Images at Librifly

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Folio from a Qur'an Manuscript, second half 14th century, Made in probably Egypt, Ink, opaque watercolor, and gold on paper, 10 3/8 x 7 3/8in. (26.4 x 18.7cm), Codices

Where the Eggs and the Good Roast Come From, 1921, Watercolor and transferred printing ink on paper mounted on cardboard, 7 1/2 × 12 7/8 in. (19.1 × 32.7 cm), Drawings, Paul Klee (German (born Switzerland), Münchenbuchsee 1879–1940

Bifolium from a Qur'an Manuscript, 15th century, Made in Egypt or Syria, Ink, opaque watercolor, and gold on paper, Ht. 10 1/4 in. (26 cm), Codices

First Merchants' Exchange, New York (elevation of main façade), probably 1826, Watercolor, pen and black ink over graphite, sheet: 8 1/2 x 10 1/2 in. (21.6 x 26.7 cm), Drawings, Alexander Jackson Davis (American, New York 1803–1892 West

Collection of Trade Cards, Mainly British, 1700 - 1850 [Baron Leverhulme, Volume II], 1700–1850, Etching and engraving, ink and watercolor

Calendar-Almanac in Scroll Form, dated A.H. 1224/A.D. 1810, Attributed to Turkey, Ink, opaque watercolor, and gold on parchment, H. 4 in. (10.2 cm), Codices, This small illuminated handscroll once functioned as a portable calendar-almanac,

A View of Moulins, ca. 1850–60, Graphite and watercolor on heavy wove paper, 12 1/2 x 20 1/16 in. (31.7 x 51 cm), Drawings, Henri-Joseph Harpignies (French, Valenciennes 1819–1916 Saint-Priv

Portrait of Ustad Muhammad Ali, 17th century, Attributed to Iran, Opaque watercolor and gold on paper, H. 9 11/16 in.. (24.6 cm), Codices

Birds Swooping Down and Arrows, 1919, Watercolor and transferred printing ink on gesso on paper mounted on cardboard, 9 5/8 × 12 5/8 in. (24.4 × 32.1 cm), Paul Klee (German (born Switzerland), Münchenbuchsee 1879–1940 Muralto-Locarno

The Colosseum, Rome, n.d., Pen and brown ink, watercolor, heightened with white, 17 1/2 x 26 in. (44.4 x 66 cm.), Drawings, Abraham Louis Rodolphe Ducros (Swiss, Yverdon 1748–1810 Lausanne

A Heron, late 18th century, Attributed to India, Water-color on paper, OveralL. 18 3/4 x 13 1/2in. (47.6 x 34.3cm), Codices, Produced during the British colonial period, this study of a heron shows great detail in all aspects of the depiction.

Large Boston Public Garden Sketchbook: Three girls sitting on the grass, 1895–97, Recto: watercolor over pencil; bordered in pencil and watercolor; verso: pencil, bordered, 14 1/8 x 11 3/16 in. (35.8 x 28.4 cm), Drawings, Maurice Brazil

Large Boston Public Garden Sketchbook: Design for an advertisement for a tearoom, 1895–97, Recto: pen and brush and black ink over pencil, bordered in pen and black ink over pencil; Verso: watercolor over pencil, bordered in pencil and

Large Boston Public Garden Sketchbook: Two women stopping to converse with an acquaintance riding in a carriage, 1895–97, Recto: watercolor over pencil, bordered in watercolor and pencil, 14 1/8 x 11 3/16 in. (35.8 x 28.4 cm), Drawings,

Illustrated Single Work, 9th–10th century, Attributed to Egypt, Ink and opaque watercolor on parchment, Gr. Diam. 12 1/2 in. (31.8 cm), Codices

Folio from a Qur'an Manuscript, second half 10th century, Made in Eastern Islamic Lands, Ink, opaque watercolor, and gold on paper, H. 14 1/4 in. (36.2 cm), Codices

Large Boston Public Garden Sketchbook: Two girls and a woman in a veiled hat, 1895–97, Recto: watercolor over pencil, bordered in pencil and watercolor, 14 1/8 x 11 3/16 in. (35.8 x 28.4 cm), Drawings, Maurice Brazil Prendergast (American,

View of the Seine, Samois, 1906 (?), Charcoal and watercolor, 5 x 9 3/4 in. (12.7 x 24.7 cm), Drawings, Paul Signac (French, Paris 1863–1935 Paris

Folio from a Qur'an Manuscript, probably early 15th century, Attributed to India, Ink, opaque watercolor, and gold on paper, 8 3/4 x 9 5/16 in. (22.2 x 23.7 cm), Codices, Sura 8 (al-'Anfal): end of 74 through 75; Sura 9(al-Tawba): 1 to the

Dragon in a Landscape, 16th century, Attributed to Turkey, Ink and watercolor on paper, Painting: H. 2 1/4 in. (5.7 cm), Codices

Folio from a Qur'an Manuscript, 15th century, Attributed to Egypt, Ink, opaque watercolor, and gold on paper, 10 1/8 x 7 1/4 in. (25.7 x 18.4 cm), Codices, In this folio from a Qur’an manuscript, a kufic line in gold leaf indicates the

Maharana Jagat Singh Hawks for Cranes, dated 1744, Western India, Rajasthan, Udaipur, Opaque watercolor, ink and gold on paper, Sheet: 26 7/8 x 29 3/4 in. (68.3 x 75.6 cm), Paintings, Shiva and Dayal, This spectacular panoramic vista of the

Lyceum of Natural History, New York (front elevation), 1835, Watercolor, ink and graphite, sheet: 20 13/16 x 14 1/2 in. (52.8 x 36.8 cm), Alexander Jackson Davis (American, New York 1803–1892 West Orange, New Jersey), Ithiel Town

Ericstan, for John J. Herrick, Tarrytown, New York (perspective), 1855, Watercolor, ink, and graphite on paper, 25 5/16 x 30in. (64.3 x 76.2cm), Alexander Jackson Davis (American, New York 1803–1892 West Orange, New Jersey), Davis' most

Page of Calligraphy from a Shahnama (Book of Kings), ca. 1330–40, Attributed to Iran, probably Isfahan, Ink, opaque watercolor, gold, and silver on paper; cloth cover, Page: 8 x 5 1/8 in. (20.3 x 13 cm), Codices

Man with Prayer Beads, mid-17th century, Attributed to Iran, Isfahan, Ink, transparent and opaque watercolor, and gold on paper, H. 4 1/2 in. (11.4 cm), Codices, Painting by Muhammad `Ali, In the mid-seventeenth century, followers of the

The Gopis Plead with Krishna to Return Their Clothing, Page from a Bhagavata Purana (Ancient Stories of Lord Vishnu) series, ca. 1610, India (Rajasthan, Bikaner), Ink, opaque watercolor, and gold on paper, Image: 6 3/4 x 9 3/4 in. (17.1 x

'Laila Visiting Majnun in the Desert', Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, 1520–25, Made in present-day Afghanistan, Herat, Ink, opaque watercolor, and gold on paper, 8 1/2 x 5 1/4in. (21.6 x 13.3cm), Codices

Majnun in the Wilderness, last quarter 16th century, Attributed to Iran, Ink, transparent and opaque watercolor on paper, H. 4 1/4 in. (10.8 cm), Codices

Page of Calligraphy, dated A.H. Rabi' al-Awwal 1069/ A.D. December 1658, Made in India, Kashmir, Ink and watercolor on paper, H. 11 5/16 in. (28.8 cm), Codices, This page comes from a book copied by Muhammad Ashraf al-Radhawi, who wrote it in

Portrait of Sultan 'Ala-ud-Din, Padshah of Delhi, late 17th century, Attributed to India, Ink, opaque watercolor, and gold on paper, Page: H. 8 1/4 in. (21 cm), Codices

Portrait of a Youth, second half 16th century, Attributed to Iran, Opaque watercolor and gold on paper, H. 9 1/2 in. (24.1 cm), Codices

Large Boston Public Garden Sketchbook: Mothers and children in the park, 1895–97, Recto: watercolor over pencil, bordered in pencil and watercolor, 14 1/8 x 11 3/16 in. (35.8 x 28.4 cm), Drawings, Maurice Brazil Prendergast (American, St.

'Laila and Majnun in School', Folio 129 from a Khamsa (Quintet) of Nizami, A.H. 931/A.D. 1524–25, Made in present-day Afghanistan, Herat, Ink, opaque watercolor, and gold on paper, Painting: H. 7 1/2 in. (19.1 cm), Codices, Painting by

Lago Avernus, ca. 1867–70, Watercolor, gouache, and graphite on blue wove paper, 4 1/2 x 9 1/2 in. (11.4 x 24.1 cm), Drawings, William Trost Richards (American, Philadelphia, Pennsylvania 1833–1905 Newport, Rhode Island

The Chair-Animal, 1922, Watercolor and transferred printing ink on paper, bordered with gouache, mounted on cardboard, 18 3/4 × 24 1/8 in. (47.6 × 61.3 cm), Drawings, Paul Klee (German (born Switzerland), Münchenbuchsee 1879–1940

Folio from a Qur'an Manuscript in Floriated Script, 11th century, Attributed to Iran or Central Asia, Ink, opaque watercolor, and gold on paper, H. 9 7/8 in. (25.1 cm), Codices, The manuscript to which this page once belonged, copied in

Design for a Sword Hilt, Scabbard, and Belt Fittings, ca. 1840–50, Paris, French, Paris, Watercolor and ink on paper, 12 3/8 x 18 3/4 in. (32 x 48 cm), Works on Paper-Drawings, Attributed to Eugène Julienne (French, Paris 1808–1875

Divan (Collected Works) of Mir 'Ali Shir Nava'i, 1580, Attributed to Iran, Ink, opaque watercolor, and gold on paper; leather binding, 10 3/4 x 7in. (27.3 x 17.8cm), Codices

Folios from a Non-Illustrated Manuscript, 16th–17th century, Attributed to Iran, Ink, opaque watercolor, and gold on paper, Codices

View of Lateran, Rome, 1672–73, Pen and brush and gray and brown ink, gray and brown washes, some watercolor and white gouache, on vellum., 3 5/16 x 5 9/16 in. (8.4 x 14.2 cm), Drawings, Lievin Cruyl (Ghent 1634–Ghent 1720

The Barbed Noose with the Mice, 1923, Watercolor and gouache on paper, bordered with gouache, mounted on cardboard, 12 1/4 × 15 3/4 in. (31.1 × 40 cm), Drawings, Paul Klee (German (born Switzerland), Münchenbuchsee 1879–1940

Portrait of a Yellow Man, 1921, Watercolor, transferred printing ink, and ink on paper mounted on cardboard, 23 1/8 × 16 1/2 in. (58.7 × 41.9 cm), Drawings, Paul Klee (German (born Switzerland), Münchenbuchsee 1879–1940 Muralto-Locarno

Large Boston Public Garden Sketchbook: The Huntington Avenue Streetcar, 1895–1897, Watercolor over pencil, 14 1/8 x 11 3/16 in. (35.8 x 28.4 cm), Drawings, Maurice Brazil Prendergast (American, St. John’s, Newfoundland 1858–1924 New

Morlaix, Entrance of the River, 1927, Black crayon and watercolor, 10 7/8 x 16 15/16 in. (27.7 x 43 cm), Drawings, Paul Signac (French, Paris 1863–1935 Paris

Large Boston Public Garden Sketchbook: A mother pushing her baby in a perambulator, with her daughter at her side, 1895–97, Recto: watercolor over pencil, bordered in pencil and watercolor, 14 1/8 x 11 3/16 in. (35.8 x 28.4 cm), Drawings,

Design for Pony Phaeton, no. 4136, 1891, Graphite, pen and black ink, watercolor and gouachePossibly owned by, Sheet: 6 x 9 3/16 in. (15.2 x 23.3 cm), Drawings, Herman Stahmer (American, 1857–1894), Brewster & Company History Established

Folio from a Qur'an Manuscript, 9th–early 10th century, Made in Central Islamic Lands, Ink, opaque watercolor, and gold on parchment, H. 3 5/16 in. (8.4 cm), Codices, Like many early Qur’an folios, this folio is written in parchment in

View of the Bay of Naples with Vesuvius, Smoking, in the Distance (Evening), 1871, Watercolor with touches of gouache over graphite, 19-1/2 x 29 5/8 in. (49.5 x 75.3 cm), Drawings, Alfred William Hunt (British, Liverpool 1830–1896 London),

Treatise of Jurisprudence, late 15th–16th century, Probably made in Syria, Ink, opaque watercolor, and gold on paper, Codices

An Encampment of Yogis, ca. 1660, India (Deccan, Aurangabad?), Ink and opaque watercolor on paper, 5 7/8 x 4 1/4 in. (14.9 x 10.8 cm), Paintings

Page of Calligraphy from an Anthology of Poetry by Sa`di and Hafiz, late 15th century, Attributed to present-day Afghanistan, Herat, Ink, opaque watercolor, silver, and gold on paper, 11 7/8 x 7 1/2in. (30.2 x 19cm), Codices, This folio,

Folio from a Qur'an Manuscript, dated A.H. 485/A.D. 1092, Attributed to Iran or Afghanistan, Ink, opaque watercolor, and gold on paper, 10 1/2 x 7 7/8 in. (26.7 x 20 cm), Codices, This page almost certainly comes from a dispersed Qur'an dated

Page of Calligraphy, 17th century, Made in India, Opaque watercolor and gold on paper, a) Whole page H. 18.1 in. (46 cm), Codices, Bichitr (active ca. 1610–60

Folio from a Mantiq al-tair (Language of the Birds), dated A.H. 892/A.D. 1486, Attributed to Iran, Isfahan, Ink, opaque watercolor, silver, and gold on paper, Codices

Panel with Coat of Arms, early 20th century (original dated 15th century), British, Watercolor, pencil on paper, Overall: (framed) 85 1/2 x 22 1/2 in. (217.2 x 57.2 cm), Reproductions-Stained glass, Alfred A. Bradbury

'Misbah the Grocer Brings the Spy Parran to his House', Folio from a Hamzanama (The Adventures of Hamza), ca. 1570, Attributed to India, Ink, opaque watercolor, and gold on cloth; mounted on paper, H. 27 7/8 in. (70.8 cm), Codices,

Maharana Bhim Singh and Retinue Embark on a Hunt, ca. 1805–10, Western India, Rajasthan, Udaipur or Devgarh, Ink, opaque watercolor, and gold on paper, 15 x 16 1/8 in. (38.1 x 41 cm), Paintings, Attributed to Chokha (Indian, active

David Parrish: Interior of a Tavern, ca. 1922, Watercolor and pencil on paper, 20 x 14 in. (50.8 x 35.6 cm), Drawings, George Luks (American, Williamsport, Pennsylvania 1866–1933 New York

Boy in Fancy Dress, 1931, Watercolor and gouache on paper mounted on cardboard, 24 3/4 × 18 7/8 in. (62.9 × 47.9 cm), Drawings, Paul Klee (German (born Switzerland), Münchenbuchsee 1879–1940 Muralto-Locarno

Page of Calligraphy from an Anthology of Poetry by Sa`di and Hafiz, late 15th century, Attributed to present-day Afghanistan, Herat, Ink, opaque watercolor, silver, and gold on paper, 11 7/8 x 7 1/2in. (30.2 x 19cm), Codices, This folio,

Bifolium from a Qur'an Manuscript, 15th century, Made in India, probably Gujarat, Ink, opaque watercolor, and gold on paper, Double folio: , Codices, The double folio is from a Qur'an manuscript with three lines in black ink on each page and

Hindus Conversing before a Shrine, 17th century, Attributed to India, Ink, opaque watercolor, and gold on paper, Image 5 5/8 in x 8 1/8 in., Codices

Prince in a Garden Courtyard, 1525–30, Attributed to Iran, Tabriz, Opaque watercolor, ink, gold, and silver on paper, Image 4 3/4 in x 8 1/2 in., Codices, This typical bazm (feast) scene is the left-hand side of a double page painting.

Libido of the Forest, 1917, Watercolor on gesso on fabric mounted on cardboard, 7 1/8 in. × 10 in. (18.1 × 25.4 cm), Paul Klee (German (born Switzerland), Münchenbuchsee 1879–1940 Muralto-Locarno

Colophon Page from Iskandarnama Manuscript, dated A.H. 912/ A.D. 1507, Attributed to Iran, Ink, opaque watercolor, and gold on paper, Codices

Page of Calligraphy with Scribbled Bird and Insect?, 16th–17th century, Attributed to Iran, Ink and opaque watercolor on paper, 8 13/16 x 5 9/16in. (22.4 x 14.1cm), Codices

Folio from a Qur'an Manuscript, early 14th century, Attributed to Iran, Ink, opaque watercolor, and gold on paper, 14 1/2 x 10 7/8in. (36.8 x 27.6cm), Codices

Dervish Leaning on a Staff, 16th century, Attributed to Iran, Ink, transparent and opaque watercolor, and gold on paper, H. 3 3/16 in. (8.1 cm), Codices

'Calligraphic Composition in Shape of Peacock', Folio from the Bellini Album, ca. 1600, Attributed to Turkey, Ink, opaque watercolor, and gold on paper, H. 9 9/16 in. (24.3 cm), Codices, This album, known as the 'Bellini' Album because it

Design for window tracery for Chapman - full size, 1853–55, Ink and watercolor, sheet: 36 1/2 x 20 in. (92.7 x 50.8 cm), Drawings, Alexander Jackson Davis (American, New York 1803–1892 West Orange, New Jersey

Large Boston Public Garden Sketchbook: Four vignettes of fashionably dressed women, 1895–97, Recto: watercolor over pencil; verso: pencil, 14 1/8 x 11 3/16 in. (35.8 x 28.4 cm), Drawings, Maurice Brazil Prendergast (American, St. John’s,

'Zulaykha Bidding for Yusuf in the Slave Market in Egypt', Folio from Yusuf and Zulaykha, second half 16th century, Attributed to Iran, Shiraz, Ink, opaque watercolor, and gold on paper, Painting: Ht. 6 7/8 in. (17.5 cm), Codices

Peasant Family in a Barn, 1640s, Pen and brown ink, brown and gray wash, and watercolor (mainly brown, gray, red, green, yellow) over traces of black chalk., 10 11/16 x 15 3/16 in. (27.1 x 38.6 cm), Drawings, Copy after Isaac van Ostade

Equestrian Statue of Marcus Aurelius, 1757, Pen and black ink, brush and gray and brown wash, pale rose watercolor and white heightening over black chalk., 19 1/16 x 23 1/8 in. (48.4 x 58.8 cm), Drawings, Hubert Robert (French, Paris

A Gentleman with his Musicians, mid-16th century, Attributed to Iran, Ink and opaque watercolor on paper, H. 8 3/4 in. (22.2 cm), Codices

Quilleboeuf, ca. 1928, Black crayon and watercolor, 9 15/16 x 15 3/16 in. (25.2 x 38.6 cm), Drawings, Paul Signac (French, Paris 1863–1935 Paris

'A Youth and a Noble Conversing by a Stream', Folio from a Dispersed Manuscript, late 16th century, Attributed to Iran, Ink, opaque watercolor, silver, and gold on paper, 10.5 in. high 7.50 in. wide (26.7 cm high 19.1 cm wide), Codices

Page of Calligraphy, early–mid-19th century, Made in Iran, Ink, opaque watercolor, and gold on paper, 9 x 5 5/8in. (22.9 x 14.3cm), Codices, Muhammad Shafic (1779–1846), known as Vesal of Shiraz, is among the most celebrated and

Interior Elevation with Statue of Louis II, Reims Cathedral, n.d., Pen and black ink, watercolor, 29 15/16 x 18 1/16 in. (76 x 45.9 cm), Drawings, Charles Percier (French, Paris 1764–1838 Paris), Pierre François Léonard Fontaine (French,

Westminster Bridge, the Surrey Side, ca. 1750, Watercolor and black chalk, with touches of pen and ink, sheet: 9 3/8 x 34 1/4 in. (23.8 x 87 cm), Drawings, Samuel Scott (British, London ca. 1702–1772 Bath), Scott specialized in marines and

Folio from a Qur'an Manuscript, dated A.H. 531/ A.D. 1137, Attributed to Iran, Ink, gold, and opaque watercolor on paper, H. 8 in. (20.3 cm), Codices

'The Ascetic and his Guest with the Mouse Steal the Ascetic's Food', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

Design for an Oval Ceiling, 19th century, Watercolor, heightened with gold, sheet (Oval): 7 1/8 x 6 1/4 in. (18.1 x 15.9 cm), Anonymous, British, 19th century

Study Sheet with Figures and Landscapes at Arnemuiden (near Middelburg, The Netherlands), mid-19th century, pencil, watercolor, and some white bodycolor, 14-11/16 x 11-7/8 in. (37.3 x 30.2 cm), Drawings, Pierre Louis Dubourcq (Dutch,

The Reception, 1780–1827, Ink and watercolor, Sheet: 9 1/2 in. × 15 in. (24.1 × 38.1 cm), Drawings, Thomas Rowlandson (British, London 1757–1827 London

Sacrifice of Noah (?), 18th century, Pen and brown ink, brush and yellow, red, green, blue, brown and gray watercolor, over black chalk on cream laid paper, 5-3/8 x 7-11/16 in. (13.7 x 19.5 cm), Drawings, Anonymous, Italian, first half

A Walking Musketeer, seen from behind, 17th century, Black chalk, brush and brown ink, brown wash, some spots of blue watercolor along the edges. Framing line in pen and brown ink., 8-1/16 x 6 inches (20.5 x 15.2 cm), Drawings, Anthonie

Windsor Great Park, 1790–99, Watercolor and gouache, sheet: 9 x 12 3/16 in. (22.9 x 30.9 cm), Drawings, Paul Sandby (British, baptized Nottingham 1731–1809 London), Sinuous tree trunks frame this view of a dense wood where a bull drinks

One of Twenty-Three Sheets of Drawings of Glassware (Mirrors, Chandeliers, Goblets, etc.), 1850–80, Tissue, with pencil, pen and ink, and watercolor, 14 x 19 in. (35.6 x 48.3 cm), Drawings, Compagnia di Venezia & Murano

recto: 'Portrait of Prince Danyal', Folio from the Shah Jahan Album, recto: late 16th century; verso: ca. 1500, Attributed to India, Ink, opaque watercolor, and gold on paper, H. 15 5/16 in. (38.9 cm), Miscellaneous, Painting by Manohar

Suggestion for Three Upper Windows in Large Hall for Residence of Mr. T. Eaton, Toronto, Canada, ca. 1904–11, Made in New York, United States, American, Gouache and watercolor on transparent paper over photograph collage (probably gelatin

Swiss mountain landscape with small bridge spanning a brook, 1751–81, Watercolor and gouache, over graphite, sheet: 10 9/16 x 15 3/8 in. (26.8 x 39 cm), Drawings, Franz Schütz (German, Frankfurt am Main 1751–1781 Genf

Drawing of the Peacock Room at 49 Prince's Gate, ca. 1900, Watercolor over graphite, sheet: 10 11/16 x 7 3/4 in. (27.1 x 19.7 cm), Pickford Robert Waller (British, London 1849–1930 Bournemouth

View Looking Aft from the Port Paddle-box on the Deck of the Great Eastern: Showing the Trough for the Cable, etc., 1865–66, Watercolor with touches of gouache, Sheet: 8 15/16 x 6 1/4 in. (22.7 x 15.9 cm), Drawings, Robert Charles Dudley

Coiling the Cable in the After-tank on Board the Great Eastern at Sheerness: Visit of H.R.H. the Prince of Wales on May 23rd, 1865, 1865–66, Watercolor over graphite with touches of gouache, Sheet: 6 11/16 in. × 10 in. (17 × 25.4 cm),

Initiation Cards (Tsakalis), early 15th century, Tibet, Opaque watercolor on paper, Each 6 1/4 x 5 3/4 in. (16 x 14.5 cm), Paintings, Tsakali cards were used by itinerant teachers moving from one monastery to another in order to evoke Vajrayana

Design for Ecclesiastical Embroidery, Vertical Pattern with Tudor Rose, late 19th–early 20th century, Graphite, pen and ink with watercolor, Ernest Geldart (British, London 1848–1929

Arrangement of the Levite Camps around the Tabernacle, one of six illustrated leaves from the Postilla Litteralis (Literal Commentary) of Nicholas of Lyra, ca. 1360–1380, French, Opaque watercolor, iron-gall ink and gold on vellum, 16 1/2 x 9

Interior of a Courtyard with Figures, early 17th century, Attributed to India, Opaque watercolor, ink, and gold on paper, Image 5 5/8 in x 8 1/4 in, Codices

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