Images at Librifly

search results: Watercolor clear search

Interior of St. Paul's Cathedral, Thomas Malton the Younger, 1748–1804, British, ca. 1792, Watercolor, pen and black ink, and graphite on smooth, medium, cream laid paper laid down on card, Sheet: 26 1/4 x 36 1/8 inches (66.7 x 91.8 cm

The Rock of Gibraltar from Algeciras (Spain), George Lothian Hall, 1825–1888, British, 1843, Watercolor, gouache, graphite and scraping out on thick, moderately textured, cream wove paper, Sheet: 6 1/4 × 10 inches (15.9 × 25.4 cm),

Portrait of a Man, Attributed to Sir William Beechey, 1753–1839, British, undated, Watercolor and graphite on moderately thick, smooth, beige wove paper, Sheet: 13 3/8 × 9 3/4 inches (34 × 24.8 cm), figures (representations), man

Woman Bending over Basket, Attributed to Gangaram Chintaman Tambat, active 1790s, Anglo-Indian, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper, Sheet: 6 1/4 × 6 9/16 inches (15.9 ×

Blenheim, Rev. William Warren Porter, 1776–1804, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 10 5/8 × 16 1/4 inches (27 × 41.3 cm), architectural subject, castle, landscape, palace,

Isola San Giulio, Lago d'Orta, Edward John Poynter, 1836–1919, British, 1898, Watercolor with gouache on medium, slightley textured, cream wove paper, Sheet: 21 1/8 x 14 3/8in. (53.7 x 36.5cm), buildings, island, landscape, mountains,

Wandshorst Church Surrey, George Sidney Shepherd, 1784–1862, British, undated, Watercolor and graphite on moderately thick, moderately textured, beige, wove paper, Sheet: 10 7/8 × 14 15/16 inches (27.6 × 37.9 cm), architectural subject,

A Gate Reflected in a Pool, Robert Hills, 1769–1844, British, 1805, Watercolor and graphite, with scraping out on medium, slightly textured, cream wove paper, Sheet: 8 1/2 × 10 7/8 inches (21.6 × 27.6 cm), branches, fence, landscape,

Rochester, John Thomas Serres, 1759–1825, British, undated, Watercolor over graphite on medium, slightly textured, cream laid paper, Sheet: 8 3/16 x 13in. (20.8 x 33cm) and Sheet: 8 1/8 × 13 inches (20.6 × 33 cm

Olivia Returns to Her Family, Francis Wheatley, 1747–1801, British, undated, Watercolor, pen and black ink, and white gouache on medium, slightly textured, cream wove paper, Sheet: 17 x 21 7/8 inches (43.2 x 55.6 cm), barrel, bonnet,

An Oat Cake, James Ward, 1769–1859, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 3 1/8 x 6 1/2 inches (7.9 x 16.5 cm), cake, food, still life

The Church of the Holy Sepulchre, William James Muller, 1812–1845, British, between 1838 and 1840, Watercolor with pen in brown ink, over graphite, with gouache on medium, moderately textured, brown, wove paper, Sheet: 11 3/4 × 16

Red Fort, New Delhi, Hercules Brabazon Brabazon, 1821–1906, British, undated, Watercolor, gouache and graphite on medium, blue, slightly textured wove paper, Sheet: 8 3/4 x 11 1/4 inches (22.2 x 28.6 cm), arches, architectural subject,

Commiphora gileadensis (L.) C. Chr. (Balm of Gilead, Opobalsam): finished drawing if tree's habit (with roots), Luigi Balugani, 1737–1770, Italian, after James Bruce, 1730–1794, British, undated, Watercolor and gouache over graphite on

Pterolobium stellatum (Forssk): finished drawing, Luigi Balugani, 1737–1770, Italian, Formerly James Bruce, 1730–1794, British, undated, Watercolor over graphite on moderately thick, slightly textured, cream laid paper, Sheet: 12 3/8

Songs of Innocence, Plate 4, 'A Dream' (Bentley 26), Print made by William Blake, 1757–1827, British, 1789, Relief etching printed in brown with watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/2 x 5 3/8

'The National Sports of Great Britain' 1821: Badger Catching, Henry Thomas Alken, 1785–1851, British, 1821, Graphite and watercolor on medium, slightly textured, cream, wove paper, mounted on, moderately thick, smooth, beige, wove

Temple Bar, Thomas Hosmer Shepherd, 1792–1864, British, undated, Watercolor, brown ink, graphite, and gouache on medium, slightly textured, cream wove paper, Sheet: 5 3/4 × 7 5/8 inches (14.6 × 19.4 cm), arch, arches, architectural

The Erebus & Terror in a Gale in the Pack of the Ice, Charles Hamilton Smith, 1776–1859, Belgian, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 12 7/8 × 16 1/8 inches (32.7 × 41 cm)

Blickling Church, Norfolk, from the South-East, imitator of John Sell Cotman, 1782–1842, British, undated, Watercolor over graphite on medium smooth cream wove paper, Sheet: 7 3/8 x 11 5/8 inches (18.7 x 29.5 cm), architectural subject,

Cawdor Castle, Scotland, James Moore, 1762–1799, British, 1792, Graphite and watercolor on medium, slightly textured, beige, wove paper, Sheet: 7 1/16 × 8 15/16 inches (17.9 × 22.7 cm

Man with Prayer Beads, Attributed to Gangaram Chintaman Tambat, active 1790s, Anglo-Indian, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper, Sheet: 6 1/2 × 6 1/16 inches (16.5 × 15.4

A Gibbet, Thomas Rowlandson, 1756–1827, British, undated, Watercolor with pen and brown and gray ink over graphite on moderately thick, moderately textured, beige, wove paper, Sheet: 14 3/16 x 10 13/16 inches (36 x 27.5 cm), dead, genre

Elysium Row, Calcutta, Charles Dyce, active 1848, British, ca. 1849, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 9 1/2 × 13 5/8 inches (24.1 × 34.6 cm), architectural subject, buildings, trees, Asia,

Clare College and Bridge over the Cam with King's College in the background, John Fulleylove, 1845–1908, British, 1889, Watercolor and graphite on thick, slighlty textured, cream wove paper, Sheet: 7 × 10 1/8 inches (17.8 × 25.7 cm),

Chury Burdar, Robert Mabon, died 1798, British, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper medium, slightly textured, cream wove paper, Sheet: 6 1/2 × 3 3/8 inches (16.5 × 8.6

Carlisle Cathedral, Cumberland, from the South-west, Thomas Girtin, 1775–1802, British, ca. 1795, Watercolor with pen and black ink over graphite on medium, slightly textured, cream wove paper, Sheet: 7 × 9 1/2 inches (17.8 × 24.1 cm)

Design for a Monument to the Duke of Wellington, Charles Heathcote Tatham, 1772–1842, British, undated, Pen and brown ink and watercolor on slightly textured, medium, white wove paper and slightly textured, medium, brown laid paper,

North View of Hardwick Hall, Derbyshire; the Seat of the Duke of Devonshire, John Buckler FSA, 1770–1851, British, and John Chessell Buckler, 1793–1894, British, 1813, Watercolor and pen and black ink on moderately thick, cream wove

Hilt of the Peshwa's Sword, Robert Mabon, died 1798, British, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper, Sheet: 3 × 4 1/8 inches (7.6 × 10.5 cm

Fishing near a Waterfall, unknown artist, (BQ), 1790, Watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 6 3/8 x 7 5/16 inches (16.2 x 18.5 cm), bonnets, fisherman, fishing, genre subject, geology, hat,

Shore Scene with Buildings and Boats, Thomas Sully, 1783–1872, American, undated, Watercolor and graphite on medium, moderately textured, beige, wove paper, Sheet: 8 1/2 × 11 1/2 inches (21.6 × 29.2 cm

Santa Maria della Salute, Venice, Hercules Brabazon Brabazon, 1821–1906, British, undated, Graphite and watercolor on medium, moderately textured, beige wove paper, Sheet: 4 3/4 × 7 5/8 inches (12 × 19.4 cm), church, cityscape, dome,

Harlech Castle and Twgwyn Ferry, John Varley, 1778–1842, British, 1804, Watercolor, graphite and scraping out on medium, slightly textured, cream wove paper, mounted on thick, slightly textured, cream wove paper, Mount: 16 1/8 x 21 1/4

North West View of Blithfield; Staffordshire, the Seat of the Right Hon'ble, Lord Bagot, John Buckler FSA, 1770–1851, British, and John Chessell Buckler, 1793–1894, British, 1823, Watercolor and pen and black ink on moderately thick,

Figure Study of a Lady, James Miller, active 1773–1814, undated, Watercolor, graphite, pen and gray ink on medium, moderately textured, blued white, laid paper, Sheet: 7 13/16 × 6 5/16 inches (19.8 × 16 cm) and Mount: 11 × 9 7/16

Female Dancers, Robert Mabon, died 1798, British, undated, Watercolor, graphite, pen and black ink, and pen and brown ink on medium, slightly textured, cream laid paper, Sheet: 9 3/4 × 14 inches (24.8 × 35.6 cm

'The Poacher's Progress:' Poachers Before the Magistrates, C. Blake, active 1825–1826, undated, Graphite, watercolor, and varnish on thick, moderately textured, brown, wood pulp paper, Sheet: 12 3/4 × 17 5/8 inches (32.4 × 44.8 cm),

Jerusalem, Plate 33, 'Turning his back to the Divine Vision....', Print made by William Blake, 1757–1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove

Euplectes afer (Yellow-Crowned Bishop), Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 inches (40.6 cm) and Sheet: 15 7/8 × 12 inches (40.3 ×

Study for the Proclamation of Don Carlos, John Frederick Lewis, 1804–1876, British, between 1834 and 1838, Watercolor, gouache, black chalk and graphite with scratching out on medium, slightly textured, beige wove paper mounted on thick,

Scotsman with Sword; Modern Dress of a Highland Chieftan, George Walker, active 1792–died 1795, British, undated, Watercolor and graphite on medium, smooth, cream wove paper, Sheet: 4 3/8 × 2 15/16 inches (11.1 × 7.5 cm), belt (costume

The Sporting Parson: 'Next a Little Low Church', Hablot Knight Browne, 1815–1882, British, undated, Black chalk, watercolor and gouache on moderately thick, slightly textured, gray, wove paper, Sheet: 10 5/8 × 14 7/8 inches (27 × 37.8

Cobham Hall, Kent: Alternate Designs for Ceiling Decoration, James Wyatt, 1746–1813, British, ca. 1790, Graphite, pen and black ink and watercolor on moderately thick, moderately textured, cream laid paper, Sheet: 14 3/8 x 20 1/4 inches

Inside View of Tintern Abbey looking from the Nave to the East Window, Thomas Sunderland, 1744–1828, British, undated, Watercolor and graphite with pen and brown and pen and gray ink on medium, slightly textured, cream wove paper, Sheet: 15

A Stag Hunt in the West Country, Thomas Rowlandson, 1756–1827, British, undated, Watercolor with pen and red-brown and gray ink over graphite on medium, moderately textured, cream, wove paper, Sheet: 5 3/8 x 9 inches (13.7 x 22.9 cm),

Gardening, Thomas Rowlandson, 1756–1827, British, undated, Watercolor, with pen, and brown ink, gray ink and graphite on moderately thick, slightly textured, blued white, wove paper, Sheet: 4 3/4 x 7 1/16 inches (12.1 x 17.9 cm), blue,

York House, the corner of Villiers Street and the Strand, with Richardson's Ancient and Modern Print Warehouse in the Foreground, George Shepheard, ca. 1770–1842, British, ca. 1809, Watercolor and pen and black ink on medium, slightly

Verrucchio, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, white gouache, pen and brown ink on moderately thick, slightly textured, brown wove paper, Sheet: 2 5/8 x 9 1/16 inches (6.7 x 23 cm), landscape, mountains, sky,

Building and Repairing Masoola Boats, John Gantz, 1772–1853, 1828, Pen and black ink and watercolor on medium, moderately textured, cream wove paper mounted to card, Sheet: 6 3/8 × 9 inches (16.2 × 22.9 cm) and Mount: 8 7/8 × 11 inches

Broom House, Fulham, London, William Augustus Barron, active 1777, 1774, Pen and black ink and watercolor on medium, slightly textured, cream laid paper, Sheet: 5 7/8 × 8 7/8 inches (14.9 × 22.5 cm), architectural subject, cottage,

Memorial to Charles Mordaunt from Hendon Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 15 1/8 × 11

Kennington Common, Samuel Hieronymus Grimm, 1733–1794, Swiss, 1776, Watercolor with gray ink and gouache over graphite on medium, smooth, cream wove paper, Sheet: 13 1/4 x 20 1/4 inches (33.7 x 51.4 cm), bonnets (hats), buildings, capes

The taking of the St. Joseph a Spanish Carracca Ship, Sept. 23 1739, by the Chester and Canterbury Men of War, this Prize was Valued at upwards of 150, 000 pounds., Print made by Remi Parr, active 1723–1750, British, after Peter Monamy,

Country Folk with a Child, Beside a River, Samuel Howitt, 1756–1822, British, undated, Watercolor, pen and black ink, pen and gray ink, and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 8 3/8 × 10 inches

South West View of Old Burleigh Hall near Stamford, Lincolnshire, John Buckler FSA, 1770–1851, British, and John Chessell Buckler, 1793–1894, British, undated, Watercolor and pen and black ink on moderately thick, cream wove paper,

Tomb of John Eaton from Hendon Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, and watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 15 1/8 × 10 7/8 inches

View of Prior Park, Henry Edmund Goodridge, 1797–1864, British, undated, Watercolor, pen and brown ink, gouache and graphite on moderately thick, slightly textured, beige wove paper mounted on canvas, Sheet: 28 1/8 × 45 inches (71.4 ×

Kefla Abay, High Priest of the Nile, James Bruce, 1730–1794, British, undated, Watercolor on moderately thick, moderately textured, beige laid paper, Sheet: 11 1/2 × 9 inches (29.2 × 22.9 cm), portrait

America. A Prophecy, Plate 18, 'Over the Hills....', Print made by William Blake, 1757–1827, British, 1793, Relief etching printed in blue with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper,

Windsor, Joseph Mallord William Turner, 1775–1851, British, ca. 1798, Watercolor, graphite and scratching out on medium, slightly textured, cream wove paper, Sheet: 20 × 28 inches (50.8 × 71.1 cm), castle, clouds, deer, deer, hills,

Present State of the Nation, Or, What's Saved at the Spiggot Let Out at the Bunghole., William Dent, active 1784–1793, 1791, Etching with watercolor on laid paper, Sheet: 9 3/4 x 13 7/8in. (24.8 x 35.2cm

Boats and Men on Shore, William Anderson, 1757–1837, British, undated, Watercolor, graphite, and pen and black ink on medium, slighlty textured, cream wove paper, Sheet: 3 3/4 × 9 7/8 inches (9.5 × 25.1 cm), boats, genre subject,

The Duchess of Gordon's Rout, Thomas Rowlandson, 1756–1827, British, undated, Pen and brown ink, and graphite; verso: gray watercolor blot on medium, slightly textured, beige, wove paper, Sheet: 4 9/16 x 8 3/4 inches (11.6 x 22.2 cm),

Unidentified Fish, Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 1/4 inches (41.3 cm) and Sheet: 16 × 12 1/2 inches (40.6 × 31.8 cm), animal

Old Bridge at Shrewsbury, Paul Sandby RA, 1731–1809, British, 1772, Watercolor and gouache on canvas, Sheet: 28 1/2 x 37 3/8 inches (72.4 x 94.9 cm), arches, architectural subject, boat, bridge (built work), cart, cityscape, fort,

A Bull Attacking a Dog, Samuel Howitt, 1756–1822, British, undated, Watercolor, pen and brown ink and graphite on medium, slightly textured, cream wove paper, Sheet: 5 1/8 × 7 1/8 inches (13 × 18.1 cm), animal art, attack, bulls, dog

Cupid and Psyche, Edward Burne-Jones, 1833–1898, British, ca. 1870, Watercolor, gouache and pastel on moderately thick, moderately textured, wove paper mounted on linen, Sheet: 27 5/8 x 19 inches (70.2 x 48.3 cm) and Frame: 37 x 27 1/2 x 3

Landscape with a Man Washing His Feet at a Fountain, after Poussin, David Cox, 1783–1859, British, after Nicholas Poussin, 1594–1665, French, ca. 1821, Watercolor, pen and brown ink, gum arabic, and scratching out on very thick,

Maytenus arguta (Loes.) N. Robson: finished drawing, Luigi Balugani, 1737–1770, Italian, undated, Watercolor and gouache over graphite on medium, slightly textured, cream laid paper, Sheet: 15 15/16 × 12 5/16 inches (40.5 × 31.3 cm) and

Pevensey Castle, Sussex, James Moore, 1762–1799, British, after Thomas Girtin, 1775–1802, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 6 1/2 × 9 9/16 inches (16.5 × 24.3 cm),

Road in the Forest, Edward Francis Burney, 1760–1848, British, undated, Watercolor and pen and black ink on medium, slightly textured, cream laid paper, Sheet: 7 5/8 × 12 1/4 inches (19.4 × 31.1 cm), figure (representation), forest,

Font at Happisburgh Church, Norfolk, John Sell Cotman, 1782–1842, British, ca. 1811, Watercolor and graphite on medium, smooth, cream wove paper, Sheet: 7 x 9 1/8 inches (17.8 x 23.2 cm) and Contemporary drawn border: 8 7/8 x 11 1/8 inches

Girl in a Brown Dress, Joshua Cristall, 1768–1847, British, undated, Watercolor over graphite on moderately thick, slightly textured, cream wove paper, Sheet: 8 13/16 x 5 1/8 inches (22.4 x 13 cm), apron, back, dress, figure study,

The First Book of Urizen, Plate 9, 'As the Stars Are Apart from the Earth....' (Bentley 6), Print made by William Blake, 1757–1827, British, 1794, Color-printed relief etching in orange-brown with watercolor on moderately thick, slightly

Foxhunting: Gone Away, Henry Thomas Alken, 1785–1851, British, undated, Watercolor, pen and black ink, brown ink, and graphite on medium, slightly textured, blued white, wove paper, Sheet: 9 5/16 × 12 3/8 inches (23.7 × 31.4 cm),

Two Boys, Samuel Prout, 1783–1852, British, undated, Graphite and watercolor on moderately thick, slightly textured, beige wove paper, Sheet: 4 9/16 x 3 1/16 inches (11.6 x 7.8 cm), boys, caps, coats, figure study, genre subject,

Dr Graham's Bathing Establishment, Thomas Rowlandson, 1756–1827, British, undated, Watercolor with pen black and gray ink over graphite on thick, moderately textured, cream, wove support, Sheet: 10 7/16 x 16 3/8 inches (26.5 x 41.6 cm) and

Donnybrook Fair, 1782, Francis Wheatley, 1747–1801, British, 1782, Black ink with watercolor on medium, smooth, cream laid paper, Sheet: 12 5/8 x 21 1/2 inches (32.1 x 54.6 cm), barrels, basket, bellows, bonnets (hats), boots,

Gebel Sheikh Eredi, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen cochineal ink and blue ink on moderately thick, moderately textured, beige wove paper, Sheet: 4 9/16 x 12 7/8 inches (11.6 x 32.7 cm), boat, camels

Single Brig (?) Another Sailing Vessel Against Outline of City on Background, Joseph Cartwright, c.1789–1829, British, undated, Watercolor, pen and black ink, brown ink, and graphite on medium, slightly textured, beige, wove paper,

The Fainting Fit, George Cruikshank, 1792–1878, British, undated, Watercolor, brown ink and graphite on medium, lightly textured, cream wove paper, mounted to medium, moderately textured, cream wove paper, Sheet: 3 3/4 x 7 11/16in. (9.5

An Eastern Encampment, William James Muller, 1812–1845, British, undated, watercolor and graphite on medium, slightly textured, cream, wove paper, mounted on very thick, smooth, cream, wove paper, Sheet: 5 7/8 x 13 1/4 inches (14.9 x

A Judge of Distress like Hers, Nathaniel Dance RA, 1735–1811, British, undated, Watercolor, wash and graphite on medium, slightly textured, cream laid paper, Sheet: 7 5/8 x 12 3/4 inches (19.4 x 32.4 cm), bonnet, dress, genre subject,

Mouth of the Humber, Hercules Brabazon Brabazon, 1821–1906, British, after Joseph Mallord William Turner, 1775–1851, British, undated, Watercolor and gouache with graphite and scratching out on medium, slightly textured, gray wove

West Side of Ludlow Castle, Samuel Davis, 1757–1819, British, undated, Watercolor, with pen, in brown ink, gray ink, graphite, gouache, and scratching out on thick, moderately textured, beige, wove paper, Sheet: 21 5/8 × 29 1/8

Sketches from Life, Edmund Thomas Parris, 1793–1873, British, 1826, Graphite and watercolor on medium, smooth, cream wove paper, Sheet: 7 1/8 × 4 3/4 inches (18.1 × 12.1 cm), apron, basket, bonnet (hat), costume, couple, dresses,

South view of Holland House, Middlesex, the Seat of Lord Holland, John Buckler FSA, 1770–1851, British, and John Chessell Buckler, 1793–1894, British, 1812, Watercolor and pen and black ink on moderately thick, cream wove paper,

A Woman of Fashion in Walking Dress, James Roberts, active 1766–1809, British, Formerly attributed: Anthony Highmore, 1719–1799, British, undated, Watercolor and graphite with pen and brown ink on medium, slightly textured, cream laid

Going to the Hayfield, David Cox, 1783–1859, British, early 1850s, Watercolor, graphite, black chalk and scratching out on thick, rough, white, wove paper, Mount: 16 × 22 1/2 inches (40.6 × 57.2 cm), Contemporary drawn border: 12 7/8

Avenue of Trees, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and brown ink on thick, rough, cream wove paper, Sheet: 5 3/4 x 3 13/16 inches (14.6 x 9.7 cm), avenue, genre subject, palm trees, path, sky, Egypt,

A Mountain Lake, William Turner of Oxford, 1789–1862, British, undated, Watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 13 3/8 x 20 inches (34 x 50.8 cm), cattle, clouds, cows, dolomite, granite, herding,

Craig yr Aderyn, near Llanfihangel-y-Pennant, Francis Towne, 1740–1816, British, 1777, Watercolor and gray ink over graphite on medium, moderately textured, cream laid paper, Sheet: 8 1/4 x 10 3/4 inches (21 x 27.3 cm) and Contemporary

The 'Royal' Coach Outside the White Lion Inn, William Evans of Bristol, 1809–1858, British, ca. 1845, Watercolor, with pen, in brown ink, and graphite on moderately thick, moderately textured, beige, wove paper, Mount: 13 1/16 × 17 3/8

Alderley, June 29th, Maria Leycester, 1798–1870, 1820, Graphite, brown wash, and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 6 3/8 × 9 3/8 inches (16.2 × 23.8 cm) and Binding: 6 1/2 inches (16.5 cm

Castle Point, John Warwick Smith, 1749–1831, British, undated, Watercolor, black ink, and graphite on medium, slightly textured, cream wove paper, Sheet: 5 3/4 x 8 1/2 inches (14.6 x 21.6 cm), birds, dog (animal), genre subject,

Brimham Crags, Thomas Daniell, 1749–1840, British, active in India, ca. 1780, Watercolor, with pen, in brown ink, gray ink, black ink, graphite and gum arabic on moderately thick, moderately textured, beige, laid paper, mounted on,

Design for a Gothic Church with Tower, Studio of Sir Jeffry Wyatville, 1766–1840, British, undated, Graphite, pen and black ink, watercolor on slightly textured, moderately thick, cream wove paper, Sheet: 17 7/8 × 12 3/4 inches (45.4 ×

Lost to All Hope the Brig, Joseph Mallord William Turner, 1775–1851, British, between 1845 and 1850, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 9 x 12 3/4 inches (22.9 x 32.4 cm) and Frame: 17 1/4 x 23

Self Portrait, Peter Oliver, 1589–1647, British, ca. 1625, Watercolor and gouache on medium, cream, laid paper, Sheet: 3 1/4 x 2 7/8 inches (8.3 x 7.3 cm) and Frame: 4 3/8 x 3 1/4 x 3/8 inches (11.1 x 8.3 x 1 cm), portrait

search results: Watercolor clear search