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In Borrowdale, Joseph Powell, 1780–1834, British, undated, Watercolor, black chalk, and graphite on medium, slightly textured, cream laid paper, Sheet: 7 7/8 × 11 1/4 inches (20 × 28.6 cm), branches, hills, landscape, rocks

Cottages at Chatsworth, Derbyshire: Perspective, Studio of Sir Jeffry Wyatville, 1766–1840, British, after 1818, Graphite, pen and black ink, watercolor on slightly textured, medium, white wove paper, Sheet: 13 7/8 × 20 9/16 inches

Miss Nott, John Downman, 1750–1824, British, 1789, Watercolor with black and red chalk with stumping on thin, smooth, cream laid paper, Sheet: 8 5/8 x 7 1/4 inches (21.9 x 18.4 cm), bonnet, girl, portrait

Exterior View of Kailasa, Gangaram Chintaman Tambat, active 1790s, Anglo-Indian, 1790s, Pen and black ink, gray wash and watercolor on two joined sheets of medium, slightly textured, cream laid paper, Sheet: 12 × 26 1/2 inches (30.5 × 67.3

Lago Maggiore and the Borromean Islands, Charles Gore, 1729–1807, British, ca. 1776, Watercolor over graphite on moderately thick, moderately textured, blued white laid paper, Sheet: 6 1/2 x 21 3/8 inches (16.5 x 54.3 cm), glaciers, gulf,

The Spoiled Child, Scene IV, Lewis Vaslet, 1742–1808, British, ca. 1802, Watercolor with black ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper, Sheet: 15 1/2 × 19 1/8 inches (39.4 × 48.6 cm) and

Pastural, Edward Francis Burney, 1760–1848, British, undated, Watercolor and pen and black ink on medium, slightly textured, cream wove paper, Sheet: 7 3/4 × 10 3/4 inches (19.7 × 27.3 cm), bridge (built work), cows, landscape,

Memorial to Elizabeth Heigham from East Ham Church, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 14 7/8 × 10 1/2

Hodnet Church, June 1, Maria Leycester, 1798–1870, 1821, Graphite, brown wash, and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 6 3/8 × 9 3/8 inches (16.2 × 23.8 cm) and Binding: 6 1/2 inches (16.5 cm

Sky Study, No. 6, Attributed to Thomas Lindsay, 1793–1861, British, undated, Watercolor and gouache on medium, slightly textured, blue wove paper, Sheet: 2 1/2 × 5 inches (6.4 × 12.7 cm), blue, clouds, horizon line, landscape,

The Poems of Thomas Gray, Design 11, 'Ode on the Death of a Favourite Cat.', William Blake, 1757–1827, British, between 1797 and 1798, Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper

Harrow-on-the-Hill, Middlesex, Thomas Girtin, 1775–1802, British, ca. 1794, Watercolor with pen in black ink over graphite mounted on moderately thick, moderately textured, beige, wove paper, Sheet: 4 1/8 x 5 7/8 inches (10.5 x 14.9 cm)

Macbeth and Banquo on the Heath, George Fennell Robson, 1788–1833, British, ca. 1830, Watercolor with gouache and scraping over graphite on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/2 × 10 3/8 inches (19 × 26.4

Fox and the Hedgehog (Porcupine), Samuel Howitt, 1756–1822, British, undated, Watercolor and pen and black ink, gray ink, and graphite on medium, slightly textured, cream wove paper, Sheet: 5 1/8 × 7 1/8 inches (13 × 18.1 cm), animal

A Cutter and Other Shipping in a Breeze, unknown artist, formerly attributed to Richard Parkes Bonington, 1802–1828, British, 1827-1828, Watercolor, with pen, in brown ink, blue ink, gouache and scratching out on medium, slightly

A Ball at Scarborough, Thomas Rowlandson, 1756–1827, British, ca. 1820, Watercolor, with pen, in red ink, brown ink, black ink, gray ink, and graphite on moderately thick, slightly textured, blued white, wove paper, Sheet: 5 11/16 x

Memorial to Daniel and Anne Wait from Acton Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 14

A Nurse with Three Children, Paul Sandby RA, 1731–1809, British, ca. 1800, Watercolor on medium, cream, slightly textured wove paper, Sheet: 6 1/8 x 5 5/8 inches (15.6 x 14.3 cm), boy, children, costume dolls, flowers (plants), genre

View of York, John Varley, 1778–1842, British, undated, Watercolor and graphite on moderately thick, slightly textured, beige wove paper, Sheet: 5 5/16 x 7 1/2 inches (13.5 x 19.1 cm), arch bridge, arches, architectural subject, boat,

Balloon over Holland Street, Kensington, 22 July 1835, 7 p.m., Dr. William Crotch, 1775–1847, 1835, Graphite and watercolor on medium, slightly textured, cream wove paper, Sheet: 7 x 7 7/8in. (17.8 x 20cm) and Sheet: 7 × 7 7/8 inches

Ruins of the Basilica of Maxentius in the Roman Forum, Abraham Louis Rodolphe Ducros, 1748–1810, Swiss, 1779, Watercolor with pen and black ink over graphite on laid paper, Sheet: 20 7/8 x 29 1/8 inches (53 x 74 cm), arches, architectural

Regents Park, George Harvey, 1800–1878, British, ca. 1875, Watercolor, Image: 19 1/2 x 23 1/2 inches (49.5 x 59.7 cm) and Frame: 25 x 29 x 1 1/2 inches (63.5 x 73.7 x 3.8 cm), landscape, parks (grounds), London, The Regent's Park, United

Near Maharraka, 6:00 p.m., February 13, 1867 (458), Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and brown ink on medium, slightly textured, wove paper, mounted on moderately thick, slightly textured, cream wove

Views in the Levant: View of a Walled Town and Harbour with Towers Seen From the Sea, Willey Reveley, (?), 1760–1799, British, ca. 1785, Watercolor, pen and black ink, and graphite on medium, slightly textured, cream, laid paper,

Passengers aboard the Nile steamer, Charles Dyce, active 1848, British, ca. 1849, Watercolor and black chalk over graphite on medium, slightly textured, cream wove paper, Sheet: 9 5/8 × 13 3/4 inches (24.4 × 34.9 cm), costume, figure

One from Views in Saxony, France, Spain, Reba, Italy, Sicily..., Sir Richard Colt Hoare, 1758–1838, British, John Warwick Smith, 1749–1831, British, ca. 1817, Watercolor and black ink over graphite on wove paper, Sheet: 11 1/4 x 14

Forming the Civic Crown, Julius Caesar Ibbetson, 1759–1817, British, undated, Pen, ink and watercolor on medium, slightly textured, cream laid paper, Sheet: 2 3/8 × 3 inches (6 × 7.6 cm), crowd, genre subject, men, women

A Fisherman in the Vale of Myfod, Site of the Palace of the Princess of Powis, John Warwick Smith, 1749–1831, British, undated, Watercolor, brown ink, and graphite on medium, slightly textured, cream wove paper, Sheet: 5 1/8 x 8 5/8

Murichom to Choka Chukha, Samuel Davis, 1757–1819, British, 1783, Watercolor and pen and black ink over graphite on medium, slightly textured, cream laid paper, Sheet: 10 × 6 7/8 inches (25.4 × 17.5 cm), cliff, figure, landscape,

Views in England, Scotland and Wales: Transient effect on Skodow and c., on returning from the fall of Lowdoor, July 30, 1805, Amos Green, 1735–1807, British, Harriet Green, 1751–1807, British, 1805, Watercolor

Illustration from Mr. Lambkin, plate 10, Print made by George Cruikshank, 1792–1878, British, undated, Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper

Young's Night Thoughts, Page 80, 'The Thunder If in That the Almighty Dwells', Print made by William Blake, 1757–1827, British, 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper,

Game Keeper and Boy Ferreting a Rabbit, John Frederick Lewis, 1804–1876, British, ca. 1828, Watercolor, pen and brown ink, and graphite, with scratching out on medium, slightly textured, cream wove paper, Sheet: 10 1/2 x 7 5/8 inches

Memorial to Elizabeth Field and Elizabeth Reeves from Cranford Church, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet:

Memorial to Samuel Buckley, also to Burrage and Elizabeth Angler, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper, Sheet:

A Castle at the Waterside, John Varley, 1778–1842, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 7 1/4 x 10 1/4 inches (18.4 x 26 cm), boaters, boats, castles, clouds, landscape,

A Street Scene in Granada on the Day of the Bullfight, John Frederick Lewis, 1804–1876, British, 1833, Watercolor, white gouache, black chalk, red chalk, graphite and gum with scratching out on medium, slightly textured, cream wove

A View of the Rotunda in the Garden at Stowe, Buckinghamshire, Jean B. C. Chatelain, 1710–1771, French, 1753, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 9 1/8 x 12 3/4 inches (23.2 x 32.4 cm),

Interior view of the Drawing Room, Stockton House, John Buckler FSA, 1770–1851, British, and John Chessell Buckler, 1793–1894, British, 1812, Watercolor and pen and black ink on moderately thick, cream wove paper, Sheet: 14 × 19 3/4

Hoopoe: Common Hoopoe, William Lewin, 1747–1795, British, before 1790, Watercolor and gouache over graphite on medium, smooth white vellum, Sheet: 8 1/4 × 6 5/8 inches (21 × 16.8 cm), animal art, beak, bird, perch

The Chapel of the Foundling Hospital, London, Attributed to Theodore Jacobsen, died 1772, British, undated, Watercolor, pen and brown ink over graphite on medium, slightly textured, cream laid paper, Sheet: 2 11/16 x 9 15/16 inches (6.8 x

The Village of Buxadaur Buxa Duar Thibet, Samuel Davis, 1757–1819, British, 1783, Watercolor, graphite and pen and brown ink on moderately thick, slightly textured, beige card, Sheet: 11 5/8 × 16 1/4 inches (29.5 × 41.3 cm), bush,

Man Seated while Speaking to a Soldier Who is Standing, Robert Smirke, 1752–1845, British, and / or Mary Smirke, 1779–1853, British, undated, Watercolor, gouache, varnish, pen and brown ink on medium, moderately textured, cream,

Shipping Off the Coast, follower of François Louis Thomas Francia, 1772–1839, French, active in Britain, formerly attributed to François Louis Thomas Francia, 1772–1839, French, active in Britain, undated, Watercolor over graphite on

Illustrations from Mr. Lambkin, plate 20, Print made by George Cruikshank, 1792–1878, British, undated, Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper

Portrait of a Lady, Richard Crosse, 1742–1810, British, undated, Watercolor and gouache on ivory, Frame: 1 7/8 x 1 5/8 x 1/8 inches (4.8 x 4.1 x 0.3 cm) and Image: 1 3/4 x 1 1/2 inches (4.4 x 3.8 cm), lady, nobility, oval, portrait,

Corn Hill and Moot Hall, Ipswich, George Frost, 1745–1821, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 8 7/8 × 13 1/4 inches (22.5 × 33.7 cm), arches, architectural subject, carts,

An English Child, Robert Mabon, died 1798, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 9 5/8 × 6 inches (24.4 × 15.2 cm

Dwarf Parakeet Macaw, unknown artist, nineteenth century, after Edward Lear, 1812–1888, British, 1832, Watercolor and pen and black ink on beige board, Sheet: 18 × 14 inches (45.7 × 35.6 cm), animal art

Tomb of Sir Henry Collet from Stepney Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 15 × 11 inches

The Gaming Table, Thomas Rowlandson, 1756–1827, British, 1801, Watercolor with pen and brown and gray ink, over graphite on moderately thick, moderatedly textured, cream wove paper, Sheet: 5 7/8 x 9 1/2 inches (14.9 x 24.1 cm), chairs,

Colosseum, Rome, with Arch to the Left, George Robertson, 1749–1788, British, after 1770, Pen and gray ink and watercolor on medium, slightly textured, beige wove paper, Sheet: 12 11/16 × 16 9/16 inches (32.2 × 42.1 cm), arch,

Time and Death and Goody Barton, Thomas Rowlandson, 1756–1827, British, undated, Watercolor with pen and red-brown and gray brown ink, over graphite on medium, moderately textured, blued white, wove paper, Sheet: 5 3/16 x 8 3/8 inches

An Album of 17 Views of Erlestoke House, Park and Surroundings, unknown artist, nineteenth century, Possibly John Buckler FSA, 1770–1851, British, ca. 1825, Graphite and wash, or graphite and watercolor, or graphite, pen and ink and

Two Jeyties Exercising, Gangaram Chintaman Tambat, active 1790s, Anglo-Indian, undated, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 6 × 9 inches (15.2 × 22.9 cm

The Grotto, Virginia Water, Thomas Sandby RA, 1721–1798, British, ca. 1754, Watercolor over ink and graphite on medium, slightly textured, cream laid paper, Sheet: 8 1/8 x 10 13/16in. (20.6 x 27.5cm) and Sheet: 8 1/4 × 10 3/4 inches (21

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), channel (water body

Mist on the Downs, William Leighton Leitch, 1804–1883, British, undated, Watercolor and graphite on thick, slightly textured, cream wove paper, Sheet: 7 9/16 x 11 9/16in. (19.2 x 29.4cm) and Sheet: 7 1/2 × 11 5/8 inches (19.1 × 29.5 cm),

A Stagecoach and Four Dashing Through a Village on the Bath-London Road, George Robertson, 1749–1788, British, ca. 1787, Pen and black ink and watercolor on moderately thick, slightly textured, cream laid paper, Sheet: 11 1/2 × 16 1/2

Rufous Necked Falcon, William Swainson, 1789–1855, British, ca. 1837, Watercolor, pen and black ink, and graphite on moderately thick, slightly textured, cream, wove paper, Sheet: 8 7/8 × 5 13/16 inches (22.5 × 14.8 cm

Ancona, Hercules Brabazon Brabazon, 1821–1906, British, undated, Watercolor and gouache on medium, moderately textured, blue wove paper, Sheet: 5 1/4 x 8 inches (13.3 x 20.3 cm), architectural subject, coastal fortifications, landscape,

A Postillion, William Henry Hunt, 1790–1864, British, ca. 1817, Watercolor over graphite on moderately thick, slightly textured, cream wove paper, Contemporary drawn border: 9 3/4 x 8 5/8 inches (24.8 x 21.9 cm) and Sheet: 8 x 6 7/8 inches

Cobham Hall, Kent: Plan of the Ground Floor of the Offices, James Wyatt, 1746–1813, British, ca. 1790, Graphite, pen and brown ink and watercolor on moderately thick, moderately textured, cream laid paper, Sheet: 10 7/8 x 20 5/8 inches

William Short, John Linnell, 1792–1882, British, 1820, Watercolor and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 9 3/4 x 7 1/4 inches (24.8 x 18.4 cm), coat, cravat, gaze, man, portrait, posing, shadow,

St. Winifred's Well, Holywell, Flintshire, Wales with the Artist in the Foreground..., Attributed to Edward Edwards, 1738–1806, British, undated, Watercolor, gouache, pen, ink, and graphite on medium, slightly textured, cream wove

Picking Mulberries, Thomas Rowlandson, 1756–1827, British, undated, Watercolor, with pen, and brown ink, gray ink and graphite on moderately thick, slightly textured, beige, wove paper, Mount: 7 1/4 x 10 5/16 inches (18.4 x 26.2 cm),

Aquila chrysaetos (Golden Eagle), James Bruce, 1730–1794, British, ca. 1768, Watercolor over graphite on medium, slightly textured, cream laid paper, Sheet: 12 × 9 7/8 inches (30.5 × 25.1 cm), animal art

Two Women Enjoying Their Time by a Stream, Robert Smirke, 1752–1845, British, and / or Mary Smirke, 1779–1853, British, undated, Watercolor, pena and red ink, gouache, and graphite on medium, moderately textured, beige, laid paper,

St. Chawchobbs, George Augustus Sala, 1828–1895, British, undated, Watercolor, gouache, and graphite on medium, slightly textured, beige wove paper, Sheet: 4 3/8 × 3 9/16 inches (11.1 × 9 cm), figure study, man

Ibreem, 6:30 am, 11 February 1867 (405), Edward Lear, 1812–1888, British, 1867, Watercolor with pen and gray ink, over graphite on thick, moderately textured, cream wove paper, Sheet: 3 3/8 × 10 inches (8.6 × 25.4 cm), hill,

Farmyard and Horses, James Ward, 1769–1859, British, undated, Watercolor with pen in brown ink over graphite on medium, smooth, cream wove paper, Sheet: 3 1/4 × 3 5/16 inches (8.3 × 8.4 cm), farmyard, horses (animals), landscape

Mosque at Borranypore, Sir Charles D'Oyly, 1781–1845, British, active in India, undated, Watercolor, gouache and graphite on moderately thick, moderately textured, gray wove paper, Sheet: 9 1/4 × 14 3/8 inches (23.5 × 36.5 cm),

Enter Malvolio, Crossgartered..., Sir John Gilbert, 1817–1897, British, 1863, Watercolor, pen and black ink, brown ink, gray ink, red ink, gouache, gum arabic, and graphite on thick, slightly textured, beige wove paper, Sheet: 19

Sir Alexander Hood, Bart., Robert Dighton, 1752–1814, British, Robert Dighton Jr., 1786–1865, ca. 1810, Watercolor, pen and black ink, gouache, and graphite on thick, slightly textured, beige, wove paper, Sheet: 20 11/16 × 17 3/16

Studies of Young Pallah Deer Resting, Samuel Daniell, 1775–1811, British, ca. 1802, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 6 1/8 × 8 inches (15.6 × 20.3 cm), animal art, deer, resting

View in St. Helena, Samuel Davis, 1757–1819, British, 1806, Watercolor and graphite on medium, moderately textured, cream, laid paper, mounted on, moderately thick, moderately textured, cream, wove paper, Mount: 21 1/16 × 29 3/8

Road Between Rattenberg & St. Johann, Sir Robert Smirke the younger, 1781–1867, British, 1802 to 1804, Watercolor, and graphite on moderatly thick, moderately textured, beige, wove paper, Sheet: 4 5/8 × 7 3/4 inches (11.7 × 19.7 cm

Lumpsucker (Male), Peter Paillou the younger, active 1757–1831, British, undated, Watercolor and gouache on medium, slightly textured, cream vowe paper, Sheet: 15 1/8 × 21 1/2 inches (38.4 × 54.6 cm), animal art, fish, marines (visual

Farming Village, Charles Hamilton Smith, 1776–1859, Belgian, undated, Graphite and watercolor on medium, slightly textured, cream wove paper, Sheet: 7 × 8 3/4 inches (17.8 × 22.2 cm), clouds, farm, fence, landscape, trees, village,

Songs of Innocence and of Experience, Plate 46, 'A Little Boy Lost' (Bentley 50), Print made by William Blake, 1757–1827, British, 1789 to 1794, Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick,

Marine Pier, Brighton - Sunset, Anthony Vandyke Copley Fielding, 1787–1855, British, undated, Watercolor, pen, red ink, graphite, and gum on medium, slightly textured, cream, wove paper, Sheet: 6 1/2 × 9 3/4 inches (16.5 × 24.8 cm),

Kulat Adde, near Abu Simbel, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, gouache, pen and brown ink on medium, slightly textured, cream wove paper, Sheet: 2 9/16 x 7 11/16 inches (6.5 x 19.5 cm), boat, hills, lake,

R. W. Selby-Lowndes in a Scarlet Coat, Richard Dighton, 1795–1880, British, 1843, Watercolor, with pen, in brown ink, gray ink, graphite, and gouache on medium, slightly textured, beige, wove paper, Sheet: 11 × 8 3/4 inches (27.9 ×

Ibreem, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, white gouache, pen and brown ink on moderately thick, moderately textured, beige wove paper, Sheet: 2 13/16 x 5 1/4 inches (7.1 x 13.3 cm), cliff, landscape, river,

View of a House, James Miller, active 1773–1814, undated, Watercolor and graphite on medium, moderately textured, blued white, laid paper, Sheet: 6 5/16 × 7 13/16 inches (16 × 19.8 cm) and Mount: 8 5/8 × 10 5/16 inches (21.9 × 26.2 cm),

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), channel (water body

View at Malta, Charles Dyce, active 1848, British, ca. 1849, Watercolor, graphite and pen and brown ink on medium, slighlty textured, cream wove paper, Sheet: 9 7/8 × 13 3/4 inches (25.1 × 34.9 cm), arches, cityscape, houses, marine

Decorative Wall Designs, James Bruce, 1730–1794, British, undated, Graphite and watercolor on moderately thick, moderately textured, cream laid paper, Sheet: 11 5/8 × 17 5/8 inches (29.5 × 44.8 cm

Port d'Arona, Charles Gore, 1729–1807, British, 1795, Watercolor, pen and black ink, gray ink, gray wash and graphite on moderately thick, moderately textured, cream laid paper, Sheet: 13 1/4 × 27 inches (33.7 × 68.6 cm), boats,

View of a Lake, Charles Hamilton Smith, 1776–1859, Belgian, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 12 7/8 × 16 1/8 inches (32.7 × 41 cm) and Binding: 16 1/8 inches (41 cm),

Skating in the Park, John James Chalon, 1778–1854, French, active in Britain, undated, Sepia wash and watercolor on moderately thick, moderately textured, cream, wove paper, Sheet: 13 3/16 × 17 1/4 inches (33.5 × 43.8 cm), broom,

The Billiard Room, Thomas Rowlandson, 1756–1827, British, ca. 1801, Watercolor with pen and brown ink over graphite on medium, slightly textured, blued white, wove paper, Sheet: 4 11/16 x 7 3/4 inches (11.9 x 19.7 cm), billiard and pool

Henry Angelo and Madame Cain Fencing, Thomas Rowlandson, 1756–1827, British, undated, Watercolor with pen and red-brown and gray-brown ink on moderately thick, moderately textured, wove paper, mounted on cream, thick, rough wove paper

The Banqueting House, Whitehall, from the River, George Shepheard, ca. 1770–1842, British, ca. 1810, Watercolor, graphite, and gouache on moderately thick, moderately textured, cream, wove paper, Sheet: 9 1/4 × 12 inches (23.5 × 30.5

Alterations in the Ale Cellar at Bullstrode, Thomas Rowlandson, 1756–1827, British, undated, Watercolor with pen and red-brown ink, over graphite on moderately thick, moderately textured, cream, wove paper, Sheet: 5 3/4 x 9 1/4 inches

Kielder Castle, Northumberland, William Beilby, 1740–1819, British, undated, Watercolor on slightly textured, medium, beige laid paper, Sheet: 8 1/4 × 10 3/4 inches (21 × 27.3 cm), animals, architectural subject, castle, cattle, dog

Mountainous Landscape, John Ruskin, 1819–1900, British, undated, Watercolor, white gouache, and graphite with pen and black ink on medium, slightly textured, cream wove paper, Sheet: 9 1/8 x 11 1/4 inches (23.2 x 28.6 cm), cliffs,

Indian Girl Seated by a River, William Daniell, 1769–1837, British, 1829, Brown and black ink with watercolor and gouache on medium, slightly textured, beige wove paper, Contemporary drawn border: 4 3/4 x 6 1/2 inches (12.1 x 16.5 cm) and

Jedburgh Abbey, Roxburghshire, Edward Dayes, 1763–1804, British, And James Moore, 1762–1799, British, 1792, Watercolor and graphite and pen and black ink on medium, slightly textured, cream wove paper mounted to medium, slightly

British Troops Disembarking, Dirk Langendyck, 1748–1805, 1799, Watercolor, pen and black ink, and graphite on medium, smooth, cream wove paper, Sheet: 9 1/8 x 13 7/8 inches (23.2 x 35.2 cm), army, bayonets, horses (animals), military

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