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Portrait of a Youth, early 17th century, Attributed to Iran, Ink, watercolor, and gold on paper, H. 6 5/16 in. (16 cm), Codices

Swings, Revere Beach, ca. 1896–97, Watercolor over pencil, 14 x 9 15/16 in. (35.5 x 25.3 cm), Drawings, Maurice Brazil Prendergast (American, St. John’s, Newfoundland 1858–1924 New York

Petit Andely-The River Bank, ca. 1920–29, Black crayon and watercolor, 10 7/16 x 16 15/16 in. (26.5 x 43 cm), Drawings, Paul Signac (French, Paris 1863–1935 Paris

Portrait of Sultan Ahmet I (r. 1603–17), early 17th century, Attributed to Turkey, Ink, opaque watercolor, and gold on paper, Page: 13 1/2 x 8 3/4 in. (34.3 x 22.2 cm), Codices, The Ottoman interest in royal portraiture expressed itself in

'Shah Jahan Watching an Elephant Fight', Folio from a Padshahnama, probably 1639, Attributed to India, Ink, opaque watercolor, and gold on paper, 15 in. high 9.75 in. wide (38.2 cm high 24.7 cm wide), Codices, Bulaqi, In this page from the

'The Battle of Shahbarghan', Folio from a Padshahnama (Chronicle of the Emperor), 17th century, Attributed to India, Ink, opaque watercolor, and gold on paper, 13.62 in. high 9.12 in. wide (34.6 cm high 23.2 cm wide), Codices, An

Ruins of the Tuileries Palace, 19th century, Gouache, watercolor, and graphite on light brown paper, 19 9/16 x 14 15/16 in. (49.8 x 38.0 cm), Drawings, Isidore Pils (French, Paris 1813/15–1875 Douarnenez

Paris Sketchbook, 1891–94, Conté crayon, pencil, and watercolor sketches, 6 3/4 x 4 1/2 in. (17.2 x 11.5 cm), Drawings, Maurice Brazil Prendergast (American, St. John’s, Newfoundland 1858–1924 New York), Of the 88 recorded

Design for Cabriolet or Victoria, no. 4148, 1891, Pen and black ink, watercolor and gouache with gum arabic and metallic ink, sheet: 6 x 9 7/16 in. (15.2 x 24 cm), Drawings, Herman Stahmer (American, 1857–1894), Brewster & Company History

'Rows of Animals Alternating with Cut-off Heads', Folio from a Manuscript, 11th–12th century, Found Egypt, Fustat, Opaque watercolor on paper, H. 3 3/4 in. (9.5 cm), Codices

Illustrated Single Work, 16th century or later, Attributed to Egypt, Ink and opaque watercolor on paper, H. 1 3/4 in. (4.5 cm), Codices

Etudes sur les femmes, 1882–90, Album containing ink and watercolor drawings, 16-1/4 x 25 x 2 in. (41.3 x 63.5 x 5.1 cm), Henri de Montaut (French, 1825–1897 Paris

Design for Brougham, no. 3474, 1878, Pen and black ink, watercolor and gouache with gum arabic, sheet: 6 1/16 x 9 1/8 in. (15.4 x 23.2 cm), Drawings, Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven,

Bustan (Orchard) of Sa'di, dated A.H. 929/A.D. 1522–23, Attributed to present-day Uzbekistan, Bukhara, Ink, opaque watercolor, and gold on paper; leather binding, 11 1/2 x 7 3/4in. (29.2 x 19.7cm), Codices

Maharana Sarup Singh Inspects a Prize Stallion, 1845–46, Western India, Rajasthan, Mewar, Opaque watercolor, ink, and gold on paper, Image (painting): 16 3/4 x 22 3/4 in. (42.5 x 57.8 cm), Paintings, Tara (Indian, active 1836–1870),

Movement of Vaulted Chambers, 1915, Watercolor on paper mounted on cardboard, 9 1/4 × 11 1/8 in. (23.5 × 28.3 cm), Drawings, Paul Klee (German (born Switzerland), Münchenbuchsee 1879–1940 Muralto-Locarno

Hinagata chō (Model Book), Edo period (1615–1868), 19th century, Japan, Watercolor and ink on paper, 7 3/4 x 10 3/4 in. (19.7 x 27.3 cm), Illustrated Books, Unidentified Artist

Large Boston Public Garden Sketchbook: Night scene with three women in blue, 1895–97, Recto: watercolor over pencil, bordered in pencil and watercolor, 14 1/8 x 11 3/16 in. (35.8 x 28.4 cm), Drawings, Maurice Brazil Prendergast (American,

Docks at Saint Malo, 1927, Watercolor over graphite, 11 7/8 x 17 5/16 in. (30.1 x 43.9 cm), Drawings, Paul Signac (French, Paris 1863–1935 Paris

Chand Bibi Hawking with Attendants in a Landscape, ca. 1700, Attributed to India, Deccan, Opaque watercolor, gold, and silver on card-weight paper, 10 x 6 1/4in. (25.4 x 15.9cm), Codices, This painting is an accomplished example of a theme

Large Boston Public Garden Sketchbook: Two women crossing a field, 1895–97, Recto: watercolor over pencil, bordered in pencil and watercolor, 14 1/8 x 11 3/16 in. (35.8 x 28.4 cm), Drawings, Maurice Brazil Prendergast (American, St.

Innere Ansicht des Deutschen Volks Winter Gartens. Interior of the German Winter Garden. 45 Bowery, New York., 1856, Watercolor, Sheet: 22 1/16 × 29 1/2 in. (56 × 74.9 cm), Drawings, Fritz Meyer (American, active 1850s–80s), Interior of

Page of Calligraphy from an Anthology of Poetry by Sa`di and Hafiz, late 15th century, Attributed to present-day Afghanistan, Herat, Ink, opaque watercolor, silver, and gold on paper, 11 7/8 x 7 1/2in. (30.2 x 19cm), Codices, This folio,

Maharana Ari Singh with His Courtiers Being Entertained at the Jagniwas Water Palace, dated 1767, India (Rajasthan, Mewar, Udaipur), Ink, opaque watercolor, and gold on paper, Page: 26 5/8 x 32 7/8 in. (67.6 x 83.5 cm), Paintings, Bhima,

Portrait of Shah Jahan on Horseback, 17th century, Attributed to India, Ink, opaque watercolor, and gold on paper, Image 8 3/8 in x 12 3/8 in., Codices

A Carriage in London, 1848–56, Pen and brown ink with watercolor over graphite on heavy buff wove paper, 11 9/16 x 17 5/16 in. (29.3 x 43.9 cm), Drawings, Constantin Guys (French, Flushing 1802–1892 Paris

View of a Fortress, 1925, Sprayed watercolor and transferred printing ink on paper mounted on cardboard, 11 in. × 15 7/8 in. (27.9 × 40.3 cm), Drawings, Paul Klee (German (born Switzerland), Münchenbuchsee 1879–1940 Muralto-Locarno

Travelers Entering a Town, 1751–1809, British, Watercolor over pencil, 10 11/16 x 8 1/16 in. (27.2 x 20.5 cm), Drawings, Paul Sandby (British, baptized Nottingham 1731–1809 London

Glen Ellen for Robert Gilmor, Towson, Maryland (perspective, elevation, and plan), 1832, Watercolor, ink, and graphite on paper, Sheet: 21 3/4 x 15 5/8 in. (55.2 x 39.7 cm), Alexander Jackson Davis (American, New York 1803–1892 West

Aquatic Scene with Three Men in a Gondola, late 16th–early 17th century, Attributed to Turkey, Ink, opaque watercolor, and gold on paper, Page:, Codices, This curious painting, perhaps created as a single-leaf composition destined for the

Krishna Subduing Kaliya, the Snake Demon: Folio from a Bhagavata Purana Series, ca. 1785, Northern India, Garwhal, Himachal Pradesh, Opaque watercolor and ink on paper, 8 x 10 1/2 in. (20.3 x 26.7 cm), Paintings, First generation after

Portrait of a Youth, 17th century, Attributed to Iran, Opaque watercolor and gold on paper, H. 13 1/8 in. (33.3 cm), Codices

Belmead, Plantation Mansion for Philip St. George Cocke, Powhatan Co., Virginia (partial elevations of entrance facade, greenhouse facade and James River facade, shown as continuous), 1846, Watercolor and ink on paper, sheet: 26 3/16 x 38 7/8

Page of Calligraphy from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

King Dasaratha and His Retinue Proceed to Rama's Wedding: Folio from the Shangri II Ramayana Series, ca. 1690–1710, India (Bahu, Jammu), Opaque watercolor and ink on paper, Page: 8 5/8 x 12 1/2 in. (21.9 x 31.8 cm), Paintings, Bahu Masters

Shahnama (Book of Kings), A.H. 1074–79/A.D. 1663–69, Attributed to Iran, probably Isfahan, Opaque watercolor, ink, silver and gold on paper, H. 18 1/2 in. (47 cm), Codices, Ali Naqi, Aqa Nuyan, Ghulam Parmak, Fadl Ali, Mu’in,

Three Ladies in a Palace Interior: Page from a Dispersed Laur Chanda (Romance of Laurak and Chanda), Sultanate period, 1520–30, Northern India (Mandu?), Ink, opaque watercolor, and gold on paper, Image: 7 1/8 x 5 in. (18.1 x 12.7 cm),

Page of Calligraphy from a Mantiq al-tair (Language of the Birds), ca. 1600, Made in Iran, Ink, opaque watercolor, gold, and silver on paper, Codices, This folio belonged to a manuscript of the Mantiq al-Tair that was presented to the Ardabil

Melancholy Courtesan, ca. 1750, India (Rajasthan, Bundi, or Kota [?]), Ink, gold and opaque watercolor on paper, 12 7/8 x 10 3/4 in. (32.7 x 27.3 cm), Paintings, Of the several pictures of this type that are known, this example is the

The Flagellation of Christ, ca. 1460–70, Eastern Germany, Pen and dark brown ink and red and yellowish brown watercolor., 8 1/16 x 4 13/16 in. (20.4 x 12.2 cm), Drawings, The rather crude execution and placement of figures floating in space

Folios from a Qur'an Manuscript, 13th–14th century, Attributed to probably Iran, Ink and opaque watercolor on paper, 10 1/8 x 13 3/4in. (25.7 x 34.9cm), Codices

Large Boston Public Garden Sketchbook: A woman and two girls sitting in the park, 1895–97, Recto: watercolor over pencil; bordered in pencil and watercolor, 14 1/8 x 11 3/16 in. (35.8 x 28.4 cm), Drawings, Maurice Brazil Prendergast (American,

Great Hall for Singers, 1930, Watercolor and gouache on gesso on paper mounted on cardboard, 15 1/2 × 23 1/8 in. (39.4 × 58.7 cm), Drawings, Paul Klee (German (born Switzerland), Münchenbuchsee 1879–1940 Muralto-Locarno

Kulliyat (Complete Works) of Sa'di, 19th century, Attributed to Iran, Tabriz, Ink, watercolor, and gold on paper; binding; dark tan leather with blind-pressed decoration, H. 16 1/4 in. (41.3 cm), Codices

Bustan (Orchard) of Sa'di, 17th century, Attributed to Iran, Ink, opaque watercolor, and gold on paper, H. 9 3/4 in. (24.8 cm), Codices

Folio from a Qur'an Manuscript, late 8th–early 9th century, Made in Central Islamic Lands, Ink, opaque watercolor, and gold on parchment, Ht. 11 1/8 in. (28.3 cm), Codices, This eighth- or ninth-century Qur'an was written in a script that

Page of Calligraphy from a Shahnama (Book of Kings) of Firdausi, ca. 1610, Attributed to India, Deccan, Bijapur, Ink, opaque watercolor, and gold on paper, 8 x 4 3/4in. (20.3 x 12.1cm), Codices

House for William J. Rotch, New Bedford, Massachusetts (front elevation), 1845, Watercolor, ink and graphite, sheet: 16 9/16 x 25 3/4 in. (42.1 x 65.4 cm), Drawings, Alexander Jackson Davis (American, New York 1803–1892 West Orange, New

Raja Balwant Singh Revering Krishna and Radha, ca. 1745–50, India (Himachal Pradesh, Jasrota), Ink, opaque watercolor, and gold on paper, Overall: 7 3/4 x 6 1/8 in. (19.7 x 15.6 cm), Paintings, Attributed to Nainsukh (active ca.

A Manuscript of Five Sections of a Qur'an, 18th century, From Morocco, Ink, opaque watercolor, and gold on paper; leather binding, stamped and gilded, H. 7-31/32 in. (20.3cm), Codices, Two lavishly illuminated double pages open and close

Tugboat at the Pont Neuf, Paris, 1923, Watercolor and black crayon, 10 1/8 x 16 in. (25.7 x 40.6 cm), Drawings, Paul Signac (French, Paris 1863–1935 Paris

Dragon, 16th–17th century, Attributed to Iran, Qazvin, Ink and opaque watercolor on paper, H. 4 7/8 in. .(12.4 cm), Codices

'Pair of Serpents', Folio from a Manafi' al-Hayawan (On the Usefulness of Animals) of Ibn Bakhtishu', 1297–99, Attributed to Iran, Ink, opaque watercolor, and gold on paper, 9 x 6 9/16in. (22.9 x 16.7cm), Codices, This folio exemplifies

Large Boston Public Garden Sketchbook: A girl riding a tricycle in the park, 1895–97, Recto: watercolor over pencil, bordered in pencil and watercolor, 14 1/8 x 11 3/16 in. (35.8 x 28.4 cm), Drawings, Maurice Brazil Prendergast (American,

Library and Chapel, University of Michigan, Ann Arbor (front elevation), 1838–39, Watercolor, ink and graphite on paper, sheet: 31 3/8 x 26 1/8 in. (79.7 x 66.4 cm), Drawings, Alexander Jackson Davis (American, New York 1803–1892 West

Page of Calligraphy from an Anthology of Poetry by Sa`di and Hafiz, late 15th century, Attributed to present-day Afghanistan, Herat, Ink, opaque watercolor, silver, and gold on paper, 11 7/8 x 7 1/2in. (30.2 x 19cm), Codices

Portrait of Sayyid Amir Khan, second half 17th century, Attributed to India, Ink, watercolor, and gold on paper, Page: H. 11 7/8 in. (30.2 cm), Codices

Entertainment on a Terrace, 17th century, Attributed to India, Ink, opaque watercolor, and gold on paper, Image 7 1/4 in x 11 1/8 in., Codices

Cap Nègre, 1909, Charcoal and watercolor with charcoal border on cream laid paper, 10 3/16 x 16 9/16 in. (25.9 x 42 cm), Drawings, Henri-Edmond Cross (Henri-Edmond Delacroix) (French, Douai 1856–1910 Saint-Clair

Visit to a Hermit, 17th century, Attributed to Iran, probably Qazvin, Ink, watercolor, and gold on paper, H. 2 7/8 in. (7.3 cm), Codices

University of North Carolina, Chapel Hill, Student Libraries (two sections), 1850–58, Watercolor, ink and graphite, sheet: 15 7/8 x 10 11/16 in. (40.4 x 27.2 cm), Drawings, Alexander Jackson Davis (American, New York 1803–1892 West

Standing Nude with Orange Drapery, 1914, Watercolor, gouache and graphite on paper, 18 1/4 x 12 in. (46.4 x 30.5 cm), Drawings, Egon Schiele (Austrian, Tulln 1890–1918 Vienna

Church of the French Protestants (Eglise Français du Saint Esprit), New York (section and plan), 1831–34, Watercolor and ink over graphite, Sheet: 14 3/4 x 8 9/16 in. (37.4 x 21.7 cm), Drawings, The design of the portico of this church may

Colburn's Butte, South Utah, 1873, Made in United States, Watercolor, gouache and graphite on off-white wove paper, Sheet: 13 7/8 x 9 7/16 in. (35.2 x 24 cm), Drawings, Thomas Moran (American (born England), Bolton, Lancashire 1837–1926

'The Great Abu Sa'ud Teaching Law', Folio from a Divan of Mahmud `Abd-al Baqi, mid-16th century, Attributed to Iraq, Baghdad, Ink, opaque watercolor, and gold on paper, H. 10 1/4 in. (26 cm), Codices, Mahmud 'Abd al-Baqi (1526/27–1600)

Nude Reclining on Curtained Bed [Emma Hamilton (?)], November 1, 1797, Aquatint with watercolor, plate: 12 7/8 x 15 13/16 in. (32.7 x 40.2 cm), Prints, Attributed to Adam Buck (Irish, Cork 1759–1833 London

North German City, 1930, Gouache and watercolor on gesso on paper mounted on cardboard, 19 in. × 18 3/8 in. (48.3 × 46.7 cm), Drawings, Paul Klee (German (born Switzerland), Münchenbuchsee 1879–1940 Muralto-Locarno

Phantom Perspective, 1920, Watercolor and transferred printing ink on paper mounted on cardboard, 12 1/8 × 16 3/4 in. (30.8 × 42.5 cm), Drawings, Paul Klee (German (born Switzerland), Münchenbuchsee 1879–1940 Muralto-Locarno

Large Boston Public Garden Sketchbook: Two young girls and a woman with a parasol, 1895–97, Recto: watercolor over pencil, bordered in pencil and watercolor; Verso: pen and red ink and pencil, 14 1/8 x 11 3/16 in. (35.8 x 28.4 cm), Drawings,

'Interior Reception', Folio 36r from a Bustan of Sa`di, ca. 1525–35, Attributed to present-day Uzbekistan, probably Bukhara, Ink, opaque watercolor, and gold on paper, Painting: H. 8 3/4 in. (22.3 cm), Codices, Painted by Shaikh Zada,

Man in a Fur-Lined Coat, ca. 1600, Attributed to Iran, Isfahan, Ink, opaque watercolor, and gold on paper, H. 5 3/8 in. (13.6 cm), Codices, Painting by Riza-yi `Abbasi (Persian, ca. 1565–1635), The style and subject of this work are

Tuhfat al-Ahrar (The Gift to the Noble), 1485–90, Attributed to present-day Afghanistan, probably Herat, Ink, opaque watercolor, and gold on paper, 9 9/16 x 6 1/16in. (24.3 x 15.4cm), Codices

Portrait of Emperor Jahangir, ca. 1615–20, Made in India, Ink, opaque watercolor, and gold on paper, Image 5 7/8 in x 8 7/8 in., Codices, Jahangir was an exacting patron who worked closely with the artists in his employ. The style of

Bustan (Orchard) of Sa'di, 1529 or later, Attributed to Iran, Tabriz, Ink, opaque watercolor, and gold on paper; leather, 10.87 in. high 6.62 in. wide (27.6 cm high 16.8 cm wide), Codices

'King Salih of Syria Entertaining Two Dervishes', Folio from a Bustan (Orchard) of Sa'di, 17th century, Ink, opaque watercolor, and gold on paper, Codices

Untitled, 1914, Watercolor on paper mounted on cardboard, 6 1/8 × 6 1/8 in. (15.6 × 15.6 cm), Drawings, Paul Klee (German (born Switzerland), Münchenbuchsee 1879–1940 Muralto-Locarno

Blindman's Bluff: Page From a Dispersed Bhagavata Purana (Ancient Stories of Lord Vishnu), ca. 1715–20, India (Rajasthan, Mewar), Ink, opaque watercolor, and gold on paper, 9 7/16 x 10 7/8 in. (24 x 27.6 cm), Paintings, During the

Large Boston Public Garden Sketchbook: Night scene with a woman walking and men in top hats in the background, 1895–97, Recto: watercolor over pencil, bordered in pencil and watercolor; Verso: Pencil, 14 1/8 x 11 3/16 in. (35.8 x 28.4 cm),

Bird Landscape, 1925, Watercolor and transferred printing ink on paper mounted on cardboard, 16 1/2 × 22 5/8 in. (41.9 × 57.5 cm), Drawings, Paul Klee (German (born Switzerland), Münchenbuchsee 1879–1940 Muralto-Locarno

Mahadevi, the Great Goddess, ca. 1725, India (Rajasthan, Bikaner), Ink, opaque watercolor, and silver on paper, Image: 21 1/2 x 11 1/2 in. (54.6 x 29.2 cm), Paintings, In this twenty-armed form, Mahadevi holds an array of weapons,

Portrait of a Noble, imitation of 16th century, Attributed to Iran, Opaque watercolor, ink, and gold on paper, H. 10 1/2 in. (26.7 cm), Codices

Page of Calligraphy from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

Large Boston Public Garden Sketchbook: A woman with red hair wearing a green plumed hat., 1895–97, Recto: watercolor over pencil, bordered in pencil and watercolor, 14 1/8 x 11 3/16 in. (35.8 x 28.4 cm), Drawings, Maurice Brazil Prendergast

Southern Gardens, 1919, Watercolor and ink on paper mounted on cardboard, 11 3/8 × 8 7/8 in. (28.9 × 22.5 cm), Drawings, Paul Klee (German (born Switzerland), Münchenbuchsee 1879–1940 Muralto-Locarno

Page of Calligraphy, 17th century, Attributed to India, Ink, opaque watercolor, and gold on paper, 12 3/4 x 7 1/2 in. (32.4 x 19.1 cm), Codices

Architectural Drawing of the Interior of the Comte de Nieuwerkerke's House, ca. 1870, Paris, French, Paris, Pen and watercolor on paper, 23 3/8 x 18 1/4 in. (59.3 x 46.3 cm), Works on Paper-Drawings, Studio of Hector-Martin Lefuel (French,

Municipal Jewel, 1917, Watercolor, gouache, and graphite on gesso on paper mounted on cardboard, 6 5/8 × 10 1/4 in. (16.8 × 26 cm), Drawings, Paul Klee (German (born Switzerland), Münchenbuchsee 1879–1940 Muralto-Locarno

Portrait of a Man, early 17th century, Attributed to Iran, Ink, watercolor, and gold on paper, H. 2 3/4 in. (7 cm), Codices

Two Women Embracing, 1913, Gouache, watercolor, and graphite on paper, 18 3/4 x 12 1/2 in. (47.6 x 31.8 cm), Drawings, Egon Schiele (Austrian, Tulln 1890–1918 Vienna

The Hypocrites, 1919, Watercolor and transferred printing ink on paper, bordered with metallic foil, mounted on cardboard, 9 1/2 × 12 1/2 in. (24.1 × 31.8 cm), Drawings, Paul Klee (German (born Switzerland), Münchenbuchsee 1879–1940

Two Youths Romping, late 16th century, Attributed to Iran, Ink, pencil, opaque watercolor, and gold on paper, 15.62 in. high 10.37 in. wide (39.7 cm high 26.3 cm wide), Codices, This line drawing, tinted with greenish tan, depicts two

Venice, 1908 (?), Black crayon and watercolor, 10 1/16 x 15 13/16 in. (25.6 x 40.2 cm), Drawings, Paul Signac (French, Paris 1863–1935 Paris

Young Woman in a Blue and Black Dress, ca. 1863 (?), Pen and brown ink with watercolor wash on off-white wove paper, 8 1/2 x 6 5/8 in. (21.6 x 16.8 cm), Drawings, Constantin Guys (French, Flushing 1802–1892 Paris

('Leda') Design for a Plate: Shame on Those Who Evil Think (Honi Soit Qui Mal y Pense) ; cover illustration for the 'Volpini Suite' entitled Lithographic Drawings (Dessins lithographiques), 1889, Zincograph, colored by hand with watercolor and

Fan Mount: The Ballet, 1879, Watercolor, India ink, silver, and gold on silk, 6 1/8 x 21 1/4 in. (15.6 x 54 cm), Drawings, Edgar Degas (French, Paris 1834–1917 Paris), Painted in monochrome on a black ground, this fan evokes the metallic

Drawing of the Head of a Simurgh, 14th century, Attributed to Egypt, Ink and opaque watercolor on paper, H. 5 1/2 in. (14 cm), Codices

'Krishna and Balarma Fighting the Enemy', Folio from a Harivamsa (The Legend of Hari (Krishna)), ca. 1590–95, Attributed to present-day Pakistan, probably Lahore, Ink, opaque watercolor, and gold on paper, Image: H. 12 in. (30.5 cm),

Large Boston Public Garden Sketchbook: Head of a woman in a plumed hat, 1895–97, Recto: watercolor over pencil, 14 1/8 x 11 3/16 in. (35.8 x 28.4 cm), Drawings, Maurice Brazil Prendergast (American, St. John’s, Newfoundland 1858–1924 New

Fraktur, ca. 1770–1800, Made in Pennsylvania, United States, American, Watercolor, pen and iron gall ink, and graphite on off-white laid paper, 13 3/16 x 16 9/16 in. (33.5 x 42.1 cm), Drawings, Johann Heinrich Otto (ca. 1733–ca. 1800),

Angel, 17th century, Attributed to Turkey, Main support: Ink and watercolor on paper, Image: H. 11 in. (27.9 cm), Codices

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