Images at Librifly

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The Departure of a Post-Chaise From the (?) Red Lion Inn, Bagshot, Possibly Samuel Howitt, 1756–1822, British, undated, Watercolor, with pen, in gray ink on medium, moderately textured, cream, laid paper, mounted on, thick, slightly

'The National Sports of Great Britain, ' 1821: Owling, Henry Thomas Alken, 1785–1851, British, 1821, Graphite and watercolor on medium, slightly textured, cream, wove paper, mounted on, moderately thick, smooth, beige, wove paper,

Memorial to Whitlocke Bulstrode from Heston Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, sligthly textured, cream wove paper, Sheet: 14

Figures on a Beach with Walmer Castle in the Distance, unknown artist, between 1826 and 1866, Graphite, brown watercolor hieghtened with white gouache, Sheet: 5 13/16 x 10 7/8in. (14.8 x 27.6cm

James I of England and VI of Scotland, Nicholas Hilliard, ca. 1547–1619, British, ca. 1610, Watercolor, gouache and gold, pen and black ink on vellum, Sheet: 2 5/8 x 2 1/8 inches (6.7 x 5.4 cm), portrait

Group of English Children: Distant View of St. Paul's, William Alexander, 1767–1816, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 4 7/8 × 4 1/8 inches (12.4 × 10.5 cm), baby, basket,

London Cries: A Girl with a Basket on Her Head ('Lights for the Cats, Liver for the Dogs'), Paul Sandby RA, 1731–1809, British, ca. 1759, Watercolor, pen and brown ink, and graphite on medium, cream, slightly textured laid paper, Sheet:

Studies from the Bust of Samuel Johnson, John Thomas Smith, 1766–1833, British, undated, Watercolor and pen and brown ink on medium, smooth, cream wove paper, Sheet: 5 5/8 × 4 1/2 inches (14.3 × 11.4 cm) and Contemporary drawn border: 6

Dendera, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, gouache, pen and brown ink on moderately thick, slightly textured, beige wove paper, Sheet: 2 5/8 x 6 5/16 inches (6.7 x 16 cm), architectural subject, figures

Chinese Neptune, William Alexander, 1767–1816, British, undated, Watercolor over graphite on medium, smooth, cream wove paper, Sheet: 3 7/8 x 4 3/4 inches (9.8 x 12.1 cm), beards, Chinese, clock, god, headdress, religious and

A Racing Saddle on a Horse's Back, With Details of Stirrup, Sawrey Gilpin, 1733–1807, British, undated, Graphite, watercolor, and pen in gray ink on moderately thick, moderately textured, cream, laid paper, Sheet: 6 3/4 × 9 1/8 inches

A Lane with Figures - Isle of Wight (?), Frederick Calvert, ca. 1785–1845, Irish, undated, Watercolor and gouache on medium, slightly textured, cream wove paper, Sheet: 5 × 7 7/8 inches (12.7 × 20 cm) and Mount: 5 1/8 × 8 inches (13 ×

Shipping on the Medway, Kent, François Louis Thomas Francia, 1772–1839, French, active in Britain, undated, Watercolor, brown ink, and black ink on medium, smooth, cream wove paper, Sheet: 7 1/8 x 13 3/4 inches (18.1 x 34.9 cm),

Foxhunting: Rider, Taking a Fence, George Alken, 1794–active 1837, British, undated, Watercolor, with pen, in brown ink, over graphite on medium, slightly textured, blued white, wove paper, Sheet: 7 7/8 × 10 5/8 inches (20 × 27 cm),

Interior of the Church of San Giovanni e Paolo, Venice, James Holland, 1799–1870, British, 1835ated, Watercolor, white gouache and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 10 × 13 7/8 inches (25.4 × 35.2

A Farm at Harrow, Robert Hills, 1769–1844, British, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 8 3/4 x 12 1/8 inches (22.2 x 30.8 cm), architectural subject, farm, fence,

The Dressmaker's Shop, James McNeill Whistler, 1834–1903, American, active in Britain (from 1859), ca. 1897, Watercolor on medium, slightly textured, cream wove paper, Sheet: 8 7/8 × 5 3/8 inches (22.5 × 13.7 cm), architectural subject,

Sara Hough, Mrs. T. P. Sandby's Nursery Maid, Paul Sandby RA, 1731–1809, British, ca. 1805, Watercolor, pen and brown ink, graphite on moderately thick, white, moderately textured wove paper, Sheet: 5 5/8 x 4 3/8 inches (14.3 x 11.1 cm),

Ash Tree, Edward Swinburne, 1765–1847, 1842, Graphite, watercolor, and white gouache on medium, slightly textured, blue wove paper, Sheet: 14 3/4 × 10 5/8 inches (37.5 × 27 cm

Landscape, Paul Nash, 1889–1946, British, undated, Watercolor, graphite, pen, and black ink on medium, slightly textured, cream wove paper, Sheet: 11 1/8 × 15 inches (28.3 × 38.1 cm), bench, clouds, garden, landscape, light, sun

Travellers on Horseback Approaching a Village with a Spire, Thomas Gainsborough RA, 1727–1788, British, between 1765 and 1770, Watercolor over black chalk and gum on medium, slightly textured, cream laid paper, laid down on (laminated wove

Harborne, attributed to David Cox, 1783–1859, British, early 19th century, Watercolor and graphite on moderately thick, moderately textured, beige wove paper, Sheet: 9 5/8 x 6 7/8 inches (24.4 x 17.5 cm), cottage, landscape, road, tree,

Native Women from Bengal, Arthur William Devis, 1762–1822, British, undated, Watercolor, pen and gray ink, and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/2 × 10 1/8 inches (19.1 × 25.7 cm), Asian,

Study of Rocks, John Brett, 1831–1902, British, undated, Watercolor, gouache, graphite, and scraping out on medium, textured, cream wove paper, Sheet: 9 1/8 × 12 3/4 inches (23.2 × 32.4 cm), landscape, rocks (landforms), shoreline

Interior View of the hall at Burton Agnes, Yorkshire; the Seat of Sir Francis Boynton Bart., John Buckler FSA, 1770–1851, British, and John Chessell Buckler, 1793–1894, British, 1818, Watercolor and pen and black ink on moderately thick,

Dudley Castle, Thomas Rowlandson, 1756–1827, British, undated, Watercolor with pen and black and gray ink and wash over graphite; verso: graphite on medium, slightly textured, blued white, wove paper, Sheet: 5 13/16 x 16 13/16 inches (14.8

Memorial to Rt. Hon. Edmond Lord Sheffield from Fulham Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and grouache over graphite on medium, slightly textured, cream wove paper,

Bushey Church from the South West, William Henry Hunt, 1790–1864, British, ca. 1820, Watercolor and graphite on moderately thick, slightly textured, cream laid paper, Contemporary drawn border: 9 3/4 x 15 inches (24.8 x 38.1 cm) and Sheet:

Windsor Castle, Berkshire: Distant View from the South, Studio of Sir Jeffry Wyatville, 1766–1840, British, ca. 1830, Graphite, pen and black ink and watercolor on slightly textured, moderately thick, cream wove paper, Sheet: 3 3/8 × 10

Shipping and Warehouses, Robert Cleveley, 1747–1809, British, undated, Watercolor, graphite, pen and black ink on medium, slightly textured, cream wove paper, Sheet: 5 7/8 × 9 1/2 inches (14.9 × 24.1 cm) and Contemporary drawn border: 6

The Quadrangle of the Royal Exchange, John Preston Neale, 1771/80–1847, British, undated, Watercolor, graphite, and gouache on moderately thick, moderately textured, cream wove paper, Sheet: 5 11/16 × 8 1/2 inches (14.4 × 21.6 cm),

Memorial to Gideon and Frances Guichenet and their Daughter Sarah also to Silvester Cote, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly

Tipu Sultan's Summer Palace, Lieutenant James Hunter, died 1792, British, 1792, Watercolor, graphite, pen and brown ink, red ink, gray ink, and blue/green ink on moderately thick, moderately textured, blued white, laid paper, Sheet: 11

San Marino from Ravenna, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and brown ink on moderately thick, moderately textured, beige wove paper, Sheet: 2 1/4 x 9 inches (5.7 x 22.9 cm), landscape, mountains, sky,

Brown's Parakeet, unknown artist, nineteenth century, after Edward Lear, 1812–1888, British, 1832, Watercolor and pen and black ink on beige board, Sheet: 18 × 14 inches (45.7 × 35.6 cm), animal art

Theatrical Figures About a Throne, Richard Westall, 1765–1836, British, undated, Watercolor and gouache on moderately thick, slightly textured, cream wove paper, Sheet: 19 x 23 3/4 inches (48.3 x 60.3 cm), breeches (trousers), cloak,

Mrs. Martha Udney, John Massey Wright, 1777–1866, British, after Richard Cosway, 1742–1821, British, undated, Watercolor with gouache and graphite on medium, slightly textured, cream wove paper, Sheet: 8 7/8 x 5 1/2 inches (22.5 x 14

Windsor Castle and Park with Deer, Joseph Mallord William Turner, 1775–1851, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 8 1/8 x 11 3/8 inches (20.7 x 28.9 cm), architectural subject,

A Cottage in the Isle of Wight, George Barret Jr., 1767–1842, British, undated, Watercolor and pen and brown ink on medium, slighlty textured, cream laid paper mounted to medium, slightly textured cream wove paper, Sheet: 6 × 10 1/4

Gardenia ternifolia Schum.& Thonn. (Jovis-Tonantis): finished drawing with additional detail of fruit, James Bruce, 1730–1794, British, undated, Watercolor and gouache over graphite on medium, slightly textured, cream laid paper, Sheet: 16

Study of a Back of a Female Nude, Standing, attributed to Henry Fuseli, 1741–1825, Swiss, active in Britain (1766–70; 1779 on), undated, Watercolor, graphite, pen and brown ink and white chalk on medium, slightly textured, cream laid

Nathaniel Lord Delamer and Henry and George Booth from Hampstead Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper

Vjose, 12:30 p.m., 16 April 1857, Edward Lear, 1812–1888, British, 1857, Watercolor with pen in brown ink over graphite on medium, slightly texture, cream wove paper, Sheet: 4 15/16 x 7 5/8 inches (12.5 x 19.4 cm), hills, landscape,

Steeplechasing: Three Riders Galloping to Right, Mounted Spectators in Background, Henry Thomas Alken, 1785–1851, British, undated, Graphite and watercolor on moderately thick, slightly textured, blued white, wove paper, Sheet: 10 1/4 ×

Young's Night Thoughts, Title Page, 'Night the First, on Life, Death and Immortality.', Print made by William Blake, 1757–1827, British, 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove

Memorial to James from Paddington Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 14 5/8 × 10 7/8 inches

North West View of Wollaton hall, Nottinghamshire; the Seat of the Right hon'ble Lord Middleton, John Buckler FSA, 1770–1851, British, and John Chessell Buckler, 1793–1894, British, 1812, Watercolor and pen and black ink on moderately

Jerusalem, Plate 30, 'And the Two that escaped....', Print made by William Blake, 1757–1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper,

Five Designs for a House in the Gothic Style: Elevation, James Wyatt, 1746–1813, British, 1791, Watercolor and gray wash on pen and black ink on moderately thick, slightly textured, cream wove paper, Sheet: 43 1/4 × 23 3/8 inches (109.9 ×

Mill at Teddington on the Thames, attributed to Peter DeWint, 1784–1849, British, 1809, Watercolor and graphite on moderately thick, rough, cream wove paper, Sheet: 6 3/8 x 8 inches (16.2 x 20.3 cm), architectural subject, clouds, masts,

Design for an Engraving: Battle of Troy with the Trojan Horse, Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45), undated, Pen and brown ink, pen and black ink, red chalk, graphite, watercolor and gold leaf on

Tockus hemprichii (Hemprich's Hornbill) or Tockus abloterminatus (Crowned Hornbill), Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 inches (40.6

One from A Volume of Drawings and Prints, Rev. James Bulwer, 1794–1879, British, 1834, Pen and brown ink, watercolor on slightly textured, moderately thick, cream wove paper, Sheet: 17 × 13 1/4 inches (43.2 × 33.7 cm), architectural

Part of the Palace at Allahbad, Thomas Daniell, 1749–1840, British, active in India, Previously Attributed to Samuel Davis, 1757–1819, British, undated, Watercolor, pen and black ink, graphite and gouache on medium, slightly textured,

Interlaken, John Robert Cozens, 1752–1797, British, 1776, Watercolor, brown wash, pen and gray ink, and graphite on medium, slightly textured, cream laid paper, Sheet: 9 1/8 x 13 7/8 inches (23.2 x 35.2 cm), clouds, forests, Grand

Interior of an Inn, Nicholas Pocock, 1740–1821, British, ca. 1815, Watercolor and brush and brown ink over graphite on thick, slightly textured, cream wove paper, Sheet: 11 1/8 × 15 1/8 inches (28.3 × 38.4 cm

Stag Hunting - Full Cry: the Stag Hounds Tear Down a Slop at Right..., Samuel Alken, 1756–1815, British, undated, Watercolor, with pen, in brown ink, black ink, graphite, and gouache on medium, moderately textured, cream, wove paper,

Shadrach, Meshack and Abed-Nego before Nebuchadnezzar, Attributed to John Martin, 1789–1854, British, undated, Watercolor, pen and black ink, graphite, and white gouache on medium, slightly textured, cream wove paper, Sheet: 2 1/8 x 2

Sepulchre on the Via Nomentana in the Roman Campagna, Carlo Labruzzi, 1748–1817, Italian, undated, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 11 5/8 x 19 inches (29.5 x 48.3 cm), aqueduct, architectural

Luxor, 7:00 am, 20 January 1867 (198), Edward Lear, 1812–1888, British, 1867, Watercolor with pen and brown ink and gouache over graphite on moderately thick, slightly textured, gray-green wove paper, Sheet: 3 9/16 x 10 3/8 inches (9 x

Wooded Landscape Overlooking an Estuary, Rev. William Gilpin, 1724–1804, British, undated, Watercolor over graphite on moderately thick, slightly textured, cream wove paper, Sheet: 5 3/4 × 19 3/8 inches (14.6 × 49.2 cm), boats,

Najel, Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on moderately thick, moderately textured, cream laid paper, Sheet: 8 7/8 x 13 1/8 inches (22.5 x 33.3 cm), fish, red, sea, teeth

Cobham Hall, Kent: Plan and Elevations of Porter's Lodge, James Wyatt, 1746–1813, British, undated, Graphite, pen and black ink and watercolor on moderately thick, moderately textured, cream laid paper, Sheet: 11 1/4 x 17 1/2 inches (28.6

Songs of Innocence, Plate 6, 'The Little Girl Found' (Bentley 35), Print made by William Blake, 1757–1827, British, 1789, Relief etching printed in brown with pen and ink and watercolor on moderately thick, slightly textured, cream wove

Figures at a Table Inside a Cottage, Thomas Sully, 1783–1872, American, undated, Watercolor, and graphite on moderately thick, moderately textured, beige, wove paper, Sheet: 4 1/4 × 5 1/4 inches (10.8 × 13.3 cm

The Marquis of Anglesea Wounded Whilst Leading a Charge of Heavy Cavalry at the Close of the Battle of Waterloo, John Augustus Atkinson, 1775–1831, British, 1815, Watercolor, pen and black ink, and graphite on medium, slightly textured,

River Landscape with Lock in Foreground, Joseph Powell, 1780–1834, British, undated, Watercolor and graphite with pen and brown ink on medium, rough, cream wove paper, Sheet: 6 1/2 × 9 5/16 inches (16.5 × 23.7 cm), bridge (built work),

South East View of Compton Winyate, Warwickshire; belonging to the Marquis of Northampton, John Buckler FSA, 1770–1851, British, and John Chessell Buckler, 1793–1894, British, 1828, Watercolor and pen and black ink on moderately thick,

Death and the Debauchee, Thomas Rowlandson, 1756–1827, British, between 1814 and 1816, Watercolor with pen and red-brown ink over graphite on medium, slightly textured, cream wove paper, Sheet: 5 5/16 x 8 1/2 inches (13.5 x 21.6 cm),

Portrait of a Gentleman, Richard Crosse, 1742–1810, British, undated, Gouache and watercolor on ivory, Frame: 2 3/4 x 2 x 1/2 inches (7 x 5.1 x 1.3 cm) and Image: 2 1/8 x 1 3/4 inches (5.4 x 4.4 cm), coat, collar, gentleman, man, oval,

Allegory of Steam, Edward Francis Burney, 1760–1848, British, undated, Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper, Sheet: 3 7/8 x 5in. (9.8 x 12.7cm), allegory, angels, basin, cart,

A Collection of Surveys of Scottish Estates of the Earl of Selkirk: Senwick, unknown artist, undated, Graphite, watercolor, gray wash, pen and black ink on slightly textured, moderately thick, cream wove paper, Sheet: 19 7/8 × 13 5/8 inches

Dr. Syntax with Kitty Cowslip, Thomas Rowlandson, 1756–1827, British, 1821, Watercolor and graphite with pen and red-brown ink and pen and brown ink on medium, moderately textured, beige, wove paper, Sheet: 5 3/16 x 8 7/16 inches (13.2 x

Heveningham Hall, Suffolk, unknown artist, after Thomas Hearne, 1744–1817, British, between 1782 and 1790, Watercolor and black ink over graphite on moderately thick, slightly textured, cream wove paper, Sheet: 6 3/4 x 10 inches (17.1 x

The Refectory, St. Augustine's Monastery, Canterbury, Jonathan Skelton, active 1754, died 1758, British, 1757, watercolor over graphite on thick, slightly textured, cream laid paper, Sheet: 8 3/8 × 14 7/8 inches (21.3 × 37.8 cm) and

Garden of Vieux Jones near Maastricht, Charles Gore, 1729–1807, British, between 1784 and 1794, Watercolor over graphite on medium, moderately textured, blued white laid paper, Sheet: 12 5/8 x 18 3/4 inches (32.1 x 47.6 cm), architectural

A Country Girl in the Lake District, John Constable, 1776–1837, British, 1806, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 6 3/4 x 2 3/4 inches (17.1 x 7 cm), country (rural landscape), figure study,

The Death: The Fox Hoist to a Fence, Henry Thomas Alken, 1785–1851, British, undated, Watercolor, pen and black ink, and graphite on moderately thick, smooth, cream, wove paper, Sheet: 10 1/4 × 17 5/16 inches (26 × 44 cm), death,

Otter Hunting, Plate 1, Print made by Samuel Howitt, 1756–1822, British, Published by Edward Orme, 1775–1848, British, 1812, Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), channel (water body

The Farm House, Joseph Farington, 1747–1821, British, after George Morland, 1763–1804, British, after 1813, Pen, brown ink, watercolor, gray wash, and graphite on medium, slightly textured, cream wove paper, Sheet: 9 5/8 × 12 5/8

Songs of Innocence and of Experience, Plate 33, Experience Title Page (Bentley 29), Print made by William Blake, 1757–1827, British, 1794, Color-printed relief etching with pen and ink and watercolor on moderately thick, slightly textured,

The Timber Wain, Samuel Palmer, 1805–1881, British, active in Italy (1837–39), between 1833 and 1834, Watercolor and gouache with pen and black ink on medium, smooth, cream wove paper, Sheet: 5 1/16 x 6 5/16 inches (12.9 x 16 cm),

A Sailing Barge being loaded with Hay, December 1827, Cornelius Varley, 1781–1873, British, 1827, Graphite with watercolor and black ink on medium, slightly textured, cream wove paper, Sheet: 11 1/4 x 20 inches (28.6 x 50.8 cm), barge,

Dr. Syntax Soliloquising, Thomas Rowlandson, 1756–1827, British, between 1812 and 1820, Watercolor with pen and gray and red-brown ink, over graphite; verso: graphite tracing and incised line of recto design intended for transfer on medium,

A View of the Fens, John Linnell, 1792–1882, British, undated, Watercolor on moderately thick, slightly textured, cream laid paper, Contemporary drawn border: 9 x 12 3/8 inches (22.9 x 31.4 cm) and Sheet: 6 3/8 x 9 1/4 inches (16.2 x 23.5

Design for a London Townhouse: Elevation, Michael Searles, 1750–1813, British, undated, Graphite, pen and black ink and watercolor on slightly textured, moderately thick, cream wove paper, Sheet: 8 1/8 × 8 5/8 inches (20.6 × 21.9 cm),

At Rajemahal Rajmahal, Samuel Davis, 1757–1819, British, undated, Watercolor and pen and brown ink over graphite on medium, slightly textured, cream wove paper, Sheet: 7 3/8 × 9 1/8 inches (18.7 × 23.2 cm), landscape, river, rocks

Pirate's Isle, David Cox, 1783–1859, British, 1826, Watercolor with stopping out, rubbing out, and scraping out on moderately thick slightly textured cream wove paper, Sheet: 30 3/4 x 42 1/2 inches (78.1 x 108 cm), boulders, cliffs,

Moote Ram, Robert Mabon, died 1798, British, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper, Sheet: 4 3/4 × 5 inches (12.1 × 12.7 cm), portrait

Dhoura Island, Edward Lear, 1812–1888, British, 1854, Watercolor, graphite, pen and black ink on moderately thick, rough, brown wove paper, Sheet: 2 x 6 1/8 inches (5.1 x 15.6 cm), island, landscape, palm trees, river, riverbank,

Design for an Egyptian Column, Thomas Grieve, 1799–1882, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 6 1/2 x 2 7/16in. (16.5 x 6.2cm) and Sheet: 6 3/8 × 2 3/4 inches (16.2 × 7 cm),

Man Sitting on a Rock (Madeira Jan 16), unknown artist, nineteenth century, 1868, Watercolor and graphite on thick, moderately textured, cream wove paper, Sheet: 5 × 7 inches (12.7 × 17.8 cm), figure study, man, rocks (landforms

View at Caernarvon, Wales, William Payne, active 1850s, British, 1826, Watercolor and graphite with pen and brown ink on moderately thick, slightly textured, cream wove paper, Sheet: 6 13/16 × 8 1/2 inches (17.3 × 21.6 cm), banks, boats,

The Maiden, Print made by Henry Ryall, 1811–1867, British, after Francois Theodore Rochard, 1798–1858, French, undated, Engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper, Sheet: 7 11/16 × 5 1/4

The Lake of Albano and Castle Gandolfo, John Robert Cozens, 1752–1797, British, ca. 1779, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 17 1/2 x 25 1/8 inches (44.5 x 63.8 cm), castle, cattle, dusk,

The Kitchen of an Oxford College, George Pyne, 1800–1884, 1858, Watercolor, gouache, and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 8 13/16 x 12 15/16in. (22.4 x 32.9cm) and Sheet: 8 3/4 × 13 inches (22.3 ×

Falls of Tivoli, John Warwick Smith, 1749–1831, British, undated, Watercolor and gouache with scraping out on medium, slightly textured, cream wove paper, pasted on thick, smooth, cream wove paper, Mount: 23 1/2 x 19 inches (59.7 x 48.3

The Val d'Aosta, Piedmont, John Warwick Smith, 1749–1831, British, 1784, Watercolor over graphite on moderately thick, moderately textured, beige laid paper, Sheet: 19 3/8 x 28 inches (49.2 x 71.1 cm), clouds, donkey, equestrian, Grand

Chalet with figures, Charles Reginald Aston, 1832–1908, British, undated, Watercolor on medium, slightly textured, cream wove paper, Frame: 9 1/2 × 11 1/2 × 3/4 inches (24.1 × 29.2 × 1.9 cm) and Sheet: 4 3/4 × 6 5/8 inches (12.1 ×

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