Images at Librifly

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Portrait of a Young Lady, probably the artist’s daughter Anna Maria Woolf, John Smart, 1741–1811, British, 1788, Gouache and watercolor on ivory, Image: 2 3/8 x 1 3/4 inches (6 x 4.4 cm) and Frame: 2 1/2 x 2 x 1/4 inches (6.4 x 5.1 x 0.6

Portrait of a Lady Called Elizabeth Knight, attributed to Benjamin Arlaud, active 1707–1719, Swiss, active in Britain, between 1701 and 1719, Gouache and watercolor on vellum, Sheet: 2 5/8 x 2 1/8 inches (6.7 x 5.4 cm) and Frame: 3 x 2 5/8 x

Carnarvon Castle, John Varley, 1778–1842, British, undated, Watercolor and graphite on medium, slightly textured, cream, wove paper, Sheet: 6 1/4 x 9 1/4 inches (15.9 x 23.5 cm), architectural subject, beaches, boats, castles, clouds,

Prudhoe Castle, Northumberland, William Beilby, 1740–1819, British, undated, Watercolor on slightly textured, medium, beige laid paper, Sheet: 8 1/4 × 10 3/4 inches (21 × 27.3 cm), animals, architectural subject, castle, cattle,

An Orchard by a Stream, Jonathan Skelton, active 1754, died 1758, British, undated, Watercolor and graphite on medium, moderately textured, cream laid paper, Sheet: 5 5/8 × 8 7/16 inches (14.3 × 21.4 cm), landscape, orchards, stream,

Mimosa Pigra; Selcienn (Dispyros abyssinica), Luigi Balugani, 1737–1770, Italian, undated, Graphite and watercolor on medium, slightly textured, cream wove paper, Sheet: 11 7/8 × 7 7/8 inches (30.2 × 20 cm), cross sections, seed

Illustration to R.S. Surtees', 'Jorrocks's Jaunts and Jollities': Title page, Henry Thomas Alken, 1785–1851, British, undated, Graphite and watercolor on medium, moderately textured, blued white, wove paper, Sheet: 8 3/8 × 5 11/16 inches

The Return from Coursing, William Hamilton, 1751–1801, British, undated, Watercolor, with pen, in gray ink, over graphite on medium, smooth, blued white, wove paper, Sheet: 7 3/16 × 9 11/16 inches (18.3 × 24.6 cm), building, child,

Portrait of a Naval Officer, Andrew Plimer, 1763–1837, British, undated, Watercolor and gouache on ivory, Image: 1 7/8 x 1 5/8 inches (4.8 x 4.1 cm) and Frame: 2 3/8 x 1 5/8 x 1/8 inches (6 x 4.1 x 0.3 cm), navy, officer (military officer),

Designs for Two Chiffoniers, Charles Heathcote Tatham, 1772–1842, British, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper, Sheet: 8 × 11 1/4 inches (20.3 × 28.6 cm), architectural

Es Shoorafa, near Mensheeh, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and brown ink on thick, moderately textured wove paper, mounted on very thick, slightly textured wove paper, Sheet: 2 7/16 x 6 15/16 inches

Man and woman of Chasna-Tenerife, Alfred Diston, active 1818–1829, 1828, Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper, Sheet: 9 × 7 1/2 inches (22.9 × 19.1 cm), costume, dog (animal), figure

From Hampstead, Peter Tillemans, 1684–1734, Flemish, active in Britain (from 1708), 1730, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 3 15/16 × 6 1/8 inches (10 × 15.6 cm), grass, houses, landscape,

South East View of the Ruins of Moreton Corbet Castle, Shropshire; belonging to Sir Andrew Corbet, Bart., John Buckler FSA, 1770–1851, British, and John Chessell Buckler, 1793–1894, British, 1822, Watercolor and pen and black ink on

The Lord Answering Job out of the Whirlwind, circle of John Linnell, 1792–1882, British, after William Blake, 1757–1827, British, undated, Watercolor and black ink on moderately thick, slightly textured, cream wove paper, Sheet: 3 3/4

The Zattere, Sunset, James Holland, 1799–1870, British, undated, Watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 6 × 7 7/8 inches (15.2 × 20 cm), abstract art, architectural subject, boardwalk,

Memorial to Caroli Spearman, from West Ham Church, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 13 1/4 × 10 3/4

Dover Castle, September 29, 1831, Anne Rushout, ca. 1768–1849, British, 1831, Watercolor, pen and black ink and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 6 3/4 × 20 inches (17.1 × 50.8 cm),

Sion House, Samuel Wale RA, 1721–1786, British, undated, Watercolor with pen and black ink on medium, slightly textured, cream wove paper, Sheet: 3 1/2 × 5 3/4 inches (8.9 × 14.6 cm), architectural subject, boat, house, people, tree,

Two Drawings on One Sheet: Landscape with Mountains in Distance and Seated Figures in Foreground (no. 1); Landscape with River and Building, Mountains in Distance (no. 2), Thomas Sully, 1783–1872, American, undated, Watercolor and gouache on

Tintern Abbey at Sunset, Samuel Palmer, 1805–1881, British, active in Italy (1837–39), 1861, Watercolor, gouache and varnish over graphite with scratching out on heavy card, Sheet: 13 1/8 x 27 3/4 inches (33.3 x 70.5 cm), figures,

Memorial to Charles Barnevett from Chiswick Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 15

Portrait of a Gentleman, John Cox Dillman Engleheart, 1783–1862, British, undated, Gouache and watercolor on ivory, Image: 3 3/8 x 2 3/4 inches (8.6 x 7 cm) and Frame: 4 1/2 x 3 3/8 x 3/4 inches (11.4 x 8.6 x 1.9 cm), portrait

The Vicar of Wakefield: The Vicar's Family on the Road to Church, Thomas Rowlandson, 1756–1827, British, ca. 1817, Watercolor, with pen and brown and red-brown ink; verso: graphite on medium, smooth, blued white wove paper, Sheet: 4 1/2 x

Clare College, Cambridge, George-Haydock Dodgson, 1811–1880, British, undated, Watercolor, graphite, gouache with pen in brown ink, and scratching out on moderately thick, rough, cream, laid paper, Sheet: 10 3/8 × 16 3/16 inches (26.4

A White House in a Garden Setting, Samuel Davis, 1757–1819, British, undated, Watercolor and graphite on moderately thick, moderately textured, beige, wove paper, Sheet: 13 1/8 × 19 1/16 inches (33.3 × 48.4 cm), architectural subject

Hastings Races, George Bryant Campion, 1796–1870, British, undated, Graphite, black chalk, watercolor and gouache on moderately thick, slightly textured, gray, wove paper, Sheet: 10 7/16 x 17 7/8in. (26.5 x 45.4cm

A Fort Near Montmartre, Augustus William Reeve, active 1831–1888, undated, Watercolor on medium, slightly textured, cream wove paper, Sheet: 4 1/8 × 8 7/8 inches (10.5 × 22.5 cm), architectural subject, children, fort, landscape,

Interior of a Stable, with Tow Horses Feeding, William Burgess, 1749–1812, British, undated, Brown wash, watercolor, pen and brown ink, white gouache and graphite on medium, slightly textured, cream wove paper, Sheet: 9 3/8 × 13 1/4

Hamalls or Potters Resting after Laying down their Burdens, Robert Mabon, died 1798, British, undated, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 7 7/8 × 6 inches (20 × 15.2 cm

View of the Britannia, Attributed to William Ward, 1766–1826, British, undated, Watercolor, graphite, and brown wash on medium, slightly textured, cream wove paper, Sheet: 10 1/4 × 16 1/2 inches (26 × 41.9 cm

Views in the Levant: Temple Ruins at Paestum, Willey Reveley, ?, 1760–1799, British, ca. 1785, Watercolor with pen and black ink over graphite on thick, moderately textured, brown laid paper mounted on medium, slightly textured, brown

Entrance to the Grotto at Posilippo, Naples, Francis Towne, 1740–1816, British, 1781, Watercolor and gray ink over graphite on medium slightly textured cream laid paper, Sheet: 12 5/8 x 9 1/8 inches (32.1 x 23.2 cm), cliffs, Grand Tour,

Topkapi Palace, Istanbul, Lewis Vulliamy, 1791–1871, British, between 1818 and 1822, Graphite, pen and black ink and watercolor on slightly textured, moderately thick, cream wove paper, Sheet: 10 3/8 × 16 9/16 inches (26.4 × 42.1 cm),

Unidentified madogua (Dik-dik), James Bruce, 1730–1794, British, undated, Watercolor over graphite on medium, slightly textured, cream laid paper, Sheet: 16 × 12 inches (40.6 × 30.5 cm), animal art

One from A Volume of Drawings and Prints, Rev. James Bulwer, 1794–1879, British, undated, Graphite and watercolor on slightly textured, moderately thick, cream wove paper, Sheet: 17 × 13 7/16 inches (43.2 × 34.1 cm) and Image: 9 9/16 × 6

York House, London: Perspective View of the West Front, Benjamin Dean Wyatt, 1775–1850, British, between 1825 and 1827, Pen and black ink and watercolor on slightly textured, moderately thick, brown wove paper, Sheet: 5 3/8 × 10 1/8

South West View of Fountains Hall, near the Abbey, Yorkshire belonging to Miss Larvience of Studley Royal, John Buckler FSA, 1770–1851, British, and John Chessell Buckler, 1793–1894, British, 1811, Watercolor and pen and black ink on

The Kill, Samuel Howitt, 1756–1822, British, undated, Watercolor with pen in brown ink, gray ink, and graphite on medium, slightly textured, beige, wove paper, mounted on very thick, smooth, wood pulp card paper, Sheet: 17 1/2 × 26

Pleasure Boats in an Estuary, Thomas Rowlandson, 1756–1827, British, undated, Watercolor with pen and red-brown ink, over graphite on moderately thick, moderately textured, wove paper, mounted onto more wove paper of the same thickness and

Chinese Youth (balancing a jar held aloft), Thomas Stothard, 1755–1834, British, undated, Watercolor with pen and black ink on medium, smooth, cream wove paper, Sheet: 9 7/16 × 6 3/4 inches (24 × 17.1 cm), balancing, boy, Chinese,

Design for the Gothic Library at Felbrigg Hall in Norfolk, James Paine, 1717–1789, British, ca. 1750, Graphite, watercolor, pen and black and brown ink on slightly textured, moderately thick, white laid paper, Sheet: 20 × 25 3/8 inches

The First Book of Urizen, Plate 16, 'Two Nostrils Bent Down to the Deep....' (Bentley 13), Print made by William Blake, 1757–1827, British, 1794, Color-printed relief etching in orange-brown with watercolor on moderately thick, slightly

Port Townshend, Strait of Georgia, Charles Hamilton Smith, 1776–1859, Belgian, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 12 7/8 × 16 1/8 inches (32.7 × 41 cm) and Binding: 16 1/8

Estuary on the River Taw, Devon, Thomas Girtin, 1775–1802, British, ca. 1797, Watercolor over graphite on moderately thick, rough, beige, laid paper, Sheet: 10 5/16 x 17 3/4 inches (26.2 x 45.1 cm), estuary, landscape, river, Devon,

Title Page: Castellated and Domestic Architecture of England and Wales from the 11th Century to the 19th, Vol. 2, Drawn by J. Buckler, F.S.A. & J.C. Buckler for T. L. Parker, Esqr., John Buckler FSA, 1770–1851, British, and John Chessell

The Wayside Smithy, Samuel Palmer, 1805–1881, British, active in Italy (1837–39), undated, Watercolor and graphite on medium, moderately textured, cream wove paper, Sheet: 9 7/8 x 7 3/8 inches (25.1 x 18.7 cm) and Frame: 20 3/4 x 15 3/4

Mill on the Tavy, William Payne, active 1850s, British, undated, Watercolor on thick, slightly textured, cream wove paper, Sheet: 11 5/8 × 15 5/8 inches (29.5 × 39.7 cm), boat, hills, landscape, marine art, mill, river, sunset,

Summer House by a Riverside, Thomas Theodosius Forrest, 1728–1784, British, undated, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 9 5/8 × 13 5/8 inches (24.4 × 34.6 cm), architectural subject, house,

Four Women at a Well in Rome, Thomas Rowlandson, 1756–1827, British, undated, Watercolor with pen and red-brown and brown ink and graphite on medium, slightly textured, blued white, wove paper, Sheet: 6 x 9 inches (15.2 x 22.9 cm), aprons

The Priory of Beddgelert, Caernarfonshire, John Warwick Smith, 1749–1831, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper mounted on moderately thick, slighlty textured, cream wove paper, Sheet: 5

Man of War Moored in Harbor, Mountains in the Background, Samuel Davis, 1757–1819, British, undated, Watercolor, pen and black ink, and graphite on medium, slightly textured, cream, wove paper, mounted on, thick, moderately textured,

Sowadi, 8:30 am, 4 January 1867 (65), Edward Lear, 1812–1888, British, 1867, Watercolor with pen and brown ink over graphite on moderately thick, slightly textured, cream wove paper, Sheet: 5 9/16 x 9 1/4 inches (14.1 x 23.5 cm), beach,

Dog of the North American Indians, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and black ink and graphite on moderately thick, smooth, cream, wove paper, Sheet: 4 7/8 × 7 9/16 inches (12.4 × 19.2 cm), animal

Memorial to Francis Ascough and his Wife Ann from Norwood Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove

Figures with Animals at Cave, James Miller, active 1773–1814, undated, Watercolor and graphite on medium, moderately textured, blued white, laid paper, Sheet: 6 7/16 × 7 13/16 inches (16.4 × 19.8 cm) and Image: 5 1/4 × 7 1/2 inches (13.3

Landscape View of a Ruined Castle with River, Wooden Bridge and a Figure, Fishing, Henry Swinburne, 1743–1803, British, undated, Watercolor witih pen and black ink over graphite on medium, moderately textured, cream, laid paper, mounted

Squared, Julius Caesar Ibbetson, 1759–1817, British, undated, Watercolor and pen and black ink on medium, slightly textured, cream wove paper, Sheet: 2 3/8 × 3 inches (6 × 7.6 cm), ax, chopping, cutting, genre subject, men, trees,

Memorial to Richard and Thomas Carey from Chiswick Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 15 ×

Flower Garden, Wanstead Grove, Anne Rushout, ca. 1768–1849, British, 1824 to 1832, Watercolor and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 7 × 10 1/2 inches (17.8 × 26.7 cm) and Image: 7 × 5 1/2 inches

Cyperus papyrus L. (Papyrus Sedge): finished drawing of steam and flowering head, with details of inflorescence left and right, Luigi Balugani, 1737–1770, Italian, after James Bruce, 1730–1794, British, undated, Watercolor, gouache,

Children With a Dog in Farmyard, Robert Hills, 1769–1844, British, undated, Watercolor, gouache and graphite on medium, slightly textured, cream wove paper, Sheet: 4 1/4 × 3 3/8 inches (10.8 × 8.6 cm), children, dog (animal), donkeys,

Bersame abyssinica Fresen. : finished drawing, Luigi Balugani, 1737–1770, Italian, undated, Watercolor and gouache over graphite on medium, slightly textured, cream laid paper, Sheet: 15 15/16 × 12 5/16 inches (40.5 × 31.3 cm) and

Studies of Haymakers, Robert Hills, 1769–1844, British, ca. 1807, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 11 3/4 × 8 3/4 inches (29.8 × 22.2 cm), bonnets, hats, hay, men, women,

Norman Doorway, Tottenhill Church, Norfolk, follower of John Sell Cotman, 1782–1842, British, undated, Watercolor and graphite on medium, slightly textured, white wove paper, Sheet: 11 3/8 x 8 3/4 inches (28.9 x 22.2 cm), architectural

Castle in a Landscape, Hugh William 'Grecian' Williams, 1773–1829, British, undated, Watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 10 13/16 × 15 7/8 inches (27.5 × 40.3 cm), castle, lake, landscape,

West Country Town by a River, Samuel Davis, 1757–1819, British, undated, Watercolor, pen, black ink, gray ink, and graphite on medium, slightly textured, cream laid paper, Sheet: 9 1/8 x 14 3/4 inches (23.2 x 37.5 cm), bank, boat,

Landscape with Cottages and Figures, James Ward, 1769–1859, British, undated, Watercolor, graphite, and brown ink on medium, smooth, cream wove paper, Sheet: 8 3/4 x 12 5/8 inches (22.2 x 32.1 cm), cottages, figures (illustrations),

Costume Note, Robert Mabon, died 1798, British, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper, Sheet: 2 1/4 × 2 5/8 inches (5.7 × 6.7 cm), abstract art, costume, decoration

Interior View of the hall at Hardwick, John Buckler FSA, 1770–1851, British, and John Chessell Buckler, 1793–1894, British, 1813, Watercolor and pen and black ink on moderately thick, cream wove paper, Sheet: 19 3/4 × 14 inches (50.2

Lady in Green Dress, Adelaide Claxton, 1858–1905, British, undated, Watercolor and graphite on medium, slightly textured, beige wove paper mounted to card, Sheet: 7 1/4 × 4 inches (18.4 × 10.2 cm), costume, dress, figure study, green,

Cobham Hall, Kent: Section of a Courtyard with Balconies, George Shakespear, active 1752, died 1797, Studio of James Wyatt, 1746–1813, British, ca. 1790, Graphite, pen and black ink and watercolor on moderately thick, moderately

Glasgow Cathedral, Thomas Girtin, 1775–1802, British, between 1794 and 1795, Watercolor, pen in brown and black ink and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 8 5/8 x 6 9/16 inches (21.9 x 16.7 cm) and

Spotted Hyena, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and brown inki and graphite on medium, smooth, cream, wove paper, Sheet: 3 15/16 × 6 9/16 inches (10 × 16.7 cm), animal art

Tomb of Theron, Sir Robert Smirke the younger, 1781–1867, British, 1802-1804, Watercolor and graphite on moderately thick, moderately textured, beige, wove paper, Sheet: 8 15/16 × 11 3/8 inches (22.7 × 28.9 cm

Abbey Ruin, William Sawrey Gilpin, 1762–1843, British, undated, Watercolor, graphite, pen and black ink on moderately thick, moderately textured, beige, laid paper, Sheet: 9 1/4 × 14 3/16 inches (23.5 × 36 cm

Bridge at Conway 1830, Anne Rushout, ca. 1768–1849, British, 1830, Watercolor on moderately thick, slightly textured, cream wove paper

Songs of Innocence, Plate 12, 'The Divine Image' (Bentley 18), Print made by William Blake, 1757–1827, British, 1789, Relief etching printed in brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove

A Groom on Horseback, Drinking, Samuel Scott, 1701/2–1772, British, undated, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 6 1/8 x 4 inches (15.6 x 10.2 cm), drinking, figure study, food, genre subject,

Eton from the Brocas, James Bourne, 1773–1854, British, 1828, Watercolor on medium, slightly textured, cream wove paper, Sheet: 9 3/4 × 14 1/8 inches (24.8 × 35.9 cm

Rustic Scene with a River and a Bridge, Thomas Rowlandson, 1756–1827, British, 1818, Watercolor with pen and brown ink, over graphite on medium, moderately textured, cream, wove paper, Sheet: 5 5/8 x 9in. (14.3 x 22.9cm), Contemporary

Praying Man, Attributed to Gangaram Chintaman Tambat, active 1790s, Anglo-Indian, undated, Watercolor, gouache, and graphite with pen and black ink on medium, slightly textured, cream laid paper, Sheet: 8 3/8 × 6 7/8 inches (21.3 × 17.5

Tiriel Supporting the Dying Myratana and Cursing His Sons, William Blake, 1757–1827, British, 1786 to 1789, Pen and black ink with gray wash and watercolor on medium, slightly textured, cream laid paper, Sheet: 7 3/8 x 10 3/4 inches (18.7 x

Part of the West Cliff, Hastings, 8 October 1820, Capt. Thomas Hastings, 1778–1854, British, 1820, Graphite; verso: watercolor on medium, slightly textured, cream wove paper, Sheet: 4 × 5 1/4 inches (10.2 × 13.3 cm

Amada, 7:25 am, 12 February 1867 (422), Edward Lear, 1812–1888, British, 1867, Watercolor, pen and brown ink, and graphite on moderately thick, slightly textured, cream wove paper, mounted on thick, moderately textured, cream wove

Job's Comforters, circle of John Linnell, 1792–1882, British, after William Blake, 1757–1827, British, undated, Watercolor and black ink on moderately thick, slightly textured, cream wove paper, Sheet: 3 5/8 x 4 5/8 inches (9.2 x 11.7

A View of the Valley of Stones, Devon, with a scene in the Tempest, Act 1, unknown artist, undated, Watercolor, pen and black ink, brown ink, gray ink and graphite on medium, moderately textured, cream laid paper, laid down on thick,

Dun-Footed Aguara-Dog, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and brown ink, black ink and graphite on medium, slightly textured, white, wove paper, Sheet: 4 1/8 × 6 1/2 inches (10.5 × 16.5 cm), animal

'Fanny's Colt', July 26, 1886, John Frederick Tayler, 1802–1889, British, 1886, Watercolor, over graphite, with pen, in brown ink, and black ink on medium, smooth, blued white, wove paper, mounted on thick, smooth, white, wove

Storm Over a Coast, Giles F. Phillips, 1780–1867, British, undated, Watercolor on medium, slightly textured, cream wove paper, Sheet: 6 1/16 × 9 1/2 inches (15.4 × 24.1 cm), beach, boats, coast, marine art, Masts and rigging, men,

A Yellow-shouldered Blackbird, James Sowerby, 1756–1822, British, undated, Watercolor, graphite, and pen and black ink on thin, slightly textured, cream wove paper, Sheet: 7 1/8 × 4 3/8 inches (18.1 × 11.1 cm), animal art, bird,

Memorial to John Taylor from Chiswick Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 14 7/8 ×

Hilly Landscape with House, Path, and Figures, Thomas Sully, 1783–1872, American, undated, Watercolor and graphite on moderately thick, slightly textured, beige, wove paper, Sheet: 7 11/16 × 10 15/16 inches (19.5 × 27.8 cm

The Poems of Thomas Gray, Design 1, 'The Pindaric Genius Receiving His Lyre', William Blake, 1757–1827, British, between 1797 and 1798, Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper

A Waterman with his Ox or Bullock, Robert Mabon, died 1798, British, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper, Sheet: 6 5/8 × 4 7/16 inches (16.8 × 11.3 cm), cattle, genre

Llyn Dinas, North Wales, John Varley, 1778–1842, British, 1839, Watercolor, gouache, varnish and scraping out on moderately thick, slightly textured, cream wove paper, Sheet: 4 3/8 x 10 3/8 inches (11.1 x 26.4 cm), boats, clouds,

Praying Mantis, Gangaram Chintaman Tambat, active 1790s, Anglo-Indian, undated, Watercolor, graphite, and gouache with pen and brown ink on medium, slightly textured, cream laid paper, Sheet: 8 1/2 × 6 1/2 inches (21.6 × 16.5 cm

Job and His Family, circle of John Linnell, 1792–1882, British, after William Blake, 1757–1827, British, undated, Black ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 3 1/2 x 4 5/8 inches (8.9 x

Design for a Wall of the Chapel of Revealed Religion, Benjamin West, 1738–1820, American, active in Britain (from 1763), ca. 1780, Watercolor with pen in gray and black ink on medium, moderately textured, cream, laid paper, Sheet: 11 1/2

Girl Reading a Picture Book, Print made by Robert Barnes, 1840–1895, British, after Robert Barnes, 1840–1895, British, undated, Wood-engraving with watercolor on moderately thick, slightly textured, cream wove paper mounted on

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