Images at Librifly

search results: Watercolor clear search

Court of the Bargello, Florence, Thomas Hartley Cromek, 1809–1873, British, 1839, Watercolor, pen and brown ink, pen and black ink, and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 12 5/16 x 9 1/8in. (31.3

Windsor Castle, Berkshire: Seven Designs for a Stable, Studio of Sir Jeffry Wyatville, 1766–1840, British, undated, Watercolor with graphite, pen and black ink on moderately thick, slightly textured, cream wove paper with one fold mark and

Knives or Scissors to Grind, Thomas Rowlandson, 1756–1827, British, undated, Watercolor with pen and black and brown ink on medium, slightly textured, cream wove paper, Sheet: 4 3/16 x 2 3/4 inches (10.6 x 7 cm), buildings, children, dog

A Collection of Surveys of Scottish Estates of the Earl of Selkirk: Balgreddan and Whinny Liggate, unknown artist, undated, Graphite, watercolor, gray wash, pen and black ink on slightly textured, moderately thick, cream wove paper, Sheet:

Tomb and Brass Plate of Alan Porter, from Chiselhurst Church, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 13 3/4

Tenerife - Woman of Tacoronte, Alfred Diston, active 1818–1829, 1828, Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper, Sheet: 7 7/8 × 6 1/2 inches (20 × 16.5 cm), costume, figure study, genre

Group of Three Young Women, Biagio Rebecca, Italian, 1735–1808, Italian, Formerly attributed to John Collet, ca. 1725–1780, British, undated, Watercolor, pen and black ink, and pen and gray ink on medium, slightly textured, cream

The Ocean Seal of Lepechin, James Stewart, 1791–1863, British, ca. 1837, Watercolor and graphite on thick, slightly textured, cream, wove paper, Sheet: 5 3/8 × 8 1/16 inches (13.7 × 20.5 cm

The Isabella Quagga, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and gray ink, and graphite on mediium, slightly textured, cream, wove paper, Sheet: 3 15/16 × 6 1/2 inches (10 × 16.5 cm), animal art

Howe's Victory off Ushant, Robert Dodd, 1748–1816, British, Published by Benjamin Beale Evans, ca. 1765–1824, British, 1795, Aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper, Sheet: 20 7/8 × 30

The Wood, Robert Hills, 1769–1844, British, undated, Watercolor, gray wash, and graphite on medium, slightly textured, cream wove paper, Sheet: 9 5/8 x 7 3/8 inches (24.4 x 18.7 cm), forest, landscape, trees, woods

Mt. Orfano, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and brown ink on thick, moderately textured, beige wove paper, Sheet: 3 7/16 x 10 1/8 inches (8.7 x 25.7 cm), landscape, sky, tree

Tomb of Ann Buckley, from Sunbury Churchyard, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 14 7/8 × 10 5/8 inches (37.8 ×

A Struggle With a Load of Clay, James Abbott Pasquier, active 1851–1872, 1855, Watercolor, pen and brown ink, graphite, and gouache on medium, slightly textured, brown, wove paper, Mount: 8 3/8 × 13 1/2 inches (21.3 × 34.3 cm),

A Monkey and Young, Samuel Howitt, 1756–1822, British, after 1799, Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper, Sheet: 5 1/8 × 7 1/8 inches (13 × 18.1 cm), animal art, cliff, falling,

One of eighteen designs for a series of plates illustrating Venus and Adonis, Hablot Knight Browne, 1815–1882, British, undated, Graphite, red chalk, watercolor and white gouache on medium, slightly textured, gray wove paper, Sheet: 6 5/8

The Hyena of Albara, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and gray ink, black ink, brown ink and graphite on moderately thick, smooth, cream, wove paper, Sheet: 4 1/2 × 7 1/8 inches (11.4 × 18.1 cm),

Unidentified Fish, Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 1/4 inches (41.3 cm) and Sheet: 16 × 12 1/2 inches (40.6 × 31.8 cm), animal

South American Porcupine, James Sowerby, 1756–1822, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 11 3/4 × 8 3/8 inches (29.8 × 21.3 cm), animal art, Brazilian Porcupine, Mammalia

Unidentified Ungulate, James Bruce, 1730–1794, British, undated, Watercolor over graphite on medium, slightly textured, cream laid paper, Sheet: 13 1/8 × 15 inches (33.3 × 38.1 cm), animal art

View of Vesuvius, John Warwick Smith, 1749–1831, British, undated, Watercolor over graphite on medium, moderately textured, cream wove paper mounted on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/8 x 10 3/4 inches

The Maniac, Thomas Rowlandson, 1756–1827, British, 1787, Watercolor and graphite with pen and black ink on medium, moderately textured, cream laid paper, Mount: 7 13/16 x 8 13/16 inches (19.8 x 22.4 cm) and Sheet: 6 13/16 x 7 13/16 inches

Fort Snelling, Godfrey Thomas Vigne, 1801–1863, British, 1853, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 9 1/8 × 14 7/8 inches (23.2 × 37.8 cm), flag, fort, lake, landscape, plains

Design for a Medal: Frederick and Augusta, Prince and Princess of Wales, Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45), undated, Pen and black ink, pen and red ink, graphite, red chalk and gold leaf on

Abbot's Kitchen, Glastonbury, Michael 'Angelo' Rooker, 1746–1801, British, ca. 1795, Watercolor and black ink over graphite on moderately thick, slightly textured, cream wove paper, Sheet: 8 x 10 1/2 inches (20.3 x 26.7 cm), abbey,

Battle Scene: Battleships, Frigates and Corvettes; Sinking Boat and Rowboat, Joseph Cartwright, c.1789–1829, British, undated, Watercolor, pen and black ink, gray ink, gray wash and graphite on moderately thick, moderately textured,

View of a Park with Deer, William Byron, fourth Baron Byron, 1669–1736, British, undated, Watercolor, with pen, in brown ink, graphite, gouache and gold on medium, slightly textured, cream, laid paper, mounted on, moderately thick,

The Rock of Gibraltar from the Alameida at San Roque, George Lothian Hall, 1825–1888, British, 1844, Watercolor, pen and black ink over graphite on thick, moderately textured, cream wove paper, Sheet: 6 1/4 × 10 inches (15.9 × 25.4 cm),

River View with a Junk (near Rajmahal?), Samuel Davis, 1757–1819, British, between 1777 and 1808, Watercolor, graphite and pen and brown ink on medium, slightly textured, cream laid paper, Sheet: 10 3/8 × 7 7/8 inches (26.4 × 20 cm),

Reminiscence of Gainsborough, Robert Hills, 1769–1844, British, undated, watercolor and graphite on medium, rough, beige wove paper, Sheet: 3 1/2 x 4 1/4 inches (8.9 x 10.8 cm), animal art, cows, figures, landscape, path, trees

Mary Magdalen at the Sepulchre, William Blake, 1757–1827, British, ca. 1805, Watercolor with pen and black ink and gray ink on medium, moderately textured, cream wove paper, Sheet: 17 1/4 x 12 1/4 inches (43.8 x 31.1 cm), angels,

Tinmouth Castle from the North with a View of the Haven, Francois Vivares, 1709–1780, French, after Thomas Smith of Derby, ca. 1720–1767, British, 1747, Engraving tinted with watercolor, Sheet: 14 1/2 x 20 7/8in. (36.8 x 53cm

The First Book of Urizen, Plate 1, 'The First Book of Urizen.' (Bentley 1), Print made by William Blake, 1757–1827, British, 1794, Color-printed relief etching in orange-brown with watercolor on moderately thick, slightly textured, cream

A Black Leg Detected Secreting Cards, Thomas Rowlandson, 1756–1827, British, undated, Watercolor, with pen and gray ink on medium, smooth, cream wove paper, Sheet: 5 x 7 13/16 inches (12.7 x 19.8 cm), cards, chair, crutch, doorway,

Two Jeyties, Gangaram Chintaman Tambat, active 1790s, Anglo-Indian, 1792, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 5 5/8 × 8 15/16 inches (14.3 × 22.7 cm

The Bearded Seal, James Stewart, 1791–1863, British, ca. 1837, Watercolor, graphite, pen and brown ink on thick, smooth, cream, wove paper, Sheet: 5 3/8 × 7 7/8 inches (13.7 × 20 cm

Young's Night Thoughts, Page 46, 'Where sense runs savage broke from reason's chain', Print made by William Blake, 1757–1827, British, ca. 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove

South View of Sherbone Castle, Dorsetshire The Seat of the Earl of Digby, John Buckler FSA, 1770–1851, British, and John Chessell Buckler, 1793–1894, British, 1811, Watercolor and pen and black ink on moderately thick, cream wove paper,

Tyrolese Hunters, John Frederick Lewis, 1804–1876, British, between 1827 and 1828, Watercolor, white gouache, graphite with pen and brown ink on medium, slightly textured, beige wove paper mounted on heavy card, Sheet: 11 x 8 1/8 inches

Unidentified Sunbird, Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 inches (40.6 cm) and Sheet: 15 7/8 × 12 inches (40.3 × 30.5 cm), animal

Studies of a Suit of Armor, Edward Burne-Jones, 1833–1898, British, 1875, Graphite, watercolor, and gouache on thick, moderately textured, brown, wove paper, Sheet: 16 3/4 x 12 3/4 inches (42.5 x 32.4 cm), armor, helmets, military

A Study of Children, John Linnell, 1792–1882, British, 1811, Watercolor over graphite on moderately thick, slightly textured, cream, wove paper, Contemporary drawn border: 8 5/8 x 9 1/4 inches (21.9 x 23.5 cm) and Sheet: 3 1/4 x 5 7/8

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), channel (water body

In the yard of a farmhouse, Edmund Dorrell, 1778–1857, undated, Watercolor, pen, in brown ink, red ink, graphite, and scraping out on moderately thick, moderately textured, beige, wove paper, Sheet: 11 3/8 x 16 1/16in. (28.9 x 40.8cm),

Courtyard of an Inn on the Thames, Thomas Shotter Boys, 1803–1874, British, undated, Watercolor, pen and brown ink, pen and black ink, and graphite on medium, slightly textured, cream wove paper, Sheet: 12 3/8 × 8 inches (31.4 × 20.3

Portrait of a Lady, Bernard Lens III, 1682–1740, British, undated, Gouache and watercolor with scraping out on ivory, Image: 5 x 4 7/8 inches (12.7 x 12.4 cm) and Frame: 7 5/8 x 6 3/4 x 7/8 inches (19.4 x 17.1 x 2.2 cm), blue, flowers

The Spoiled Child, Scene V, Lewis Vaslet, 1742–1808, British, ca. 1802, Watercolor with black ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper, Sheet: 15 1/2 × 19 5/8 inches (39.4 × 49.8 cm) and

A Dog, James Sowerby, 1756–1822, British, undated, Watercolor over graphite on moderately thick, slightly textured, cream wove paper, Sheet: 8 1/4 × 11 3/4 inches (21 × 29.8 cm), animal art, dog (animal), dogs, coyotes, wolves,

Poachers Surprised, Henry Thomas Alken, 1785–1851, British, undated, Watercolor, graphite, and white gouache on medium, slightly textured, cream, wove paper, Sheet: 3 7/8 × 5 7/16 inches (9.8 × 13.8 cm), fighting, genre subject,

Kew: The White House, Orangery, and Temple of Arethusa, Print made by William Elliot, active 1774, died 1792, British, after William Woollett, 1735–1785, British, Commissioned by Robert Sayer, 1725–1794, British, c. 1760, Engraving

By the Wayside, Peter DeWint, 1784–1849, British, undated, Watercolor and gouache over graphite on thick, rough, cream wove paper, Sheet: 7 1/4 x 9 1/2 inches (18.4 x 24.1 cm), cottages, figures, forest, hills, houses, landscape,

Study of a Deer Resting, back view, Samuel Daniell, 1775–1811, British, ca. 1801, Graphite and watercolor on medium, slightly textured, cream laid paper, Sheet: 4 5/8 × 5 7/8 inches (11.7 × 14.9 cm), animal art, deer, resting

Study for a Portrait Group, Samuel Shelley, 1750–1808, British, undated, Watercolor and graphite on medium, moderately textured, blued white laid paper, Sheet: 7 1/2 × 5 1/4 inches (19.1 × 13.3 cm), children, family, father, figure

America. A Prophecy, Plate 9, 'In Thunders Ends the Voice....', Print made by William Blake, 1757–1827, British, 1793, Color-printed relief etching in blue with pen and black ink and watercolor on moderately thick, slightly textured, cream

Bathing Tents on the Beach, Ostend, Samuel Prout, 1783–1852, British, undated, Graphite and watercolor on moderately thick, slightly textured, beige wove paper, Sheet: 3 9/16 x 6 5/16 inches (9 x 16.1 cm), bathing, beach, boys, carts,

Temple by the Lake, George Chinnery, 1774–1852, British, undated, Pen and black ink, watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 2 1/2 × 7 inches (6.4 × 17.8 cm), figure, lake, landscape, ruins,

Memorial to Carous Scarburgh from Cranford Church, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 14 1/2 × 10 7/8 inches (36.8

America. A Prophecy, Plate 10, 'The Terror Answered....', Print made by William Blake, 1757–1827, British, 1793, Color-printed relief etching in green-black with pen and black ink and watercolor on moderately thick, slightly textured,

Welsh Children, Frederick William Hulme, 1816–1884, British, 1851, Watercolor over graphite on moderately thick, moderately textured, cream wove paper, Sheet: 6 1/8 × 56 1/8 inches (15.6 × 142.6 cm), children, dress, figure study,

One from A Volume of Drawings and Prints, Rev. James Bulwer, 1794–1879, British, undated, Pen and brown ink, watercolor, graphite on smooth, moderately thick, cream wove paper, Sheet: 13 3/8 × 17 1/4 inches (34 × 43.8 cm),

Venice, The Mouth of the Grand Canal, Joseph Mallord William Turner, 1775–1851, British, ca. 1840, Watercolor on medium, slightly textured, cream wove paper, Sheet: 8 3/4 x 12 1/2 inches (22.2 x 31.8 cm), boats, buildings, canal,

Hecla and Griper, Charles Hamilton Smith, 1776–1859, Belgian, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 12 7/8 × 16 1/8 inches (32.7 × 41 cm) and Binding: 16 1/8 inches (41 cm),

A Third-Rate in Coastal Waters, Samuel Atkins, active 1787–1808, British, active in the East Indies (1796–1804), 1788, Pen and black ink and watercolor on medium, moderately textured, cream wove paper, Sheet: 6 x 8 in. (15.2 x 20.3 cm)

The Butler, George Augustus Sala, 1828–1895, British, between 1862 and 1882, Watercolor, graphite, and gouache with pen and black ink and pen and brown ink on medium, slightly textured, blue wove paper, Sheet: 4 15/16 × 5 inches (12.5 ×

Lago di Garda, Edward Lear, 1812-1888, British, 1867, Watercolor, graphite, pen and brown ink on medium, slightly textured, light blue wove paper, Sheet: 1 15/16 x 9 inches (4.9 x 22.9 cm), hills, lake, landscape, mountains, sky,

Five Vignettes of Scenes from Antiquity, Robert Smirke, 1752–1845, British, and / or Mary Smirke, 1779–1853, British, undated, Watercolor and graphite on medium, moderately textured, cream, wove paper, mounted on, thick, smooth,

South East View of Wollaton Hall. Nottinghamshire; the Seat of Lord Middleton, John Buckler FSA, 1770–1851, British, and John Chessell Buckler, 1793–1894, British, 1811, Watercolor and pen and black ink on moderately thick, cream wove

Sloans Spring New Jersey, Thomas Sully, 1783–1872, American, undated, Watercolor on moderately thick, slightly textured, beige, wove paper, Sheet: 4 × 5 1/4 inches (10.2 × 13.3 cm

Shetland Pony, James Stewart, 1791–1863, British, ca. 1837, Watercolor, graphite, gouache, pen and black ink, and brown ink on thick, smooth, cream, wove paper, Sheet: 4 1/4 × 6 13/16 inches (10.8 × 17.3 cm

Abu Seer, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and black ink on moderately thick, slightly textured, beige wove paper, Sheet: 3 1/16 x 6 3/16 inches (7.8 x 15.7 cm), cliffs, landscape, water, Abusir,

Two Drawings on One Sheet: Cottage with Figures in Front (no. 15); Landscape with River and Mountains - Sunshine (no. 16), Thomas Sully, 1783–1872, American, undated, Watercolor on medium, slightly textured, beige, wove paper, Sheet: 10

'Doing the Thing: and the Thing Done:' Morning. Turning Out in Prime Twig. Doing the Least you Can, Henry Thomas Alken, 1785–1851, British, 1818, Watercolor, with pen, in brown ink, red ink, black ink, and green ink, over graphite on

Landscape, Looking Downhill to a Village Dominated by a Large Three-Storied Stone House, Michael 'Angelo' Rooker, 1746–1801, British, undated, Watercolor over graphite on moderately thick, slightly textured, cream laid paper, Sheet: 11 5/8

Norwich Cathedral: Interior of the North Aisle of the Choir, Looking East, John Sell Cotman, 1782–1842, British, Miles Edmund Cotman, 1810–1858, British, 1829, Graphite, watercolor, and gouache on medium, slightly textured, cream

Abu Seer, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and black ink on moderately thick, rough, cream wove paper, Sheet: 3 5/16 x 9 7/8 inches (8.4 x 25.1 cm), landscape, river, riverbank, rocks (landforms),

Memorial to Orlando Humpreys from Barking Church, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 15 × 10 3/4 inches

Swishing a Rasper, Henry Thomas Alken, 1785–1851, British, undated, Watercolor, gouache and graphite on medium, slightly textured, beige wove paper mounted to card, Sheet: 8 1/4 × 11 3/8 inches (21 × 28.9 cm), equestrians, fox hunting,

Cobham Hall, Kent: Elevation of Dairy, James Wyatt, 1746–1813, British, 1794, Watercolor and gray wash over pen, graphite and black ink on thick, slightly textured, beige wove paper, Sheet: 14 1/4 x 20 1/4 inches (36.2 x 51.4 cm),

The Foot Bridge, Francis Towne, 1740–1816, British, 1780, Watercolor and black and brown ink over graphite on medium, slightly textured, cream laid paper, Sheet: 6 7/8 x 9 inches (17.5 x 22.9 cm) and Contemporary drawn border: 11 1/8 x 13

Windsor Castle, Berkshire: East View, Studio of Sir Jeffry Wyatville, 1766–1840, British, ca. 1830, Pen and black ink and watercolor on slightly textured, moderately thick, cream wove paper, Sheet: 3 3/8 × 10 1/8 inches (8.6 × 25.7 cm),

Farm House Kitchen at Brackham in Surrey, Thomas Uwins, 1782–1857, British, undated, Watercolor over graphite; verso: graphite and red chalk on medium, moderately textured, cream wove paper, Sheet: 10 1/2 × 15 inches (26.7 × 38.1 cm

Cluny Castle, Aberdeenshire, Scotland: Elevation, William Wilkins, 1778–1839, British, ca. 1816, Pen and black ink and watercolor on slightly textured, moderately thick, cream wove paper, Sheet: 13 3/4 × 18 5/8 inches (34.9 × 47.3 cm),

Part of Regent's Park, Patrick Nasmyth, 1787–1831, British, 1805, Watercolor and graphite with pen and black ink on medium, moderately textured, cream wove paper, Sheet: 6 7/16 × 5 inches (16.4 × 12.7 cm), branches, bushes, grass,

Album of 34 Drawings of Animals and Birds from The Bruce Archive, Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 inches (40.6 cm) and Sheet: 15

In Portsmouth Harbor, George Jackson, active 1839–1844, undated, Watercolor, with pen, in brown ink, graphite, gouache, and scratching out on medium, smooth, cream, wove paper, Sheet: 3 3/8 × 4 3/16 inches (8.6 × 10.6 cm) and Image:

Near Katieh, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, white gouache, pen and brown ink on medium, moderately textured, gray, wove paper, mounted on, moderately thick, moderately textured, cream wove paper, Sheet:

A Collection of Surveys of Scottish Estates of the Earl of Selkirk: Nuntons, John McKinlay, 19th century, undated, Graphite, watercolor, pen and black ink on slightly textured, moderately thick, cream wove paper, Sheet: 32 3/4 × 23 inches

View of the Canton River, near Whampoa, China, Thomas Daniell, 1749–1840, British, active in India, ca. 1780, Watercolor and graphite on medium, slightly textured, cream laid paper, mounted to thick, moderately textured, cream laid

Nantes, William Wyld, 1806–1889, British, undated, Watercolor and gouache on moderately thick, slightly textured, cream wove paper, Sheet: 6 3/4 × 9 5/8 inches (17.1 × 24.4 cm), buildings, cityscape, coast, flags, Grand Tour, light,

Flying News; Or, Seringapatam taken by Stratagem..., William Dent, active 1784–1793, 1792, Etching with watercolor on laid paper, Sheet: 9 3/4 x 13 3/4in. (24.8 x 34.9cm

Tsavo Lion, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, graphite, pen and brown ink on medium, slightly textured, cream, wove paper, Sheet: 4 5/16 × 6 13/16 inches (11 × 17.3 cm), animal art

Memorial to Joannes Castell and Christina Samsoni Sheffield from Greenford Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured,

The Waggoner's Rest, Thomas Rowlandson, 1756–1827, British, between 1800 and 1805, Watercolor with pen and gray ink over graphite on thick, moderately textured, beige wove paper, Sheet: 5 7/8 x 9 1/4 inches (14.9 x 23.5 cm) and Mount: 9

The Garden of the Villa Borghese, Thomas Jones, 1742–1803, British, active in Italy (1776–83), ca. 1776, Watercolor and oil paint on moderately thick, moderately textured, cream laid paper, Sheet: 11 x 16 inches (27.9 x 40.6 cm),

Fiore di Berberra, Luigi Balugani, 1737–1770, Italian, undated, Graphite and watercolor on medium, slightly textured, cream laid paper, Sheet: 12 x 7 7/8 inches (30.5 x 20 cm

A Bird, James Sowerby, 1756–1822, British, undated, Graphite and watercolor on medium, slightly textured, cream wove paper mounted on card, Sheet: 8 1/4 × 6 5/8 inches (21 × 16.8 cm), animal art, bird, Common Linnet

The Bishop's Palace, Bromley (A Country House), Samuel Hieronymus Grimm, 1733–1794, Swiss, undated, Watercolor, gray wash, and pen and black ink on medium, slightly textured, cream laid paper, Sheet: 7 7/8 x 13 inches (20 x 33 cm),

Langworth, Samuel Hieronymus Grimm, 1733–1794, Swiss, 1785, Watercolor, pen and black ink, and gouache on mediuim, moderately textured, blued white, laid paper, Sheet: 8 1/2 x 8 inches (21.6 x 20.3 cm), banners, boats, house,

Elevation, Plan and Section of a Bell Tower, Augustus Welby Northmore Pugin, 1812–1852, British, Augustus Charles Pugin, 1762–1832, French, undated, Watercolor, pen and black ink, and graphite on moderately thick, moderately textured,

Portrait of a Lady, James Scouler, 1741–1812, British, 1781, Gouache and watercolor on ivory, Image: 2 3/4 x 2 1/8 inches (7 x 5.4 cm) and Frame: 3 1/4 x 2 1/4 x 1/4 inches (8.3 x 5.7 x 0.6 cm), portrait

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