Images at Librifly

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Large Boston Public Garden Sketchbook: Two women sitting in a park, 1895–97, Recto: watercolor over pencil, bordered in pencil and watercolor; verso: pencil, 14 1/8 x 11 3/16 in. (35.8 x 28.4 cm), Drawings, Maurice Brazil Prendergast

Chapel interior, late 19th–early 20th century, Made in New York, United States, American, Watercolor on paper, Storage (mat size): 19 1/4 x 14 1/4 in. (48.9 x 36.2 cm), Tiffany Studios (1902–32

Marine Scene (Boats near Venice), 1903, Watercolor over graphite on white wove paper dry-mounted on heavy wove card, 6 3/4 x 9 11/16 in. (17.1 x 24.6 cm), Drawings, Henri-Edmond Cross (Henri-Edmond Delacroix) (French, Douai 1856–1910

Large Boston Public Garden Sketchbook: A mother sitting at the edge of a pond with her baby and a young daughter, 1895–97, Recto: watercolor over pencil, bordered in pencil and watercolor, 14 1/8 x 11 3/16 in. (35.8 x 28.4 cm), Drawings,

Venice: Night of the Festival of the Redeemer, 1903, Watercolor over pencil on white wove paper, 5 1/2 x 9 9/16 in. (14 x 24.3 cm), Drawings, Henri-Edmond Cross (Henri-Edmond Delacroix) (French, Douai 1856–1910 Saint-Clair), While

Orpheus Charming the Nymphs, Dryads, and Animals, 1757, Pen and brown ink, brown and gray wash, pale blue, yellow, and pink watercolor and white heightening over preliminary drawing in pencil and black chalk., 32 3/16 x 16 3/4 in. (81.8 x

'Belmead', James River, Virginia, Residence of Philip St. George Cocke (vignette of riverside elevation and plan), 1845, Ink and watercolor, sheet: 8 3/8 x 5 13/16 in. (21.2 x 14.7 cm), Drawings, Alexander Jackson Davis (American, New York

Young Woman Reading (Ines), 1909–10, Charcoal, watercolor, and wax crayon on paper, 18 3/8 x 13 1/8 in. (46.7 x 33.3 cm), Drawings, Umberto Boccioni (Italian, Reggio 1882–1916 Sorte

A Pride of Lions (Take Note!), 1924, Watercolor, brush, and ink on paper mounted on cardboard, 10 1/2 × 16 5/8 in. (26.7 × 42.2 cm), Drawings, Paul Klee (German (born Switzerland), Münchenbuchsee 1879–1940 Muralto-Locarno

Shiva and Parvati Playing Chaupar: Folio from a Rasamanjari Series, dated 1694–95, India (Basohli, Jammu), Opaque watercolor, ink, silver, and gold on paper, Image: 6 1/2 x 10 7/8 in. (16.5 x 27.6 cm), Paintings, Devidasa of Nurpur

Large Boston Public Garden Sketchbook: A Woman Reading a Book, 1895–97, Watercolor over pencil; bordered in pencil and watercolor, 14 1/8 x 11 3/16 in. (35.8 x 28.4 cm), Drawings, Maurice Brazil Prendergast (American, St. John’s,

Page of Calligraphy from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

View of the Campidoglio with the Statue of Marcus Aurelius, 1762, Pen and black ink, brush and watercolor over red chalk counterproof., 17 1/4 x 13 1/8 in. (43.8 x 33.4 cm), Drawings, Hubert Robert (French, Paris 1733–1808 Paris), Hubert

The Artist's Mother, 1915, Graphite and watercolor washes on paper, 25 5/8 x 20 7/8 in. (65.1 x 53 cm), Drawings, Umberto Boccioni (Italian, Reggio 1882–1916 Sorte

Three Young Girls by Ruins, ca. 1790, Pen and black ink, brush and gray wash, and pink, blue, moss green, and pale gold watercolor., 14 3/16 x 11 5/16 in. (36.1 x 28.8 cm), Drawings, copy after Hubert Robert (French, Paris 1733–1808

Late Afternoon, Summer, ca. 1900–1905, Watercolor and pastel over pencil, bordered in pencil along lower edge, 20 9/16 x 16 1/8 in. (52.2 x 41 cm), Drawings, Maurice Brazil Prendergast (American, St. John’s, Newfoundland 1858–1924 New

The Grand Canyon: Head of the Old Hance Trail, ca. 1892, Watercolor, pen and black ink, gouache, and graphite underdrawing on light gray wove paper, 14 9/16 x 10 1/8 in. (37 x 25.7 cm), Drawings, Thomas Moran (American (born England),

Folio from a Qur'an Manuscript, A.H. 531/ A.D. 1137, Attributed to Iran, Ink, gold, and opaque watercolor on paper, 7 11/16 x 5 1/8in. (19.5 x 13cm), Codices

Falling Bird, 1919, Watercolor, transferred printing ink, and ink on paper, bordered with ink, mounted on cardboard, 9 1/4 × 10 5/8 in. (23.5 × 27 cm), Drawings, Paul Klee (German (born Switzerland), Münchenbuchsee 1879–1940

Large Boston Public Garden Sketchbook: A crowd watching fireworks, 1895–97, Verso: watercolor over pencil, 14 1/8 x 11 3/16 in. (35.8 x 28.4 cm), Drawings, Maurice Brazil Prendergast (American, St. John’s, Newfoundland 1858–1924 New

Athlete's Head, 1932, Watercolor, gouache, and graphite on paper mounted on cardboard, 24 3/4 x 18 7/8 in. (62.9 x 47.9 cm), Drawings, Paul Klee (German (born Switzerland), Münchenbuchsee 1879–1940 Muralto-Locarno

Maharaja Fateh Singh Hunting Female Bears, dated 1917, Western India, Rajasthan, Udaipur, Ink, opaque watercolor, and gold on paper, Image: 13 3/8 x 18 1/4 in. (34 x 46.4 cm); Page: 21 7/8 x 17 15/16 in. (55.6 x 45.6 cm), Paintings,

Page of Calligraphy from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

'Sonnet from a Lover to the Beloved', Folio from a Manuscript of Poetry, early 16th century, Attributed to Iran, Ink, opaque watercolor, silver, and gold on paper, 10 3/4 x 6 3/4in. (27.3 x 17.1cm), Codices

Tomcat's Turf, 1919, Watercolor, gouache, and oil on gesso on two sections of fabric mounted on cardboard, 12 1/2 × 9 1/4 in. (31.8 × 23.5 cm), Paul Klee (German (born Switzerland), Münchenbuchsee 1879–1940 Muralto-Locarno

Krishna Battles the Armies of the Demon Naraka: Page from a Bhagavata Purana Manuscript, ca. 1540, Northern India, Delhi or Agra region, Opaque watercolor and ink on paper, Page: 8 x 9 1/16 in. (20.3 x 23 cm), Paintings, The Bhagavata Purana

Folio from a Qur'an Manuscript with Verses from the Surat al-Maryam, 14th century, Made in Egypt or Syria, Ink, opaque watercolor, and gold on paper, Ht. 13 in. (33 cm), Codices, In these folios from a Mamluk Qur’an manuscript, verses are

Switz[erland] Cottage (elevation and three plans), and Factory Lodge (elevation and three plans) for Montgomery Place, Annandale-on-Hudson, New York, 1866–67, Watercolor, ink and graphite, sheet: 13 7/16 x 10 1/4 in. (34.2 x 26.1 cm),

Page of Calligraphy, 16th century, Attributed to Iran, Ink, opaque watercolor, and gold on paper, 10 7/8 x 7in. (27.6 x 17.8cm), Codices

All Souls' Picture, 1921, Watercolor and transferred printing ink on paper, bordered with ink, mounted on cardboard, 15 3/4 × 21 1/8 in. (40 × 53.7 cm), Drawings, Paul Klee (German (born Switzerland), Münchenbuchsee 1879–1940

Large Boston Public Garden Sketchbook: A nude woman with red hair, 1895–97, Recto: watercolor over pencil, bordered in pencil and watercolor, 14 1/8 x 11 3/16 in. (35.8 x 28.4 cm), Drawings, Maurice Brazil Prendergast (American, St.

Paris: Le Place Dauphine, 1928, Watercolor and black crayon, 10 15/16 x 17 in. (27.8 x 43.2 cm), Drawings, Paul Signac (French, Paris 1863–1935 Paris

Le Croisic, 1928, Watercolor over graphite and black chalk, 9 13/16 x 16 1/16 in. (25 x 40.8 cm), Drawings, Paul Signac (French, Paris 1863–1935 Paris

Vultures on a Tree, 1810–75, Watercolor on wove paper, Sheet: 10 11/16 x 15 1/8 in. (27.1 x 38.4cm), Drawings, Antoine-Louis Barye (French, Paris 1796–1875 Paris

Large Boston Public Garden Sketchbook: A nanny with her charge, 1895–97, Recto: watercolor over pencil, bordered in pencil and watercolor, 14 1/8 x 11 3/16 in. (35.8 x 28.4 cm), Drawings, Maurice Brazil Prendergast (American, St. John’s,

Page of Calligraphy from an Anthology of Poetry by Sa`di and Hafiz, late 15th century, Attributed to present-day Afghanistan, Herat, Ink, opaque watercolor, silver, and gold on paper, 11 7/8 x 7 1/2in. (30.2 x 19cm), Codices, This folio,

A Lady Playing the Tanpura, ca. 1735, India (Rajasthan, Kishangarh), Ink, opaque and transparent watercolor, and gold on paper, 18 1/2 x 13 1/4 in. (47 x 33.7 cm), Paintings, As a nayika (archetypal heroine), this figure personifies the

Nanda and Vasudeva: Page from a Dispersed Bhagavata Purana (Ancient Stories of Lord Vishnu), Early Rajput-Chaurapanchasika style, ca. 1520–30, India (Delhi-Agra area), Ink and opaque watercolor on paper, Sheet: 7 in. × 9 3/8 in. (17.8 × 23.8

Design for floral lamp, 1905–15, Made in New York, United States, American, Watercolor, graphite, and ink on artist board, Overall: 13 3/8 x 15 7/8in. (34 x 40.3cm), Drawings, Tiffany Studios (1902–32

Anthology of Persian Poetry, 16th century, Attributed to Iran or Turkey, Main support: Ink, opaque watercolor, and gold on paper, H. 8 3/4 in. (22.2 cm), Codices, This anthology comprises selected works from Persian poets, including Sa'di,

Women Conversing, 17th century, Attributed to India, Ink, opaque watercolor, and gold on paper, Image 6 7/8 in x 9 3/4 in., Codices

'Design on Each Side for Waterwheel Worked by Donkey Power', Folio from a Book of the Knowledge of Ingenious Mechanical Devices by al-Jazari, dated A.H. 715/ A.D. 1315, Attributed to probably Syria, Ink, opaque watercolor, and gold on paper,

Sailor (from scrapbook), 1876, Watercolor and graphite on off-white wove paper, 3 3/4 x 11 3/4 in. (9.5 x 29.8 cm), Drawings, John Singer Sargent (American, Florence 1856–1925 London

Page of Calligraphy, 1714, Made in Iran, Ink, opaque watercolor, and gold on paper, H. 9 in. (22.9 cm), Codices, The unsurpassed master of naskhi calligraphy in the late Safavid period was Ahmad Nairizi. Naskhi style in Iran was rounded and

Madame la Marquise de Coëtlogon, ca. 1777, Pencil(?), black and red chalk, watercolor with white chalk highlights, 12 3/16 x 8 7/16 in. (31 x 21.5 cm), Drawings, Louis de Carmontelle (French, Paris 1717–1806 Paris

Folio from a Qur'an Manuscript, 11th–12th century, Attributed to Egypt, Ink and opaque watercolor on paper, 5 3/4 x 4 in. (14.6 x 10.2 cm), Codices

Garden in St. Germain, The European Quarter Near Tunis, 1914, Watercolor on paper mounted on cardboard, 11 × 13 in. (27.9 × 33 cm), Drawings, Paul Klee (German (born Switzerland), Münchenbuchsee 1879–1940 Muralto-Locarno

Maharaja Sidh Sen Receiving an Embassy, ca. 1700–10, India (Himachal Pradesh, Mandi), Ink and opaque watercolor on paper, 14 9/16 x 10 5/8 in. (37 x 27 cm), Paintings, A Master of the Mandi atelier (Indian), The subdues palette of grays,

Folio from a Qur'an Manuscript, A.H. 531/ A.D. 1137, Attributed to Iran, Ink, gold, and opaque watercolor on paper, 10 1/8 x 7 1/2in. (25.7 x 19cm), Codices

Low Tide, Beachmont, ca. 1900–1905, Watercolor over pencil, 15 3/8 x 22 in. (39 x 55.9 cm), Drawings, Maurice Brazil Prendergast (American, St. John’s, Newfoundland 1858–1924 New York

View from the Packet Wharf at Frenchtown Looking down Elk Creek, 1806, Watercolor, pen and iron gall ink, and graphite on off-white wove paper, 8 1/2 x 12 in. (21.6 x 30.5 cm), Drawings, Benjamin Henry Latrobe (American (born England),

Seated Woman Curling her Hair, late 16th–early 17th century, Attributed to Iran, Ink, opaque watercolor, and gold on paper, H. 6 5/8 in. (16.8 cm), Codices, From the same album as the 'Seated Youth with a Cup', this image depicts a woman

View of the Garden Terrace of the Villa d'Este at Tivoli, 1643–44, Pencil, black ink, sepia and gray wash, pale green watercolor., 13 7/16 x 18 9/16 in. (34.1 x 47.1 cm), Drawings, Israel Silvestre (French, Nancy 1621–1691 Paris

Large Boston Public Garden Sketchbook: A young girl and a woman gazing out to sea, 1895–97, Recto; watercolor over pencil, bordered in pencil and watercolor, 14 1/8 x 11 3/16 in. (35.8 x 28.4 cm), Drawings, Maurice Brazil Prendergast

Page of Calligraphy, late 16th century, Attributed to India, Ink, opaque watercolor, and gold on paper, Illumination: H. 8 7/16 in. (21.4 cm), Codices, Muhammad Husain al-Katib (Zarrin Qalam), one of the most celebrated calligraphers of

Design for Landau, No. 3746, 1882, Pen and black ink, watercolor and gouache with gum arabic, sheet: 6 7/8 x 10 1/4 in. (17.5 x 26 cm), Drawings, Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven,

Farm Scene, second half 19th century, American, Watercolor, 4 5/16 x 6 9/16 in. (11 x 16.6 cm), Drawings, American Artist (1851–1899

Study for a Portrait: A Lady and a Gentleman in a Park, ca. 1780, Brush and watercolor, colored washes, over pencil, on thin paper, 8 3/4 x 7 1/4 in. (22.2 x 18.4 cm), Drawings, England (eighteenth century

Album Page with Cut-Paper Decoration, ca. 1625–50, Made in India, Cut paper on paper, opaque watercolor, and gold, 10 1/2 in. x 7 1/8 in., Codices, The decoration on this page is cut from tan paper and laid down on a blue paper background.

Episode at Kairouan, 1920, Watercolor and transferred printing ink on paper mounted on cardboard, 9 1/4 × 12 3/8 in. (23.5 × 31.4 cm), Drawings, Paul Klee (German (born Switzerland), Münchenbuchsee 1879–1940 Muralto-Locarno

Folio from a Qur'an Manuscript, late 14th century, Attributed to India, Ink, opaque watercolor, and gold on paper, 8 3/4 x 9 5/16 in. (22.2 x 23.7 cm), Codices, A unique cursive script was used for Indian Qur'ans between the late fourteenth

Adam and Four Prophets, 17th century, Attributed to Iran, Ink, opaque watercolor, and gold on paper, H. 5 1/8 in. (13 cm), Codices

Page of Calligraphy from an Anthology of Poetry by Sa`di and Hafiz, late 15th century, Attributed to present-day Afghanistan, Herat, Ink, opaque watercolor, and gold on paper, 11 7/8 x 7 1/2in. (30.2 x 19cm), Codices, This folio, copied by

Folio from a Qur'an Manuscript, dated A.H. 531/ A.D. 1137, Attributed to Iran, Ink, gold, and opaque watercolor on paper, 10 1/8 x 7 1/2in. (25.7 x 19cm), Codices

Deep Pathos, 1915, Gouache and watercolor on paper mounted on cardboard, 9 1/4 × 11 1/2 in. (23.5 × 29.2 cm), Drawings, Paul Klee (German (born Switzerland), Münchenbuchsee 1879–1940 Muralto-Locarno

Seated Man Painting or Writing, first half 17th century, Attributed to Iran, Isfahan, Ink and opaque watercolor on paper, Page: H. 4 7/16 in. (11.2 cm), Codices

The Pont Neuf, Paris, 1928, Pencil and watercolor, 10 13/16 x 17 1/16 in. (27.5 x 43.3 cm), Drawings, Paul Signac (French, Paris 1863–1935 Paris

Lady Inclining Her Head, 1919, Watercolor and transferred printing ink on paper mounted on cardboard, 12 3/4 × 9 3/4 in. (32.4 × 24.8 cm), Drawings, Paul Klee (German (born Switzerland), Münchenbuchsee 1879–1940 Muralto-Locarno

Calligraphy Folio, dated A.H. 1280/ A.D. 1863, Attributed to Iran, Ink and opaque watercolor on paper, Ht. 8 7/8 in. (22.5 cm), Codices, This composition consists of pairs of short diagonal lines of text forming a chevron pattern in black, red

Lyndhurst for George Merritt, Tarrytown, New York (west [rear] elevation and plan), 1865, Watercolor, ink, and graphite on paper, Sheet: 18 7/8 x 26 5/8 in. (47.9 x 67.6 cm), Alexander Jackson Davis (American, New York 1803–1892 West

Variations in Violet and Grey—Market Place, Dieppe, 1885, Gouache and watercolor on off-white wove paper, mounted on academy board, 7 15/16 x 5 in. (20.2 x 12.7 cm), Drawings, James McNeill Whistler (American, Lowell, Massachusetts

Otto, Count of Nassau and his Wife Adelheid van Vianen, 1530–35, Pen and brown ink, watercolor over traces of black chalk; verso: tracing in black chalk of the figures on the recto, 14 x 19 in. (35.6 x 48.3 cm), Drawings, Bernard van Orley

Prince and Groom, mid-16th century style, Attributed to Iran, Ink, watercolor, and gold on paper, H. 6 1/8 in. (15.6 cm), Codices, This drawing is most likely an early 20th–century work in the style of the mid-16th century. The tree at the

The Artist's Family, ca. 1800, Watercolor on ivory, 2 3/4 x 3 3/8 in. (7 x 8.6 cm), Paintings, Pierre Henri (Paris ca. 1760–1822 New York), Among the most highly skilled of the many French miniaturists in America, the Paris-born Henri

La Rochelle, ca. 1920–28, Black crayon and watercolor, 10 1/8 x 15 13/16 in. (25.7 x 40.2 cm), Drawings, Paul Signac (French, Paris 1863–1935 Paris

Peonies, ca. 1920, Watercolor, gouache, and graphite on paper, 17 x 17 in. (43.2 x 43.2 cm), Drawings, Mackintosh made his reputation at the turn of the century as an architect and designer of great originality. In 1914, however, he abruptly

Woman Carrying a Vase, 17th century, Attributed to Iran, Ink, watercolor, and gold on paper, H. 6 1/8 in. (15.5 cm), Codices

Page of Calligraphy, 16th century, Attributed to Iran, Ink, opaque watercolor, and gold on paper, 10 7/8 x 7in. (27.6 x 17.8cm), Codices

Classical Grotesque, 1923, Watercolor and transferred printing ink on paper mounted on cardboard, 10 7/8 × 13 1/8 in. (27.6 × 33.3 cm), Drawings, Paul Klee (German (born Switzerland), Münchenbuchsee 1879–1940 Muralto-Locarno

Large Boston Public Garden Sketchbook: The streetcar on Tremont Street, 1895–97, Recto: watercolor over pencil, bordered in pencil and watercolor., 14 1/8 x 11 3/16 in. (35.8 x 28.4 cm), Drawings, Maurice Brazil Prendergast (American, St.

Hunting Scene, late 16th century, Attributed to Iran, Qazvin, Ink and watercolor on paper, H. 9 in. (22.9 cm), Codices, In the 1570s and '80s the vogue for albums made up of single–page paintings and drawings and calligraphies developed.

'A Religious Devotee Summoned to Pray for the King's Recovery', Folio from a Bustan (Orchard) of Sa'di, 17th century, Ink, opaque watercolor, and gold on paper, Codices

Venice-The Giudecca, 1903, Watercolor, graphite, and charcoal on heavy, white wove paper, 6 3/4 x 9 3/4 in. (17.1 x 24.8 cm), Drawings, Henri-Edmond Cross (Henri-Edmond Delacroix) (French, Douai 1856–1910 Saint-Clair

The J. C. Baughman (Scotten) House, Detroit, Michigan (front elevation and plan), 1835–92, Pen and ink and watercolor over graphite, Drawings, Alexander Jackson Davis (American, New York 1803–1892 West Orange, New Jersey

Beach Scene, 1883, Pen and brown ink with watercolor wash on buff paper, darkened, 3 3/8 x 4 3/4 in. (8.5 x 12 cm), Drawings, Auguste Renoir (French, Limoges 1841–1919 Cagnes-sur-Mer), This tiny watercolor was made on the southeast coast of

'Figure for Use at Drinking Parties', Folio from a Book of the Knowledge of Ingenious Mechanical Devices by al-Jazari, dated A.H. 715/A.D. 1315, Made in probably Syria, Ink, opaque watercolor, and gold on paper, 11.62 in. high 7.94 in. wide

Prince Riding an Elephant, 16th–17th century, Attributed to India, Ink, opaque watercolor, and gold on paper, Page: H. 12 1/4 in. (31.1 cm), Codices, Painting by Khem Karan, Elephants were highly prized at Indian courts, greatly

Folio from a Qur'an Manuscript, late 12th–early 13th century, Made in Western Iran or Northern Iraq, Ink, gold, and opaque watercolor on paper, 13 7/8 x 8 9/16in. (35.2 x 21.7cm), Codices

Page of Calligraphy with Stenciled and Painted Borders from a Subhat al-Abrar (Rosary of the Devout) of Jami, text, ca. 1500; borders, first quarter 17th century, Decorated in India. Made in present-day Afghanistan or Iran, Herat or Mashhad,

'A Fire-Worshipper Received at the Board of Abraham the Patriarch', Folio from a Bustan (Orchard) of Sa'di, 17th century, Ink, opaque watercolor, and gold on paper, Codices

Turkomen Horseman, 16th century, Attributed to Iran, Ink, transparent and opaque watercolor, and gold on paper, H. 3 7/16 in. (8.7 cm), Codices

Boys in a Dory, 1873, Watercolor washes and gouache over graphite underdrawing on medium rough textured white wove paper, 9 3/4 x 13 7/8 in. (24.8 x 35.2 cm), Drawings, Winslow Homer (American, Boston, Massachusetts 1836–1910 Prouts Neck,

Figure of a Man, 13th century, Attributed to Egypt or Iraq, Ink and opaque watercolor on paper, H. 5 5/16 in. (13.5 cm), Codices

Maharaja Sital Dev in Devotion, ca. 1690, India (Punjab Hills, Basohli), Ink, opaque watercolor, and silver on paper, Image: 5 5/8 x 4 5/8 in. (14.3 x 11.7 cm), Paintings, The image of the blind raja Sital Dev stands apart from other

Male Ruffed Grouse in the Forest, 1907–8, Watercolor on paper, 19 3/4 x 20 in. (50.2 x 50.8 cm), Drawings, Gerald Thayer (American, 1883–1939

Page of Calligraphy from an Anthology of Poetry by Sa`di and Hafiz, late 15th century, Attributed to present-day Afghanistan, Herat, Ink, opaque watercolor, silver, and gold on paper, 11 7/8 x 7 1/2in. (30.2 x 19cm), Codices, This leaf

Large Boston Public Garden Sketchbook: A woman in a veiled hat decorated with poppies, 1895–97, Recto: watercolor over pancil, 14 1/8 x 11 3/16 in. (35.8 x 28.4 cm), Drawings, Maurice Brazil Prendergast (American, St. John’s, Newfoundland

Church of the French Protestants (Eglise Français du Saint Esprit), New York (front elevation and plan), 1832, Watercolor and ink over graphite, Sheet: 11 3/4 x 8 15/16 in. (29.8 x 22.7 cm), This drawing shows the frontal elevation and

Title Page of the Gospel of John, 1300–1310, Made in Armenia, Siwnik, Ink, opaque watercolor, and gold on paper, Page: H. 12 1/2 in. (31.7 cm), Codices, This richly decorated leaf emphasizes the Gospel of John as the summation of the four

Hilya (Votive Tablet), 18th century, Made in Turkey, Ink, opaque watercolor, and gold on paper; mounted on wood, Codices

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