Images at Librifly

search results: Watercolor clear search

A Crowded Race Meeting, Thomas Rowlandson, 1756–1827, British, between 1805 and 1810, Watercolor, with pen, in brown ink, gray ink, and graphite on medium, slightly textured, blued white, wove paper, Sheet: 5 7/8 × 9 1/2 inches (14.9

Jerusalem, Plate 85, 'Became a Space & an Allegory....', Print made by William Blake, 1757–1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper,

The Mosque at Cordova, David Roberts, 1796–1864, British, 1833, Watercolor with gouache and some gum over graphite on medium, slightly textured, cream wove paper mounted on board, Sheet: 9 3/4 × 13 3/4 inches (24.8 × 34.9 cm),

Near Garf Hossayn, 3:40 pm, 31 January 1867 (299), Edward Lear, 1812–1888, British, 1867, Watercolor with pen and brown ink over graphite on medium, slightly textured, wove paper, mounted on moderately thick, cream wove paper, Sheet: 2

Songs of Innocence and of Experience, Plate 30, Experience Title Page (Bentley 29), Print made by William Blake, 1757–1827, British, 1789 to 1794, Relief etching printed in dark-brown with pen and black ink and watercolor on moderately

Old Buildings at Hastings, Henry Morton, ca. 1807–1825, British, after 1819, Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper, Sheet: 8 5/8 × 12 3/16 inches (21.9 × 31 cm), architectural

Ruin of a Norman Church, after John Sell Cotman, 1782–1842, British, ca. 1825, Watercolor, brown ink and graphite on medium, slightly textured, cream wove paper, Sheet: 12 5/8 x 8 7/8 inches (32.1 x 22.5 cm), architectural subject,

Unidentified Fish, Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 1/4 inches (41.3 cm) and Sheet: 16 × 12 1/2 inches (40.6 × 31.8 cm), animal

Al Hawatkah, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, white gouache, pen and brown ink on moderately thick, slightly textured, beige wove paper, Sheet: 3 1/8 x 5 1/4 inches (7.9 x 13.3 cm), boat, figures

Convent at Vietri, near Salerno, John Warwick Smith, 1749–1831, British, 1808, Watercolor over graphite on medium, smooth, cream wove paper, Sheet: 9 3/4 x 14 inches (24.8 x 35.6 cm), clouds, convent, figures, Grand Tour, landscape,

An Indian Tomb, George Chinnery, 1774–1852, British, undated, Watercolor, gouache, and black ink on medium, cream, slightly textured wove paper mounted on board, Sheet: 9 x 12 3/8 inches (22.9 x 31.4 cm) and Mount: 9 1/4 x 12 3/4 inches

The Duke of Somerset on Horseback, Peter Tillemans, 1684–1734, Flemish, active in Britain (from 1708), undated, Watercolor and graphite on medium, slightly textured, cream, laid paper, Sheet: 5 5/16 × 6 1/2 inches (13.5 × 16.5 cm),

Study of a Cottage by a lane, William James Muller, 1812–1845, British, formerly attributed to James Stark, 1794–1859, British, undated, Watercolor, gouache, pen and brown ink, and graphite on thick, rough, cream, wove paper,

Farm House with a Well, John Varley, 1778–1842, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 10 x 14 1/4 inches (25.4 x 36.2 cm), architectural subject, buckets, cellars, chains,

Painter's Hall, Samuel Ireland, active 1760–died 1800, British, between 1794 and 1800, Watercolor and pen and black ink on medium, slightly textured, cream wove paper, Sheet: 5 x 7in. (12.7 x 17.8cm) and Mount: 9 × 12 1/2 inches (22.9 ×

River Landscape with Boats, Edward Francis Burney, 1760–1848, British, undated, Graphite and watercolor on medium, slightly textured, beige wove paper, Sheet: 6 3/4 × 8 1/8 inches (17.1 × 20.6 cm), boats, hills, landscape, river,

Plains Viscacha, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and gray ink and graphite on medium, smooth, white, wove paper, Sheet: 4 1/16 × 6 1/2 inches (10.3 × 16.5 cm), animal art

Lebanon, Edward Lear, 1812–1888, British, 1858, Watercolor, graphite, pen and brown ink on thick, rough, cream wove paper, Sheet: 4 15/16 x 8 15/16 inches (12.5 x 22.7 cm), cattle, figures (representations), hills, landscape, robes,

An Arabian Stallion Walking to Right, William Sawrey Gilpin, 1762–1843, British, undated, Graphite and watercolor on moderately thick, moderately textured, cream, wove paper, Sheet: 6 5/8 × 8 3/8 inches (16.8 × 21.3 cm), animal art

Dover, James Stark, 1794–1859, British, undated, Watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 6 3/4 × 10 1/8 inches (17.1 × 25.7 cm), beaches, cliffs, docks, landscape, marine art, people, sea,

Memorial to John and Ann Goodwin and Mathew their son from Bedfont Church, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper,

Mer de Glace, Henry Moore, 1831–1895, British, 1856, Watercolor, gouache, and graphite on medium, slightly textured, cream wove paper, Sheet: 10 3/8 x 14 9/16in. (26.4 x 37cm) and Sheet: 10 1/2 × 14 5/8 inches (26.7 × 37.1 cm),

Brass Plate for Mathew Hunsley, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 15 1/8 × 10 7/8 inches

Greek Woman of Asia Minor, Richard Dadd, 1817–1886, British, 1880, Watercolor over graphite, retouched with gouache on moderately thick, rough, cream wove paper, Sheet: 11 1/2 × 7 3/8 inches (29.2 × 18.7 cm), apron, figure study,

Sir William Norris Bungalow, Penang, Lt. Humphrey John Julian, active 1842–1849, 1844, Watercolor, gouache, and graphite on medium, moderately textured, cream wove paper, Sheet: 9 1/16 x 14in. (23 x 35.6cm) and Sheet: 9 1/8 × 14 inches

Fallow Deer, Print made by Newton Limbird Smith Fielding, 1799–1856, British, Published by Rudolf Ackermann, 1764–1834, British, 1836, Aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper

View of Snowdon with a Stormy Sky, Barbara Bodichon, 1827–1891, British, undated, Watercolor on thick, rough, beige wove paper, Sheet: 8 7/8 × 13 1/2 inches (22.5 × 34.3 cm), clouds, cows, landscape, mountains, storms

A Raven and Two Swans, Samuel Howitt, 1756–1822, British, undated, Watercolor, with pen, in black ink and brown ink, over graphite on medium, slightly textured, cream, wove paper, Sheet: 5 3/16 × 7 1/4 inches (13.2 × 18.4 cm), animal

A Ship's Boat, Samuel Scott, 1701/2–1772, British, undated, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 6 1/4 x 13 1/4 inches (15.9 x 33.7 cm), boat, hats, marine art, men, oars, rope, sailors,

A Collection of Surveys of Scottish Estates of the Earl of Selkirk: Little Kirkland, unknown artist, undated, Graphite, watercolor, gray wash, pen and black ink on slightly textured, moderately thick, cream wove paper, Sheet: 19 3/4 × 13

A Park Scene, Thomas Rowlandson, 1756–1827, British, undated, Watercolor and graphite with pen and black ink and pen and brown ink on medium, moderately textured, cream laid paper, Sheet: 6 1/8 x 6 15/16 inches (15.6 x 17.6 cm), dog

Erythrina abyssinica DC. (Lucky Bean): finished drawing but with many minor details altered, Luigi Balugani, 1737–1770, Italian, undated, Watercolor and gouache over graphite on medium, slightly textured, cream laid paper, Sheet: 15 15/16

A Coach with Royal Coat of Arms, Paul Sandby RA, 1731–1809, British, Previously Thomas Sandby RA, 1721–1798, British, ca. 1764, Watercolor, pen and black ink, graphite and gray wash on medium, slightly textured, beige, laid paper,

Church, Churchyard and Figures (The Graveyard), John Roe of Warwick, active 1771–1812, British, undated, Watercolor, graphite and pen and black ink on moderately thick, slightly textured, cream laid paper, Sheet: 18 1/2 × 24 1/2 inches

Five Horses near a Brook, John Frederick Herring, 1795–1865, British, possibly by John Frederick Herring Jr., 1815–1907, British, 1850, Watercolor, with pen, in gray ink, over graphite on moderately thick, smooth, cream, wove paper,

Unidentified Fish, Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 1/4 inches (41.3 cm) and Sheet: 16 × 12 1/2 inches (40.6 × 31.8 cm), animal

Hilly Landscape with House, Edward Francis Burney, 1760–1848, British, undated, Watercolor and pen and black ink on medium, slightly textured, beige laid paper, Sheet: 7 7/8 × 12 3/4 inches (20 × 32.4 cm), country house, hills,

Thornery Pool, Sezincote, Anne Rushout, ca. 1768–1849, British, 1824 to 1832, Watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 × 10 1/2 inches (17.8 × 26.7 cm) and Image: 7 × 6 3/4 inches (17.8 × 17.1 cm

The taking of Porto Bello by Vice Admiral Vernon on the 22nd of Novr. 1739 with Six Men of War only, Print made by Remi Parr, active 1723–1750, British, after Peter Monamy, 1681–1749, British, Published by Bowles & Carver, 1763–1830,

The Tower of London, David Roberts, 1796–1864, British, 1864, Watercolor, with pen, in gray ink, graphite and gouache on moderately thick, moderately textured, beige, wove paper, Sheet: 9 11/16 × 13 5/8 inches (24.6 × 34.6 cm),

Alys Thornton from Greenford Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 14 5/8 × 10 5/8

Goree, Samuel Davis, 1757–1819, British, undated, Watercolor, pen, black ink, gray ink, and graphite on medium, slightly textured, cream wove paper, Sheet: 11 3/4 x 18 1/2 inches (29.8 x 47 cm), boats, island, marine art, ocean,

A Tudor Room with Figures, Possibly Hardwick Hall or Haddon Hall, David Cox, 1783–1859, British, mid to late 1830s, Graphite and watercolor on medium, moderately textured, cream wove paper, Sheet: 3 7/8 x 5 1/4 inches (9.8 x 13.3 cm),

View at Margate, Edward Francis Burney, 1760–1848, British, undated, Watercolor and pen and black ink on medium, slightly textured, cream wove paper, Sheet: 7 × 8 7/8 inches (17.8 × 22.5 cm), cows, farm, fence, horses (animals),

Racing Scene, Samuel Howitt, 1756–1822, British, 1792, Watercolor, pen and black ink, and gray ink on medium, smooth, cream, wove paper, mounted on, moderately thick, moderately textured, cream, laid paper, Mount: 11 9/16 × 15

Songs of Innocence and of Experience, Plate 41, 'A Poison Tree' (Bentley 49), Print made by William Blake, 1757–1827, British, 1794, Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper,

The First Book of Urizen, Plate 20, 'Thus the Eternal Prophet Was Divided....' (Bentley 15), Print made by William Blake, 1757–1827, British, 1794, Color-printed relief etching in orange-brown with watercolor on moderately thick, slightly

A Dead Horse on a Knacker's Cart, Thomas Rowlandson, 1756–1827, British, undated, Watercolor and graphite with pen and brown ink on medium, slightly textured, cream wove paper, Sheet: 3 7/16 x 6 1/16 inches (8.7 x 15.4 cm), bridle, cart,

Young's Night Thoughts, Page 40, 'Angels Should Paint It, Angels Ever There', Print made by William Blake, 1757–1827, British, 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper,

The Rabbit, Print made by Samuel Howitt, 1756–1822, British, Published by Edward Orme, 1775–1848, British, 1812, Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper

Deir Kadige, Edward Lear, 1812–1888, British, 1867, Watercolor with pen and brown ink and graphite on medium, slightly textured, cream wove paper, Sheet: 1 15/16 x 5 15/16 inches (4.9 x 15.1 cm), buildings, desert, domes, landscape,

Figures taking the Waters at the Spa at Scarborough, James Green, 1771–1834, British, undated, Graphite, watercolor, pen and gray ink on slightly textured, moderately thick, cream wove paper, Sheet: 4 1/2 × 7 1/4 inches (11.4 × 18.4

Penzance Pier from the Dolphin Inn Window, October 15, 1807, John Samuel Hayward, 1778–1822, 1807, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 7 1/8 × 20 7/8 inches (18.1 × 53 cm), bay, boats, marine

Tepelene, 18 April 1857, Edward Lear, 1812–1888, British, 1857, Watercolor with pen and brown ink over graphite on medium, smooth, white wove paper, Sheet: 5 1/8 × 7 5/8 inches (13 × 19.4 cm), building, hills, landscape, minaret,

Front View of the Throne of the Late Tippoo Siltaun in the Laul Mahaul Palace of Seringapatan, unknown artist, after Thomas Marniott, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper,

A Street in a Country Village, William Henry Hunt, 1790–1864, British, ca. 1815, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 10 3/4 x 14 1/8 inches (27.3 x 35.9 cm), carts, dog (animal),

Memorial to Nathaniel Crewe from Feltham Church, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 15 1/4 × 11 inches (38.7 ×

Design for Grosvenor House, London, Thomas Cundy, 1790–1867, British, 1829, Graphite, pen and red and brown and black ink, watercolor on slightly textured, moderately thick, cream wove paper, Sheet: 24 1/4 × 17 11/16 inches (61.6 ×

Boat on the Nile, Edward Lear, 1812–1888, British, January - March 1867, Watercolor, graphite, pen and brown ink on medium, slightly textured, cream wove paper, Sheet: 3 1/4 x 5 3/4 inches (8.3 x 14.6 cm), boat, figures

View of Rugged Coastline, Bamburgh, Northumberland, John Varley, 1778–1842, British, undated, Watercolor, graphite and scraping out on medium, slightly textured, cream laid paper, Sheet: 4 x 5 7/8 inches (10.2 x 14.9 cm), clouds,

A Collection of Surveys of Scottish Estates of the Earl of Selkirk: Netherthird, John McKinlay, 19th century, 1812, Graphite, watercolor, pen and black ink on slightly textured, moderately thick, cream wove paper, Sheet: 22 3/4 × 33 7/8

Woman with a Blue Smock, Louis Philippe Boitard, active 1734–1760, undated, Graphite, watercolor, and pen and black ink on medium, slightly textured, beige laid paper, Sheet: 6 5/8 × 5 inches (16.8 × 12.7 cm), figure study, gazing,

Dendera, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, cochineal, pen and brown ink on medium, slightly textured, cream wove paper, Sheet: 2 11/16 x 6 11/16 inches (6.8 x 17 cm), architectural subject, desert,

Pavillion de Flore, August 22, 1828, William Henry Lake Price, ca. 1810–ca. 1896, 1828, Watercolor and graphite on medium, moderately textured, cream wove paper, Sheet: 7 1/2 × 5 3/4 inches (19.1 × 14.6 cm), architectural subject,

Woman in a Turban Carrying Lilies, James Bruce, 1730–1794, British, undated, Graphite and watercolor on moderately thick, slightly textured, cream laid paper, Sheet: 11 1/2 × 8 3/4 inches (29.2 × 22.2 cm

The Admiral House, Simon's Town, Cape of Good Hope, Lt. Humphrey John Julian, active 1842–1849, 1844, Watercolor, gouache, and graphite, with scraping on medium, smooth, cream wove paper, Sheet: 9 × 14 inches (22.9 × 35.6 cm) and

Interior View of the hall at Longleat; the Seat of the Marquis of Bath, John Buckler FSA, 1770–1851, British, and John Chessell Buckler, 1793–1894, British, 1821, Watercolor and pen and black ink on moderately thick, cream wove paper,

The Demolition of Old London Bridge, George Arnald, 1763–1841, British, 1832, Watercolor, white gouache, and graphite on medium, slightly textured, blue wove paper, Sheet: 9 1/2 x 13 3/4 inches (24.1 x 34.9 cm), architectural subject,

Vale of Health - Hampstead, John Thomas Smith, 1766–1833, British, 1830, Watercolor, graphite, black ink, and brown ink on medium, slightly textured, cream wove paper, Sheet: 4 3/4 × 7 7/8 inches (12.1 × 20 cm), cityscape, cows,

An Evening Ashore, Attributed to George Shepherd, active 1782–1830, undated, Watercolor and pen and brown ink on medium, slightly textured, cream laid paper, Sheet: 7 1/8 × 8 5/8 inches (18.1 × 21.9 cm

Near Ventnor - Coastal Landscape with Dark Sky, attributed to Eugene Isabey, 1803–1886, French, formerly attributed to David Cox, 1783–1859, British, undated, Watercolor with scratching out on thick, slightly textured, cream wove paper,

Horses Fighting, Sawrey Gilpin, 1733–1807, British, undated, Watercolor and graphite on moderately thick, moderately textured, beige, laid paper, Sheet: 21 5/8 × 31 inches (54.9 × 78.7 cm), animal art, fighting, horses (animals

Behemoth and Leviathan, circle of John Linnell, 1792–1882, British, after William Blake, 1757–1827, British, undated, Watercolor and black ink on moderately thick, slightly textured, cream wove paper, Frame: 20 1/4 x 15 1/4 x 1in.

Giant's Causeway, Antrim, Ireland., Thomas Rowlandson, 1756–1827, British, undated, Watercolor with pen and red-gray and gray ink, over graphite on medium, moderately textured, beige, wove paper, Sheet: 5 3/4 x 9 5/16 inches (14.6 x

A Bulldog, Samuel Howitt, 1756–1822, British, after 1815, Watercolor and pen and black ink over graphite on medium, slightly textured, cream wove paper, Sheet: 9 3/8 × 12 7/8 inches (23.8 × 32.7 cm), animal art, bulldog (dog), chain,

Plums and Apple, William Cruickshank, 1836–1917, 1864, Watercolor and white gouache on medium, smooth, cream wove paper mounted to card, Sheet: 6 5/8 × 9 1/8 inches (16.8 × 23.2 cm) and Mount: 10 1/8 × 13 1/8 inches (25.7 × 33.3 cm),

Modern Grace...The Ballet of Alonzo e Cara, Thomas Rowlandson, 1756–1827, British, 1796, Watercolor with pen and brown ink on medium, smooth, cream wove paper, Mount: 9 7/8 x 11 3/8 inches (25.1 x 28.9 cm) and Sheet: 6 7/8 x 9 1/8 inches

Near Long Buckby, John Faulkner, active 1848–1890, Irish, undated, Watercolor on moderately thick, moderately textured, cream wove paper, Image: 19 1/16 × 38 7/8 inches (48.4 × 98.8 cm), architectural subject, bridge (built work),

General Washington, Print made by Thomas Cheesman, 1760–1834/35, British, after John Trumbull, 1756–1843, American, 1796, Stipple engraving and etching with hand coloring in watercolor on medium, slightly textured, cream wove paper,

Two Riders Jumping a Wooden Fence, Henry Thomas Alken, 1785–1851, British, undated, Graphite and watercolor on medium, slightly textured, blued white, wove paper, Sheet: 9 5/16 × 13 1/4 inches (23.7 × 33.7 cm), fence, galloping,

View on the Thames at Batersea, William P. Sherlock, c.1780–1850, undated, Watercolor, pen and gray ink, and graphite on medium, slightly textured, cream laid paper, Sheet: 8 × 12 1/2 inches (20.3 × 31.8 cm

Porpoises, July 7, 1883, Henry Moore, 1831–1895, British, 1883, Watercolor with graphite on medium, slightly textured, cream wove paper, Sheet: 10 x 13 15/16in. (25.4 x 35.4cm) and Sheet: 9 7/8 × 13 inches (25.1 × 33 cm), animal art,

Dr. Syntax Visits a Boarding School for Young Ladies, Thomas Rowlandson, 1756–1827, British, 1821, Watercolor and graphite with pen and black ink and pen and gray ink on medium, slightly textured, cream wove paper, Sheet: 5 1/16 x 8 5/16

Design for a Medal: Growing Arts Adorn Empire, Caroline Protecting, Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45), ca. 1736, Pen and black ink, over graphite, incised for transfer on medium, moderately

Errand Boy Asleep in a Church, circle of John Sell Cotman, 1782–1842, British, ca. 1825, Watercolor over graphite on medium slightly textured cream wove paper, Sheet: 9 3/8 x 11 3/8 inches (23.8 x 28.9 cm) and Contemporary drawn border: 10

A Moorish Citadel, Hercules Brabazon Brabazon, 1821–1906, British, undated, Watercolor and gouache on medium, slightly textured, cream wove paper mounted on thick, slightly textured, cream board, Mount: 9 1/4 x 6 1/2 inches (23.5 x 16.5

A Forest Road, unknown artist, formerly Joseph Mallord William Turner, 1775–1851, British, undated, Watercolor on thick, slightly textured, brown wove paper, Sheet: 5 7/8 x 9 7/8 inches (14.9 x 25.1 cm), figures, forest, genre subject,

Interior of a Gothic Church, Augustus Welby Northmore Pugin, 1812–1852, British, Augustus Charles Pugin, 1762–1832, French, undated, Watercolor on moderately thick, moderately textured, cream wove paper, Sheet: 5 1/4 × 3 3/4 inches

Tufara, Carlo Labruzzi, 1748–1817, Italian, undated, Watercolor over graphite on medium, slightly textured, cream laid paper, Sheet: 13 7/8 × 12 5/8 inches (35.2 × 32.1 cm), arch bridge, bridge (built work), landscape, Campobasso,

Jerusalem, Plate 61, 'Behold: in the Visions of Elohim Jehovah....', Print made by William Blake, 1757–1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream

Mechanical Grinder with Figures, Samuel Prout, 1783–1852, British, undated, Watercolor and graphite on moderately thick, slightly textured, blued white wove paper, Sheet: 3 3/4 x 4 1/16 inches (9.6 x 10.3 cm), figure study, genre subject,

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), channel (water body

Girl in a Punt, George Dunlop Leslie, 1835–1921, British, 1859, Watercolor and pastel on medium, moderately textured, cream wove paper, Sheet: 14 1/4 × 23 3/4 inches (36.2 × 60.3 cm), benches, genre subject, leisure, punt

Between Derr and Ibreem, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, white gouache, pen and brown ink on thick, moderately textured, gray wove paper, Sheet: 2 3/4 x 10 5/8 inches (7 x 27 cm), landscape, palm trees,

Macbeth and the Witch, George Cruikshank, 1792–1878, British, undated, Watercolor with black and brown ink over graphite on moderately thick, slightly textured, beige wove paper, Sheet: 7 1/2 × 9 3/4 inches (19.1 × 24.8 cm) and Image: 6

Roses, Hercules Brabazon Brabazon, 1821–1906, British, undated, Watercolor and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 7 7/8 x 6 1/4 inches (20 x 15.8 cm), flowers (plants), roses (plant), still life,

Tomb of the Three Children of Sir Thomas Savage from Isleworth Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove

Landscape (in The Lake District?), Attributed to Robert Speare, 1799–1812, undated, Watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 5 1/2 × 8 inches (14 × 20.3 cm), lake, landscape, mountains, trees,

Government House, Belize from Fort St. George, British Honduras, I. H. Gascoigne, active 1830s–1840s, ca. 1830, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 9 9/16 x 14in. (24.3 x 35.6cm) and Sheet: 9 ×

Square in the Village of Los Silos, Tenerife, Alfred Diston, active 1818–1829, 1827, Pen and black ink and watercolor on medium, slightly textured, cream wove paper mounted to thick brown card, Sheet: 6 7/8 × 9 1/4 inches (17.5 × 23.5

search results: Watercolor clear search