Images at Librifly

search results: Watercolor clear search

Syon House: Chapel, William Beilby, 1740–1819, British, undated, Watercolor and pen and black ink on meidum, slightly textured, white laid paper, Sheet: 8 1/4 x 10 3/4 inches (21 x 27.3 cm), architectural subject, chapels, Gothic

Wispy Cloud Above an Alpine Formation, Attributed to Thomas Lindsay, 1793–1861, British, undated, Watercolor and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 2 1/2 × 6 inches (6.4 × 15.2 cm), blue, clouds,

Side View of Bulliter or Bulishwur, a Temple of Mahdew, Gangaram Chintaman Tambat, active 1790s, Anglo-Indian, undated, Watercolor, graphite, gouache, and colored pencil on medium, slightly textured, cream laid paper, Sheet: 11 1/8 × 16

An Interior View of the Colosseum, Rome, John Warwick Smith, 1749–1831, British, undated, Watercolor over graphite on thick, slightly textured, cream laid paper, Sheet: 14 1/2 x 21 1/2 inches (36.8 x 54.6 cm), architectural subject,

Portrait of a Young Man, Jeremiah Meyer RA, 1735–1789, German, active in Britain, undated, Watercolor and gouache on ivory, Image: 1 1/4 x 1 inches (3.2 x 2.5 cm) and Frame: 1 3/8 x 1 1/8 x 1/8 inches (3.5 x 2.9 x 0.3 cm), portrait

View of the Thames at Kingston, attributed to Peter DeWint, 1784–1849, British, 1809, Watercolor and graphite on moderately thick, rough, cream wove paper, Sheet: 6 3/8 x 8 1/8 inches (16.2 x 20.6 cm), architectural subject, chimney caps,

Seaman Holding a Monkey, Joshua Cristall, 1768–1847, British, 1816, Watercolor over graphite on moderately thick, slightly textured, ceam wove paper, Sheet: 7 7/8 x 4 5/8 inches (20 x 11.7 cm), figure study, illustration, monkey

The Use of Tears, Richard Parkes Bonington, 1802–1828, British, 1827, Watercolor and white gouache over graphite on thick, smooth card, Sheet: 9 x 7 inches (22.9 x 17.8 cm), bed, cat (domestic cat), chair, genre subject, letter, tears,

Portrait of a Lady, John Smart, 1741–1811, British, 1773, Gouache and watercolor on ivory, Image: 1 3/4 x 1 1/2 inches (4.4 x 3.8 cm) and Frame: 2 3/8 x 1 5/8 x 1/4 inches (6 x 4.1 x 0.6 cm), portrait

St. Donat's Castle, Glamorganshire, John Glover, 1767–1849, British, undated, Watercolor over graphite on moderately thick, slightly textured, cream wove paper pasted on thick, slightly textured, beige card, Mount: 19 x 25 1/4 inches

Death of Abimelech at Thebez, Richard Dadd, 1817–1886, British, 1855, Watercolor, gray ink, and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 14 1/8 x 10 1/8 inches (35.9 x 25.7 cm), armor, battle, blood,

Dover Castle, Henry Hulsberg, died 1729, Netherlandish, active in London, after Isaac Sailmaker, ca. 1633–1721, Dutch, active in Britain (from the 1640s), Published by Henry Overton, 1675/6–1751, British, undated, Line engraving with

Foxhunting: Rider Approaching a Fence by a Pond, Hound Swimming Through, Samuel Henry Gordon Alken, 1810–1894, British, undated, Watercolor, pen and black ink, and graphite on medium, slightly textured, blued white, wove paper, Sheet: 9

Warwick Castle, Charles Reginald Aston, 1832–1908, British, undated, Watercolor and gouache with scraping out on medium, slightly textured, cream wove paper, Frame: 30 × 24 × 3/4 inches (76.2 × 61 × 1.9 cm) and Sheet: 9 3/4 × 17 3/4

London Cries: A Man with a Bundle, Old Clothes, Paul Sandby RA, 1731–1809, British, undated, Watercolor on medium, cream, slightly textured laid paper, Sheet: 7 3/8 x 5 1/8 inches (18.7 x 13 cm), clothes, cries, genre subject, man,

Young Woman with Coral Necklace and Crucifix, Anne Mee, ca. 1760–1851, British, ca. 1825, Watercolor on ivory, Overall: 3 1/8 × 2 1/2 × 1/4 inches (7.9 × 6.4 × 0.6 cm), crucifix, figure study, necklace, woman

Fishing Boats Becalmed off le Havre, Joseph Mallord William Turner, 1775–1851, British, undated, Watercolor and gouache on medium, slightly textured, blue wove paper, Sheet: 5 1/2 x 7 3/4 inches (14 x 19.7 cm), boats, clouds, fishing,

Dr. Syntax Attends the Execution, Thomas Rowlandson, 1756–1827, British, 1820, Watercolor with pen and red-brown ink, over graphite on medium, slightly textured, blued white, wove paper, Sheet: 5 7/16 x 8 1/2 inches (13.8 x 21.6 cm),

Portentous Things, George Jones, 1786–1869, British, undated, Pen and brown ink, watercolor, brown wash, black and white chalk with some scraping over graphite on smooth, thin, beige wove paper, Sheet: 23 3/4 × 19 3/8 inches (60.3 ×

A Peasant Woman, Standing, Seen From Behind, Samuel Prout, 1783–1852, British, undated, Graphite and watercolor on moderately thick, slightly textured, beige wove paper, Sheet: 2 7/8 x 7/8 inches (7.3 x 2.3 cm), barrel, bonnet, dress,

View near Auckland: Maori Warrior and Women, Lt. Gen. Charles Emilius Gold, 1803?–1871, 1860, Watercolor, gouache and graphite with scratching out on moderately thick, slightly textured, cream wove paper, Sheet: 6 7/8 × 9 1/4 inches (17.5

The Race Course at Bristol, George Cumberland, 1754–1848, British, undated, Watercolor with pen and black ink over graphite on moderately thick, moderately textured, cream wove paper, Sheet: 6 3/8 × 9 inches (16.2 × 22.9 cm),

Dawn on the Nile, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and brown ink on thick, rough, beige wove paper, Sheet: 2 3/4 x 10 11/16 inches (7 x 27.1 cm), landscape, river, river, riverbank, sky, water,

Torre delle Milizie, Lewis Vulliamy, 1791–1871, British, between 1818 and 1822, Graphite and watercolor on slightly textured, moderately thick, white wove paper, Sheet: 8 15/16 × 15 1/16 inches (22.7 × 38.3 cm), architectural subject,

A Village in a Hilly Landscape, Thomas Rowlandson, 1756–1827, British, undated, Watercolor with pen and gray, and brown ink, over graphite on thick, slightly textured, brown, wove paper, Sheet: 9 13/16 x 13 3/16 inches (24.9 x 33.5 cm),

Young's Night Thoughts, Page 43, 'Night the Third, Narcissa.', Print made by William Blake, 1757–1827, British, ca. 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper, Spine: 16 3/4

The Huntsman and a Rider Encouraging the Hounds, Henry Thomas Alken, 1785–1851, British, undated, Graphite and watercolor on medium, slightly textured, cream, wove paper, Sheet: 10 7/16 × 14 7/16 inches (26.5 × 36.7 cm), dogs (animals),

Brass Plate for John Burnell from Drayton Church, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 15 × 10 7/8 inches

Portrait of a Lady Standing near a Lake, Richard Cosway, 1742–1821, British, ca. 1802, Graphite and watercolor on medium, smooth, cream wove paper, Sheet: 11 1/4 x 8 3/8 inches (28.6 x 21.3 cm), belts (costume accessories), capes

View from Stokenchurch Hill, Buckinghamshire, William Alfred Delamotte, 1775–1863, British, 1821, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 8 7/8 × 13 5/8 inches (22.5 × 34.6 cm), autumn, hill,

Sheepdog Asleep in a Landscape, Attributed to Andrew Geddes, 1783–1844, British, undated, Watercolor, black chalk, brown chalk, white chalk and graphite on medium, slighlty textured, cream wove paper, Sheet: 6 × 8 1/4 inches (15.2 × 21

Convent of Vallombrosa, Thomas Smith of Derby, ca. 1720–1767, British, undated, watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 9 1/2 × 13 3/4 inches (24.1 × 34.9 cm), architectural subject, Vallombrosa

Design for an Engraving: Figures in an Interior, Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45), undated, Graphite and red chalk, incised for transfer on medium, slightly textured, beige laid paper mounted on

Sheriff Hutton Castle, Yorkshire, John Sell Cotman, 1782–1842, British, ca. 1808, Watercolor and graphite on medium, moderately textured, beige laid paper, Sheet: 13 x 8 1/2 inches (33 x 21.6 cm), architectural subject, castle, England,

A Map of the Farm in Mr. Briten's Use, Isaac Johnson, 1754–1835, British, undated, Pen and brown ink and watercolor on vellum, Sheet: 15 × 22 1/2 inches (38.1 × 57.2 cm), architectural subject, designs, house, surveys, England,

Portrait of a Lady, Nicholas Hilliard, ca. 1547–1619, British, between 1600 and 1615, Watercolor and gouache on vellum laid onto card, Sheet: 2 x 1 11/16 inches (5.1 x 4.3 cm) and Frame: 2 3/4 x 2 1/4 x 1/2 inches (7 x 5.7 x 1.3 cm),

New Weir on the Wye, Print made by Frederick Christian Lewis the Elder, 1779–1856, British, after Joseph Mallord William Turner, 1775–1851, British, 1825, Etching and line engraving, with hand coloring and watercolor

Memorial to John Peele from Hampton Church, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 14 5/8 × 10 3/4 inches

Salahiyeh, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and brown ink on thick, slightly textured, beige wove paper, Sheet: 4 3/8 x 6 5/16 inches (11.1 x 16 cm), figure (representation), landscape, palm trees,

Falcon: Hen Krestel, William Lewin, 1747–1795, British, before 1790, Watercolor, gouache, graphite and pen and black ink on medium, smooth white vellum, Sheet: 8 1/4 × 6 3/4 inches (21 × 17.1 cm), animal art, bird, branch, falcon

Butterfly Hunting, Thomas Rowlandson, 1756–1827, British, ca. 1806, Watercolor with pen and gray ink over graphite on medium, smooth, cream wove paper, Sheet: 5 1/4 x 7 3/16 inches (13.3 x 18.3 cm), butterflies, doorway, garden, genre

Near Assouan, Edward Lear, 1812-1888, British, 1867, Watercolor, graphite, pen and black ink on thick, moderately textured, beige wove paper, Sheet: 2 1/2 x 10 13/16 inches (6.4 x 27.5 cm), hills, landscape, palm trees, river, river,

Studies of Camels and Egyptian Men, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and brown ink on medium, slightly textured, cream wove paper, Sheet: 1 3/8 x 3 7/8 inches (3.5 x 9.8 cm), animal art, camels (mammals),

Peasant woman with basket on her head - La Palma, 1828, Alfred Diston, active 1818–1829, 1828, Watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 8 × 5 7/8 inches (20.3 × 14.9 cm), basket, costume, figure

Apsley House and Piccadilly ... from Hyde Park Corner, Frederick Nash, 1782–1856, British, undated, Watercolor and graphite, with scratching out on medium, slightly textured, cream wove paper, Sheet: 7 1/8 x 11 3/4in. (18.1 x 29.8cm) and

Deir El Adra, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and brown ink on thick, rough, cream wove paper, Sheet: 3 3/8 x 9 7/8 inches (8.6 x 25.1 cm), bird, boats, buildings, cliffs, landscape, river, river,

A Landscape with a Portrait of a Lady, Full Length, Holding a Hat, Richard Westall, 1765–1836, British, formerly attributed to Henry Edridge, 1769–1821, British, undated, Watercolor and gouache on moderately thick, slightly textured,

Mimusops kummel A. DC. : finished drawing with some flowers, James Bruce, 1730–1794, British, undated, Watercolor and gouache over graphite on medium, slightly textured, cream laid paper, Sheet: 16 × 12 inches (40.6 × 30.5 cm

Somerset House, Saint Paul's Cathedral and Blackfriar's Bridge, Jean Louis Desprez, 1743–1804, French, undated, Watercolor, pen and black ink and pen and gray ink on medium, slightly textured, cream wove paper, Sheet: 25 1/2 x 71 inches

Boschbeek & Gorenendaal: View from Turret towards Posthuis, Blanchisferies, Haarlem and Zantvaard, Gerrit Jan Schouten, Born 1815, Dutch, undated, Watercolor on slightly textured, thin, cream wove paper, Sheet: 10 1/8 × 14 1/2 inches (25.7

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), channel (water body

A Bridge over the Thames, with sailing barges in the foreground, Dominic Serres RA, 1722–1793, French, active in Britain (from the 1750s), 1758-1793, Watercolor with black ink, brown ink and graphite on medium, moderately textured, cream

In Richmond Park, John William Inchbold, 1830–1888, British, 1869, Watercolor, gouache, and graphite, with scraping on moderately thick, moderately textured, cream wove paper, Sheet: 6 3/4 × 9 7/8 inches (17.1 × 25.1 cm), benches,

America. A Prophecy, Plate 16, 'In the Flames Stood....', Print made by William Blake, 1757–1827, British, 1793, Color-printed relief etching in green-black with pen and black ink and watercolor on moderately thick, slightly textured,

Oxcart in the Grotto at Posillipo, William Marlow, 1740–1813, British, ca. 1770, Watercolor and graphite on medium, slightly textured, white laid paper, Sheet: 10 5/8 x 14 13/16in. (27 x 37.6cm) and Sheet: 10 1/2 × 14 3/4 inches (26.7 ×

Sandown Fort, Thomas Rowlandson, 1756–1827, British, undated, Watercolor with pen and gray ink over graphite on medium, slightly textured, beige, wove paper, Sheet: 4 3/4 x 17 1/4 inches (12.1 x 43.8 cm), architectural subject, beach,

Songs of Innocence and of Experience, Plate 26, 'A Cradle Song' (Bentley 16), Print made by William Blake, 1757–1827, British, 1789, Relief etching printed in green with pen and ink and watercolor on moderately thick, slightly textured,

White-Barred Aguara Fox, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and brown ink and graphite on medium, slightly textured, cream, wove paper, Sheet: 4 9/16 × 7 5/16 inches (11.6 × 18.6 cm), animal art

Pheasant Shooting, Edward Duncan, 1803–1882, British, 1825, Watercolor, with pen, in brown ink, over graphite, and gouache on medium, slightly textured, blued white, wove paper, Sheet: 6 5/8 × 10 5/16 inches (16.8 × 26.2 cm), dogs

Mulpelme Funeral, Robert Mabon, died 1798, British, undated, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 6 1/2 × 5 11/16 inches (16.5 × 14.4 cm

Coast Scene with Mouth of a River, Edward Dayes, 1763–1804, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 10 5/8 x 15 1/2 inches (27 x 39.4 cm), coast, hills, landscape, mouth, river,

Borrowdale: Evening after a Fine Day, 1 October 1806, John Constable, 1776–1837, British, 1806, Watercolor over graphite with scratching out on medium, slighlty textured, beige wove paper, Sheet: 7 × 10 1/2 inches (17.8 × 26.7 cm), day,

The Recruiting Officer, Or, A Matrimonial Trip to the Continent., William Dent, active 1784–1793, 1791, Etching with watercolor on laid paper, Sheet: 9 5/8 x 13 9/16in. (24.4 x 34.4cm

A Seated Peasant Woman, Samuel Prout, 1783–1852, British, before 1841, Graphite and watercolor on moderately thick, slightly textured, beige wove paper, Sheet: 1 7/8 x 1 11/16 inches (4.8 x 4.3 cm), apron, barrel, bonnet, dress, figure

Phytolacca dodecandra L'Herit. (Pokeberry): finished drawing, Luigi Balugani, 1737–1770, Italian, undated, Watercolor and gouache over graphite on medium, slightly textured, cream laid paper, Sheet: 15 15/16 × 12 5/16 inches (40.5 × 31.3

The Gardener's Offering, Thomas Rowlandson, 1756–1827, British, between 1803 and 1805, Watercolor, with pen, in brown ink, gray ink and graphite on medium, slightly textured, beige, wove paper, Sheet: 10 7/8 x 14 15/16 inches (27.6 x

Castle on Cliff, with a Stormy Sea, and Shipwreck at Base of Cliff, Thomas Sully, 1783–1872, American, 1814, Watercolor, graphite, and scratching out on moderately thick, moderately textured, beige, wove paper, Sheet: 10 13/16 × 8 3/8

Musicians, Robert Mabon, died 1798, British, ca. 1795, Watercolor with pen and black ink on medium, slightly textured, cream laid paper, Sheet: 6 1/8 × 9 inches (15.6 × 22.9 cm), portrait

A Lion Standing over a Wounded Leapard, Samuel Howitt, 1756–1822, British, undated, Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper, Sheet: 5 × 7 1/8 inches (12.7 × 18.1 cm), animal art, cave,

Coastal English Settlement Surrounded by Mountains, Samuel Davis, 1757–1819, British, undated, Watercolor, with pen, in brown ink and graphite on medium, moderately textured, beige, laid paper, mounted on, thick, moderately textured,

Brass Plate for unidentified man, Chancel Pavement of Drayton Church, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet:

Windsor Castle, John Inigo Richards RA, 1730/31?–1810, British, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper, Sheet: 4 1/2 × 8 5/8 inches (11.4 × 21.9 cm), architectural subject,

Brass Plate for George Ray from Hornsey Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 14 1/8 × 10 5/8

Studies of Geese, James Ward, 1769–1859, British, undated, Watercolor, oil, and graphite with scratching out on medium, smooth, cream wove paper, Sheet: 10 3/4 x 17 7/8 inches (27.3 x 45.4 cm), animal art, animals, birds, geese,

A Woman Seated and Holding an Image, Peter Oliver, 1589–1647, British, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper, Sheet: 2 15/16 × 3 11/16 inches (7.5 × 9.4 cm), figure study,

Ruins of the Temple of Jupiter on the Plains of Nemea, Sir Robert Smirke the younger, 1781–1867, British, 1803, Watercolor and graphite on moderately thick, moderately textured, beige, wove paper, Sheet: 8 7/16 × 11 3/8 inches (21.4 ×

Monument to Shakespeare, Sir William Chambers RA, 1723–1796, British, ca. 1763, Graphite, watercolor, and pen and black ink, gray wash on moderately thick, slightly textured, cream laid paper, Sheet: 15 3/8 x 20 9/16 inches (39.1 x 52.2

Dhole of Ceylon, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and brown ink and graphite on medium, slightly textured, cream, wove paper, Sheet: 4 9/16 × 7 7/16 inches (11.6 × 18.9 cm), animal art

Landscape with Large Tree and Figure Below, unknown artist, nineteenth century, undated, Watercolor on thick, moderately textured, cream wove paper, Sheet: 6 1/4 × 5 1/2 inches (15.9 × 14 cm), figure, landscape, tree

Young's Night Thoughts, Page 65, Night the Fourth, 'The Christian Triumph.', Print made by William Blake, 1757–1827, British, ca. 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper,

Castle Acre Priory, John Sell Cotman, 1782–1842, British, 1805 to 1806, Watercolor and gouache over graphite on medium, moderately textured, cream wove paper, Sheet: 12 x 7 5/8 inches (30.5 x 19.4 cm), landscape, priory, Castle Acre,

The Farmyard, Thomas Rowlandson, 1756–1827, British, undated, Watercolor with pen and brown ink, over graphite on medium, slightly textured, cream wove paper, Sheet: 5 5/8 x 8 13/16 inches (14.3 x 22.4 cm), architectural subject, barn,

Cloud Study - Blue and Red Flecked Alto - Cumulus, Attributed to Thomas Lindsay, 1793–1861, British, undated, Watercolor over graphite on medium, slighlty textured, cream wove paper, Sheet: 2 5/8 × 5 7/8 inches (6.7 × 14.9 cm), blue,

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London, George Edmund Street, 1824–1881, British, undated, Pen, black ink and graphite with watercolor and gouache, verso:

The Vale of Llangollen, Peter Tillemans, 1684–1734, Flemish, active in Britain (from 1708), undated, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 11 1/2 × 22 3/4 inches (29.2 × 57.8 cm

A Collection of Surveys of Scottish Estates of the Earl of Selkirk: Black - Stockarton, unknown artist, nineteenth century, undated, Graphite, watercolor, pen and black ink on slightly textured, moderately thick, cream wove paper, Sheet: 38

Cloud Study - Evening Twilight, Rodney Terrace, Thomas Lindsay, 1793–1861, British, 1837, Watercolor on medium, slightly textured, cream laid paper, Sheet: 7 3/8 × 12 inches (18.7 × 30.5 cm), clouds, horizon line, landscape, sky,

A Lady, full length, Wearing a Blue Sash and Holding a Fan, Samuel De Wilde, 1748–1832, British, 1795, Watercolor, graphite, and colored pencil on medium, slightly textured, cream laid paper, Sheet: 15 1/8 × 8 15/16 inches (38.4 ×

Snipe Shooting, Henry Thomas Alken, 1785–1851, British, or possibly Samuel Henry Gordon Alken, 1810–1894, British, undated, Graphite and watercolor on thick, slightly textured, cream, wove paper, Sheet: 10 1/2 × 14 3/8 inches (26.7

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London, George Edmund Street, 1824–1881, British, undated, Pen, black ink and graphite with watercolor and gouache, verso:

Memorial to Giles Breame from East Ham Church, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 14 7/8 × 10 3/8 inches

Christ Healing the Palsied Man, Attributed to John Martin, 1789–1854, British, undated, Watercolor, pen and brown ink, pen and black ink, white gouache, and graphite on medium, slightly textured, cream wove paper, Sheet: 2 1/8 x 2 3/4

The Chestnut Grove, Near Rocca del Papa Near Lake Albano, Francis Towne, 1740–1816, British, 1781, Gray wash and black ink and watercolor over graphite on medium moderately textured cream laid paper, Sheet: 15 1/4 x 10 inches (38.7 x 25.4

A Harrier, William Webb, ca. 1780–1845, British, undated, Graphite and watercolor on medium, smooth, cream wove paper, Sheet: 4 7/16 × 6 1/2 inches (11.3 × 16.5 cm) and Frame: 10 7/16 × 12 5/16 × 13/16 inches (26.5 × 31.2 × 2 cm),

Near Weston-Super-Mare with Steep Holme Island, George Cumberland, 1754–1848, British, 1816, Watercolor with pen and black ink and graphite on moderately thick, moderately textured, beige wove paper, Sheet: 6 1/8 × 8 7/8 inches (15.6 ×

Portrait of a Gentleman, Abraham Daniel, died 1806, British, undated, Gouache and watercolor on ivory, Frame: 4 7/8 x 4 1/8 x 1 1/8 inches (12.4 x 10.5 x 2.9 cm) and Image: 2 7/8 x 2 7/8 inches (7.3 x 7.3 cm), coat, collar, cravat,

South East View of Wilton House, John Buckler FSA, 1770–1851, British, and John Chessell Buckler, 1793–1894, British, 1810, Watercolor and pen and black ink on moderately thick, cream wove paper, Sheet: 14 × 19 3/4 inches (35.6 × 50.2

Park Place, Henley on Thames, William Westall, 1781–1850, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper mounted on moderately thick, smooth, beige wove paper, Sheet: 7 × 11 inches (17.8 × 27.9

Dreams, Sir Frederick William Burton, 1816–1900, Irish, ca. 1861, Watercolor, gouache, graphite and gum arabic on thick, moderately textured, cream wove paper, Sheet: 8 × 12 inches (20.3 × 30.5 cm), bed (furniture), figures

Tomb of Richard Wright from Chiswick Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 14 7/8 × 10 3/4

search results: Watercolor clear search