Images at Librifly

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Coast near Tunis, Hercules Brabazon Brabazon, 1821–1906, British, undated, Watercolor on moderately thick, slightly textured, blued white wove paper, Sheet: 4 5/8 x 6 1/16 inches (11.8 x 15.4 cm), buildings, coast, landscape, mountains,

Extensive wooded landscape with figures in foreground left, James Baynes, 1766–1837, British, Undated, Watercolor on thick, moderately textured, white wove paper, Sheet: 16 3/8 x 23 1/8 inches (41.6 x 58.7 cm), basket, children, clouds,

Chili Skunk, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and brown ink and graphite on medium, slightly textured, cream, wove paper, Sheet: 3 9/16 × 6 1/16 inches (9 × 15.4 cm), animal art

Philae, 5:20 pm, 30 January 1867 (275), Edward Lear, 1812–1888, British, 1867, Watercolor with pen and brown ink over graphite on moderately thick, slightly textured, beige wove paper, Sheet: 3 9/16 x 7 1/4 inches (9 x 18.4 cm),

South View of Thornbury Castle, Gloucestershire, John Buckler FSA, 1770–1851, British, and John Chessell Buckler, 1793–1894, British, 1822, Watercolor and pen and black ink on moderately thick, cream wove paper, Sheet: 14 × 19 3/4

Combe near Sarum, John Baverstock Knight, 1785–1859, British, undated, Watercolor on medium, moderately textured, cream wove paper, Sheet: 5 1/4 × 9 1/8 inches (13.3 × 23.2 cm

Hercules Beetle, George Edwards, 1694–1773, British, ca. 1758, Watercolor with gouache over graphite on medium, slightly textured, cream laid paper, Sheet: 9 × 11 1/8 inches (22.9 × 28.3 cm), animal art, beetle (insect), wings

View of Rochester, Thomas Girtin, 1775–1802, British, 1791, Watercolor, pen and black ink and graphite on medium, slightly textured, beige wove paper, Sheet: 5 1/4 × 7 1/2 inches (13.3 × 19.1 cm), boats, bridge (built work),

Deptford Dockyard, Kent, John Cleveley the younger, 1747–1786, British, undated, Watercolor, graphite and black ink on medium, moderately textured, cream wove paper, Sheet: 5 1/2 × 8 3/8 inches (14 × 21.3 cm), boat, coast, mast,

Frederick William III King of Prussia, Print made by Charles James Canton, active 19th century, British, 1815, Etching hand-colored with watercolor on thin, smooth, beige wove paper, Sheet: 8 5/8 x 14 3/8 inches (21.9 x 36.5 cm), historical

East View of the Forts Jellali and Merani, Muskat, Thomas Daniell, 1749–1840, British, active in India, William Daniell, 1769–1837, British, Formerly attributed to Samuel Davis, 1757–1819, British, 1793, Watercolor, brown ink,

Royal Horse Artillery at the Gallop, George Bryant Campion, 1796–1870, British, undated, Black chalk, white gouache and watercolor on medium, slightly textured, cream wove paper, Sheet: 8 1/8 × 12 3/4 inches (20.6 × 32.4 cm), army,

Amada, 7:20 am, 12 February 1867 (421), Edward Lear, 1812–1888, British, 1867, Watercolor, pen and brown ink, and graphite on moderately thick, moderately textured, beige wove paper, Sheet: 3 3/8 x 9 7/8 inches (8.6 x 25.1 cm),

Memorial to Richard Blundell from Norwood Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 14 7/8 × 10 5/8

View of Jamestown, St. Helena, From the Sea with Shipping, John Cleveley the younger, 1747–1786, British, undated, Watercolor, graphite on smooth, medium, cream laid paper, Sheet: 11 7/8 × 18 3/8 inches (30.2 × 46.7 cm

View of the Forum in Rome, Hugh William 'Grecian' Williams, 1773–1829, British, 1828, Watercolor over graphite with stopping-out, scraping out and gum on medium, smooth, white wove paper, Sheet: 15 7/8 x 25 1/2 inches (40.3 x 64.8 cm),

Beggars and Horseman, unknown artist, eighteenth century, 1798, Watercolor, pen, and black ink on medium, slightly textured, cream wove paper, Sheet: 7 3/8 × 11 1/8 inches (18.7 × 28.3 cm

The Paris Diligence, Thomas Rowlandson, 1756–1827, British, undated, Watercolor with pen and black, gray and red-brown ink over graphite; verso: graphite on medium, slightly textured, beige, wove paper, Sheet: 9 3/16 x 14 1/8 inches (23.3

Female Dancer with a Tambourine, Thomas Rowlandson, 1756–1827, British, between 1790 and 1795, Watercolor and graphite with pen and gray ink and pen and brown ink on medium, slightly textured, wove paper, mounted on thick, moderately

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), boat, channel (water

Dongola Horse, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and black ink, brown ink, and graphite on medium, slightly textured, cream, wove paper, Sheet: 4 1/4 × 6 3/8 inches (10.8 × 16.2 cm), animal art

A Postilion, Thomas Sewell Robins, 1814–1880, British, undated, Watercolor, graphite, and gouache on moderately thick, slightly textured, cream wove paper, Sheet: 10 1/2 × 7 1/8 inches (26.7 × 18.1 cm), boots, buttons, costume,

The First Book of Urizen, Plate 21 (Bentley 16), Print made by William Blake, 1757–1827, British, 1794, Color-printed relief etching in orange-brown with watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 10 x 7

Barmouth Bay, the Junction of the Rivers Mowddach and Gwinion, Moses Griffith, 1747–1819, British, 1805, Watercolor over graphite on medium, cream, slightly textured wove paper, Sheet: 12 1/8 x 17 11/16 inches (30.8 x 44.9 cm), bay (body

Portrait of a Young Man taken from the Life, facing right, John Smart, 1741–1811, British, undated, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 2 1/4 × 2 3/16 inches (5.7 × 5.6 cm), coat, hair, man,

Kensington Gardens, John Martin, 1789–1854, British, undated, Watercolor and pen and brown ink over graphite with scratching out on moderately thick, moderately textured, cream wove paper, Sheet: 9 5/8 x 7 inches (24.5 x 17.8 cm), dog

Study for a Piece of Furniture, Robert Smirke, 1752–1845, British, and / or Mary Smirke, 1779–1853, British, undated, Pen and brown ink, brown wash, watercolor and graphite on medium, moderately textured, blued white, laid paper,

Kensington Gardens, Samuel Palmer, 1805–1881, British, active in Italy (1837–39), ca. 1848, Watercolor and graphite on thick, slightly textured, cream wove paper, Sheet: 10 1/8 x 14 5/8 inches (25.7 x 37.1 cm), buildings, gardens,

Isola Madre, Lago Maggiore, John Warwick Smith, 1749–1831, British, ca. 1781, Watercolor over graphite on medium, moderately textured, cream laid paper, laid down on original mount, Sheet: 12 3/16 x 17 1/2 inches (31 x 44.5 cm) and

Ships on the beach, Samuel Austin, 1796–1834, British, undated, Watercolor and graphite on moderately thick, slightly textured, beige wove paper, Sheet: 4 7/8 × 13 5/8 inches (12.4 × 34.6 cm), beach, boats, coast, marine art, rocks

Two Ladies Wearing Extravagant Plumed Hats, Anthony Highmore, 1719–1799, British, undated, Pen and black ink, watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 5 × 2 7/8 inches (12.7 × 7.3 cm), Costumes,

The Village of Kirkstall, Yorkshire, Thomas Girtin, 1775–1802, British, 1801, Watercolor with pen and black and brown ink over graphite on moderately thick, rough, beige wove paper, Sheet: 12 7/16 x 19 1/4 inches (31.6 x 48.9 cm),

Unidentified Fish, Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 1/4 inches (41.3 cm) and Sheet: 16 × 12 1/2 inches (40.6 × 31.8 cm), animal

River Scene with Waterfall and High Trees, J. S. Barth, active 1797–1809, 1792, Watercolor and pen and black ink with scraping on medium, slightly textured, cream laid paper, Sheet: 9 7/8 × 14 3/4 inches (25.1 × 37.5 cm

Songs of Innocence and of Experience, Plate 27, 'The Divine Image' (Bentley 18), Print made by William Blake, 1757–1827, British, 1789 to 1794, Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick,

Caricature of the County Yorkshire, John Leech, 1817–1864, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 7 1/8 × 5 1/2 inches (18.1 × 14 cm), boots, caricature, jockey, whip,

Memorial to Reverend Edward Fowler and Family from Hendon Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, sligthly textured, cream wove

Abyssinian Parakett, unknown artist, nineteenth century, after Edward Lear, 1812–1888, British, 1832, Watercolor and pen and black ink on wove paper, Sheet: 18 x 14in. (45.7 x 35.6cm), animal art, bird, branch, leaves

Brass Plates on an unidentified tomb in the Pavement of the South Aisle from Hillingdon Church, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured,

A Tiger Pierced with an Arrow, Samuel Howitt, 1756–1822, British, undated, Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper, Sheet: 5 1/8 × 7 1/8 inches (13 × 18.1 cm), animal art, arrow,

Christ Church Ferry, Frederick George Cotman, 1850–1920, British, 1859, Graphite, watercolor and gouache on medium, moderately textured, cream wove paper, Sheet: 6 5/8 x 15 1/2 inches (16.8 x 39.4 cm), ferries, landscape, lily pads,

Gebel Sheikh Abu Fodde, 8:00 am, 4 March 1867 (588), Edward Lear, 1812–1888, British, 1867, Watercolor, pen and brown ink, and graphite on thick, rough, cream wove paper, Sheet: 3 3/8 × 6 1/4 inches (8.6 × 15.9 cm), cliffs,

A Mongul Garden in Aurungabad, Gangaram Chintaman Tambat, active 1790s, Anglo-Indian, undated, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 7 × 11 inches (17.8 × 27.9 cm

Two Donkeys in a Landscape, John Varley, 1778–1842, British, undated, Watercolor on medium, slightly textured, cream wove paper, Sheet: 6 x 5 inches (15.2 x 12.7 cm), donkeys, grass, hills, landscape, plain, smoke, trees, valley

The Tenth Day of the Decameron, Thomas Stothard, 1755–1834, British, ca. 1825, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 10 5/8 x 8in. (27 x 20.3cm) and Sheet: 10 3/4 × 8 1/8 inches (27.3 × 20.6 cm),

Two People: One Standing, One Seated on a Horse, Sawrey Gilpin, 1733–1807, British, 1760, Watercolor, graphite, pen and brown ink on medium, slightly textured, beige, wove paper, mounted on, moderately thick, slightly textured,

View at Swiss Cottage, London, Thomas Shotter Boys, 1803–1874, British, 1836, Watercolor, pen, brown ink, black ink, graphite, gouache and gum arabic on medium, slightly textured, cream wove paper, Sheet: 6 15/16 x 10 5/16 inches

Mr. Ashton Smith, Richard Dighton, 1795–1880, British, 1841, Graphite and watercolor on medium, smooth, cream wove paper, Frame: 10 11/16 × 26 3/16 × 13/16 inches (27.2 × 66.5 × 2 cm) and Image: 9 1/4 × 7 11/16 inches (23.5 × 19.5

New Inn, Samuel Ireland, active 1760–died 1800, British, 1800, Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper, Sheet: 4 1/2 × 6 3/8 inches (11.4 × 16.2 cm) and Mount: 9 × 12 1/2

Cottages in Westmoreland, George Samuel, active 1785–died 1823, British, undated, Watercolor over graphite on medium, slightly textured, cream wove paper laid down on card, Sheet: 8 x 13 1/4in. (20.3 x 33.7cm) and Sheet: 8 × 13 1/4 inches

A Black Boy, William Henry Hunt, (and H. Skidmore), 1790–1864, British, ca. 1835, Watercolor and black ink over graphite on moderately thick, slightly textured, cream wove paper, Sheet: 6 1/4 x 4 1/8 inches (15.9 x 10.5 cm), boots, boy,

Lady Westmorland (Priscilla Anne Fane, Countess of Westmorland, nee Wellesley-Pole), George Jones, 1786–1869, British, undated, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 11 3/4 x 9 3/8in. (29.8 x

Kitchen Scene: Dunkerrin, September 1835, Sir David Wilkie, 1785–1841, British, 1835, Watercolor and graphite with pen and brown ink on moderately thick, slightly textured, cream wove paper, Sheet: 8 1/8 x 10 5/8 inches (20.6 x 27 cm),

Landscape in the Lake District, unknown artist, ca. 1813, Watercolor and graphite on medium, cream, smooth wove paper mounted on medium, beige, smooth wove paper, Sheet: 8 1/4 x 12 inches (21 x 30.5 cm) and Mount: 12 7/8 x 16 1/2 inches (32.7

Sagittarius serpentarius (Secretary Bird), James Bruce, 1730–1794, British, ca. 1768, Watercolor over graphite on medium, slightly textured, cream laid paper, Sheet: 14 1/4 × 10 3/8 inches (36.2 × 26.4 cm), animal art

Trinity Hall from the Garden, Cambridge, Richard Banks Harraden, 1778–1862, British, undated, Watercolor, black chalk, and graphite on medium, slightly textured, cream wove paper, Sheet: 10 3/4 × 16 1/8 inches (27.3 × 41 cm),

Foxhunting: Hunt Servants Returning Hounds to Kennels, Samuel Henry Gordon Alken, 1810–1894, British, undated, Watercolor, pen and black ink, and graphite on medium, slightly textured, blued white, wove paper, Sheet: 8 1/2 × 9 1/16

Siccregully Sakrigali, Samuel Davis, 1757–1819, British, 1785, Watercolor and pen and black ink over graphite on moderately thick, slightly textured, cream laid paper, Sheet: 7 3/8 × 9 1/8 inches (18.7 × 23.2 cm), cliffs, figures,

Young's Night Thoughts, Page 4, 'What, though my soul fantastick measures trod', Print made by William Blake, 1757–1827, British, ca. 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove

Stone Wall, Clarkson Stanfield, 1793–1867, British, 1863, Watercolor, graphite, and white gouache on moderately thick, slightly textured, cream wove paper, Sheet: 5 × 7 1/4 inches (12.7 × 18.4 cm) and Binding: 5 1/4 inches (13.3 cm

Landing Place at Pallanza, Charles Gore, 1729–1807, British, undates, Watercolor, pen and gray ink, gouache, and graphite on moderately thick, moderately textured, cream laid paper, Sheet: 9 1/16 × 36 5/8 inches (23 × 93 cm) and Image:

Coccinia abyssinica (Lam.): finished drawing, the tuber and detail of fruit, James Bruce, 1730–1794, British, undated, Watercolor and gouache over graphite on moderately thick, slightly textured, cream laid paper, Sheet: 16 × 12 1/8

The High Land of Dungarven, West by North, John Thomas Serres, 1759-1825, British, undated, Watercolor over graphite on medium, slighlty textured, cream wove paper, Sheet: 5 1/2 x 19 inches (14 x 48.3 cm), beach, cliffs, coast, hills,

The Prisoner of Chillon Entreating his Jailors to Bury His Brother Where the Sun Might Fall Upon His Grave, Ford Madox Brown, 1821–1893, British, 1858, Watercolor, gouache, graphite and pastel with scratching and hatching on medium,

Plymouth Roads, John Thomas Serres, 1759–1825, British, undated, Watercolor, pen with black ink over graphite on slightly textured, medium, cream wove paper, Sheet: 8 7/8 × 25 inches (22.5 × 63.5 cm), boats, Land, marine art, men,

Castle Acre Priory, John Thirtle, 1777–1839, British, undated, Watercolor over graphite on medium, slightly textured, cream laid paper, Sheet: 15 × 11 5/8 inches (38.1 × 29.5 cm), architectural subject

Monte della Madonna, near Argua, John Robert Cozens, 1752–1797, British, 1783, Watercolor and graphite on medium, slightly textured, white laid paper, mounted on thick, slightly textured, cream laid paper, Sheet: 10 1/8 x 14 3/4 inches

Figure Seated by a Stream at Sunset, John Le Capelain, 1812–1848, French, undated, Watercolor, gouache, and graphite with scraping out on medium, moderately textured, cream wove paper, Sheet: 9 3/4 x 8in. (24.8 x 20.3cm), cattle, dam,

Salahiyeh, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and brown ink on thick, rough, cream wove paper, Sheet: 3 7/16 x 9 7/8 inches (8.7 x 25.1 cm), building, camels (mammals), camp sites (temporary settlements),

Allegory of Drawing, Edward Francis Burney, 1760–1848, British, undated, Pen and black ink, graphite, and watercolor on medium, slightly textured, cream wove paper, Sheet: 3 1/4 x 4 3/4in. (8.3 x 12.1cm), allegory, books, carrying,

The Pass of Killiecrankie, John Warwick Smith, 1749–1831, British, 1788, Watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 12 x 17 1/8 inches (30.5 x 43.5 cm), forest, horse (animal), men, mountains,

North Front of Temple Hall, Samuel Ireland, active 1760–died 1800, British, 1800, Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper, Sheet: 5 × 6 3/4 inches (12.7 × 17.1 cm) and Mount: 9

Temple of Gerf Hussein, Hercules Brabazon Brabazon, 1821–1906, British, undated, Watercolor and graphite on moderately thick, slightly textured, beige wove paper, laid in mount, Sheet: 6 15/16 x 9 1/2 inches (17.6 x 24.1 cm),

Women Carrying Water, Robert Mabon, died 1798, British, undated, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 8 × 5 7/8 inches (20.3 × 14.9 cm

A Pawnbroker with His Client, Thomas Rowlandson, 1756–1827, British, undated, Watercolor with pen and gray and black ink over graphite on moderately thick, moderately textured, beige, laid paper, Sheet: 8 13/16 x 11 1/8 inches (22.4 x 28.3

The Poems of Thomas Gray, Design 25, 'A Long Story.', William Blake, 1757–1827, British, between 1797 and 1798, Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress

Design for Kelham Hall, Nottinghamshire: Garden Elevation, Anthony Salvin, 1799–1881, British, undated, Watercolor with pen and brown ink over graphite on slightly textured, thick, cream wove paper, Sheet: 20 7/8 × 29 3/4 inches (53 ×

America. A Prophecy, Plate 7, 'Albions Angel stood....', Print made by William Blake, 1757–1827, British, 1793, Relief etching printed in blue with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper,

Herstmonceux Castle, East Sussex: The Hall, James Lambert of Lewes, 1725–1788, British, undated, Graphite and watercolor within triple-ruled and wash border on moderately thick, moderately textured, cream laid paper, Sheet: 25 1/4 x 18 5/8

'Sporting Discoveries, or the Miseries of Driving:' ... Trying a New Match you Discover That They are Not Only Alike in Color, Weight and Action, but in Disposition, Henry Thomas Alken, 1785–1851, British, undated, Watercolor, with pen,

Northwest View of Castle Church, Hexham, Northumberland, Attributed to Capt. Francis Grose, 1731–1791, British, undated, Watercolor with pen and black ink over graphite on medium, slightly textured, cream laid paper, Sheet: 6 5/8 × 9 1/8

The South Foreland (one of three drawings on one mount), John Thomas Serres, 1759-1825, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 3 3/8 x 10 1/8 inches (8.6 x 25.7 cm) and Image: 1 7/8 x

Lake Nemi, Jakob Phillip Hackert, 1737–1807, 1776, Watercolor, pen and black ink, gray ink and graphite on medium, moderately textured, blued white, laid paper, Sheet: 13 1/2 × 18 inches (34.3 × 45.7 cm), lake, landscape, mountains,

Landscape with Rainbow, View near Chesterfield, Joseph Wright of Derby, 1734–1797, British, active in Italy (1773–75), undated, Watercolor, gum and graphite on medium, slightly textured, beige wove paper, Sheet: 12 1/4 x 16 1/8 inches

Sarsden House and Gardens, Oxfordshire: Bird's-eye View, Humphrey Repton, 1752–1818, British, ca. 1795, Graphite and watercolor on medium, slightly textured, cream wove paper, Sheet: 9 1/2 x 12 7/8 inches (24.1 x 32.7 cm), architectural

Songs of Innocence and of Experience, Plate 7, 'The Chimney Sweeper' (Bentley 12), Print made by William Blake, 1757–1827, British, 1789 to 1794, Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick,

Costessy Hall, Norfolk, John Chessell Buckler, 1793–1894, British, 1831, Pen and brown ink with watercolor over graphite on slightly textured, thick, beige wove paper, Sheet: 9 1/8 × 13 inches (23.2 × 33 cm), architectural subject,

Head of a Girl, Edward Thompson Davis, 1833–1867, British, undated, Watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 3 × 2 inches (7.6 × 5.1 cm), figure study, girl, head, scarf

Abu Seer, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and black ink on medium, slightly textured, blue laid paper, Sheet: 3 3/8 x 6 5/16 inches (8.6 x 16 cm), cliffs, figures (representations), landscape, rocks

Strand Gateway, Winchelsea, Henry Morton, ca. 1807–1825, British, undated, Watercolor with pen and black ink on medium, slighlty textured, cream wove paper, Sheet: 8 1/4 × 10 inches (21 × 25.4 cm), arch, architectural subject,

Fort William, Calcutta, Samuel Davis, 1757–1819, British, undated, Gray wash, watercolor, and graphite on medium, slightly textured, cream laid paper, Sheet: 11 7/8 x 18 7/8 inches (30.2 x 47.9 cm), architectural subject, fort,

A Collection of Surveys of Scottish Estates of the Earl of Selkirk: Little Sypeland, unknown artist, undated, Graphite, watercolor, gray wash, pen and blue and black ink on slightly textured, moderately thick, cream wove paper, Sheet: 11 3/4

One from Views in Saxony, France, Spain, Reba, Italy, Sicily..., Sir Richard Colt Hoare, 1758–1838, British, John Warwick Smith, 1749–1831, British, ca. 1817, Watercolor and black ink over graphite on wove paper, Sheet: 11 1/4 x 14

The Beautiful Vale and Mowddach River, Merionethshire, Moses Griffith, 1747–1819, British, 1805, Watercolor over graphite on moderately thick, slightly textured, cream wove paper, Sheet: 9 1/2 x 13in. (24.1 x 33cm) and Sheet: 9 1/2 × 13

Distant View of an Island, Samuel Davis, 1757–1819, British, between 1777 and 1808, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 9 × 13 7/8 inches (22.9 × 35.2 cm), clouds, island, landscape,

The First Book of Urizen, Plate 2, 'Preludium to the Book of Urizen' (Bentley 2), Print made by William Blake, 1757–1827, British, 1794, Color-printed relief etching in orange-brown with watercolor on moderately thick, slightly textured,

The Poems of Thomas Gray, Design 15, 'Ode on a Distant Prospect of Eton College.', William Blake, 1757–1827, British, between 1797 and 1798, Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove

Sky Study, No. 8, Attributed to Thomas Lindsay, 1793–1861, British, undated, Watercolor and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 2 1/2 × 5 1/4 inches (6.4 × 13.3 cm), clouds, horizon line,

Unidentified Fish, Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 1/4 inches (41.3 cm) and Sheet: 16 × 12 1/2 inches (40.6 × 31.8 cm), animal

The Weald of Kent, Samuel Palmer, 1805–1881, British, active in Italy (1837–39), between 1833 and 1834, Watercolor and gouache on moderately thick, rough, cream wove paper, Sheet: 7 3/8 x 10 5/8 inches (18.7 x 27 cm), autumn, branches,

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