Images at Librifly

search results: Watercolor clear search

The Falls at Powerscourt, Co. Wicklow, Ireland, William Pars, 1742–1782, British, undated, Watercolor, pen and gray ink, and graphite on thick, moderately textured, cream laid paper, Sheet: 10 1/2 × 14 7/8 inches (26.7 × 37.8 cm),

Figures by a Ferry, Thomas Rowlandson, 1756–1827, British, undated, Watercolor with pen and gray and red-brown ink, over graphite on medium, moderately textured, blued white, laid paper, Sheet: 4 1/2 x 7 1/4 inches (11.4 x 18.4 cm),

Hogarth Engraving His Master's Shop-bill the Sign of the Angel, John Thomas Smith, 1766–1833, British, 1817, Pen and black ink, brown ink, brown wash and graphite on moderately thick, moderately textured, beige, wove paper, Sheet: 12

Addington Place, Surrey, John Preston Neale, 1771/80–1847, British, 1813, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 6 1/8 × 9 inches (15.6 × 22.9 cm), architectural subject, chimneys, clouds,

A Map of Hardwick-Hall Farm, Isaac Johnson, 1754–1835, British, undated, Pen and brown ink and watercolor on vellum, Sheet: 15 × 22 1/2 inches (38.1 × 57.2 cm), architectural subject, designs, house, surveys, England, Europe,

Stone Cottages in a Mountainous Landscape with a Figure in the Foreground, William Alexander, 1767–1816, British, undated, Watercolor, gray wash, and graphite on medium, slightly textured, cream laid paper, Sheet: 7 1/8 × 10 3/8 inches

Paddle Steamer Near Weymouth, unknown artist, ca. 1830, Watercolor, graphite, and pen and black ink on medium, rough, cream wove paper, Sheet: 8 3/8 × 10 1/2 inches (21.3 × 26.7 cm

Painter Stainers Hall, Charles Tomkins, 1757–1823, British, 1799, Watercolor and pen and black ink on medium, slightly textured, cream laid paper, Sheet: 8 11/16 × 5 3/8 inches (22.1 × 13.7 cm), architectural subject, door, hall

River Scene with Small Boats, Thomas Rowlandson, 1756–1827, British, undated, Watercolor and graphite with pen and gray ink and pen and brown ink on medium, slightly textured, cream wove paper, Sheet: 5 9/16 x 9 1/16 inches (14.1 x 23 cm),

Gateway of an Old Fort, Benares, Lt. John Ritso, 1772–1866, 1793 or 179(8), Watercolor, brown ink and black ink on medium, slightly textured, cream laid paper mounted to medium, slightly textured, cream wove paper, Sheet: 14 5/8 × 21

Chestnut Mare and Foal, Sawrey Gilpin, 1733–1807, British, undated, Watercolor, pen and black ink, and brown ink on thick, slightly textured, beige, wove paper, Sheet: 8 5/8 × 12 3/8 inches (21.9 × 31.4 cm), animal art

Shipping in the Mediterranean, Robert Cleveley, 1747–1809, British, undated, Watercolor, graphite, and pen and black ink on medium, moderately textured, beige wove paper mounted to medium, moderately textured, beige wove paper, Sheet: 7

Nun of the Order of Santa Clara, Alfred Diston, active 1818–1829, 1828, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 9 1/4 × 5 5/8 inches (23.5 × 14.3 cm), costume, figure study, genre subject,

In the Channel, Augustus William Reeve, active 1831–1888, undated, Watercolor with pen and brown ink on medium, slightly textured, cream wove paper, Sheet: 6 3/8 × 8 7/8 inches (16.2 × 22.5 cm), barrels, channel (water body component),

Boots, Etc. Cromwell's Time, Haddon Hall, Jan. 9, 1825, James Ward, 1769–1859, British, 1825, Graphite and watercolor on medium, slightly textured, cream wove paper mounted on medium, smooth, cream wove paper, Sheet: 7 x 10 3/8 inches

West view of the Ruins of Cowdray House, Sussex, John Buckler FSA, 1770–1851, British, and John Chessell Buckler, 1793–1894, British, 1825, Watercolor and pen and black ink on moderately thick, cream wove paper, Sheet: 13 × 19 3/4

Study of a Tree, style of Paul Sandby RA, 1731–1809, British, ca. 1780, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 9 x 10 3/4 inches (22.9 x 27.3 cm), landscape, studies, tree

Mill Yard, Holland Estate, St. Thomas in the East, James Hakewill, 1778–1843, British, between 1820 and 1821, Watercolor and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 12 1/4 × 16 5/8 inches (31.1 × 42.2

Views in the Levant: A Camel, Willey Reveley, (?), 1760–1799, British, ca. 1785, Watercolor, over graphite on medium, slightly textured, cream, laid paper, mounted on moderately thick, slightly textured, brown, wove paper, Sheet: 9

Mrs. Ward, John Smart, 1741–1811, British, undated, Watercolor and graphite on moderately thick, slightly textured, cream laid paper, Sheet: 2 5/8 × 2 1/4 inches (6.7 × 5.7 cm), hairstyles, portrait, woman

Part of the Bay of Gibraltar, the Spanish Lines, George Lothian Hall, 1825–1888, British, 1844, Watercolor and pen and brown ink over graphite with scraping out on thick, moderately textured, cream wove paper, Sheet: 6 1/4 × 10 inches

The Fulham End of Putney Bridge, James Miller, active 1773–1814, undated, Watercolor and graphite on medium, moderately textured, blued white, laid paper, Sheet: 6 7/16 × 7 13/16 inches (16.4 × 19.8 cm), architectural subject, bridge

Carreg Cennen Castle, Paul Sandby RA, 1731–1809, British, ca. 1800, Watercolor and graphite on thick, moderately textured, cream laid paper, Sheet: 8 x 11 11/16in. (20.3 x 29.7cm) and Sheet: 8 × 11 3/4 inches (20.3 × 29.8 cm), castle,

View at Margate, Edward Francis Burney, 1760–1848, British, undated, Watercolor and pen and black ink on medium, slightly textured, cream wove paper, Sheet: 6 1/8 × 7 1/8 inches (15.6 × 18.1 cm), clouds, cows, farm, fence, landscape

Unidentified House for Giles Hudson, Putney, Surrey: Ground Floor Plan, William Wickham, born ca.1750, British, undated, Graphite, pen and black and brown ink, watercolor on moderately textured, moderately thick, cream laid paper, Sheet:

Barber's Hall, Samuel Ireland, active 1760–died 1800, British, between 1794 and 1800, Watercolor, graphite, and pen and black ink on medium, slightly textured, cream wove paper, Sheet: 5 1/4 × 7 1/8 inches (13.3 × 18.1 cm) and Mount: 9

Views in England, Scotland and Wales: Park Cascade, Amos Green, 1735–1807, British, Harriet Green, 1751–1807, British, 1803, Watercolor

The Woodyard, Great Windsor Park, Paul Sandby RA, 1731–1809, British, ca. 1792, Watercolor and graphite on thick, cream, slightly textured laid paper, Sheet: 9 7/8 x 14 7/8 inches (25.1 x 37.8 cm), barn, cart, fence, house, landscape,

Man Seated on a Parapet Waving his Left Arm, William Marlow, 1740–1813, British, undated, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 2 7/8 × 3 1/16 inches (7.3 × 7.8 cm), figure study, hat, man,

Diamond Ornament Worn by the Peshwa in his Turban, Robert Mabon, died 1798, British, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper, Sheet: 3 1/4 × 4 1/4 inches (8.3 × 10.8 cm

The Thatched Cottage, Samuel Prout, 1783–1852, British, undated, Watercolor, pen and brown ink, pen and black ink, and graphite on moderately thick, moderately textured, beige wove paper, Sheet: 7 5/8 × 10 1/2 inches (19.4 × 26.6 cm),

Viewing at the Royal Academy, Thomas Rowlandson, 1756–1827, British, ca. 1815, Watercolor with pen and gray and brown ink over graphite on moderately thick, moderately textured, blued white, wove paper, Sheet: 5 3/4 x 9 1/2 inches (14.6 x

The Blockade Station, Rye, Clarkson Stanfield, 1793–1867, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 6 1/2 × 9 1/4 inches (16.5 × 23.5 cm), beach, birds, boats, flags, genre

The Vicar of Wakefield: The Family Picture, Thomas Rowlandson, 1756–1827, British, 1817, Pen in gray and red-brown ink and watercolor; verso: graphite on medium, smooth, blued white wove paper, Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm),

Costume Note, Robert Mabon, died 1798, British, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper, Sheet: 4 3/8 × 2 3/4 inches (11.1 × 7 cm

Second Temple of Hera, in the Foreground, First Temple of Hera in the Background, at Paestum, Sir Robert Smirke the younger, 1781–1867, British, 1802-1804, Watercolor and graphite on moderately thick, moderately textured, beige, wove

Chiaja of Naples from Posillipo, Thomas Smith of Derby, ca. 1720–1767, British, ca. 1780, Watercolor with pen and black ink over graphite on medium, slightly textured, white laid paper, Sheet: 8 7/16 x 15 3/4in. (21.4 x 40cm) and Sheet: 8

Prague, Thomas Shotter Boys, 1803–1874, British, ca. 1847, Watercolor, pen and black ink, brown ink, red ink, gouache, graphite, and scraping out on medium, moderately textured, cream wove paper, Sheet: 15 1/4 × 10 15/16 inches (38.7

Memorial of the Lady Anne Southwell from Acton Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache on medium, slightly textured, cream wove paper, Sheet: 15 × 10 7/8

Loading a Stage-Coach, Thomas Rowlandson, 1756–1827, British, undated, Watercolor with pen and gray and brown ink over graphite on medium, slightly textured, cream wove paper, Sheet: 5 5/8 x 8 15/16 inches (14.3 x 22.7 cm), buildings,

Windsor Castle, Berkshire: Distant View from the South, Studio of Sir Jeffry Wyatville, 1766–1840, British, ca. 1830, Graphite, pen and black ink and watercolor on slightly textured, moderately thick, white wove paper, Sheet: 3 × 8 1/4

Walking Dress, Tenerife, Alfred Diston, active 1818–1829, 1824, Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper, Sheet: 8 3/8 × 7 1/2 inches (21.3 × 19.1 cm), costume, dress, figure study,

Views in the Levant: View of a Harbour and Town From the Sea, Turkey, Willey Reveley, (?), 1760–1799, British, ca. 1785, Watercolor, pen and black ink, brown ink, and graphite on medium, moderately textured, cream, laid paper, mounted

The Northern Entrance of Gundecotta Pass, Thomas Anburey, ca. 1780–1820, British, ca. 1792, Watercolor and graphite on medium, moderately textured, blued white, wove paper, Sheet: 17 1/8 × 22 inches (43.5 × 55.9 cm

Study for a Miniature Portrait of a Member of the Royal Family, imitator of Richard Cosway, 1742–1821, British, undated, Graphite and watercolor on medium, slightly textured, cream wove paper, Sheet: 3 3/4 x 3 inches (9.5 x 7.6 cm), ascot,

Maharraka, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and brown ink on moderately thick, rough, cream wove paper, Sheet: 2 7/16 x 6 15/16 inches (6.2 x 17.6 cm), landscape, mountains, river, river, sky,

Foxhunting: Rider and a Couple of Hounds Entering a Covert, Samuel Alken, 1756–1815, British, undated, Watercolor, pen and black ink, and graphite on medium, slightly textured, blued white, wove paper, Sheet: 9 7/8 × 15 3/4 inches (25.1

Sea Study with Hulk, Sailing Boat and Rowing Boat, David Cox, 1783–1859, British, 1830s, Black chalk, watercolor and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 8 x 7 inches (20.3 x 17.8 cm), boat, marine

Interior of an Eastern House, John Frederick Lewis, 1804–1876, British, between 1840 and 1851, Watercolor, white gouache, black chalk, and graphite, with scratching out on medium, slightly textured, beige wove paper, Sheet: 10 x 13 3/4

Brass Plate for John Skevington from Hornsey Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink and watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet:

A Man With a Gun, William Evans of Eton, 1798–1877, British, undated, Watercolor, white gouache, and graphite on very thick, slightly textured, brown wove paper, Sheet: 13 1/4 × 11 7/8 inches (33.7 × 30.2 cm), figure study, genre

The Times and Evening Mail Office, George Sidney Shepherd, 1784–1862, British, 1811, Watercolor and black ink on medium, slightly textured, cream wove paper, Sheet: 6 7/8 × 8 5/8 inches (17.5 × 21.9 cm), architectural subject, birds,

Forest Pool, Robert Hills, 1769–1844, British, undated, Watercolor and graphite, with scraping out on medium, moderately textured, beige wove paper, Sheet: 9 x 11 1/2 inches (22.9 x 29.2 cm), forest, landscape, pond

Bolton Castle, Peter DeWint, 1784–1849, British, undated, Watercolor and graphite on thick, cream, rough wove paper, Sheet: 15 x 23 inches (38.1 x 58.4 cm), birds, castles, forest, geology, hills, landscape, mountains, rocks

Preparing for a Hunt at Selhurst Park, Nov. 14, 1796, Thomas Daniell, 1749–1840, British, active in India, 1796, Watercolor, with pen, in brown ink, brown wash, and graphite on medium, moderately textured, cream, wove paper, Sheet:

Sterculia africana (Lour.) Fiori: finished drawing of stem with seed pods, some open showing seeds, James Bruce, 1730–1794, British, undated, Watercolor and gouache over graphite on medium, slightly textured, cream laid paper, Sheet: 16 ×

Young's Night Thoughts, Page 63, 'This King of Terrors Is the Prince of Peace', Print made by William Blake, 1757–1827, British, 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper,

Jerusalem, Plate 79, 'My tents are fall'n....', Print made by William Blake, 1757–1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper, Sheet: 13

A Turkish Araba Drawn by Two White Oxen, Constantinople, John Frederick Lewis, 1804–1876, British, 1841, Watercolor, white gouache and graphite with scratching out on medium, slightly textured, beige wove paper, Sheet: 14 1/2 x 19 3/4

Portrait of a Gentleman, John Smart, 1741–1811, British, 1773, Gouache and watercolor on ivory, Image: 1 1/2 x 1 1/4 inches (3.8 x 3.2 cm) and Frame: 1 5/8 x 1 3/8 x 1/8 inches (4.1 x 3.5 x 0.3 cm), portrait

Girl at a Window, Print made by Robert Barnes, 1840–1895, British, after Robert Barnes, 1840–1895, British, undated, Wood-engraving with watercolor on moderately thick, slightly textured, cream card mounted on moderately thick,

A Whipper-In and a Couple of Hounds Running Hard in Open Country, Henry Thomas Alken, 1785–1851, British, undated, Graphite and watercolor on medium, slightly textured, cream, wove paper, Sheet: 9 1/8 × 12 13/16 inches (23.2 × 32.5 cm),

The Pays de Valais, John Robert Cozens, 1752–1797, British, between 1780 and 1785, Watercolor, graphite and red-brown gouache on medium, slightly textured, cream laid paper, Sheet: 14 1/4 x 20 1/2 inches (36.2 x 52.1 cm), Grand Tour,

Oberon and Titania, Francis Danby, 1793–1861, Irish, 1837, Watercolor and black ink with gum over graphite on moderately thick, slightly textured, cream wove paper, Sheet: 6 × 8 1/4 inches (15.2 × 20.9 cm), A Midsummer Night's Dream,

From Rungpore Rangpur, Samuel Davis, 1757–1819, British, ca. 1783, Watercolor and graphite and pen and brown ink on medium, slightly textured, cream laid paper, Sheet: 10 1/8 × 11 5/8 inches (25.7 × 29.5 cm), huts, landscape,

Classical Composition, Jonathan Skelton, active 1754, died 1758, British, undated, Watercolor over graphite on moderately thick, slightly textured, cream laid paper, Sheet: 5 5/8 × 8 1/2 inches (14.3 × 21.6 cm), architectural subject,

Europe. A Prophecy, Plate 5, 'A, Prophecy, The deep of winter came . . . . ' (Bentley 6), Print made by William Blake, 1757–1827, British, 1794, Color-printed relief etching in dark brown with pen and black ink, oil and watercolor on

The Hermitage at Frascati, John Warwick Smith, 1749–1831, British, undated, Watercolor and graphite on very thick, slightly textured, cream wove paper, Sheet: 9 5/8 x 3 3/4 inches (24.4 x 9.5 cm), architectural subject, branch, figure,

Memorial to Joseph Biscoe and his wife Elizabeth, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 14 7/8 × 10 3/4

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), channel (water body

Landscape with a Man Driving Sheep, Thomas Barker, 1769–1847, British, undated, Watercolor on medium, slightly textured, cream wove paper, Sheet: 10 × 15 3/8 inches (25.4 × 39.1 cm

Jerusalem, Plate 27, 'To the Jews....', Print made by William Blake, 1757–1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper, Sheet: 13 1/2 x

Bridge and Trees, Cornelius Varley, 1781–1873, British, ca. 1810, Watercolor and graphite on cream, medium, slightly-textured laid paper, Sheet: 8 x 12 1/16 inches (20.3 x 30.6 cm), bridge (built work), creek, landscape, moss, rocks

Man with a Gaff, June 13, 1851, Frederick William Hulme, 1816–1884, British, 1851, Watercolor and graphite on medium, slighlty textured, beige wove paper, Sheet: 7 1/8 × 5 7/8 inches (18.1 × 14.9 cm), dress, figure study, man,

Single Brig with Union Jack and Three Figures, Joseph Cartwright, c.1789–1829, British, 1821, Watercolor, pen and black ink, gray ink and graphite on medium, slightly textured, cream, wove paper, mounted on, moderately thick, slightly

Young Woman with Dog Outside a Cottage Doorway, John Augustus Atkinson, 1775–1831, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 5 1/2 × 4 3/8 inches (14 × 11.1 cm), basket, cottage,

A Lewsa of Jettee - A Kind of Hindu Monk, Gangaram Chintaman Tambat, active 1790s, Anglo-Indian, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper, Sheet: 5 5/8 × 5 3/4 inches (14.3 ×

Unidentified Fish, Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 1/4 inches (41.3 cm) and Sheet: 16 × 12 1/2 inches (40.6 × 31.8 cm), animal

On Lancaster Sands, Low Tide, David Cox, 1783–1859, British, 1840s, Watercolor and graphite on medium, moderately textured, cream wove paper, Sheet: 10 1/4 x 14 1/2 inches (26 x 36.8 cm), beach, birds, landscape, mountains, rocks

The First Book of Urizen, Plate 24 (Bentley 26), Print made by William Blake, 1757–1827, British, 1794, Color-printed relief etching in orange-brown with watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 11 7/8 x

Wied Zurrik (Malta), Edward Lear, 1812–1888, British, 1848, Watercolor, pen and brown ink, gouache, and graphite on moderately thick, slightly textured, beige wove paper, Sheet: 10 × 13 3/4 inches (25.4 × 34.9 cm), cliffs, landscape,

The Needles Bearing East (one of five drawings on one mount), John Thomas Serres, 1759-1825, British, undated, Watercolor and graphite on medium, slighlty textured, cream wove paper, Sheet: 3 1/2 x 11 7/8 inches (8.9 x 30.2 cm) and Image: 2 x

St. Nicholas's Island off Mount Edgecombe, Capt. Francis Grose, 1731–1791, British, 1768, Watercolor on medium, slightly textured, cream laid paper, Sheet: 8 1/2 x 14 1/2in. (21.6 x 36.8cm) and Sheet: 8 3/4 × 14 1/2 inches (22.2 × 36.8

Ground Plan of Newby Hall, Yorkshire; the Seat of the Right Hon'ble Lord Grantham, John Buckler FSA, 1770–1851, British, and John Chessell Buckler, 1793–1894, British, 1815, Watercolor and pen and black ink on moderately thick, cream

'Doing the Thing: and the Thing Done:' Afternoon. Returning Home in Fine Trim. Doing the Most you Can, Henry Thomas Alken, 1785–1851, British, 1818, Watercolor, with pen, in brown ink, over graphite on medium, moderately textured, beige,

A Collection of Surveys of Scottish Estates of the Earl of Selkirk: Nuntons, unknown artist, undated, Graphite, watercolor, gray wash, pen and black ink on slightly textured, moderately thick, cream wove paper, Sheet: 19 3/4 × 13 11/16

A Collection of Surveys of Scottish Estates of the Earl of Selkirk: Kirkeoch and Nunmill, John McKinlay, 19th century, undated, Graphite, watercolor, pen and black ink on slightly textured, moderately thick, cream wove paper, Sheet: 22 11/16

Gebel el Azerat (Below Girgeh, East Side), Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and brown ink and gray ink on moderately thick, slightly textured, cream wove paper, Sheet: 3 1/2 x 9 3/16 inches (8.9 x 23.3

London from Highgate Hill, Thomas Girtin, 1775–1802, British, 1792, Watercolor with pen and black ink over graphite on moderately thick, slightly textured, beige wove paper, Sheet: 13 3/8 x 19 1/4 inches (34 x 48.9 cm), cityscape, dome,

Romantic Landscape with Distant Mountains, John Varley, 1778–1842, British, 1842, Watercolor, gum, white gouache, graphite and scraping out on medium, slightly textured, cream wove paper, Sheet: 7 5/8 x 14 inches (19.4 x 35.6 cm),

Tomb of an unidentified King's Nurse from Hampton Church, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 15 × 10 5/8 inches (38.1

Near Ekhmim, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, cochineal, pen and black ink on moderately thick, slightly textured, beige wove paper, Sheet: 2 15/16 x 10 15/16 inches (7.5 x 27.8 cm), figures

View of St. Paul's from Greenwich, George Bulteel Fisher, 1764–1834, British, undated, Watercolor, gray wash, pen, gray ink, and graphite on medium, slightly textured, cream laid paper, Sheet: 8 1/4 × 12 1/4 inches (21 × 31.1 cm),

A Collection of Surveys of Scottish Estates of the Earl of Selkirk: Whinny Liggate; Balgredan, unknown artist, undated, Graphite, watercolor, gray wash, pen and black and brown ink on slightly textured, moderately thick, cream wove paper,

Mrs. Yates in the Character of Medea, unknown artist, after Robert Edge Pine, 1730–1788, British, after 1771, Watercolor with pen and brown ink on medium, slightly textured, cream wove paper mounted on thick, slightly textured, beige laid

Chinese Youth Weaving, Thomas Stothard, 1755–1834, British, undated, Watercolor and pen and gray ink on medium, slightly textured, cream wove paper, Sheet: 9 x 8 1/2in. (22.9 x 21.6cm) and Sheet: 9 1/8 × 8 5/8 inches (23.2 × 21.9 cm

Court Yard of Caerlaverock Castle, Robert William Billings, 1813–1874, British, 1848, Watercolor, graphite, and pen and black ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 7 1/4 inches (22.2 × 18.4 cm),

Young's Night Thoughts, Page 27, 'O treacherous conscience!', Print made by William Blake, 1757–1827, British, ca. 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper, Spine: 16 3/4

Jerusalem, Plate 50, 'The Atlantic Mountains....', Print made by William Blake, 1757–1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper, Sheet:

African Wild Dog, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and black ink, brown in- and graphite on moderately thick, smooth, white, wove paper, Sheet: 4 5/16 × 6 1/2 inches (11 × 16.5 cm), animal art

search results: Watercolor clear search