Images at Librifly

search results: Watercolor clear search

'Topping a Park fence and doing the thing easy', Henry Thomas Alken, 1785–1851, British, 1827, Graphite and watercolor on medium, slightly textured, cream wove paper, Sheet: 8 × 10 1/2 inches (20.3 × 26.7 cm), equestrian, horse

Howe's Victory off Ushant, Robert Dodd, 1748–1816, British, Published by Benjamin Beale Evans, ca. 1765–1824, British, 1795, Aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper, Sheet: 20 7/8 × 30

St. Botolph's Cambridge, and Corpus Christi College, Joseph Murray Ince, 1806–1859, British, after 1849, Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper, Sheet: 7 1/2 × 10 1/8 inches (19.1 ×

Dr. Syntax Visits a Boarding School for Young Ladies, Thomas Rowlandson, 1756–1827, British, 1821, Watercolor and graphite with pen and gray ink and pen and brown ink on medium, slightly textured, cream wove paper, Sheet: 5 1/4 x 8 3/16

Sketch for the Passions: Love, Richard Dadd, 1817–1886, British, 1853, Watercolor, black ink, and graphite on moderately thick, slightly textured, light blue wove paper, Sheet: 14 1/8 x 10 1/8 inches (35.9 x 25.7 cm), balcony,

Sketchbook, Barbara Bodichon, 1827–1891, British, 1861, Watercolor and graphite on thick, moderately textured, cream wove paper, Spine: 5 1/4 inches (13.3 cm) and Sheet: 5 x 7 inches (12.7 x 17.8 cm

Landscape with River and a Bridge, William Green, 1760–1823, British, undated, Watercolor, with pen, in brown ink, gray ink, graphite, gum arabic, stopping out and gray wash on moderately thick, moderately textured, blued white, wove

A Collection of Surveys of Scottish Estates of the Earl of Selkirk: The Farm, unknown artist, undated, Graphite, watercolor, gray wash, pen and black and brown ink on slightly textured, moderately thick, cream wove paper, Sheet: 13 3/16 × 9

Llanwryst Bridge and River, September 1830, Anne Rushout, ca. 1768–1849, British, 1830, Watercolor on moderately thick, slightly textured, cream wove paper

Distress, Thomas Rowlandson, 1756–1827, British, 1790 to 1795, Watercolor with pen and brown and red ink over graphite on moderately thick, slightly textured, cream, wove paper, Sheet: 12 3/16 x 17 1/16 inches (31 x 43.3 cm), boat,

Satan Going Forth from the Presence of the Lord, circle of John Linnell, 1792–1882, British, after William Blake, 1757–1827, British, undated, Watercolor and black ink on moderately thick, slightly textured, cream wove paper, Sheet: 5

Haram el Ketab, Edward Lear, 1812-1888, British, 1867, Watercolor, graphite, pen and brown ink on medium, slightly textured, white wove paper, Sheet: 1 3/16 x 6 inches (3 x 15.2 cm), landscape, river, riverbank, sky, structures (single

Tell's Chapel, Lake Lucerne, Joseph Mallord William Turner, 1775–1851, British, 1841, Watercolor, gouache and scraping out on medium, slightly textured, cream wove paper, Sheet: 8 7/8 x 11 1/4 inches (22.5 x 28.6 cm), boats, Grand Tour,

Old Houses at St. Albans, C. John M. Whichelo, 1784–1865, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 12 3/16 × 9 9/16 inches (31 × 24.3 cm

Brucea antidysenterica J. Miller (James Bruce's Tree): finished drawing of part stem with flowering shoots and leafy shoots, Frederick P. Nodder, active 1773–1800, British, 1777, Watercolor, gouache, and graphite on vellum, Sheet: 18 13/16

Calliope Tschebaiswi Prjer (Thrush Family), John Gould, 1804–1881, British, undated, Watercolor and gouache over graphite on moderately thick, smooth, cream wove paper, Sheet: 18 3/4 × 14 1/8 inches (47.6 × 35.9 cm), animal art

Landscape Study: a haystack near a church, follower of Peter DeWint, 1784–1849, British, undated, Watercolor and graphite with black chalk and white chalk on medium, slightly textured, blue wove paper, Sheet: 6 7/8 x 10 1/4 inches (17.5 x

The Long Walk, Windsor, Peter DeWint, 1784–1849, British, undated, Watercolor and graphite with scratching out on medium, rough, beigh wove paper, Sheet: 11 1/2 x 15 1/2 inches (29.2 x 39.4 cm), carts, castle, cityscape, figures,

Young Woman with a Yellow Hair Ribbon, Pierre N. Violet, 1749–1819, French, ca. 1800, Watercolor on ivory, Overall: 3 3/8 × 2 1/2 × 1/4 inches (8.6 × 6.4 × 0.6 cm), dress, ribbon, woman

Argyll Concert Rooms, Regent Street, London: Elevation, George Stanley Repton, 1786–1858, British, John Nash, 1752–1835, British, ca. 1819, Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper,

William William's Second Wife, Frederick Tatham, 1805–1878, British, ca. 1830, Watercolor on ivory, Frame: 6 3/4 x 6 x 1 5/8 inches (17.1 x 15.2 x 4.1 cm) and Image: 3 7/8 x 3 inches (9.8 x 7.6 cm), bonnet (hat), elderly, fence, middle

Barnes Common, June 1836, T. E. Jeffers, active 1836, 1836, Watercolor, graphite, gouache, pen and brown ink and gray ink on medium, slightly textured, beige, wove paper, mounted on, thick, slightly textured, brown, wove paper,

Young's Night Thoughts, Page 7, 'Till at Death's toll, whose restless iron tounge', Print made by William Blake, 1757–1827, British, ca. 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove

Tivoli, John Robert Cozens, 1752–1797, British, 1778, Pen and black ink, watercolor and graphite on medium, slightly textured, cream laid paper, mounted on medium, slightly textured, cream laid paper, Mount: 14 5/8 x 21 inches (37.1 x

Faust and Margaret, Theodor von Holst, 1810–1844, British, undated, Graphite, watercolor and black chalk on medium, slightly textured, cream wove paper, Sheet: 9 3/4 × 6 1/2 inches (24.8 × 16.5 cm), costumes, figure study, literary

Calotropis procera (Ait.) Ait. f. (Apple of Sodom, Auricular Tree): finished drawing of flowering and fruiting plant, James Bruce, 1730–1794, British, ca. 1769, Watercolor, gouache, and graphite on medium, slightly textured, cream laid

The Poems of Thomas Gray, Design 19, 'Ode on a Distant Prospect of Eton College.', William Blake, 1757–1827, British, between 1797 and 1798, Watercolor with pen and black ink over graphite on moderately thick, slightly textured, cream wove

Ibreem, 10:00 pm, 10 February 1867 (404), Edward Lear, 1812–1888, British, 1867, Watercolor with pen and gray ink over graphite on medium, slighly textured, wove paper, Sheet: 3 7/16 x 9 7/8 inches (8.7 x 25.1 cm), desert, evening,

An Old Fisherwoman with Two Women Digging for Bait, Francis Wheatley, 1747–1801, British, undated, Black ink with watercolor; verso: graphite on medium, smooth, cream wove paper, Sheet: 3 3/8 x 5 7/8 inches (8.6 x 14.9 cm), aprons (main

A Hindu Devotee, Robert Mabon, died 1798, British, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper, Sheet: 6 3/4 × 5 1/8 inches (17.1 × 13 cm) and Mount: 7 7/8 × 5 1/2 inches (20 × 14

A View of Rochester, the Town and Harbour, Henry Gastineau, 1791–1876, British, undated, Watercolor, with pen, in brown ink, black ink, red ink, gouache, graphite, gum arabic, and scratching out on Very thick, moderately textured,

View of Skiddaw and Derwentwater, Joseph Farington, 1747–1821, British, ca. 1780, Watercolor, pen and black ink, gray ink and graphite on medium, moderately textured, blued white, laid paper, Sheet: 19 3/8 × 26 inches (49.2 × 66 cm)

Memorial to the Hon'ble Roland Belasyse and his Daughter Lady Barbara Barnewall from Pancras Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium,

Limbourg, Belgium, Thomas Rowlandson, 1756–1827, British, between 1791 and 1792, Watercolor with pen and brown ink and pen and gray ink, over graphite on medium, slightly textured, cream wove paper, Sheet: 5 7/8 x 9 1/2 inches (14.9 x

Dutch Fishing Boats at Anchor in an Estuary, William Joy, 1803–1867, British, undated, Watercolor with scraping and gum on moderately thick, slightly textured, cream wove paper, Sheet: 11 5/16 x 16 1/4in. (28.7 x 41.3cm) and Sheet: 11 7/8

Country Landscape with Cottage, Windmill, Barns and Figures with Pond in Foreground, Thomas Churchyard, 1798–1865, British, undated, Watercolor, graphite, pen and black ink on medium, moderately textured, cream wove paper, Sheet: 3 5/8

South East View of Rushton hall, Northamptonshire, John Buckler FSA, 1770–1851, British, and John Chessell Buckler, 1793–1894, British, 1818, Watercolor and pen and black ink on moderately thick, cream wove paper, Sheet: 14 × 19 3/4

Calendar Design - January, Alfred Henry Forrester, 1804–1872, British, undated, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper mounted to card, Sheet: 10 1/2 × 5 inches (26.7 × 12.7

A Coastline with Ships at Sea, unknown artist, between 1826 and 1866, Watercolor over graphite, Sheet: 2 1/16 x 7 5/16in. (5.2 x 18.6cm

Full Cry, Samuel Howitt, 1756–1822, British, undated, Watercolor, pen and black ink, and gray ink on medium, slightly textured, beige, laid paper, mounted on, moderately thick, moderately textured, beige, laid paper, Mount: 9 5/16

Figure Studies, George Cruikshank, 1792–1878, British, undated, Graphite, with watercolor on medium, slightly textured, beige, wove paper, Sheet: 7 1/2 × 4 3/8 inches (19.1 × 11.1 cm), figure study

Memorial to Reverand Joseph Trapp from Harlington Church, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 15 1/8 × 11 inches

Foxhunting: Going to Draw Cover..., Samuel Alken, 1756–1815, British, undated, Watercolor, pen and black ink, and graphite on medium, slightly textured, beige, wove paper, Sheet: 8 3/4 × 10 7/8 inches (22.2 × 27.6 cm), bushes, dogs

Family Portraits, Richard Dadd, 1817–1886, British, 1838, Watercolor with gouache over graphite on moderately thick, slightly textured, blue wove paper, Sheet: 5 3/4 x 8 1/4 inches (14.6 x 20.9 cm), collars, family, family, figure

To Let with Room, Robert Isaac Cruikshank, 1789–1856, British, undated, Watercolor, graphite, and pen and black ink on medium, moderately textured, cream wove paper, Sheet: 6 9/16 × 9 1/4 inches (16.7 × 23.5 cm), caricature, dressing

View of Kom Ombo, David Roberts, 1796–1864, British, 1838, Watercolor and gouache, over graphite on medium, slightly textured, cream wove paper, Sheet: 13 × 19 3/8 inches (33 × 49.2 cm), architectural subject

The Purple Heron, unknown artist, Undated, Watercolor, with pen, in brown ink, gray ink, gouache, and graphite, on medium, moderately textured, cream, wove paper, mounted on, very thick, moderately textured, cream, cardboard, Mount:

Landscape, Castle and Cattle, William Green, 1760–1823, British, undated, Watercolor, pen and gray ink, and graphite on medium, moderately textured, cream wove paper, Sheet: 15 3/4 × 22 inches (40 × 55.9 cm), animal art, castle,

Two Coaches - Travelling in France?, Thomas Rowlandson, 1756–1827, British, undated, Watercolor with pen and brown ink, gray ink, blue ink and graphite on medium, slightly textured, beige, wove paper, Sheet: 7 9/16 × 11 11/16 inches

Songs of Innocence and of Experience, Plate 19, 'Night' (Bentley 21), Print made by William Blake, 1757–1827, British, 1789 to 1794, Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly

An Execution, Rome, Isaac Weld, 1774–1856, Irish, 1819, Watercolor, pen in brown ink, gray ink, graphite, brown wash and gray wash on moderately thick, slightly textured, blued white, wove paper, Sheet: 10 × 18 3/16 inches (25.4 ×

Castle Overlooking a River, William Marlow, 1740–1813, British, undated, Watercolor with pen and brown ink and pen and black ink on medium, slightly textured, cream wove paper, Sheet: 5 × 7 1/8 inches (12.7 × 18.1 cm), architectural

Sergeant's Inn, Samuel Ireland, active 1760–died 1800, British, between 1794 and 1800, Watercolor, graphite, and pen and black ink on medium, slightly textured, cream wove paper, Sheet: 5 × 6 1/2 inches (12.7 × 16.5 cm) and Mount: 9 ×

Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3, George Cressal Ellis, ca. 1810–1875, undated, Watercolor and graphite on thin wove paper stained for tracing, laid down on

Landscape with Trees, David Charles Read, 1790–1851, British, undated, Watercolor, pen and black ink, and graphite on medium, rough, beige, laid paper, Sheet: 4 1/2 × 7 1/8 inches (11.4 × 18.1 cm), fence, field, landscape, sky,

Island of St. Pauls, Henry William Parish, active 1792, 1793, Watercolor on medium, slightly textured, cream laid paper, Sheet: 3 11/16 × 9 inches (9.4 × 22.8 cm

West Front, Wanstead Grove, May 26, 1825, Anne Rushout, ca. 1768–1849, British, 1825, Watercolor, graphite, pen and black ink and scratching out on moderately thick, slightly textured, cream wove paper, Sheet: 7 × 21 inches (17.8 ×

Near Honfleur, Richard Parkes Bonington, 1802–1828, British, ca. 1823, Watercolor and graphitre on medium, moderately textured, cream wove paper, Sheet: 8 1/8 x 10 5/8 inches (20.6 x 27 cm), boats, coastline, marine art, people,

Unidentified Bird, Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 inches (40.6 cm) and Sheet: 15 7/8 × 12 inches (40.3 × 30.5 cm), animal art

The Environs of London: Brass Plate for cleric illegible inscription, from West Wickham Church, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured,

A Highlander Seated, Thomas Miles Richardson Sr., 1784–1848, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 6 3/4 × 5 3/4 inches (17.1 × 14.6 cm), bonnet (Scottish cap), cloak, costume,

Lion's Inn, Samuel Ireland, active 1760–died 1800, British, between 1794 and 1800, Watercolor, graphite, and pen and black ink on medium, slightly textured, cream wove paper, Sheet: 4 7/8 x 6 5/8in. (12.4 x 16.8cm) and Mount: 9 × 12 1/2

A Man Making his Turban, Robert Mabon, died 1798, British, undated, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 5 5/8 × 5 3/4 inches (14.3 × 14.6 cm

Brass Plate of a Woman from Layton Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink and watercolor on medium, slightly textured, cream wove paper, Sheet: 14 3/8 × 10 3/4 inches (36.5 × 27.3

Portrait of a Gentleman, Nathaniel Hone RA, 1718–1784, Irish, 1769, Gouache and watercolor with scraping on ivory, Image: 1 1/2 x 1 3/16 inches (3.8 x 3 cm) and Frame: 2 5/8 x 1 5/8 x 5/8 inches (6.7 x 4.1 x 1.6 cm), portrait

Villefranche, Hercules Brabazon Brabazon, 1821–1906, British, undated, Watercolor and graphite on medium, smooth, beige wove paper mounted on thick, slightly textured, cream card, Mount: 6 5/8 x 4 3/4 inches (16.9 x 12.1 cm) and Sheet: 6

Comforts of Bath: The Ball, Thomas Rowlandson, 1756–1827, British, 1798, Watercolor with pen and black ink on medium, slightly textured, cream wove paper, Mount: 5 11/16 x 8 1/4 inches (14.4 x 21 cm) and Sheet: 4 7/8 x 7 7/16 inches (12.4 x

One from A Volume of Drawings and Prints, Rev. James Bulwer, 1794–1879, British, undated, Pen and brown ink, watercolor on slightly textured, moderately thick, cream wove paper, Sheet: 17 × 13 1/4 inches (43.2 × 33.7 cm) and Image: 11

Farm Laborers and Other Studies, Robert Hills, 1769–1844, British, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 11 3/4 x 8 1/2 inches (29.8 x 21.6 cm), bonnets, boys, farm, farmers,

Study of Trees at the Edge of a Field, Cornelius Varley, 1781–1873, British, undated, Watercolor with white gouache on thick, cream, slightly textured wove paper, Sheet: 10 x 14 7/8 inches (25.4 x 37.8 cm), clouds, field, landscape,

Plains Viscacha, Charles Hamilton Smith, 1776–1859, Belgian, James Stewart, ?, 1791–1863, British, ca. 1837, Watercolor, pen and brown ink and graphite on thick, smooth, white, wove paper, Sheet: 4 5/8 × 7 5/8 inches (11.7 × 19.4

Cool Arguments!!!, Isaac Cruikshank, 1756–1810, British, 1794, Etching with watercolor on wove paper, Sheet: 15 9/16 x 11 5/8in. (39.5 x 29.5cm

Chester Castle, John Inigo Richards RA, 1730/31?–1810, British, undated, Watercolor and graphite on medium, sightly textured, cream laid paper, Sheet: 5 7/8 × 8 7/8 inches (14.9 × 22.5 cm), architectural subject, castle, Cheshire,

The Force of Friendship, Or, the Election Man-trap returning from Spittalfields with a handfull of Weavers_, William Dent, active 1784–1793, 1784, Etching with watercolor on laid paper

A Fireworks Display, John Wilson Carmichael, 1799–1868, British, undated, Pen and black ink and watercolor and white gouache on medium, slightly textured, cream, wove paper, Sheet: 4 1/4 x 5 3/4in. (10.8 x 14.6cm) and Mount: 5 1/8 × 6 3/8

The Sporting Parson: 'He Sheweth Them the Way They Should Go', Hablot Knight Browne, 1815–1882, British, undated, Black chalk, watercolor and gouache on moderately thick, moderately textured, gray-brown wove paper, Sheet: 10 3/4 × 15 1/16

A Hoy and a Lugger with other Shipping on a Calm Sea, John Thomas Serres, 1759–1825, British, undated, Watercolor with pen and black ink on medium, slightly textured, cream wove paper, Sheet: 13 1/8 x 18 5/8 inches (33.3 x 47.3 cm

The Elephant Seal, James Stewart, 1791–1863, British, ca. 1837, Watercolor and graphite on thick, smooth, cream, wove paper, Sheet: 5 3/8 × 8 3/16 inches (13.7 × 20.8 cm

A Tiger Resting: the frontispiece for 'Oriental Field Sports', Samuel Howitt, 1756–1822, British, 1805, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 9 1/8 × 13 inches (23.2 × 33 cm), animal art, palm

Traveling Potter Outside a Cottage, Francis Wheatley, 1747–1801, British, 1798, Watercolor over graphite with gouache on medium, smooth, cream wove paper, Sheet: 15 1/4 x 19 1/8 inches (38.7 x 48.6 cm), apron, architectural subject,

Departure from a French Inn: An Illustration for Sterne's Sentimental Journey, Samuel Hieronymus Grimm, 1733–1794, Swiss, 1775, Watercolor with black ink over graphite on medium, slightly textured, cream laid paper, Sheet: 5 5/16 × 7 3/8

Durham Cathedral, George Arthur Fripp, 1813–1896, British, 1846, Watercolor, gouache and graphite with scratching out on moderately thick, slightly textured, cream wove paper, Sheet: 14 1/8 × 24 7/8 inches (35.9 × 63.2 cm), bridge

Cockburn Island, Admiralty Inlet, Charles Hamilton Smith, 1776–1859, Belgian, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 12 7/8 × 16 1/8 inches (32.7 × 41 cm) and Binding: 16 1/8

Currier's Hall, Samuel Ireland, active 1760–died 1800, British, between 1794 and 1800, Watercolor and pen and black ink on medium, slightly textured, cream wove paper, Sheet: 5 × 7 inches (12.7 × 17.8 cm) and Mount: 9 × 12 1/2 inches

Young's Night Thoughts, Page 25, 'Behold him, when past by; what then is seen', Print made by William Blake, 1757–1827, British, ca. 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove

Carnarvon Castle, North Wales, Thomas Rowlandson, 1756–1827, British, 1797, Watercolor with pen and gray ink over graphite on medium, smooth, blued white wove paper, Sheet: 5 1/2 x 16 1/8 inches (14 x 41 cm), architectural subject,

Mountainous Landscape with Lake, Gate and Figures, Isaac Weld, 1774–1856, Irish, ca. 1818, Watercolor, pen and brown ink, and graphite on moderately thick, moderately textured, blued white, wove paper, Sheet: 11 x 16 5/8in. (27.9 x

Old Mosque at Rajemahl Rajmahal, Samuel Davis, 1757–1819, British, undated, Watercolor, with pen, in gray ink, gray wash and graphite on moderately thick, moderately textured, cream, laid paper, Sheet: 17 3/8 × 26 1/8 inches (44.1 ×

Scarborough: Shipwreck at the Foot of the Castle Cliff, Francis Nicholson, 1753–1844, British, ca. 1808, Watercolor and graphite with scratching out on medium, slightly textured, cream wove paper, Sheet: 11 13/16 x 16 1/2in. (30 x 41.9cm)

North West View of Eastbury House, Essex, John Buckler FSA, 1770–1851, British, and John Chessell Buckler, 1793–1894, British, 1823, Watercolor and pen and black ink on moderately thick, cream wove paper, Sheet: 13 1/4 × 19 3/4 inches

Headfort House, Ireland: Sections of the House and Offices, Sir William Chambers RA, 1723–1796, British, 1765, Graphite, watercolor and pen and brown ink on moderately thick, moderately textured, beige laid paper, Sheet: 15 7/8 x 24 5/16

Ile de la Cite, Richard Parkes Bonington, 1802–1828, British, undated, Watercolor on medium, cream, slightly textured, wove paper, Sheet: 8 1/8 x 11 3/8 inches (20.6 x 28.9 cm), bridge (built work), cityscape, figures, genre subject,

The Chapel, Dirleton Castle, Scotland, Daniel Wilson, 1816–1892, 1846, Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper, Sheet: 8 1/4 × 12 1/4 inches (21 × 31.1 cm), architectural subject

Lion Attacking a Stag, Samuel Howitt, 1756–1822, British, undated, Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper, Sheet: 5 × 7 1/8 inches (12.7 × 18.1 cm), animal art, attack, cave, eating,

The Poems of Thomas Gray, Design 37, 'Ode to Adversity.', William Blake, 1757–1827, British, between 1797 and 1798, Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid

Samlesbury hall; Lancashire, John Buckler FSA, 1770–1851, British, and John Chessell Buckler, 1793–1894, British, 1817, Watercolor and pen and black ink on moderately thick, cream wove paper, Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)

Black Carlo's White Bust, or, The Party's Plenipo in Catherine's Closet, William Dent, active 1784–1793, 1791, Etching with watercolor on laid paper, Sheet: 7 15/16 x 10 13/16in. (20.2 x 27.5cm

South East View of Newby Hall, Yorkshire, the Seat of the Right Hon'ble Lord Grantham, John Buckler FSA, 1770–1851, British, and John Chessell Buckler, 1793–1894, British, 1806, Watercolor and pen and black ink on moderately thick,

Study from Nature: Inveruglas, Joseph Noel Paton, 1821–1901, British, 1857, Watercolor and gouache on moderately thick, moderately textured, cream wove paper, Sheet: 14 1/2 x 20 1/2 inches (36.8 x 52.1 cm) and Frame: 23 × 29 1/2 × 1

Agropoli, The Temples of Paestum, and the Bay of Salerno, Dominic Serres RA, 1722–1793, French, active in Britain (from the 1750s), 1758-1793, Watercolor, brown wash, pen and brown ink, and graphite on medium, moderately textured,

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