Images at Librifly

search results: Watercolor clear search

Soldiers Carousing at an Inn, Thomas Rowlandson, 1756–1827, British, undated, Watercolor, with pen and brown ink, gray ink and graphite on medium, moderately textured, cream, wove paper, Mount: 12 11/16 × 16 5/16 inches (32.2 × 41.4

Temple of Concordia, Sir Robert Smirke the younger, 1781–1867, British, 1802-1804, Watercolor, graphite, pen and brown ink on moderately thick, moderately textured, beige, wove paper, Sheet: 8 15/16 × 11 5/16 inches (22.7 × 28.7 cm

Teneriffe, to the East of Santa Cruz, 22 October, Henry William Parish, active 1792, 1792, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 4 1/8 × 10 7/16 inches (10.5 × 26.5 cm

The Night Riders of Nacton: The Finish. Nacton Church and Village, Henry Thomas Alken, 1785–1851, British, undated, Watercolor and gouache on medium, slighlty textured, brown wove paper, Sheet: 10 1/8 × 14 1/8 inches (25.7 × 35.9 cm) and

Young's Night Thoughts, Page 80, 'The thunder if in that the Almighty dwells', Print made by William Blake, 1757–1827, British, ca. 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper,

Songs of Innocence and of Experience, Plate 5, 'The Ecchoing Green' (Bentley 6), Print made by William Blake, 1757–1827, British, 1789 to 1794, Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick,

Memorial to Henry Flitcroft from Teddington Church, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black and watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 14 7/8 × 10 5/8 inches (37.8 ×

Romantic Composition, John Varley, 1778–1842, British, undated, Watercolor on medium, moderately textured, cream wove paper, Sheet: 8 x 15 1/2 inches (20.3 x 39.4 cm), abbeys, churches, lakes, landscape, mountains, romanticism,

Pavillion, Brighton, August 1828, Anne Rushout, ca. 1768–1849, British, 1828, Watercolor on moderately thick, slightly textured, cream wove paper

Musicians, Robert Mabon, died 1798, British, undated, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 7 × 6 3/8 inches (17.8 × 16.2 cm

Cargo Boat, attributed to Paul Sandby RA, 1731–1809, British, undated, Watercolor and graphite on medium, cream, slightly textured laid paper, Sheet: 8 9/16 x 12 1/8 inches (21.7 x 30.8 cm), boat, cargo vessels, dog (animal), marine

Cobham Hall, Kent: Elevation of Tower, James Wyatt, 1746–1813, British, ca. 1790, Graphite, pen and black ink and watercolor on Moderately thick, slightly textured, cream, laid paper, Sheet: 20 1/4 x 14 1/2 inches (51.4 x 36.8 cm),

Design for Grosvenor House, London, Thomas Cundy, 1790–1867, British, 1829, Pen and brown ink and watercolor on slightly textured, moderately thick, cream wove paper, Sheet: 17 7/16 × 22 11/16 inches (44.3 × 57.6 cm), architectural

Rider Holding on to a Gray Horse After a Fall, Henry Thomas Alken, 1785–1851, British, undated, Graphite and watercolor on medium, slightly textured, blued white, wove paper, Sheet: 9 1/8 × 12 9/16 inches (23.2 × 31.9 cm), falling,

Views in the Levant: Paestum, Willey Reveley, ?, 1760–1799, British, ca. 1785, Watercolor with pen in gray ink and black ink, over graphite on medium, moderately textured, cream, laid paper, mounted on thick, smooth, brown, wove

Shelaal, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, gouache, pen and brown ink on thick, moderately textured, blue wove paper, Sheet: 3 13/16 x 4 7/8 inches (9.7 x 12.4 cm), boat, figures (representations), genre

Statue of George II, Greenwich, Thomas Rowlandson, 1756–1827, British, undated, Graphite, pen and brown ink, and watercolor on medium, slightly textured, cream wove paper, Sheet: 7 7/8 × 5 inches (20 × 12.7 cm), Sheet: 8 3/4 × 6 1/2

Unidentified Landscape: Trees with Church, William Pearson, 1772–1849, British, undated, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 7 × 11 inches (17.8 × 27.9 cm), church, clouds, fences, fields,

The Entrance to King John's Palace, Eltham, Kent, John Hassell, 1767–1825, British, ca. 1812, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 6 × 8 inches (15.2 × 20.3 cm), architectural subject, bridge

Gadshill, Print made by Philip Dawe, ca.1745–ca.1809, British, after James Northcote, 1746–1831, British, Published by George Dawe, 1781–1829, British, 1796, Mezzotint with hand coloring in watercolor on medium, slightly textured,

Sections of Room under Painted Chamber, Charles James Richardson, 1806–1871, British, after George Birch, 1842–1904, British, 1827, Graphite, pen and brown ink and watercolor on slightly textured, moderately thick, white wove paper,

Inattention, Thomas Heaphy, 1775–1835, British, 1808, Watercolor, pen and ink, sponging, and gum over graphite on wove paper, Sheet: 25 3/8 x 19 3/4 inches (64.5 x 50.2 cm), birdcage, door, genre subject, house, man, reading, stick,

The Mouth of the Cavern at Castleton in the Peak of Derby, John White Abbott, 1763–1851, British, 1791, Watercolor, pen and black ink, pen and brown ink, and graphite on moderately thick, slightly textured, cream wove paper, Mount: 10

Bridewell, The Pass Room, House of Correction, Thomas Rowlandson, 1756–1827, British, undated, Watercolor with pen and red-brown ink and graphite on medium, moderately textured, blued white, wove paper, Sheet: 7 5/8 x 11 1/16 inches

Unidentified Madoqua (Dik-dik): study of head and skull, James Bruce, 1730–1794, British, undated, Watercolor over graphite on medium, slightly textured, cream laid paper, Sheet: 16 × 12 inches (40.6 × 30.5 cm), animal art

Oxford, Rev. William Warren Porter, 1776–1804, British, undated, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 7 3/4 × 12 3/8 inches (19.7 × 31.4 cm), architectural subject, field, landscape,

John Lyon, George Chinnery, 1774–1852, British, 1812, Gouache, watercolor and graphite on medium, slightly textured, cream wove paper, Frame: 8 x 6 7/8 x 5/8 inches (20.3 x 17.5 x 1.6 cm) and Sheet: 4 5/8 x 3 7/8 inches (11.7 x 9.8 cm),

An Eagle Perched on a Rock; Lion, Fox, Two Hounds and a Rooster (possibly for 'Aesop's Fables'), Samuel Howitt, 1756–1822, British, undated, Watercolor, with pen, in brown ink, and traces of graphite on medium, slightly textured, cream,

Sketches from Life in Paris: Man in Blue Trousers, Ambrose Poynter, 1796–1886, British, ca. 1835, Watercolor and graphite with pen and brown ink on medium, slightly textured, cream wove paper, Sheet: 3 7/8 × 3 3/8 inches (9.8 × 8.6 cm),

Ruins of a Temple, Sir Robert Smirke the younger, 1781–1867, British, 1802-1804, Watercolor and graphite on moderately thick, moderately textured, beige, wovve paper, Sheet: 8 15/16 × 11 1/4 inches (22.7 × 28.6 cm

The Watercart, Myles Birket Foster, 1825–1899, British, undated, Watercolor and graphite on thick, rough, cream wove paper, Sheet: 3 1/4 × 3 3/4 inches (8.3 × 9.5 cm), cart, genre subject, wheels

Architectural Drawing of a Building with Astrological Symbols, John Varley, 1778–1842, British, undated, Pen and black ink, pen and gray ink, graphite, watercolor and gray wash on medium, slightly textured, cream wove paper, Sheet: 12

Windermere During the Regatta, David Cox, 1783–1859, British, 1832, Watercolor, with pen, in red ink, brown ink, gray ink, gouache, graphite, gum arabic and scratching out on medium slightly textured cream wove paper laid to secondary

The Steine, Brighton, John Nixon, ca. 1760–1818, British, 1787, Watercolor with pen and black ink on medium, slightly textured, cream laid paper, Sheet: 3 3/4 × 6 3/4 inches (9.5 × 17.1 cm), bonnets, children, costumes (ensembles),

Vishnu Riding a Horse Composed of Female Attendants, unknown artist, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Sheet: 7 1/4 × 10 3/4 inches (18.4 × 27.3 cm

A Collection of Surveys of Scottish Estates of the Earl of Selkirk: Bombie Mill, Bombie, Tongue of Bombie, unknown artist, undated, Graphite, watercolor, gray wash, pen and brown ink on slightly textured, moderately thick, cream wove paper,

Brougham Castle, John Inigo Richards RA, 1730/31?–1810, British, undated, Watercolor, wash, and pen and black ink on moderately thick, moderately textured, cream laid paper, Sheet: 8 3/4 × 13 1/4 inches (22.2 × 33.7 cm), architectural

Pistil Mawddach, North Wales, Samuel Palmer, 1805–1881, British, active in Italy (1837–39), between 1835 and 1836, Watercolor, gouache and graphite on medium, slightly textured, cream wove paper, Sheet: 17 3/8 x 21 inches (44.1 x 53.3

Summer, Richard Corbould, 1757–1831, British, undated, Watercolor, pen and black ink on medium, slightly textured, beige wove paper, Sheet: 6 7/8 × 5 1/8 inches (17.5 × 13 cm), conversation, farm, labor, landscape, pasture, summer

The Syrian Fox and The Egyptian Fox, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and black ink, brown ink, gray ink and graphite on moderately thick, slightly textured, white, wove paper, Sheet: 4 3/16 × 6 1/2

From Flower Garden, Wanstead Grove, Anne Rushout, ca. 1768–1849, British, 1824 to 1832, Watercolor and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 7 × 10 1/2 inches (17.8 × 26.7 cm) and Image: 5 × 7 inches

A Street at Night with Figures at a Stall, Attributed to James Holland, 1799–1870, British, 1849, Watercolor and pen and brown ink on moderately thick, slightly textured, cream laid paper, Sheet: 8 7/8 × 6 1/2 inches (22.5 × 16.5 cm),

Fakir's Rock at Sultanganj, on the Ganges River, Thomas Daniell, 1749–1840, British, active in India, William Daniell, 1769–1837, British, ca. 1790, Watercolor and graphite on thick, slightly textured, cream laid paper, Sheet: 21 3/8

Memorial to Hon. Jeremy Whichcot from Hendon Church, Attributed to Daniel Lysons, 1762–1834, British, between 1786 and 1811, Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 15 × 10 7/8

The Crystal Palace in Hyde Park, E. J. Stanley, active 1850, 1852, Watercolor, white gouache, black chalk and graphite on medium, slightly textured, cream wove paper, Sheet: 9 3/4 × 15 inches (24.8 × 38.1 cm), architectural subject

Marrakech, Hercules Brabazon Brabazon, 1821–1906, British, undated, Watercolor, gouache, and graphite on medium, cream, slightly textured wove paper, Sheet: 11 7/8 x 9 7/8 inches (30.2 x 25.1 cm), architectural subject, cityscape,

Cluny Castle, Aberdeenshire, Scotland: Elevation, William Wilkins, 1778–1839, British, ca. 1816, Pen and black ink, watercolor on slightly textured, moderately thick, cream wove paper, Sheet: 13 3/4 × 18 11/16 inches (34.9 × 47.5 cm),

Two Jeyties Fighting, Gangaram Chintaman Tambat, active 1790s, Anglo-Indian, undated, Watercolor and graphite with pen and brown ink on medium, slightly textured, cream laid paper, Sheet: 6 3/4 × 10 inches (17.1 × 25.4 cm), fighters,

Study of Country Boys, William Evans of Bristol, 1809–1858, British, undated, Watercolor and scratching out over graphite on thick, slightly textured, cream wove paper, Sheet: 7 3/8 × 6 5/8 inches (18.7 × 16.8 cm), boys, figure study,

The Residency, Lucknow, William Simpson, 1823–1899, British, 1864, Watercolor and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 14 5/8 x 20 1/2 inches (37.1 x 52.1 cm), architectural subject, carriages,

The First Book of Urizen, Plate 7 (Bentley 12), Print made by William Blake, 1757–1827, British, 1794, Color-printed relief etching in orange-brown with watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 10 x 7 1/8

One from Views in Saxony, France, Spain, Reba, Italy, Sicily..., Sir Richard Colt Hoare, 1758–1838, British, John Warwick Smith, 1749–1831, British, ca. 1817, Watercolor and black ink over graphite on wove paper, Sheet: 11 1/4 x 14

The Pointer, Print made by Samuel Howitt, 1756–1822, British, Published by Edward Orme, 1775–1848, British, 1812, Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper

Knole, Kent, David Cox, 1783–1859, British, 1840s, Graphite, black chalk and watercolor on thick, rough, beige, wove paper, Sheet: 17 1/4 × 23 1/4 inches (43.8 × 59.1 cm), architectural subject, country house, landscape, trees,

Ramsgate Harbour, Kent, John Monro, 1801–1880, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper, Sheet: 6 1/16 × 9 1/8 inches (15.4 × 23.2 cm), beach, boats, buildings, church,

Portrait of a Gentleman, George Engleheart, 1753–1829, British, 1787, Watercolor and gouache on ivory, Image: 1 3/4 x 1 3/8 inches (4.4 x 3.5 cm) and Frame: 1 3/4 x 1 3/8 x 1/4 inches (4.4 x 3.5 x 0.6 cm), portrait

Holy Man Seated Near Plinth Under a Tree, Samuel Davis, 1757–1819, British, undated, Watercolor and graphite on medium, slightly textured, cream, wove paper, mounted on , thick, moderately textured, cream, laid paper, Sheet: 13 1/2 x

The Poems of Thomas Gray, Design 49, 'The Progress of Poesy.', William Blake, 1757–1827, British, between 1797 and 1798, Watercolor with pen and black ink over graphite on moderately thick, slightly textured, cream wove paper with inlaid

Tough, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and brown ink on medium, slightly textured, cream wove paper, mounted on thick, moderately textured, cream wove paper, Sheet: 3 1/16 x 4 3/4 inches (7.8 x 12.1

Tockus Jacksoni (Jackson's Hornbill), Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 inches (40.6 cm) and Sheet: 15 7/8 × 12 inches (40.3 × 30.5

Farmhouse on the River, David Hall McKewan, 1816–1875, British, undated, Watercolor and graphite on medium, moderately textured, cream wove paper, Sheet: 13 1/4 × 21 1/4 inches (33.7 × 54 cm

Portrait of a Girl, Imitator of Andrew Plimer, 1763–1837, British, Previously Andrew Plimer, 1763–1837, British, undated, Watercolor and gouache on ivory, Image: 2 5/8 x 2 1/8 inches (6.7 x 5.4 cm) and Frame: 3 3/8 x 2 1/2 x 5/8 inches

Bridge and Castle Conway, Anne Rushout, ca. 1768–1849, British, 1824 to 1832, Watercolor on moderately thick, slightly textured, cream wove paper

North East View of Samlesbury Hall, Lancashire, John Buckler FSA, 1770–1851, British, and John Chessell Buckler, 1793–1894, British, 1814, Watercolor and pen and black ink on moderately thick, cream wove paper, Sheet: 14 × 19 3/4

America. A Prophecy, Plate 3, 'Preludium, The shadowy daughter....', Print made by William Blake, 1757–1827, British, 1793, Color-printed relief etching in blue with pen and black ink and watercolor on moderately thick, slightly textured,

South East View of the Towers of the Abbey, &c. from College St. Westminster, John Carter, 1748–1817, British, 1782, Graphite, pen and black ink, watercolor on slightly textured, medium, white wove paper, Sheet: 13 1/8 × 9 5/8 inches

Trees by a River, George Chinnery, 1774–1852, British, undated, Watercolor and pen and brown ink on moderately thick, slightly textured, wove paper, Sheet: 6 1/8 × 5 inches (15.6 × 12.7 cm), landscape, river, rocks (landforms), sea,

Sky Study, No. 4, Attributed to Thomas Lindsay, 1793–1861, British, undated, Watercolor graphite and gouache on moderately thick, slightly textured, blue wove paper, Sheet: 2 1/2 × 5 1/8 inches (6.4 × 13 cm), blue, clouds, horizon

Three Sportsmen Sleeping at the Table in Their Chairs, Thomas Rowlandson, 1756–1827, British, undated, Watercolor with pen and gray-brown ink, and graphite; verso: graphite on medium, slightly textured, blued white, wove paper, Sheet: 4 x

The Book of Thel, Plate 7, 'But he that loves the lowly . . . .', Print made by William Blake, 1757–1827, British, 1789, Relief etching printed in brown with pen and ink and watercolor on moderately thick, slightly textured, cream wove

Trees near Hastings, Joshua Cristall, 1768–1847, British, 1807, Watercolor and graphite on moderately thick, moderately textured, blued white laid paper, Sheet: 9 3/8 x 17 1/4 inches (23.8 x 43.8 cm), autumn, grass, hills, landscape,

Single Hermaphrodite Brig, Bow Forward, Joseph Cartwright, c.1789–1829, British, undated, Watercolor, with pen, in brown ink and graphite on moderately thick, moderately textured, cream, wove paper, mounted on, moderately thick,

Men Loading a Boat with Barrels, Samuel Scott, 1701/2–1772, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 5 1/2 x 10 5/8 inches (14 x 27 cm), barrels, boat, hats, loading, marine art,

A Collection of Surveys of Scottish Estates of the Earl of Selkirk: Bishopton, unknown artist, undated, Graphite, watercolor, pen and black ink on slightly textured, moderately thick, cream wove paper, Sheet: 13 × 9 1/2 inches (33 × 24.1

Valle Crucis Abbey, near Llangollen, imitator of Thomas Girtin, 1775–1802, British, between 1798 and 1801, Watercolor and graphite on medium, moderately textured, beige laid paper, Sheet: 8 1/4 × 11 5/8 inches (21 × 29.5 cm), abbey,

On Strike, Sir Hubert von Herkomer, 1849–1914, British, 1897, Watercolor and gouache on smooth, slightly textured, cream wove paper, Sheet: 13 1/4 × 6 3/4 inches (33.7 × 17.1 cm) and Frame: 20 × 13 × 5/8 inches (50.8 × 33 × 1.6 cm),

Argos and Larissa, John Fulleylove, 1845–1908, British, undated, Watercolor and gouache and pen and black ink on thick, slightly textured, cream wove paper, Sheet: 4 5/8 × 6 1/2 inches (11.7 × 16.5 cm), buildings, carriage, castle,

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Graphite and watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm),

One from Views in Saxony, France, Spain, Reba, Italy, Sicily..., Sir Richard Colt Hoare, 1758–1838, British, John Warwick Smith, 1749–1831, British, ca. 1817, Watercolor and black ink over graphite on wove paper, Sheet: 11 1/4 x 14

A Brahmin, Robert Mabon, died 1798, British, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper, Sheet: 5 1/8 × 6 1/2 inches (13 × 16.5 cm

Argyll Concert Rooms, Regent Street, London: Perspective, John Nash, 1752–1835, British, and George Stanley Repton, 1786–1858, British, between 1810 and 1820, Watercolor over graphite on medium, smooth, white wove paper, Sheet: 7 7/8

Valley of the Conway, Thomas Girtin, 1775–1802, British, ca. 1800, Watercolor with pen and brown ink, over graphite on thick, moderately textured, beige cardtridge paper, Sheet: 9 1/4 x 20 11/16 inches (23.5 x 52.5 cm), cattle, figure,

Horse Cart, Edward Francis Burney, 1760–1848, British, undated, Pens, black ink and watercolor on medium, slightly textured, cream wove paper, Sheet: 6 3/4 × 4 3/4 inches (17.1 × 12.1 cm), animal art, cart, horses (animals), road,

'The Cover Hack', Henry Thomas Alken, 1785–1851, British, 1827, Graphite and watercolor on medium, slightly textured, cream wove paper, Sheet: 8 × 10 1/2 inches (20.3 × 26.7 cm), dogs (animals), equestrian, horse (animal), sporting

Sheep under a tree, Sawrey Gilpin, 1733–1807, British, undated, Watercolor and graphite on thin, slightly textured, cream laid paper, Sheet: 7 3/16 x 9 13/16in. (18.3 x 24.9cm) and Sheet: 7 1/4 × 9 7/8 inches (18.4 × 25.1 cm), animal

Ladies at Tea, Thomas Rowlandson, 1756–1827, British, between 1790 and 1795, Watercolor with pen and red-brown and brown ink, over graphite on medium, moderately textured, laid paper with gray wash line border mounted on medium, moderately

The First Book of Urizen, Plate 13, 'Thus the Eternal Prophet was divided . . . ' (Bentley 15), Print made by William Blake, 1757–1827, British, 1794, Color-printed relief etching in green with watercolor on moderately thick, slightly

Major General Sir Barry Close, John Smart, 1741–1811, British, 1794, Gouache and watercolor on ivory, Image: 3 1/8 x 2 1/2 inches (7.9 x 6.4 cm) and Frame: 3 1/2 x 2 5/8 x 1/2 inches (8.9 x 6.7 x 1.3 cm), portrait

Exercising a Racehorse, George Alken, 1794–active 1837, British, undated, Watercolor, graphite, gouache, and pen and brown ink on medium, slightly textured, blued white, wove paper, Sheet: 8 1/16 × 10 3/4 inches (20.5 × 27.3 cm),

Landscape: Valley with Mountain in Distance, Attributed to William Collins, 1788–1847, British, undated, Watercolor and graphite on medium, moderately textured, cream wove paper, Sheet: 2 7/8 × 4 1/4 inches (7.3 × 10.8 cm), beach,

A Pair of Jeyties Weightlifting, Gangaram Chintaman Tambat, active 1790s, Anglo-Indian, undated, Watercolor, white gouache, and graphite on medium, slightly textured, cream laid paper, Sheet: 7 1/2 × 8 15/16 inches (19.1 × 22.7 cm

Mountainous Landscape with River, unknown artist, nineteenth century, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, mounted on medium, slightly textured, cream wove paper, Sheet: 7 7/8 × 11 inches (20 ×

Corwen Marketplace, North Wales, Attributed to Edward Dayes, 1763–1804, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 8 3/8 x 11 5/8 inches (21.3 x 29.5 cm), architectural subject,

Villa Massimi, Rome: Gateway Flanked by Palms in Large Earthware Jars, Harry John Johnson, 1826–1884, British, undated, Watercolor, graphite, and gouache on medium, moderately textured, blue wove paper, Sheet: 8 5/8 x 11 3/8 inches (21.9

Landscape with stream in foreground, Anthony Devis, 1729–1817, British, undated, Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper, Sheet: 5 3/8 × 8 inches (13.7 × 20.3 cm), hills, landscape,

The Ivory Coast, West Africa, Thomas Rowlandson, 1756–1827, British, between 1810 and 1815, Watercolor, pen and brown ink, pen and gray ink, and graphite on medium, slightly textured, cream wove paper, Sheet: 14 3/4 x 21 9/16 inches

The First Book of Urizen, Plate 10, '12: Los Howld in a Dismal Stupor....' (Bentley 7), Print made by William Blake, 1757–1827, British, 1794, Color-printed relief etching in orange-brown with watercolor on moderately thick, slightly

The Former Winter Capital of Bhutan at Punakha Dzong, Samuel Davis, 1757–1819, British, 1783, Watercolor, pen and black ink, brown ink, gouache, graphite, with scratching out and sponging on moderately thick, slightly textured, cream,

Oasis Village, Edward Lear, 1812–1888, British, 1854, Watercolor, pen and brown ink, and graphite on medium, slightly textured, beige wove paper, Sheet: 9 5/8 x 17 inches (24.4 x 43.2 cm), buildings, camels (mammals), desert, dome,

A Town Crier, Thomas Rowlandson, 1756–1827, British, undated, Watercolor, with pen and brown ink, gray ink over graphite on medium, moderately textured, cream, wove paper, Sheet: 11 5/8 × 9 1/8 inches (29.5 × 23.2 cm), Mount: 16 5/16

search results: Watercolor clear search