Images at Librifly

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Gebel Sheikh Eredi from Gau el Kebir, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, gouache, pen and brown ink and blue ink on moderately thick, slightly textured, cream wove paper, Sheet: 3 1/16 x 11 3/8 inches (7.8 x

Scottish Peasant Women, James Ward, 1769–1859, British, undated, Watercolor over graphite on medium, slightly textured, beige laid paper, Sheet: 5 7/8 x 8 3/8 inches (14.9 x 21.3 cm), figure study, peasant, Scottish, woman

Aloes and Prickly Pears, Tarragona, Spain, Harry John Johnson, 1826–1884, British, undated, Watercolor, gouache, and graphite on medium, slightly textured, beige wove paper, Sheet: 10 1/4 × 15 inches (26 × 38.1 cm), fort, landscape,

North East View of Beaudesert, Staffordshire; the Seat of the Marquis of Anglesea, John Buckler FSA, 1770–1851, British, and John Chessell Buckler, 1793–1894, British, 1815, Watercolor and pen and black ink on moderately thick, cream

Gebel Sheikh Eredi, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, white gouache, pen and brown ink on moderately thick, moderately textured, blue wove paper, Sheet: 5 3/8 x 6 inches (13.7 x 15.2 cm), boat, figures

Philopappos Monument, Sir Robert Smirke the younger, 1781–1867, British, 1802-1804, Watercolor and graphite on moderately thick, moderately textured, beige, wove paper, Sheet: 11 7/16 × 8 9/16 inches (29.1 × 21.7 cm

A Coatimundi, James Sowerby, 1756–1822, British, undated, Watercolor, white gouache, and graphite on medium, slightly textured, wove cream paper, Sheet: 10 13/16 × 8 9/16 inches (27.5 × 21.7 cm), animal art, Coati

View of the Isle of Wight: Landscape with Figures, Master of the Wire Line, 18th century, ca. 1800, Watercolor and pen and black ink on thick, moderately textured, cream laid paper, Sheet: 9 1/8 × 13 1/8 inches (23.2 × 33.3 cm), figures,

Letter with Sketches: a Man at a Table, a Man Pointing a Stick and Other Slight Sketches, George Cruikshank, 1792–1878, British, undated, Graphite, pen and black ink, and watercolor on medium, slightly textured, blue laid paper, Sheet: 8

Coits Played opposite the Horns, Kennington Common, Robert Dighton, 1752–1814, British, ca. 1784, Pen and black ink and brown ink and watercolor, Sheet: 6 x 8in. (15.2 x 20.3cm) and Frame: 7 11/16 × 9 1/4 × 5/16 inches (19.6 × 23.5 × 0.8

The Poems of Thomas Gray, Design 57, 'The Bard.', William Blake, 1757–1827, British, between 1797 and 1798, Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress

The Poplar Avenue, after Hobbema, David Cox, 1783–1859, British, after Meindert Hobbema, 1638–1709, Dutch, ca. 1835, Watercolor, gouache, and black chalk on moderately thick, moderately textured, beige, wove paper, mounted on,

View of Eltville on the Rhine, Wenceslaus Hollar, 1607–1677, Bohemian, between 1630 and 1635, Pen and brown ink, watercolor, and traces of black chalk on medium, slightly textured, cream laid paper, Sheet: 6 5/8 × 12 1/8 inches (16.8 ×

A Collection of Surveys of Scottish Estates of the Earl of Selkirk: Balmangan, unknown artist, nineteenth century, undated, Pen and black and brown ink and watercolor on moderately textured, moderately thick, beige wove paper, Sheet: 19 3/4 ×

Two Women holding a Basket, Paul Sandby RA, 1731–1809, British, ca. 1759, Watercolor, pen and brown ink and gouache on medium, beige, slightly textured wove paper, Sheet: 6 5/8 x 4 7/8 inches (16.8 x 12.4 cm), basket, figure study,

Hero and Leander, William Hamilton, 1751–1801, British, 1801, Watercolor, with pen in brown ink, black inkk, gouache and graphite on thin, slightly textured, cream wove paper, Sheet: 16 5/8 × 11 inches (42.2 × 27.9 cm), cloak, gown,

Shrewsbury House, Isleworth, Middlesex, Charles Tomkins, 1757–1823, British, undated, Pen and black ink and watercolor on medium, slightly textured, white wove paper, Sheet: 7 1/2 × 8 5/8 inches (19.1 × 21.9 cm), architectural subject,

Gebel Abu Fodde, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and brown ink on thick, rough, cream wove paper, mounted on very thick, slightly textured, white wove paper, Sheet: 2 7/16 x 6 15/16 inches (6.2 x 17.6

Brass Plate for a Rector from Harlington Church, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 15 1/8 × 11 inches (38.4 ×

Cobham Hall, Kent: Section of a Room, James Wyatt, 1746–1813, British, ca. 1790, Graphite, pen and black ink and watercolor on moderately thick, slightly textured, cream laid paper, Sheet: 14 7/8 x 20 1/4 inches (37.8 x 51.4 cm),

Young's Night Thoughts, Title Page, 'Night the First, On Life, Death and Immortality.', Print made by William Blake, 1757–1827, British, ca. 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream

Cottages and Trees with a Fence, James Stark, 1794–1859, British, undated, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 7 1/4 × 11 3/4 inches (18.4 × 29.8 cm), architectural subject, cottage, fence,

Brewer's Hall, Samuel Ireland, active 1760–died 1800, British, between 1794 and 1800, Watercolor, graphite, and pen and black ink on medium, slightly textured, cream wove paper, Sheet: 5 × 7 inches (12.7 × 17.8 cm) and Mount: 9 × 12

Landscape with Cottages, Broadmoor, Richard Dadd, 1817–1886, British, 1873, Watercolor, gouache, and graphite on medium, slightly textured, beige wove paper, Sheet: 9 3/4 x 14 7/8 inches (24.8 x 37.8 cm), buildings, carriage,

Mantes, follower of Thomas Shotter Boys, 1803–1874, British, undated, Watercolor and graphite on moderately thick, slightly textured, beige wove paper, Sheet: 4 1/8 x 5 inches (10.4 x 12.7 cm), bridge (built work), buildings, cathedral,

Conquering a Chromatic Passage, Attributed to Nathaniel Dance RA, 1735–1811, British, undated, Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper, Sheet: 10 3/8 × 12 5/8 inches (26.4 × 32.1 cm),

The Greater Grison, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and brown ink and graphite on medium, smooth, white, wove paper, Sheet: 4 1/16 × 6 1/2 inches (10.3 × 16.5 cm), animal art

Buckingham Palace from St. James's Park, James Wilcox, active 1830, 1830, Pen and brown ink and watercolor on medium, slightly textured, cream wove paper, Sheet: 16 3/8 × 22 1/8 inches (41.6 × 56.2 cm), architectural subject, child, dog

Cain and Abel, Attributed to John Martin, 1789–1854, British, undated, Watercolor, pen and black ink, graphite, and white gouache on medium, slightly textured, cream wove paper, Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm), clubs (weapons),

Songs of Innocence and of Experience, Plate 43, 'A Little Boy Lost' (Bentley 50), Print made by William Blake, 1757–1827, British, 1794, Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper,

The Book of Thel, Plate 5, 'II. / O little Cloud . . . .', Print made by William Blake, 1757–1827, British, 1789, Relief etching printed in brown with pen and ink and watercolor on moderately thick, slightly textured, cream wove paper,

Woman Fishing, Edward Francis Burney, 1760–1848, British, undated, Graphite and watercolor on medium, slightly textured, cream laid paper, Sheet: 9 1/8 × 12 3/8 inches (23.2 × 31.4 cm), boat, dog (animal), fishing, genre subject,

Jerusalem, Plate 10, 'Into the Furnaces....', Print made by William Blake, 1757–1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper, Sheet: 13

Design for Ceiling and Frieze, Alfred Stevens, 1817–1875, British, undated, Watercolor, pen and ink, and graphite on medium, slightly textured, cream wove paper, Sheet: 9 x 11 1/2in. (22.9 x 29.2cm) and Sheet: 9 1/8 × 11 1/2 inches (23.2

Portrait of a Priest of the Borahs, Attributed to Gangaram Chintaman Tambat, active 1790s, Anglo-Indian, 1794, Watercolor and gouache with pen and black ink on medium, slightly textured, cream wove paper, Sheet: 9 5/8 × 6 1/2 inches (24.4 ×

Study of Cow Parsley, Paul Sandby RA, 1731–1809, British, undated, Graphite and watercolor on medium, slightly textured, cream laid paper, Sheet: 5 1/2 × 5 1/8 inches (14 × 13 cm) and Frame: 11 7/8 × 10 15/16 × 9/16 inches (30.1 × 27.8

Illustration to R.S. Surtees', 'Jorrocks's Jaunts and Jollities': 'Mr. Jorrocks Beats the Baron for Speed', Henry Thomas Alken, 1785–1851, British, undated, Graphite and watercolor on medium, slightly textured, blued white, wove paper,

Charcoal seller, Tenerife, Alfred Diston, active 1818–1829, 1825, Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper, Sheet: 8 7/8 × 7 1/8 inches (22.5 × 18.1 cm), costume, figure study, genre

One from A Volume of Drawings and Prints, Rev. James Bulwer, 1794–1879, British, 1837, watercolor, pen and brown ink, graphite on slightly textured, moderately thick, cream wove paper, Sheet: 17 1/4 × 13 1/2 inches (43.8 × 34.3 cm) and

Pine Tree, unknown artist, (convict at Norfolk) eighteenth century, undated, Watercolor and graphite on medium, slightly textured, cream laid paper mounted on fabric, Sheet: 23 1/8 × 17 1/4 inches (58.7 × 43.8 cm

The Poems of Thomas Gray, Design 53, 'The Bard.', William Blake, 1757–1827, British, between 1797 and 1798, Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress

Christ Church Gate, Canterbury, Joseph Mallord William Turner, 1775–1851, British, 1793 to 1794, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 8 7/8 x 10 3/4 inches (22.5 x 27.3 cm), architectural subject,

Maharraka, 7:35 am, 14 February 1867 (465), Edward Lear, 1812–1888, British, 1867, Watercolor, pen and brown ink, and graphite on thick, moderately textured, cream wove paper, Sheet: 2 5/16 x 6 7/8 inches (5.9 x 17.5 cm), architectural

Songs of Innocence and of Experience, Plate 16, 'The Little Boy Lost' (Bentley 13), Print made by William Blake, 1757–1827, British, 1789, Relief etching printed in green with watercolor on moderately thick, slightly textured, cream wove

The Angling Party, Thomas Rowlandson, 1756–1827, British, undated, Watercolor with pen and red-brown and gray ink, over graphite, border with pen and gray brown ink line on medium, slightly textured, cream, wove paper, Sheet: 6 7/8 x 10

The Plain of El Raheh, Mount Sinai, David Roberts, 1796–1864, British, 1839, Watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 9 1/2 x 13 1/2in. (24.1 x 34.3cm) and Sheet: 9 1/2 × 13 1/2 inches

Man with Horse and Cart Entering a Quarry, Joseph Mallord William Turner, 1775–1851, British, ca. 1797, Watercolor, graphite and gray wash on medium, slightly textured, cream wove paper, Sheet: 8 1/8 x 10 3/4 inches (20.7 x 27.3 cm),

Mountebank, 1844, Robert Turner, active 1844, 1844, Pen and brown ink, watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 5 1/2 × 8 5/16 inches (14 × 21.1 cm), acrobats, donkey, fair, genre subject

A Collection of Surveys of Scottish Estates of the Earl of Selkirk: Kirkeoch; Nun Mill, unknown artist, undated, Graphite, watercolor, gray wash, pen and brown ink on slightly textured, moderately thick, cream wove paper, Sheet: 12 15/16 ×

A View at Terracina, Jacob More, 1740–1793, British, 1778, Watercolor with pen and black ink over graphite on moderately thick, slightly textured, cream laid paper in contemporary laid paper insert with pen and black ink, and gray wash

Two Figures, Hercules Brabazon Brabazon, 1821–1906, British, undated, Watercolor, gouache and graphite on medium, slightly textured, beige wove paper mounted to thick card, Sheet: 8 1/2 x 12 1/2 inches (21.6 x 31.8 cm) and Mount: 12 1/4 x

Foxhunting: The Death, Henry Thomas Alken, 1785–1851, British, undated, Watercolor, pen and black ink, brown ink, and graphite on medium, slightlly textured, cream, wove paper, Sheet: 9 3/16 × 12 3/8 inches (23.3 × 31.4 cm), bushes,

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), boat, channel (water

Rustic Contentment, Samuel Palmer, 1805–1881, British, active in Italy (1837–39), undated, Watercolor and gouache on medium, slightly textured, cream wove paper, Sheet: 7 1/4 x 15 3/4 inches (18.4 x 40 cm), cattle, cattle, figures,

Side View of Two Naval Jackets; Masters and Commanders, Joseph Cartwright, c.1789–1829, British, undated, Watercolor, pen and black ink, and graphite on thick, moderately textured, beige, laid paper, mounted on, moderately thick,

One from A Volume of Drawings and Prints, Rev. James Bulwer, 1794–1879, British, undated, Pen and brown ink, watercolor, graphite on smooth, moderately thick, cream wove paper, Sheet: 13 5/8 × 17 3/8 inches (34.6 × 44.1 cm) and Image: 8

Memorial to Crayle Cayle from Acton Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 14 7/8 × 10 3/4

The Villa of - Groote Esq near Bromley Kent, John Hassell, 1767–1825, British, ca. 1812, Watercolor and graphite on medium, slightly textured, cream wove paper mounted to medium, slightly textured, gray wove paper, Sheet: 5 1/2 × 7 1/2

The Turkish Porter, William Marlow, 1740–1813, British, undated, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 5 1/4 × 4 inches (13.3 × 10.2 cm), boxes (containers), bundles, carving, genre subject,

Design for Grosvenor House, London: Plan, Thomas Cundy, 1790–1867, British, 1829, Pen and brown and red ink, watercolor on slightly textured, moderately thick, cream wove paper, Sheet: 19 3/16 × 25 1/2 inches (48.7 × 64.8 cm),

South American Sea Lion, James Stewart, 1791–1863, British, ca. 1837, Watercolor, graphite, pen and brown ink on thick, slightly textured, cream, wove paper, Sheet: 5 1/2 × 8 1/4 inches (14 × 21 cm

A Fish, Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on moderately thick, moderately textured, cream laid paperN, Sheet: 9 x 13 1/4 inches (22.9 x 33.7 cm), fish, stripes, teeth

Vesuvius in Eruption, Joseph Mallord William Turner, 1775–1851, British, between 1817 and 1820, Watercolor, gum, scraping out on medium, slightly textured, cream wove paper, mounted on thick, smooth, cream wove paper, Sheet: 11 1/4 x

A Bird's Egg, James Sowerby, 1756–1822, British, undated, Watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 4 1/8 × 6 1/2 inches (10.5 × 16.5 cm), animal art, egg

Harbor Scene, With Fishing Boats Being Unloaded, attributed to David Cox, 1783–1859, British, early 19th century, Watercolor, graphite, and pen and brown ink on medium, slightly textured, cream wove paper, Sheet: 6 3/8 × 8 5/8 inches

A Lion, Thomas William Wood, 1855–1872, British, undated, Watercolor, graphite, and gouache on medium, slightly textured, cream wove paper, Sheet: 9 7/8 × 13 3/4 inches (25.1 × 34.9 cm), animal art, leaves, lion, rocks (landforms

Christmas Harbour, Kerguelen Land, Charles Hamilton Smith, 1776–1859, Belgian, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 12 7/8 × 16 1/8 inches (32.7 × 41 cm) and Binding: 16 1/8

Cottage under a Tree, Hercules Brabazon Brabazon, 1821–1906, British, undated, Watercolor over graphite on moderately thick, moderately textured, cream wove paper, laid in mount, Sheet: 4 7/8 x 6 3/4 inches (12.4 x 17.2 cm), cottage,

America. A Prophecy, Plate 13, 'Fiery the Angels Rose....', Print made by William Blake, 1757–1827, British, 1793, Color-printed relief etching in blue with pen and black ink and watercolor on moderately thick, slightly textured, cream

Near Gezir Shendowiel, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and black ink on moderately textured, slightly textured, beige wove paper, Sheet: 2 1/2 x 6 15/16 inches (6.3 x 17.6 cm), boats, landscape, palm

South Front of Blickling Hall, Norfolk; the Seat of the Right Hon'ble Lord Suffield, John Buckler FSA, 1770–1851, British, and John Chessell Buckler, 1793–1894, British, 1820, Watercolor and pen and black ink on moderately thick, cream

Floating Barrel in a Stream, James Miller, active 1773–1814, undated, Watercolor and graphite on medium, , slightly textured, blued white, laid paper, Sheet: 7 13/16 × 6 5/16 inches (19.8 × 16 cm), architectural subject, barrel,

Shipping Scene in the Harbor of Dunkerque, Alfred Gomersal Vickers, 1810–1837, British, undated, Watercolor, graphite and white gouache on moderately thick, slightly textured, cream wove paper, Sheet: 17 3/4 × 23 1/2 inches (45.1 × 59.7

Gwrich Castle from the Road August 1830, Anne Rushout, ca. 1768–1849, British, 1830, Watercolor on moderately thick, slightly textured, cream wove paper

Tollygunge, Calcutta, Edward Lear, 1812–1888, British, undated, Watercolor with goauche, and scratching out over graphite on moderately thick, moderately textured, cream wove paper, Sheet: 6 3/8 x 10 3/8 inches (16.2 x 26.4 cm), huts,

Two Sprays of Imaginary Flowers, Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain, after Jean Baptiste Pillement, 1727–1808, French, 1760, Etching with hand coloring in watercolor on medium, slightly

Lissotis hartlaubii (Hartlaub's Bustard), Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 inches (40.6 cm) and Sheet: 15 7/8 × 12 inches (40.3 ×

Hamlet and the Ghost, George Cruikshank, 1792–1878, British, ca. 1825, Watercolor with black ink and graphite on moderately thick, slightly textured, beige wove paper, Sheet: 6 7/8 x 8 5/16 inches (17.4 x 21.1 cm) and Image: 5 3/8 x 6 3/4

Satan before the Throne of God, circle of John Linnell, 1792–1882, British, after William Blake, 1757–1827, British, undated, Watercolor and black ink on moderately thick, slightly textured, cream wove paper, Sheet: 5 3/8 x 4 1/8

Camels, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and brown ink on medium, slightly textured, blued white wove paper, Sheet: 2 x 4 5/8 inches (5.1 x 11.7 cm), animal art, camels (mammals), figure

Songs of Innocence, Plate 20, 'The Little Boy Lost' (Bentley 13), Print made by William Blake, 1757–1827, British, 1789, Relief etching printed in brown with watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7

Album Drawing, Thomas Bardwell, 1704–1767, British, Previously attributed: James Wills, Active 1740–died 1777, British, ca. 1730, Watercolor with pen and brown ink over graphite on white laid paper, Sheet: 5 1/8 x 3 1/2in. (13 x 8.9cm

A View from the Inn at Terracina, John Robert Cozens, 1752–1797, British, 1783, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 10 3/8 x 14 5/8 inches (26.4 x 37.1 cm) and Mount: 12 1/2 x 16 3/4 inches (31.8 x

Reminiscence of Mountain Scenery in Caria, near Mylasa, Asia Minor, Richard Dadd, 1817–1886, British, 1857, Watercolor and gray ink on moderately thick, slightly textured, beige wove paper, Sheet: 7 x 10 1/8 inches (17.8 x 25.7 cm),

Dendera, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, gouache, pen and brown ink on moderately thick, moderately textured, wove paper, mounted on moderately thick, moderately textured, cream wove paper, Sheet: 3 9/16 x

Near Korosko, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and brown ink on medium, slightly textured, cream wove paper, Sheet: 3 11/16 x 2 13/16 inches (9.4 x 7.1 cm), genre subject, hill, palm trees, sky,

Design for Wall Decoration with Neoclassical Panels, unknown artist, eighteenth century, undated, Pen and black ink, watercolor on medium, slightly textured, laid paper, Sheet: 16 3/4 × 28 9/16 inches (42.5 × 72.5 cm), architectural

Young's Night Thoughts, Page 54, 'The Vale of Death! That Hush'd Cimmerian Vale', Print made by William Blake, 1757–1827, British, 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper,

Vesuvius in Eruption, Isaac Weld, 1774–1856, Irish, undated, Watercolor, gouache, graphite, and wash on moderately thick, moderately textured, cream, wove paper, Sheet: 9 15/16 × 14 3/4 inches (25.2 × 37.5 cm), landscape, Campagna

View of Gibraltar, Charles Dyce, active 1848, British, ca. 1849, Pen and brown ink, watercolor and graphite on medium, slightly textured, beige wove paper, Sheet: 9 5/8 × 13 5/8 inches (24.4 × 34.6 cm), cliff, houses, marine art,

Uraeginthus bengals (Red Cheeked Cordon Bleu), Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 inches (40.6 cm) and Sheet: 15 7/8 × 12 inches

Farmyard Animals: Tribulation, Julius Caesar Ibbetson, 1759–1817, British, 1797, Watercolor and pen and gray ink on medium, slightly textured, cream wove paper, Sheet: 8 5/8 × 11 1/4 inches (21.9 × 28.6 cm), animal art, animals,

The Ringed Seal, James Stewart, 1791–1863, British, ca. 1837, Watercolor, pen and brown ink, black ink and graphite on thick, smooth, cream, wove paper, Sheet: 4 15/16 × 7 7/8 inches (12.5 × 20 cm

Ruins on the Coast, Thomas Girtin, 1775–1802, British, undated, Watercolor and graphite on medium, moderately textured, beige wove paper, Sheet: 5 7/8 x 8 5/8 inches (14.9 x 21.9 cm) and Image: 4 1/8 × 6 1/2 inches (10.5 × 16.5 cm), bay

Edgar's Tower, John Daniel Bond, ca. 1725–1803, British, 1778, Watercolor and pen and brown ink on medium, slightly textured, cream laid paper, Sheet: 16 1/2 x 10 1/4in. (41.9 x 26cm) and Sheet: 16 1/2 × 10 1/2 inches (41.9 × 26.7 cm),

Emerey Down near Lyndhurst, New Forest, Hants, C. John M. Whichelo, 1784–1865, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 12 3/4 inches (22.2 × 32.4 cm

Songs of Innocence and Experience, pl. 40: 'The Little Girl found' pl. 2, 'Famish'd weeping...', unknown artist, after William Blake, 1757–1827, British, ca. 1808, Watercolor with pen and brown ink

Druming Out. Or Making an Example of a Mutineer, Print made by William Heath, 1795–1840, British, Published by Thomas McLean, 1788–1875, British, ca. 1827, Etching with hand coloring in watercolor on medium, smooth, cream wove paper,

Priory Old House, Thetford, Capt. Francis Grose, 1731–1791, British, 1777, Watercolor and pen and ink on medium, slightly textured, cream laid paper, Sheet: 9 1/4 x 14 9/16in. (23.5 x 37cm) and Sheet: 9 1/2 × 14 5/8 inches (24.1 × 37.1

Castle above a River, Woodcutters in the Foreground, Peter DeWint, 1784–1849, British, ca. 1820, Watercolor and graphite on medium, cream, rough wove paper, Sheet: 20 1/4 x 33 3/4 inches (51.4 x 85.7 cm) and Frame: 31 x 43 3/4 x 1 3/8

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