Images at Librifly

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A Gentleman's Art Gallery, Thomas Rowlandson, 1756–1827, British, undated, Watercolor and graphite with pen and gray ink and pen and brown ink on medium, slightly textured, cream wove paper, Sheet: 5 11/16 x 9 inches (14.4 x 22.9 cm), art,

Greatheart's Battle with Grim, Richard Westall, 1765–1836, British, formerly attributed to Thomas Stothard, 1755–1834, British, undated, Watercolor with pen and black ink on moderately thick, slightly textured cream wove paper, Sheet: 4

Palace on a River, David Roberts, 1796–1864, British, undated, Graphite with watercolor on medium, slightly textured, cream wove paper, Sheet: 4 3/4 × 7 inches (12.1 × 17.8 cm), arches, architectural subject, bushes, palace, river,

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London, George Edmund Street, 1824–1881, British, undated, Pen, black ink and graphite with watercolor and gouache on

Djebel Serbal, Sinai, Rev. Edward Thomas Daniell, 1804–1842, British, 1841, Watercolor, graphite, gouache, and black chalk on moderately thick, moderately textured, beige, wove paper, Sheet: 13 x 19 7/16in. (33 x 49.4cm), desert,

Interior of the Chapel of Saint Julien, near Rouen, Normandy, John Sell Cotman, 1782–1842, British, ca. 1818, Graphite, brown wash, and watercolor on medium, smooth, cream wove paper, Sheet: 9 1/2 x 13 1/8 inches (24.1 x 33.3 cm) and

L'Institut de France, Paris, Thomas Shotter Boys, 1803–1874, British, 1830, Watercolor, with pen in brown ink over graphite on beige, moderately thick, rough, wove paper, Sheet: 14 x 10 7/16 inches (35.6 x 26.5 cm), architectural

Pevensey Castle, Sussex, Thomas Girtin, 1775–1802, British, ca. 1795, Watercolor, pen and brown ink and graphite on moderately thick, blued white wove paper, Mount: 7 5/8 x 9 7/8 inches (19.4 x 25.1 cm) and Sheet: 6 1/2 × 8 7/8 inches

Cobham Hall, Kent: Ceiling Decoration, James Wyatt, 1746–1813, British, ca. 1790, Graphite, pen and brown ink and watercolor on moderately thick, moderately textured, cream laid paper, Sheet: 13 11/16 × 20 9/16 inches (34.8 × 52.2 cm),

Near Tafa, 6:00 pm, 16 February 1867 (507), Edward Lear, 1812–1888, British, 1867, Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper, Sheet: 2 1/2 x 7 5/8 inches (6.4 x 19.4 cm), cliff,

Songs of Innocence and of Experience, William Blake, 1757–1827, British, 1789-1794, Relief etching printed in dark-brown ink, with pen & ink and watercolor on wove paper, Spine: 7 3/8 inches (18.7 cm

The Leicestershire Hunt - The First Ten Minutes - Shaking off the Cocktails, Possibly Henry Thomas Alken, 1785–1851, British, undated, Watercolor, graphite, and gouache, with pen, in brown ink, black ink, and gray ink on thick,

Near Mesghouneh, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, gouache, pen and brown ink on moderately thick, moderately textured, cream wove paper, Sheet: 2 3/8 x 8 1/16 inches (6 x 20.5 cm), boats, horizon line,

The Supreme Court of Judicature on the Island of Ceylon, James Stephanoff, 1787–1874, British, undated, Watercolor on slightly textured, moderately thick, cream wove paper, Sheet: 16 5/8 × 24 1/8 inches (42.2 × 61.3 cm

Fruit and Nut Picking, Thomas Rowlandson, 1756–1827, British, undated, Watercolor with pen and brown ink on medium, smooth, cream wove paper, mounted on thick board support, Sheet: 4 1/8 x 6 5/8 inches (10.5 x 16.8 cm), baskets, dog

Abu Simbel, 1:10 pm, 9 February 1867 (385), Edward Lear, 1812–1888, British, 1867, Watercolor with pen and brown ink and gouache over graphite on thick, rough, cream wove paper, Sheet: 3 7/16 x 9 7/8 inches (8.7 x 25.1 cm), lake,

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London, George Edmund Street, 1824–1881, British, undated, Black ink, graphite, watercolor and gouache on medium, slightly

Album Drawing, Thomas Bardwell, 1704–1767, British, Previously attributed: James Wills, Active 1740–died 1777, British, ca. 1730, Watercolor with pen and brown ink over graphite on white laid paper, Sheet: 5 1/8 x 3 1/2in. (13 x 8.9cm

The Head of Loch Fyne, with Dindarra Castle, Anthony Vandyke Copley Fielding, 1787–1855, British, 1850, Watercolor, pen, brown ink, gouache, gum, and graphite, with scraping on thick, slightly textured, cream wove paper, Sheet: 12 ×

Orchard Trees at Under River near Knole, Robert Hills, 1769–1844, British, ca. 1826, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 11 7/8 x 9 1/4 inches (30.2 x 23.5 cm), landscape, orchard,

Near Kilh, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, cochineal, pen and brown ink on medium, slightly textured, cream, wove paper, mounted on thick, slightly textured, cream wove paper, Sheet: 2 7/8 x 7 3/16 inches

Bostrychia carunculata (Wattled Ibis), James Bruce, 1730–1794, British, undated, Watercolor and gouache over graphite on medium, slightly textured, cream laid paper, Sheet: 16 × 12 1/4 inches (40.6 × 31.1 cm), animal art

'Getting Across the Country Like a Gentleman', Henry Thomas Alken, 1785–1851, British, undated, Graphite and watercolor on medium, slightly textured, blued white, wove paper, Sheet: 9 1/4 × 13 3/8 inches (23.5 × 34 cm), bushes, dogs

Furniture Designs, Charles Heathcote Tatham, 1772–1842, British, undated, Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper, Sheet: 11 3/8 × 18 5/8 inches (28.9 × 47.3 cm), architectural subject

North West View of Montacute House, Somersetshire, The Seat of John Phelips Esqr., John Buckler FSA, 1770–1851, British, and John Chessell Buckler, 1793–1894, British, 1811, Watercolor and pen and black ink on moderately thick, cream

Kalamata, Greece, Sir Robert Smirke the younger, 1781–1867, British, 1802-1804, Watercolor, graphite, pen and brown ink on moderately thick, moderately textured, beige, wove paper, Sheet: 11 1/2 × 14 3/8 inches (29.2 × 36.5 cm

View of Calcutta and its Environs:Government House from St. Andrew's Library - Calcutta, Sir Charles D'Oyly, 1781–1845, British, active in India, undated, Watercolor, with pen, in brown ink, brown wash, white gouache, and graphite on

Country House, Thomas Girtin, 1775–1802, British, ca. 1797, Watercolor with pen in brown ink over graphite on moderately thick, moderately textured, blued white, laid paper, Sheet: 8 x 13 inches (20.3 x 33 cm), architectural subject,

Sleeping Woman Watched by a Man, Thomas Rowlandson, 1756–1827, British, undated, Watercolor with pen and black ink on medium, slightly textured, cream wove paper, Sheet: 5 9/16 x 7 3/4 inches (14.1 x 19.7 cm), couch, genre subject, man,

A Goose and a Baboon, Samuel Howitt, 1756–1822, British, undated, Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper, Sheet: 5 1/8 × 7 3/16 inches (13 × 18.3 cm), animal art, baboon, barrel,

Cuzzo (Hagenia abyssinica), Luigi Balugani, 1737–1770, Italian, undated, Graphite and watercolor on medium, slightly textured, cream wove paper, Sheet: 11 7/8 × 7 7/8 inches (30.2 × 20 cm), details, flowers (plants), leaves

Young's Night Thoughts, Page 13, 'The Present Moment Terminates our Sight', Print made by William Blake, 1757–1827, British, 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper, Spine:

Boschbeek & Gorenendaal: View from Turret towards Posthuis, Blanchisferies, Haarlem and Zantvaard, Gerrit Jan Schouten, Born 1815, Dutch, undated, Graphite, pen and black ink, watercolor on slightly textured, medium, cream wove paper,

Lago Fucino, Charles Gore, 1729-1807, British, 1776, Watercolor, pen and black ink, and graphite on thin, slightly textured, cream laid paper, Sheet: 8 1/8 x 36 inches (20.6 x 91.4 cm), lake, landscape, mountains, Europe, Fucino,

Sparta, Mystras in the Distance, Sir Robert Smirke the younger, 1781–1867, British, 1802-1804, Watercolor and graphite on moderately thick, moderately textured, beige, wove paper, Sheet: 8 7/8 × 11 1/4 inches (22.5 × 28.6 cm

Design for Clifton Castle, Yorkshire: Plan and Elevation in the Gothic Style, unknown artist, ca. 1780-1790, Graphite, pen and black ink, watercolor on textured, thin, beige laid paper, Sheet: 19 × 25 inches (48.3 × 63.5 cm),

The Spoiled Child, Scene VI, Lewis Vaslet, 1742–1808, British, ca. 1802, Watercolor with black ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper, Sheet: 15 × 19 5/8 inches (38.1 × 49.8 cm) and

Dr Syntax & Dairymaid, Thomas Rowlandson, 1756–1827, British, 1821, Watercolor with pen and red ink and graphite on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream wove paper, Mount: 8

Jerusalem, Plate 36, 'Reuben returnd to his place....', Print made by William Blake, 1757–1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper,

From Boxley Hill near Maidstone, William Pearson, 1772–1849, British, 1801, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 19 1/16 x 14 1/8in. (48.4 x 35.9cm) and Sheet: 9 1/4 × 14 1/8 inches (23.5 × 35.9

Jerusalem, Plate 69, 'Then all the Males....', Print made by William Blake, 1757–1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper, Sheet: 13

The Book of Thel, Plate 6, 'III. / Then Thel astonish'd . . . .', Print made by William Blake, 1757–1827, British, 1789, Relief etching printed in brown with pen and ink and watercolor on moderately thick, slightly textured, cream wove

The Hall of Blithfield, John Buckler FSA, 1770–1851, British, and John Chessell Buckler, 1793–1894, British, 1823, Watercolor and pen and black ink on moderately thick, cream wove paper, Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm) and

Portrait of a Lady, Facing Right, unknown artist, formerly attributed to John Downman, 1750–1824, British, undated, Watercolor with black chalk and stumping over graphite on medium, slightly textured, beige laid paper, Sheet: 8 × 6 5/8

Design for a Medal: Seated Women Being Crowned by a Winged Genius, Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45), undated, Graphite, pen and black ink, squared for transfer on medium, slightly textured, gray

The Sporting Parson: 'A Find- and Our Parson Just Follows a Little, to See How His Dear Brethren Behave Themselves', Hablot Knight Browne, 1815–1882, British, undated, Black chalk, watercolor, and white gouavhe on moderately thick,

The 'Friend' Sailing Vessel at Upton-on-Severn, William Turner of Oxford, 1789–1862, British, undated, Watercolor and gouache over graphite on moderately thick, slightly textured, beige wove paper, Sheet: 11 x 7 3/8 inches (27.9 x 18.7 cm),

Roundway Park, Wiltshire: Exterior View, unknown artist, nineteenth century, ca. 1840, Graphite and watercolor on moderately thick, slightly textured, white wove paper, Sheet: 18 9/16 x 28 1/2 inches (47.1 x 72.4 cm), animals, architectural

Archiepiscopal Palace, Wrotham, Kent, unknown artist, (member of the Finch family), formerly Peter DeWint, 1784–1849, British, undated, Pen, brown ink, watercolor, and white gouache on medium, slightly textured, brown wove paper,

Madiera, South East Extremity, 10 October, Henry William Parish, active 1792, 1792, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 4 1/8 × 10 7/16 inches (10.5 × 26.5 cm

Landscape with two figures beside an old building, David Charles Read, 1790–1851, British, undated, Watercolor on medium, slightly textured, cream laid paper, Sheet: 4 5/8 × 6 3/4 inches (11.7 × 17.1 cm), architectural subject, beams,

Jerusalem, Plate 8, 'Rose up against me....', Print made by William Blake, 1757–1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper, Sheet: 13

Young's Night Thoughts, Page 27, 'O Treacherous Conscience!', Print made by William Blake, 1757–1827, British, 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper, Spine: 17 1/2 inches

Dendour, 2:15 pm, 31 Janaury 1867 (298), Edward Lear, 1812–1888, British, 1867, Watercolor with pen and brown ink and gouache over graphite on moderately thick, moderately textured, gray wove paper, Sheet: 2 3/4 x 7 inches (7 x 17.8 cm),

Portrait of a Lady, Andrew Plimer, 1763–1837, British, undated, Watercolor and gouache on ivory, Image: 3 1/8 x 2 1/2 inches (7.9 x 6.4 cm) and Frame: 3 7/8 x 2 3/4 x 5/8 inches (9.8 x 7 x 1.6 cm), portrait

Rare News from India, or, Things going on Swimmingly in the East, William Dent, active 1784–1793, 1791, Etching with watercolor on laid paper, Sheet: 9 3/4 x 13 5/8in. (24.8 x 34.6cm

Red-Plumed Bird-of-Paradise (Paradisea Apoda Raggiana), Southeastern New Guinea, John Collet, (?), ca. 1725–1780, British, undated, Watercolor with gouache over graphite on moderately thick, slightly textured, beige wove paper, Sheet: 19

Malmesbury Abbey, attributed to Peter DeWint, 1784–1849, British, undated, Watercolor on moderately thick, rough, beige wove paper, Sheet: 6 1/8 × 12 1/2 inches (15.6 × 31.8 cm), abbey, architectural subject, buildings, church,

Study for 'The First Ear-Ring', Sir David Wilkie, 1785–1841, British, before 1834, Watercolor with graphite and black chalk on moderately thick, slightly textured, beige wove paper, Sheet: 21 1/2 x 14 3/8 inches (54.6 x 36.5 cm), child,

Jerusalem, Plate 40, 'Los shudderd at beholding Albion....', Print made by William Blake, 1757–1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove

Design for Grosvenor House, London: Plan, Thomas Cundy, 1790–1867, British, 1829, Graphite, pen and red and brown and black ink, watercolor on slightly textured, moderately thick, cream wove paper, Sheet: 24 5/16 × 17 11/16 inches (61.8

Man with a Yellow Cloth across his Lap, Attributed to Gangaram Chintaman Tambat, active 1790s, Anglo-Indian, undated, Watercolor, gouache, and graphite with pen and black ink on medium, slightly textured, cream laid paper, Sheet: 9 × 6

Hulks at Plymouth, Samuel Prout, 1783–1852, British, undated, Watercolor, brown ink, gouache, and graphite on medium, moderately textured, beige wove paper, Sheet: 10 1/4 × 15 1/8 inches (26 × 38.4 cm), architectural subject, bay,

Well Vale, Lincolnshire, Rev. William Warren Porter, 1776–1804, British, undated, Graphite and watercolor on medium, slightly textured, cream wove paper, Sheet: 7 1/8 × 10 1/4 inches (18.1 × 26 cm), architectural subject, building,

Trumpeter on Galloping Horse, James Stuart, 1713–1788, British, undated, Graphite and watercolor on medium, slightly textured, cream wove paper, Sheet: 9 7/8 × 7 inches (25.1 × 17.8 cm), animal art

Portrait Study of a Girl, William Henry Hunt, 1790–1864, British, ca. 1823, Watercolor and black chalk on moderately thick, slightly textured, beige wove paper, Sheet: 4 1/2 x 3 3/8 inches (11.4 x 8.6 cm), cuff, dress, figure study,

Point-to-Point Racing, Hablot Knight Browne, 1815–1882, British, undated, Watercolor, charcoal, graphite, and white gouache on medium, slightly textured, beige, wove paper, Sheet: 5 7/16 × 9 15/16 inches (13.8 × 25.2 cm), fence,

A Young Boy, Horace Hone, 1756–1825, British, 1806, Gouache and watercolor on ivory, Image: 2 7/8 x 2 1/4 inches (7.3 x 5.7 cm) and Frame: 4 1/8 x 3 1/2 x 5/8 inches (10.5 x 8.9 x 1.6 cm), boy, child, portrait

Larchant near Fontainebleau, Ambrose Poynter, 1796–1886, British, undated, Watercolor with pen and gray ink on moderately thick, slgihtly textured, cream wove paper, Sheet: 3 1/4 × 1 13/16 inches (8.3 × 4.6 cm), architectural subject,

Study of a Cottage Interior, John Henry Mole, 1814–1886, British, undated, Watercolor over graphite on thick, slightly textured, beige wove paper, Sheet: 11 5/8 x 17 11/16 inches (29.5 x 45 cm), architectural subject, beams, bed, bench,

The Dutch Vice Admiral under Admiral De Winter striking his flag to the English Vice Admiral Onslow under Admiral Duncan at the Battle of Camperdown, 11th October 1797, Robert Cleveley, 1747–1809, British, 1799, Graphite, watercolor, pen

Karnak, 24 February 1867 (545), Edward Lear, 1812–1888, British, 1867, Watercolor with pen and browni ink over graphite on moderately thick, rough, cream wove paper, Sheet: 2 1/2 x 9 7/8 inches (6.3 x 25.1 cm), architectural subject,

Near Abu Simbel, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, gouache, pen and brown ink on moderately thick, moderately textured, cream wove paper, mounted on thick, moderately textured, cream wove paper, Sheet: 2 5/8

Elephant with Rider, James Sowerby, 1756–1822, British, undated, Watercolor, gouache, and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 11 3/4 × 9 1/2 inches (29.8 × 24.1 cm), animal art, elephants

Landscape near Ageles - Gazost at the foot of the Pyrenees, Edward John Poynter, 1836–1919, British, undated, Watercolor on medium, slightly textured, cream wove paper, Sheet: 5 9/16 × 8 3/8 inches (14.1 × 21.3 cm), clouds, field,

Children with Pig at a Doorway in Ballynahinch, Ireland, Sir David Wilkie, 1785–1841, British, 1835, Watercolor over graphite on moderately thick, slightly textured, cream wove paper, Sheet: 4 3/4 x 3 1/2 inches (12.1 x 8.9 cm),

Brass Plate for Richard Amondesham and His Wife Katherine, Ealing Church, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Watercolor and pen and black ink on medium, slightly textured, cream wove paper, Sheet: 15 × 10 7/8 inches

One from Views in Saxony, France, Spain, Reba, Italy, Sicily..., Sir Richard Colt Hoare, 1758–1838, British, John Warwick Smith, 1749–1831, British, ca. 1817, Watercolor and black ink over graphite on wove paper, Sheet: 11 1/4 x 14

Near Ekhmim, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, white gouache, pen and cochineal ink on moderately thick, slightly textured, beige wove paper, Sheet: 2 1/2 x 6 15/16 inches (6.3 x 17.6 cm), domes, figures

Champagnole, John Ruskin, 1819–1900, British, 1846, Watercolor, graphite and white gouache on medium, slightly textured, beige wove paper, Sheet: 5 x 7 inches (12.7 x 17.8 cm) and Frame: 14 × 15 1/2 × 5/8 inches (35.6 × 39.4 × 1.6 cm),

Windmill on a Knoll in a Landscape, François Louis Thomas Francia, 1772–1839, French, active in Britain, undated, Watercolor and gouache on moderately thick, moderately textured, cream wove paper, Sheet: 11 3/4 × 8 1/2 inches (29.8 ×

Cottage in a Forest Clearing, Thomas Rowlandson, 1756–1827, British, undated, Watercolor and graphite with pen and black ink and pen and brown ink on medium, slightly textured, cream wove paper, Sheet: 4 3/4 × 5 1/2 inches (12.1 × 14 cm),

English Landscape, Rev. William Warren Porter, 1776–1804, British, undated, Watercolor and graphite on medium, cream, slightly texxtured wove paper, Sheet: 11 5/8 x 8 7/8 inches (29.5 x 22.5 cm), architectural subject

Cobham Hall, Kent: Elevation of Stables, James Wyatt, 1746–1813, British, ca. 1790, Graphite, pen and black ink and watercolor on thick, moderately textured, cream laid paper with several fold marks, Sheet: 4 1/4 x 16 inches (10.8 x 40.6

Acorn Strength, Julius Caesar Ibbetson, 1759–1817, British, undated, Pen and black ink and watercolor on medium, slightly textured, cream wove paper, Sheet: 2 3/8 × 3 inches (6 × 7.6 cm), acorn, botanical subject, twigs

Jerusalem, Plate 15, 'And Hand & Hyle....', Print made by William Blake, 1757–1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper, Sheet: 13 1/2

Oast House at Dusk, Thomas Lindsay, 1793–1861, British, undated, Watercolor and graphite with scratching out on moderately thick, slighly textured, blue wove paper, Sheet: 4 1/4 × 6 inches (10.8 × 15.2 cm), architectural subject, dusk,

View of Calcutta and its Environs:General View of Calcutta from the Entrance to the Water Gate of Fort William, Sir Charles D'Oyly, 1781–1845, British, active in India, undated, Watercolor, graphite, and white gouache on moderately thick,

Between Chamonix and Martigny, John Robert Cozens, 1752–1797, British, 1776, Pen and black ink, watercolor, graphite, gray wash and brown wash on medium, slightly textured, cream laid paper mounted on moderately thick, smooth, cream

The Harbour of Refuge, Frederick Walker, 1840–1875, British, 1875, Graphite, watercolor and gouache on medium, slightly textured, cream wove paper, Sheet: 11 × 13 inches (27.9 × 33 cm), females, figures, genre subject, harbor,

Mad'elle du de l'Opera, Thomas Rowlandson, 1756–1827, British, undated, Watercolor, with pen and red-brown, and gray ink over graphite on medium, slightly textured, cream laid paper, Sheet: 7 3/8 x 5 5/8 inches (18.7 x 14.3 cm), blue,

The First Book of Urizen, Plate 18 (Bentley 21), Print made by William Blake, 1757–1827, British, 1794, Color-printed relief etching in orange-brown with watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 10 x 7

South East View of Castle Ashby, Northamptonshire; the Seat of the Marquis of Northampton, John Buckler FSA, 1770–1851, British, and John Chessell Buckler, 1793–1894, British, 1815, Watercolor and pen and black ink on moderately thick,

Castle of Ostia and Porte Trojan, Isaac Weld, 1774–1856, Irish, 1818, Watercolor, with pen in black ink over graphite, with scratching out on moderately thick, moderately textured, beige, wove paper, Sheet: 6 7/16 × 18 1/4 inches (16.4

Studies of Figures: Women, Tradespeople, etc., Edmund Thomas Parris, 1793–1873, British, undated, Graphite and watercolor on medium, smooth, cream wove paper, Sheet: 4 × 8 3/8 inches (10.2 × 21.3 cm), apron, beer, bonnets, boots,

Grave of the Supposed William Lyndewode, unknown artist, nineteenth century, 1852, Graphite, gray pen and watercolor on slightly textured, medium thickness, cream wove paper, Sheet: 9 × 7 5/16 inches (22.9 × 18.6 cm), architectural

The Inner Temple, Samuel Ireland, active 1760–died 1800, British, between 1794 and 1800, Watercolor, graphite, and pen and black ink on medium, slightly textured, cream wove paper, Sheet: 5 1/8 x 6 7/8in. (13 x 17.5cm) and Mount: 9 × 12

Pont Newydd near Dolgelly, Amos Green, 1735–1807, British, undated, Watercolor, wash over graphite on medium, slightly textured, cream wove paper, Sheet: 9 3/4 x 15 3/8in. (24.8 x 39.1cm) and Sheet: 9 3/4 × 15 1/2 inches (24.8 × 39.4

City Scene with Buildings, Thomas Sully, 1783–1872, American, undated, Watercolor on moderately thick, moderately textured, beige, wove paper, Sheet: 8 5/8 × 11 1/4 inches (21.9 × 28.6 cm

Prison Scene, George Romney, 1734–1802, British, undated, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 13 3/8 x 20 inches (34 x 50.8 cm), baby, child, children, correctional institution, figure study,

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