He was born in what is today known as the State of Baden-Württemberg,

Bertel Thorvaldsen with the Goddess of Hope, Bertel Thorvaldsen, 1770-1844, 1859, Sculpture, Statue, Thorvaldsen has chosen to portray himself in a work situation. We see him engaged on completing The Goddess of Hope, on which he is leaning.

Matthew, Bertel Thorvaldsen, 1770-1844, No earlier than March 19, 1821 - End of 1821, Sculpture, Statue, Cast, Height 239.5 cm, Sculpture, European, Modernity (1800 - 1914), Luigi Bienaim

Hebe, Bertel Thorvaldsen, 1770-1844, 1816 - Presumably 1820, Sculpture, Statue, It is the duty of the goddess of youth to pour the draught of immortality for the other gods. So she has been given the task of administering and distributing some

John, Bertel Thorvaldsen, 1770-1844, Beginning of 1824 - No later than 1827, Sculpture, Statue, Cast, Height 242 cm, Sculpture, European, Modernity (1800 - 1914), Italy, Lazio, Rome, Nicolò Marchett

Philip, Bertel Thorvaldsen, 1770-1844, 1823 - No later than 1827, Sculpture, Statue, Cast, Height 234.5 cm, Sculpture, European, Modernity (1800 - 1914), Italy, Lazio, Rome, Ferdinand Pettrich

Thomas, Bertel Thorvaldsen, 1770-1844, No earlier than March 19, 1821 - End of 1821, Sculpture, Statue, Cast, Height 240.5 cm, Sculpture, European, Modernity (1800 - 1914), Giuseppe Tenerani

James the Greater, Bertel Thorvaldsen, 1770-1844, No earlier than March 19, 1821 - End of 1821, Sculpture, Statue, Cast, Height 238 cm, Sculpture, European, Modernity (1800 - 1914), Nicolò Marchett

Goddess of Peace, Bertel Thorvaldsen, 1770-1844, Ca. 1811, Drawing, Paper, Color, Chalk, Carbonpencil, Color, Graphite, Drawn, Height 150 mm, Width 108 mm, Recto: Raccolta, di Statue e Bassirilievi, sculp. [overstreget] invitata [sic]

Sepulchral monument with a statue of the Genius of Death, Bertel Thorvaldsen, 1770-1844, 1800s, Drawing, Paper, Color, Ink, Color, Graphite, Drawn, Height 136 mm, Width 101 mm, Draftsmanship, Drawing, European, Modernity (1800 - 1914

Frieze with Apollo. The Graces and the Muses. Socrates at Work on His Statue of the Three Graces, Bertel Thorvaldsen, 1770-1844, Ca. 1843, Drawing, Paper, Color, Chalk, Carbonpencil, Drawn, Height 214 mm, Width 314 mm, [Regnskab:]

Minerva Adds a Soul to the Human Being Created by Prometheus, Bertel Thorvaldsen, 1770-1844, 1807 - 1808, Drawing, A naked Prometheus has just created Man in clay. The goddess Minerva complete with peplos and cloak, helmet and spear, is

Józef Poniatowski, Assemble Instruction for the Statue, 1829, Drawing, Paper, Color, Ink, Color, Graphite, Color-washed, Drawn, Height 145 mm, Width 157 mm, Lecheval, en 6. Morceaux, 1, 2, 3, 6, 5, 1, 2, 3, 4, 5, 6, La

Pavilion to Thorvaldsen at Skovgaard, Ground Plan, Elevation and Section, Gottlieb Bindesbøll, 1800-1856, No earlier than October 1, 1839, Drawing, Architectural Drawing, Paper, Color, Watercolor, Color, Graphite, Painted, Drawn,

Marcus Aurelius' Equestrian Statue, Gottlieb Bindesbøll, 1800-1856, 1836 - 1838, Book, Sketchbook, Sketchbook Page, Drawing, Paper, Color, Graphite, Drawn, Height 186 mm, Width 120 mm, Draftsmanship, Drawing, European, Modernity

Ajax abducts Cassandra from the statue of Athena, Fedor Iwanowitsch, Ca. 1765-1832, No earlier than 1790 - No later than 1800, Drawing, Paper, Color, Ink, Color-washed, Drawn, Height 205 mm, Width 265 mm, Draftsmanship, Drawing,

Male (?) Figure, Gerard Vandergucht, No later than 1776, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size) 310 mm, Height (paper size) 530 mm, Width (plate size) 205 mm, Width

Statue with hieroglyphs, No later than 1900, Graphic Art, Copper Engraving, In Thorvaldsen’s day the basalt statue was part of the collection of the cardinal, theologian, and historian Stefano Borgia (1731 – 1804) in the Museo Borgiano.

Statue with hieroglyphs, No later than 1900, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size) 440 mm, Height (paper size) 580 mm, Width (plate size) 320 mm, Width (paper size) 450

Offerings are made to a statue of Jupiter, Diana Mantuana, No later than 1587, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size) 225 mm, Height (paper size) 368 mm, Width (plate

The Square in Reykjavik with the Statue of Bertel Thorvaldsen with the Goddess of Hope, No later than 1930, Graphic Art, Xylography, Paper, Color, Printer's ink, Xylography, Printet, Height (paper size) 210 mm, Width (paper size) 250 mm,

Memorial Sheet to the Erection of the Monument to Johann Gutenberg, Alois Senefelder, 1837, Graphic Art, Lithograph, The 14th of August 1837 saw the unveiling in Mainz of Thorvaldsen’s monument to the inventor of the art of printing, Johann

Antique Vase. Relief with the Sacrifice of Ifigenia, Giovanni Battista Piranesi, No later than 1778, Graphic Art, Copper Engraving, Etching, Paper, Color, Printer's ink, Copper engraving, Etching, Printet, Height (plate size?) 733 mm,

Statuette of Bes, No earlier than 664 BC, Sculpture, Statuette, This faience statuette represents the Egyptian dwarf god Bes. He is depicted with lion ears, tail and mane and he wears a crown of feathers. He has a mask-like face with the tongue

Seti II, Ca. 1200 BC - 1194 BC, Sculpture, Statue, Cast, Height 89 cm, Sculpture, Egyptian (3050 BC - 642

Fisted hand, Ca. 500 BC - 480 BC, Sculpture, Statue, Cast, Height 6.5 cm, Sculpture, Greek (1050 BC - 31 BC

Hand holding on to a shield handle, Ca. 500 BC - 480 BC, Sculpture, Statue, Cast, Height 7.5 cm, Sculpture, Greek (1050 BC - 31 BC

A right foot and ancle, Ca. 500 BC - 480 BC, Sculpture, Statue, Cast, Height 25.5 cm, Sculpture, Greek (1050 BC - 31 BC

A right upper arm and elbow, Ca. 500 BC - 480 BC, Sculpture, Statue, Cast, Height 10 cm, Sculpture, Greek (1050 BC - 31 BC

A stretched left arm (Hercules), Ca. 500 BC - 480 BC, Sculpture, Statue, Cast, Height 32 cm, Sculpture, Greek (1050 BC - 31 BC

A bended right leg, Ca. 500 BC - 480 BC, Sculpture, Statue, Cast, Height 51 cm, Sculpture, Greek (1050 BC - 31 BC

A bended right leg with part of the buttock, Ca. 500 BC - 480 BC, Sculpture, Statue, Cast, Height 77.5 cm, Sculpture, Greek (1050 BC - 31 BC

Dione, 438 BC - 432 BC, Sculpture, Statue, Cast, Height 102 cm, Sculpture, Greek (1050 BC - 31 BC

Ilissus, 438 BC - 432 BC, Sculpture, Statue, Cast, Height 92.5 cm, Sculpture, Greek (1050 BC - 31 BC

Sarcophagus lid, 1400 BC - 1301 BC, Sculpture, Statue, Cast, Height 59 cm, Width 615 cm, Sculpture, Egyptian, New Kingdom (1550 BC - 1070 BC

The Capitoline Venus, 300 BC - 201 BC, Sculpture, Statue, Cast, Height 193.5 cm, Sculpture, Greek (1050 BC - 31 BC

Venus, 300 BC - 201 BC, Sculpture, Statue, Cast, Height 90.2 cm, Sculpture, Greek (1050 BC - 31 BC

Urania with a stylus pen, 300 BC - 201 BC, Sculpture, Statue, Cast, Height 92 cm, Sculpture, Greek (1050 BC - 31 BC

The Capitoline Flora, 100 - 199, Sculpture, Statue, Cast, Height 78 cm, Sculpture, Roman (753 BC - 476

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