Images at Librifly

search results: Watercolor clear search

One from Views in Saxony, France, Spain, Reba, Italy, Sicily..., Sir Richard Colt Hoare, 1758–1838, British, John Warwick Smith, 1749–1831, British, ca. 1817, Watercolor and black ink over graphite on wove paper, Sheet: 11 1/4 x 14

Interior of the Great Temple at Paestum, Isaac Weld, 1774–1856, Irish, 1818, Watercolor, wash, and graphite on medium, slightly textured, blued white, wove paper, Sheet: 19 3/4 x 12 3/8in. (50.2 x 31.4cm), religious and mythological

Street Scene in Chelsea, possibly depicting the Tobacconist, J. W. Nicholas, located at No. 75, Cheyne Walk, James McNeill Whistler, 1834–1903, American, active in Britain (from 1859), ca. 1888, Watercolor on medium, slightly textured,

Hare in a Landscape, Newton Limbird Smith Fielding, 1799–1856, British, 1827, Watercolor, gouache and graphite on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/4 inches (22.2 × 15.9 cm), animal art, fence, landscape,

Huckster of Port Orotava, Tenerife, Alfred Diston, active 1818–1829, ca. 1825, Watercolor, pen and brown ink and graphite on medium, slightly textured, cream wove paper, Sheet: 8 3/8 × 6 3/8 inches (21.3 × 16.2 cm), basket, costume,

Going Along a Slapping Pace, Henry Thomas Alken, 1785–1851, British, undated, Watercolor, gouache and graphite on medium, slightly textured, beige wove paper, Sheet: 8 1/4 × 11 1/4 inches (21 × 28.6 cm), dogs (animals), equestrians,

Vulture, James Bruce, 1730–1794, British, ca. 1768, Watercolor, pen and brown ink on moderately thick, moderately textured, cream, laid paper, Sheet: 15 × 12 1/8 inches (38.1 × 30.8 cm), animal art

Brood Mare and Third Foal, with Marks of Quagga, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, graphite, pen and black ink and brown ink on mediium, slightly textured, cream, wove paper, Sheet: 3 7/8 × 6 1/2 inches

The Alcazaba from the Mole, Malaga, David Roberts, 1796–1864, British, 1839, Watercolor and gouache with some gum over graphite on medium, slightly textured, cream wove paper, Sheet: 8 1/2 x 11 5/8in. (21.6 x 29.5cm) and Sheet: 8 3/8 × 11

Discopodium penninervium Hochst. : finished drawing, James Bruce, 1730–1794, British, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Sheet: 16 × 12 inches (40.6 × 30.5 cm

London Cries: 'Do You Want any Spoons...', Paul Sandby RA, 1731–1809, British, ca. 1759, Watercolor, pen and brown ink and graphite on medium, cream, slightly textured laid paper, Sheet: 7 7/8 x 6 1/4 inches (20 x 15.9 cm), cries, genre

Man Standing (Madeira Jan 15/68), unknown artist, nineteenth century, 1868, Watercolor and graphite on thick, moderately textured, cream wove paper, Sheet: 7 × 5 inches (17.8 × 12.7 cm), figure study, hat, standing

The Warren near Exmouth, Devon: Steep Cliffs Rising at Right, Sea and Rocky Shore at Left, John White Abbott, 1763–1851, British, 1810, Watercolor, gray wash, pen and gray ink, and graphite on moderately thick, slightly textured, cream

One of eighteen designs for a series of plates illustrating Venus and Adonis, Hablot Knight Browne, 1815–1882, British, undated, Graphite, brown chalk, watercolor and white gouache on medium, slightly textured, brown wove paper, Sheet: 6

Church with Wooden Belfry - one of three versions, Samuel Davis, 1757–1819, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 9 1/2 x 11 7/8 inches (24.1 x 30.2 cm), architectural subject,

Visions of the Daughters of Albion, Plate 6, 'And none but Bromian . . . . ', William Blake, 1757–1827, British, 1793, Relief etching printed in green with pen and black ink and watercolor on moderately thick, slightly textured, cream wove

Cottage at Northfleet, Kent, David Cox, 1783–1859, British, ca. 1810, Watercolor and graphite on medium, slightly textured, blued white wove paper, Sheet: 3 1/4 x 3 7/8 inches (8.3 x 9.8 cm), architectural subject, cottage, landscape,

Portrait of a Young Man, Benjamin Robert Haydon, 1786–1846, British, 1805, Gouache, watercolor and graphite on medium, slightly textured, cream, wove paper, Sheet: 5 9/16 × 3 3/16 inches (14.1 × 8.1 cm), portrait

Studies of Camels, William Simpson, 1823–1899, British, 1860, Graphite; verso: graphite and watercolor on medium, smooth, cream wove paper, Sheet: 4 × 5 7/8 inches (10.2 × 14.9 cm) and Binding: 4 1/4 inches (10.8 cm), animal art, camel

Memorial to Francis Poulton from Twickerham Church, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 14 5/8 × 10 3/4

A Regency Pair: Man with Walking Stick, James Hook, ca. 1772–1828, British, 1802, Watercolor, graphite, and pen and brown ink on medium, slightly textured, cream wove paper mounted on medium, slightly textured, brown wove paper, Sheet:

A Kingfisher, Thomas Atwood, ca. 1761–1766, British, undated, Watercolor, gouache, and pen and brown ink on moderately thick, slighlty textured, cream wove paper, Sheet: 6 × 5 3/4 inches (15.2 × 14.6 cm), animal art, bird, branches,

Memorial of George, Earl of Berkeley from Cranford Church, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 15 × 10

South East View of the Gate of St. Augustine's Monastery, Canterbury, Kent, Benjamin Thomas Pouncey, active 1772–1799, British, undated, Watercolor, pen and black ink, with gouache, over graphite on medium, slightly textured, cream laid

Ship at Sea, Attributed to William Wyld, 1806–1889, British, undated, Watercolor and brown ink on medium, slightly textured, cream wove paper, Sheet: 2 3/4 × 4 inches (7 × 10.2 cm), marine art, sea, ship, waves (natural events

El Ousta, Edward Lear, 1812–1888, British, 1854, Watercolor, graphite, pen and brown ink and red ink on moderately thick, moderately textured, brown wove paper, Sheet: 3 3/4 x 6 1/8 inches (9.5 x 15.6 cm), birds, boats, figures

Boxhill from West Humble Lane, Alexander Monro, 1802–1844, after Henry Edridge, 1769–1821, British, undated, Watercolor over graphite on moderately thick, slightly textured, cream wove paper, Sheet: 13 1/4 x 19 7/16 inches (33.6 x 49.4

Shipping off St. Michael's Mount, Cornwall, John Callow, 1822–1878, British, 1866, Watercolor, with pen, in brown ink, gray ink, graphite and scratching out on thick, moderately textured, cream, wove paper, Sheet: 10 × 23 7/8 inches

Llanberis Lake, with Castle Dolbadern, John Varley, 1778–1842, British, ca. 1805, Watercolor and graphite on thick, slightly textured, cream wove paper, Sheet: 19 3/4 x 26 1/8 inches (50.2 x 66.4 cm), castle, duck, figures, hills,

Portrait of a Chinese Man, William Alexander, 1767–1816, British, undated, Watercolor and pen and black ink over graphite on moderately thick, slightly textured, cream wove paper, Sheet: 3 7/8 × 3 inches (9.8 × 7.6 cm), braid, Chinese,

Skating in St. James' Park, John Nixon, ca. 1760–1818, British, ca. 1790, Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper mounted to board, Sheet: 12 3/4 × 27 7/8 inches (32.4 × 70.8 cm

Old Church of St. Lawrence, Ayot St. Lawrence, Hertfordshire, Samuel Davis, 1757–1819, British, undated, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 11 1/4 x 15 1/2 inches (28.6 x 39.4 cm),

Memorial to Tabitha Dickonson from Chiswick Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 15 × 10 3/4

Landscape Set in an Oval (Mountain Landscape Through an Oval Window), George Barret RA, ca. 1728/32–1784, Irish, ca. 1775, Watercolor, with pen in gray ink, over graphite on medium, slightly textured, cream, laid paper, mounted on

Memorial to George Keated from Isleworth Church, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 14 7/8 × 10 5/8 inches (37.8

Rhus ? retinorrhoea Oliver: finished drawing, Luigi Balugani, 1737–1770, Italian, undated, Watercolor and gouache over graphite on medium, slightly textured, cream laid paper, Sheet: 15 15/16 × 12 5/16 inches (40.5 × 31.3 cm) and Binding:

Jerusalem, Plate 29, 'Then the Divine Vision....', Print made by William Blake, 1757–1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper, Sheet:

The Disobedient Prophet, William Mulready, 1786–1863, Irish, 1848, retouched 1863, Watercolor and gouache on medium, slightly textured, cream laid paper, Sheet: 7 1/4 × 5 1/2 inches (18.4 × 14 cm) and Frame: 17 × 15 1/4 × 1 1/8 inches

Cave of the Golden Calf: Study of Cabaret Stage and Painted Murals, Spencer Frederick Gore, 1878–1914, British, 1912, Watercolor, graphite, and pastel on moderately thick, slightly textured, cream wove paper, Sheet: 14 x 10 inches (35.6 x

Waterfall and Distant Mountains, Paul Sandby Munn, 1773–1845, British, 1814, Watercolor and graphite on medium, slightly textured, beige wove paper, Sheet: 10 1/4 × 6 5/8 inches (26 × 16.8 cm), cascade, landscape, mountains, river,

Cobham Hall, Kent: Section of the Anteroom, James Wyatt, 1746–1813, British, ca. 1790, Graphite, pen and black and brown ink and watercolor on thick, moderately textured, cream wove paper, Sheet: 14 1/2 x 19 3/4 inches (36.8 x 50.2 cm),

Group of Three Ladies, Anthony Highmore, 1719–1799, British, previously attributed to Paul Sandby RA, 1731–1809, British, undated, Watercolor, pen and brown ink, and graphite on medium, blued white, moderately textured laid paper,

The Rising Moon, Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39), 1857, Etching and drypoint retouched with black ink or oil paint, gray watercolor or gouache, and pale brown watercolor, gouache or chalk on

Tomb of Walter Grene from Hayes Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 14 3/4 × 10 3/4

View of Dürrenstein, Charles Gore, 1729–1807, British, undated, Watercolor with pen and gray ink over graphite on moderately thick, slightly textured, cream laid paper, Sheet: 7 3/8 x 15 inches (18.7 x 38.1 cm), boats, castle, church,

Peter Callam & Elvira, J. Findlay, active 1825–1857, undated, Pen and black ink and watercolor on medium, slighlty textured, cream wove paper mounted to card, with attached offset print, Sheet: 3 1/2 × 6 inches (8.9 × 15.2 cm), chairs,

Spring, Richard Corbould, 1757–1831, British, undated, Watercolor, pen and gray ink, and graphite on moderately thick, slightly textured, beige wove paper, Sheet: 6 3/4 × 5 1/8 inches (17.1 × 13 cm), cows, landscape, pasture,

The Rock of Gibraltar, from the North Front Guard Room, George Lothian Hall, 1825–1888, British, 1843, Watercolor and graphite on thick, moderately textured, cream wove paper, Sheet: 5 1/4 × 8 3/4 inches (13.3 × 22.2 cm), field,

Eton College from the South, Paul Sandby RA, 1731–1809, British, undated, Watercolor, graphite, and pen and black ink on moderately thick, slightly textured, cream laid paper, Sheet: 8 3/8 x 17 inches (21.3 x 43.2 cm), landscape,

A Running Postillion, David Allan, 1744–1796, British, born in Scotland, undated, Watercolor, graphite and pen and brown ink on medium, slightly textured, cream wove paper, Sheet: 9 1/2 × 7 1/8 inches (24.1 × 18.1 cm), caricature,

Horse Guards, Whitehall, Thomas Malton the Younger, 1748–1804, British, undated, Watercolor over etched outline on medium, slightly textured, cream, wove paper, mounted on, thick, moderately textured, beige, laid paper, Mount: 12 1/8

Ullswater, Looking toward Patterdale, John Warwick Smith, 1749–1831, British, 1792, Watercolor over graphite on medium, slightly textured, cream laid paper, Sheet: 13 3/8 x 20 1/8 inches (34 x 51.1 cm) and Contemporary drawn border: 15 x

Levens, Westmoreland, The Small Drawing Room, Joseph Nash, 1808–1878, British, 1873, Watercolor, gouache, and pen, with black, ink, brown ink and red ink, with traces of graphite on thick, moderately textured, beige, wove paper,

Victoria Tower, Edward Duncan, 1803–1882, British, 1880, Watercolor and graphite on blue wove paper, Sheet: 10 3/16 x 6 5/8in. (25.9 x 16.8cm

Topping a Flight of Rails and Coming Well into the Next Field, Henry Thomas Alken, 1785–1851, British, undated, Watercolor, gouache and graphite on medium, slightly textured, wove paper, Sheet: 8 1/4 × 11 1/4 inches (21 × 28.6 cm),

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), beaches, channel

An Allegory of Love, Lady Diana Beauclerk, 1734–1808, British, Undated, Watercolor and colored chalks on medium, slightly textured, cream wove paper, Sheet: 19 1/2 x 24 7/16 inches (49.5 x 62.1 cm), allegory, arrows, basket, bows

Dover Castle, North East, 1/2 North (one of five drawings on one mount), John Thomas Serres, 1759-1825, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 3 x 10 3/8 inches (7.6 x 26.4 cm) and

Tangier, Joseph Crawhall, 1861–1913, British, 1887, Watercolor and gouache on very thick, rough, beige cardboard, Sheet: 15 5/8 × 16 15/16 inches (39.7 × 43 cm), animal art

Castle on the Sea Coast, John Henderson, 1764–1843, British, undated, Watercolor over graphite on medium, slightly textured, brown wove paper, Sheet: 4 1/8 × 6 3/4 inches (10.5 × 17.1 cm), architectural subject, bridge (built work),

On the Seine, Mary Mitford, active 1770, 1770, Watercolor over graphite on medium, slightly textured, cream laid paper, Sheet: 6 1/16 × 13 7/16 inches (15.4 × 34.1 cm), boats, buildings, bushes, genre subject, hills, houses,

One of eighteen designs for a series of plates illustrating Venus and Adonis, Hablot Knight Browne, 1815–1882, British, undated, Graphite, brown chalk, watercolor and graphite on medium, slighlty textured, gray wove paper, Sheet: 6 5/8 ×

'Sporting Discoveries, or the Miseries of Driving:' ... Up and Down, or the Endeavor to Discover Which Way Your Horse is Inclined to Come Down, Backwards or Forwards, Henry Thomas Alken, 1785–1851, British, undated, Watercolor, with pen,

Bodiam Castle, Henry Morton, ca. 1807–1825, British, undated, Watercolor and gouache on medium, slightly textured, cream wove paper, Sheet: 8 1/2 × 11 7/8 inches (21.6 × 30.2 cm), architectural subject, banks, basket, battlements,

A Garden in India, George Chinnery, 1774–1852, British, undated, Watercolor and graphite on textured, moderately thick, cream wove paper, Sheet: 16 13/16 × 12 1/4 inches (42.7 × 31.1 cm

Brass plate for two Unidentified Clerics, from Barking Church, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 14 5/8

Flower Garden at Belton, Lincolnshire, John Buckler FSA, 1770–1851, British, and John Chessell Buckler, 1793–1894, British, 1817, Watercolor and pen and black ink on moderately thick, cream wove paper, Sheet: 14 × 19 3/4 inches (35.6

View of Sheerness, François Louis Thomas Francia, 1772–1839, French, active in Britain, undated, Watercolor and brown ink over graphite on moderately thick, rough, beige wove paper, Sheet: 6 3/8 x 12 inches (16.2 x 30.5 cm), marine art,

A Park Landscape with Shepherd and Sheep, Samuel Howitt, 1756–1822, British, 1793, Watercolor and pen and black ink over graphite on medium, slightly textured, cream wove paper, Sheet: 5 5/8 × 8 1/4 inches (14.3 × 21 cm), landscape,

Cape Aia and Balaklava Bay, 1854, Gaspard Le Marchant Tupper, 1862–1906, 1854, Watercolor and white gouache on moderately thick, moderately textured, light blue, wove paper, Sheet: 7 3/8 x 21 inches (18.7 x 53.3 cm), bay, cape, cliff,

Young's Night Thoughts, Page 55, 'Ungrateful, Shall We Grieve Their Hovering Shades', Print made by William Blake, 1757–1827, British, 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove

Merchant Ship off Shore, Samuel Atkins, active 1787–1808, British, active in the East Indies (1796–1804), undated, Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper, Sheet: 8 × 11 7/8 inches

Russian Driver and Pays de Vaud, Isaac Weld, 1774–1856, Irish, ca. 1818, Watercolor, with pen and brown ink, and graphite on medium, slightly textured, cream, laid paper, Sheet: 7 1/8 × 11 7/8 inches (18.1 × 30.2 cm

Soldiers Embarking, Thomas Rowlandson, 1756–1827, British, undated, Watercolor with pen and gray ink, over graphite on medium, moderately textured, cream, laid paper, Sheet: 3 1/4 × 5 9/16 inches (8.3 × 14.1 cm), Contemporary drawn

Cassia Fistula (Purging cassia): finished drawing of leafy shoot with flowers, James Bruce, 1730–1794, British, undated, Watercolor. gouache, and graphite on medium, slightly textured, cream laid paper, Sheet: 19 1/4 × 13 1/2 inches (48.9

A Horn Lantern, July 25, 1833, Edward William Cooke, 1811–1880, British, 1833, Graphite, pen and black ink, and watercolor on medium, moderatley textured, cream wove paper, Sheet: 5 5/16 × 7 inches (13.5 × 17.8 cm), lantern, pin,

Boat Building on the Teign, Samuel Lucas, 1805–1870, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 9 3/8 × 18 1/8 inches (23.8 × 46 cm), boat, dock, landscape, marine art, ship,

The Widow Embracing Her Husband's Grave, William Blake, 1757–1827, British, 1805 to 1808, Pen and gray ink with graphite and watercolor on medium, moderately textured, cream wove paper, Sheet: 6 x 8 1/8 inches (15.2 x 20.6 cm) and Mount: 10

A Gugerat Brahmin, Attributed to Gangaram Chintaman Tambat, active 1790s, Anglo-Indian, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper, Sheet: 6 3/4 × 3 1/2 inches (17.1 × 8.9 cm),

Notre Dame, Paris, Thomas Shotter Boys, 1803–1874, British, between 1831 and 1845, Watercolor on medium, slightly textured, cream wove paper, Sheet: 6 1/4 x 8 7/16 inches (15.9 x 21.4 cm) and Mount: 9 11/16 x 11 13/16 inches (24.6 x 30

Peasant of Miradero, Tenerife, Alfred Diston, active 1818–1829, between 1823 and 1828, Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper, Sheet: 8 7/8 × 6 1/8 inches (22.5 × 15.6 cm), costume,

Dendour, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, white, gouache, pen and brown ink on thick, moderately textured, beige wove paper, Sheet: 3 1/16 x 10 1/16 inches (7.8 x 25.6 cm), buildings, landscape, palm

Vesuvius Across the Bay of Naples, Isaac Weld, 1774–1856, Irish, ca. 1818, Watercolor with pen in brown ink, graphite, gouache and gum arabic on moderately thick, moderately textured, blued white, wove paper, Sheet: 12 5/8 × 18 9/16

Study of a tiger, Sawrey Gilpin, 1733–1807, British, undated, Red chalk and watercolor on moderately thick, rough, brown wove paper, Sheet: 10 1/8 × 12 inches (25.7 × 30.5 cm), animal art

Spaniel Chasing a Hare, Samuel Alken, 1756–1815, British, undated, Graphite and watercolor on medium, slightly textured, beige, wove paper, mounted on, thick, slightly textured, beige, wove paper, Mount: 10 7/8 × 15 1/16 inches (27.6

Young Woman, Henry Bone, 1755–1834, British, ca. 1790, Watercolor on ivory, Overall: 3 5/8 × 2 9/16 × 1/4 inches (9.2 × 6.5 × 0.6 cm), bandeau, blouse, earrings, necklace, woman

Man Watering Four Horses, Conrad Gessner, 1746–1826, Swiss, undated, Watercolor with pen and black ink on medium, slightly textured, cream wove paper, Sheet: 4 1/8 × 7 inches (10.5 × 17.8 cm), genre subject, horses (animals), man

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London, George Edmund Street, 1824–1881, British, undated, Black ink, graphite, watercolor and gouache on medium, smooth,

A Bird with Wings Spread, James Sowerby, 1756–1822, British, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream wove paper, Sheet: 6 1/2 × 8 inches (16.5 × 20.3 cm), animal art, bird, Eurasian Skylark

Releasing a Bag-Fox, George Alken, 1794–active 1837, British, 1821, Graphite and watercolor on moderately thick, smooth, cream, wove paper, Sheet: 8 1/2 × 11 1/8 inches (21.6 × 28.3 cm), bag, dogs (animals), field, fox (animal), fox

Bombay from Malabar Point, the Night of 17th February 1803, William Williamson, active 1803, 1803, Watercolor and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 11 1/8 × 15 1/8 inches (28.3 × 38.4 cm

Peruvian Paso, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and brown ink and graphite on moderately thick, moderately textured, cream, wove paper, Sheet: 4 × 6 3/8 inches (10.2 × 16.2 cm), animal art, horse

May 18th, 1822, Maria Leycester, 1798–1870, 1822, verso 1823, Graphite, brown wash, and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 6 3/8 × 9 3/8 inches (16.2 × 23.8 cm) and Binding: 6 1/2 inches (16.5

Netley Abbey, Patrick Nasmyth, 1787–1831, British, undated, Watercolor and graphite with scratching out on medium, slightly textured, cream wove paper, Sheet: 7 1/16 x 10 13/16in. (17.9 x 27.5cm) and Sheet: 7 × 10 3/4 inches (17.8 × 27.3

Memorial of Mrs.Philippa Rous from Acton Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor, gouache, and graphite on medium, slightly textured, cream wove paper, Sheet: 14 3/4

Abu Simbel, 9:00 am, 8 February 1867 (372A), Edward Lear, 1812–1888, British, 1867, Watercolor with pen and brown ink over graphite on medium, slightly textured, cream wove paper, Sheet: 5 × 7 1/2 inches (12.7 × 19.1 cm), cliffs,

Stable Boy Leading a Trotting Horse in a Landscape with a Castle Tower, John Collet, ca. 1725–1780, British, undated, Watercolor, with pen, in black ink on medium, beige, moderately textured, wove paper, Sheet: 3 1/8 × 4 13/16 inches

Boats, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and brown ink on medium, slightly textured, beige wove paper, Sheet: 2 11/16 x 5 1/2 inches (6.8 x 14 cm), boats, figures (representations), genre subject, marine

Porchester Castle, Alexander Monro, 1802–1844, undated, Watercolor and graphite on moderately thick, smooth, cream wove paper, Sheet: 2 7/8 × 4 5/16 inches (7.3 × 11 cm), architectural subject, battlements, castle, crenelations, keep,

Off Portsmouth: Boats Loading or Unloading a Large Hulk, Small Craft Nearby, Follower of Samuel Prout, 1783–1852, British, undated, Watercolor over graphite on thick, slightly textured, cream wove paper, Sheet: 6 5/8 x 10 3/16 inches (16.9

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