Images at Librifly

search results: Watercolor clear search

Interior of a Gothic Church, Augustus Welby Northmore Pugin, 1812–1852, British, Augustus Charles Pugin, 1762–1832, French, undated, Watercolor on moderately thick, moderately textured, cream wove paper, Sheet: 5 1/8 x 3 3/8 inches (13

Coastal Scene with Shipping, James Chisholm Gooden, active 1835–1865, undated, Watercolor and graphite on thick, slightly textured, cream wove paper, Sheet: 5 × 11 inches (12.7 × 27.9 cm), coast, landscape, marine art, sea, ships,

Memorial to Fraces Trotman from Acton Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink and watercolor on medium, slightly textured, cream wove paper, Sheet: 15 × 10 7/8 inches (38.1 × 27.6

Temple of Hephaestus, Sir Robert Smirke the younger, 1781–1867, British, 1802-1804, Watercolor, graphite, pen and brown ink on moderately thick, moderately textured, beige, wove paper, Sheet: 11 1/2 × 17 1/4 inches (29.2 × 43.8 cm

Study of Burdocks, attributed to Peter DeWint, 1784–1849, British, undated, Watercolor and graphite on moderately thick, rough, cream wove paper, Sheet: 3 5/8 x 6 15/16 inches (9.2 x 17.7 cm), botanical subject, botany, burdock, plants,

North East View of Blickling Hall, Norfolk; the Seat of the Right Hon'ble Lord Suffield, John Buckler FSA, 1770–1851, British, and John Chessell Buckler, 1793–1894, British, 1820, Watercolor and pen and black ink on moderately thick,

Netley Abbey, John Linnell, 1792–1882, British, 1810, Watercolor over graphite on moderately thick, moderately textured, cream laid paper, Sheet: 6 1/4 x 9 1/8 inches (15.9 x 23.2 cm), abbey, arches, architectural subject, building,

Old Stained Glass in the Chanel Window aslo Memorial to Reverend Anthony Hilton from Hayes, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly

Wolf of Southern States, North America, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and brown ink, gray ink, and graphite on moderately thick, smooth, cream, wove paper, Sheet: 4 7/8 × 7 5/8 inches (12.4 ×

The Valley of Dolwyddelan, Samuel Palmer, 1805–1881, British, active in Italy (1837–39), undated, Watercolor, black chalk, pen and brown ink, and graphite on medium, slightly textured, cream wove paper, Sheet: 7 5/8 x 11 1/8 inches

Red Panda, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and brown ink, black ink and graphite on moderately thick, smooth, white, wove paper, Sheet: 4 5/16 × 6 3/4 inches (11 × 17.1 cm), animal art

Sebastopol from the Sea, Sketched from the Deck of H. M. S. Sidon, Feb. 1855, William Simpson, 1823–1899, British, 1855, Watercolor and gouache over graphite on thick, moderately textured, cream wove paper, Sheet: 13 x 20 5/8 inches (33 x

Kailasa, Exterior View, Gangaram Chintaman Tambat, active 1790s, Anglo-Indian, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper, Sheet: 11 1/8 × 16 7/8 inches (28.3 × 42.9 cm),

The Waterfall of Doomar Leyna, Dry Except in Rains, Gangaram Chintaman Tambat, active 1790s, Anglo-Indian, undated, Watercolor, gouache, graphite, and pen and black ink on two joined sheets of medium, slightly textured, cream laid paper,

Interior of Lancaster House, Sir Richard Westmacott, 1775–1856, German, undated, Watercolor and graphite with pen and black ink on moderately thick, slightly texture, cream wove paper, Sheet: 14 1/2 × 10 inches (36.8 × 25.4 cm),

Portrait Study of a woman, Charles F. Murray, ca. 1848–1919, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 13 7/8 x 10in. (35.2 x 25.4cm) and Sheet: 13 7/8 × 10 inches (35.2 × 25.4 cm),

Dutch Fishing Boats at Anchor in an Estuary, William Joy, 1803–1867, British, ca. 1850, Watercolor with scraping and gum on moderately thick, slightly textured, cream wove paper, Sheet: 11 1/4 x 16 3/16in. (28.6 x 41.1cm) and Sheet: 11 3/8

Grouse Shooting, Edwin Gill, active 1810, died 1868, undated, Graphite and watercolor on medium, smooth, cream, wove paper, Sheet: 10 5/8 × 13 7/16 inches (27 × 34.1 cm) and Image: 10 5/16 × 13 3/16 inches (26.2 × 33.5 cm), dogs

Brass Plate for Francis Awister and Richard Awister, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 15

The Royal Rush Light, George Moutard Woodward, ca. 1760–1809, British, Undated, Watercolor, pen and ink over graphite on moderately thick, slightly textured, cream wove paper, Sheet: 15 3/4 x 13 3/8 inches (40 x 34 cm), commentary,

Lambeth, David Roberts, 1796–1864, British, 1861, Watercolor and gouache with some gum over graphite on thick, slightly textured, cream wove paper, Sheet: 9 9/16 x 13 11/16in. (24.3 x 34.8cm) and Sheet: 9 5/8 × 13 5/8 inches (24.4 × 34.6

Garden Stair, Haddon Hall, William Callow, 1812–1908, British, active in France, 1849, Watercolor over graphite on cream, moderately thic, slightly textured, wove paper, mounted on cream, very thick, moderately textured, cardboard,

43 Downshire Road (Hill?), John Werge, c.1850–1890, 1898, Watercolor

Songs of Innocence and of Experience, Plate 54, 'The School Boy' (Bentley 53), Print made by William Blake, 1757–1827, British, 1789 to 1794, Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick,

Houses at Kingston on the Thames, attributed to Peter DeWint, 1784–1849, British, undated, Watercolor and graphite on moderately thick, rough, cream wove paper, Sheet: 6 3/8 x 7 3/4 inches (16.2 x 19.7 cm), architectural subject,

Karnak, William James Muller, 1812–1845, British, between 1838 and 1839, Watercolor, pen and brown ink, gouache, and graphite on moderately thick, moderately textured, brown wove paper, Sheet: 10 7/8 x 15 1/16 inches (27.6 x 38.3 cm),

Cardiff from the South, Julius Caesar Ibbetson, 1759–1817, British, ca. 1789, Watercolor, pen and brown ink and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 13 × 19 3/4 inches (33 × 50.2 cm

Lophaetus occipitalis (Long-Crested Eagle), James Bruce, 1730–1794, British, undated, Watercolor over graphite on medium, slightly textured, cream laid paper, Sheet: 12 1/2 × 9 3/4 inches (31.8 × 24.8 cm), animal art

Songs of Innocence and of Experience, Plate 41, 'The Chimney Sweeper' (Bentley 37), Print made by William Blake, 1757–1827, British, 1789 to 1794, Relief etching printed in dark-brown with pen and black ink and watercolor on moderately

Jerusalem, Plate 77, 'To the Christians....', Print made by William Blake, 1757–1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper, Sheet: 13

A Gypsy Encampment, Octavius Oakley, 1800–1867, British, undated, Watercolor and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 9 1/2 x 13 9/16in. (24.1 x 34.4cm) and Sheet: 9 1/2 × 13 5/8 inches (24.1 × 34.6

No Abatement, (?) William Dent, active 1784–1793, 1791, Etching with watercolor on laid paper, Sheet: 9 7/8 x 13 3/4in. (25.1 x 34.9cm

Ramle, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and brown ink on thick, rough, cream wove paper, Sheet: 3 1/2 x 4 15/16 inches (8.9 x 12.5 cm), landscape, ruins, sand, sky, stone, water, Israël, Ramla

Sawed into Planks, Julius Caesar Ibbetson, 1759–1817, British, undated, Pen and black ink and watercolor on medium, slightly textured, cream wove paper, Sheet: 2 3/8 × 3 inches (6 × 7.6 cm), genre subject, men, planks, saw, wood,

The First Book of Urizen, Plate 26, 'The Ox in the Slaughter House Moans....' (Bentley 25), Print made by William Blake, 1757–1827, British, 1794, Color-printed relief etching in orange-brown with watercolor on moderately thick, slightly

Supper at Emmaus, Richard Cosway, 1742–1821, British, undated, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 6 1/8 x 8 1/8 inches (15.6 x 20.6 cm) and Mount: 8 3/8 x 10 1/8 inches (21.3 x 25.7 cm),

Highland Hospitality, John Frederick Lewis, 1804–1876, British, 1832, Watercolor, gouache, gum and graphite with scratching out on medium, slightly textured, cream wove paper, Sheet: 22 1/8 x 29 7/8 inches (56.2 x 75.9 cm), dogs

Memorial to John and Sarah Nicolls from Hendon Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet:

View from Greenwich Park, William P. Sherlock, c.1780–1850, undated, Watercolor, ink, and graphite on medium, moderately textured, cream laid paper, Sheet: 5 × 11 1/8 inches (12.7 × 28.3 cm), cathedral, landscape, masts, park

A View of Snowdon from the Sands of Traeth Mawr, taken at the Ford Between Pont Aberglaslyn and Tremadoc, Anthony Vandyke Copley Fielding, 1787–1855, British, 1834, Watercolor, gouache, blue chalk, graphite, and pen and brown ink on

Memorial to Mary Bantock from West Ham Church, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 14 7/8 × 10 5/8 inches

Sugar Loaf, Cape of Good Hope, Samuel Davis, 1757–1819, British, 1779, Watercolor, with pen, in gray ink, gray wash, and graphite on medium, slightly textured, cream, laid paper, mounted on, thick, moderately textured, cream, laid

Westminster Abbey from Dean's Yard, Alexander Nasmyth, 1758–1840, British, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, blued white laid paper, Sheet: 6 11/16 × 8 15/16 inches (17 × 22.7 cm),

Christ Healing a Blind Man, Attributed to John Martin, 1789–1854, British, undated, Watercolor, pen and brown ink, pen and black ink, gouache, and graphite on medium, slightly textured, cream wove paper, Sheet: 2 1/8 x 2 3/4 inches (5.4

The Rialto, William Callow, 1812–1908, British, active in France, 1846, Watercolor with pen in brown and black ink, with graphite, and gouache on cream, medium, slightly textured, wove paper, Sheet: 14 7/16 x 10 1/2 inches (36.7 x 26.7

The Thames at Isleworth, John Glover, 1767–1849, British, ca. 1807, Watercolor and graphite on thick, smooth, cream wove paper, Sheet: 26 7/8 x 40 1/8 inches (68.3 x 101.9 cm), landscape, Isleworth, Thames

Portrait of a Lady, Thomas Day, ca.1733–1807, British, 1783, Gouache and watercolor on ivory, Image: 1 3/4 x 1 3/8 inches (4.4 x 3.5 cm) and Frame: 2 3/8 x 1 3/4 x 1/4 inches (6 x 4.4 x 0.6 cm), gown, lady, nobility, oval, pearls,

Diospyros mespiliformis A. DC. (African Ebony): finished drawing, Luigi Balugani, 1737–1770, Italian, undated, Watercolor and gouache over graphite on medium, slightly textured, cream laid paper, Sheet: 15 15/16 × 12 5/16 inches (40.5 ×

Three Boats, Clarkson Stanfield, 1793–1867, British, 1863, Watercolor, graphite, and white gouache on moderately thick, slightly textured, cream wove paper, Sheet: 5 × 7 1/4 inches (12.7 × 18.4 cm) and Binding: 5 1/4 inches (13.3 cm

Kurayim, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and brown ink on thick, rough, cream wove paper, Sheet: 2 9/16 x 9 7/8 inches (6.5 x 25.1 cm), building, figures (representations), landscape, palm trees,

Dunnottar Castle, James Moore, 1762–1799, British, 1792, Watercolor and graphite on medium, slightly textured, beige, wove paper, Sheet: 7 1/8 × 9 inches (18.1 × 22.9 cm

Ducks, John Frederick Herring, 1795–1865, British, 1850, Watercolor and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 10 × 11 5/8 inches (25.4 × 29.5 cm), ducks

Portrait of a Gentleman, Ozias Humphry, 1742–1810, British, active in Italy (1773–77) and India (1785–87), undated, Watercolor and gouache on ivory, Image: 1 3/4 x 1 3/8 inches (4.4 x 3.5 cm) and Frame: 2 1/8 x 1 1/2 x 1/4 inches (5.4 x

The Governor-General's and Commander-in-Chief's Camp at Jalandhar, 1 Febuary 1860, William Simpson, 1823–1899, British, ca. 1860, Watercolor and gouache over graphite on medium, slightly texured, blue wove paper, Sheet: 9 7/8 x 13 7/8

Woodcock Shooting, Edwin Gill, active 1810, died 1868, undated, Graphite and watercolor on medium, smooth, cream, wove paper, Sheet: 10 3/4 × 13 1/2 inches (27.3 × 34.3 cm) and Image: 10 1/2 × 13 1/4 inches (26.7 × 33.7 cm), dogs

View from the Dean's Garden, Christ Church, Oxford, William Turner of Oxford, 1789–1862, British, undated, Watercolor on moderately thick, smooth, cream wove paper, Sheet: 10 3/4 x 14 3/4 inches (27.3 x 37.5 cm), architectural subject,

Memorial to Rupert and Mary Billingsley from Drayton Church, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, sligthlty textured, cream wove paper, Sheet: 15 × 10

One from A Volume of Drawings and Prints, Rev. James Bulwer, 1794–1879, British, 1837, watercolor, pen and brown ink, graphite on slightly textured, moderately thick, cream wove paper, Sheet: 7 x 13 1/2in. (17.8 x 34.3cm

Self Portrait, Joseph Crawhall, 1861–1913, British, early 1890's, Watercolor, and pen and black ink on moderately thick, slightly textured, beige, wove paper, Sheet: 10 7/16 × 7 3/16 inches (26.5 × 18.3 cm), Image: 6 3/4 × 4 3/4

Songs of Innocence and of Experience, Plate 30, 'Night' (Bentley 20), Print made by William Blake, 1757–1827, British, 1789, Relief etching printed in green with pen and black ink and watercolor on moderately thick, slightly textured,

Epsom, unknown artist, nineteenth century, 1896, Watercolor with graphite and gouache on moderately thick, modertatly textured, brown, wove paper, Sheet: 3 1/2 × 6 1/4 inches (8.9 × 15.9 cm), crowd, horse racing, landscape, race

A View of Rouen from the River, Thomas Leeson Rowbotham, 1783–1853, British, undated, Watercolor, graphite and white gouache on thick, slightly textured cream wove paper, Sheet: 17 1/2 × 19 1/4 inches (44.5 × 48.9 cm), France, Rouen

Near Dishna, Edward Lear, 1812-1888, British, 1867, Watercolor, graphite, pen and brown ink on medium, slightly textured, cream wove paper, mounted on thick, slightly textured, cream wove paper, Sheet: 1 5/16 x 7 1/2 inches (3.3 x 19.1

Roman Pilgrims, John Frederick Lewis, 1804–1876, British, 1854, Watercolor, gouache, gum and graphite on thick, moderately textured, cream wove paper mounted on board, Sheet: 21 7/8 × 30 1/8 inches (55.6 × 76.5 cm) and Frame: 28 3/4 ×

Fall of a City, Attributed to John Martin, 1789–1854, British, undated, Watercolor, pen and black ink, graphite, and white gouache on medium, slightly textured, cream wove paper, Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm), armies,

One from Views in Saxony, France, Spain, Reba, Italy, Sicily..., Sir Richard Colt Hoare, 1758–1838, British, John Warwick Smith, 1749–1831, British, ca. 1817, Watercolor and black ink over graphite on wove paper, Sheet: 11 1/4 x 14

One of eighteen designs for a series of plates illustrating Venus and Adonis, Hablot Knight Browne, 1815–1882, British, undated, Graphite, brown chalk, watercolor and gouache on medium, slightly textured, gray wove paper, Sheet: 6 5/8 ×

Snug Corner Cove Prince William's Sound, Charles Hamilton Smith, 1776–1859, Belgian, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 12 7/8 × 16 1/8 inches (32.7 × 41 cm) and Binding: 16

New Eddystone, Bhem's Canal, Charles Hamilton Smith, 1776–1859, Belgian, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 12 7/8 × 16 1/8 inches (32.7 × 41 cm) and Binding: 16 1/8 inches

Going Home, Samuel Howitt, 1756–1822, British, undated, Watercolor, with pen, in gray ink, brown ink and black ink on medium, slightly textured, beige, laid paper, mounted on, moderately thick, moderately textured, cream, wove

East Side of Mr. Hare's New House, Samuel Hieronymus Grimm, 1733–1794, Swiss, 1783, Watercolor over graphite on medium, smooth, cream laid paper, Sheet: 7 1/4 x 10 1/2 inches (18.4 x 26.7 cm) and Contemporary drawn border: 8 3/4 x 12 1/8

Bathing Machine on the Common, near Southsea Castle, John Nixon, ca. 1760–1818, British, 1788, Watercolor, pen, and gray ink on medium, slightly textured, cream wove paper, Sheet: 4 3/4 x 7 5/8 inches (12.1 x 19.4 cm), baby, bathing

Lear and Cordelia, Mary Hoare, 1753–1820, British, ca. 1781, Watercolor with black ink and scraping over graphite on thick, slightly textured, cream laid paper mounted on thick, textured, beige card with contemporary drawn border, Mount:

Porth Dafarch, Anglesey, Maria Leycester, 1798–1870, 1821, Graphite, brown wash, and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 6 3/8 × 9 3/8 inches (16.2 × 23.8 cm) and Binding: 6 1/2 inches (16.5 cm

Foxhunting: The Leap, Henry Thomas Alken, 1785–1851, British, undated, Watercolor, pen and black ink, and graphite on medium, slightly textured, cream, wove paper, Sheet: 9 5/16 × 12 1/2 inches (23.7 × 31.8 cm), buildings, fence,

A Soiree, Henry William Bunbury, 1750–1811, British, undated, Watercolor and pen and black ink on medium, slightly textured, cream wove paper, Sheet: 10 × 15 3/4 inches (25.4 × 40 cm

Howatke, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and brown ink on moderately thick, moderately textured, beige wove paper, Sheet: 3 13/16 x 9 1/16 inches (9.7 x 23 cm), burkas, camels (mammals), figures

Mr. Vaughan's, Boys Hill, Dorset, Samuel Scott, 1701/2–1772, British, undated, Watercolor, graphite and pen and brown ink on medium, slightly textured, cream laid paper with thin, slightly textured, blue laid paper border, mounted on

Memorial to Richard Billingsley, from Sudbury Church, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 14 5/8 × 10

Mrs. Skinner and Child, John Hoppner, 1758–1810, British, undated, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 13 3/4 × 8 3/4 inches (34.9 × 22.2 cm) and Contemporary drawn border: 14 3/8 × 9 3/8 inches

Songs of Innocence and of Experience, Plate 3, 'Introduction' (Bentley 4), Print made by William Blake, 1757–1827, British, 1789, Relief etching printed in green with watercolor on moderately thick, slightly textured, cream wove paper,

Buildwas Abbey, Shropshire, Edward Dayes, 1763–1804, British, ca. 1790, Watercolor, pen, black ink, and graphite on medium, slightly textured, cream wove paper, Sheet: 10 1/2 x 15 5/8 inches (26.7 x 39.7 cm), abbey, arches,

The Ice-Wagon, Henry Thomas Alken, 1785–1851, British, undated, Watercolor, graphite, and gouache on moderately thick, moderately textured, brown, wove paper, Sheet: 8 1/2 × 12 1/4 inches (21.6 × 31.1 cm), forest, genre subject,

Kits Coty House, Near Maidstone, Kent, Alfred Gomersal Vickers, 1810–1837, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 8 1/16 × 12 inches (20.5 × 30.5 cm), country (rural landscape),

Bothwell Castle, from the South, Paul Sandby RA, 1731–1809, British, ca. 1777, Watercolor, gouache, and graphite on thin, slightly textured, cream wove paper mounted on panel, Sheet: 17 1/2 x 24 7/8 inches (44.5 x 63.2 cm) and Mount: 17

Telbury Fork, Edward Francis Burney, 1760–1848, British, undated, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 7 3/8 × 9 3/8 inches (18.7 × 23.8 cm), beach, cove, landscape, sand, sea

Lambeth from York House, Francis Place, 1647–1728, British, undated, Watercolor with pen and brown ink; verso: graphite with pen and black ink and pen and brown ink on medium, slightly textured, cream laid paper, Sheet: 3 13/16 × 9 11/16

A Castle Tower, Caernarvon Castle, imitator of John Sell Cotman, 1782–1842, British, undated, Watercolor on medium, moderately textured, white wove paper, Sheet: 11 x 7 3/4 inches (27.9 x 19.7 cm), architectural subject, castle,

Loaded Camel, Alfred Diston, active 1818–1829, 1828, Watercolor, pen and brown ink and graphite on medium, slighlty textured, cream wove paper, Sheet: 7 5/8 × 9 5/8 inches (19.4 × 24.4 cm), animal art, camel (mammal), genre, load,

Snowdon, Gwynedd, Wales, Samuel Davis, 1757–1819, British, undated, Watercolor and graphite on very thick, moderately textured, beige, wove paper, Sheet: 17 3/8 × 24 inches (44.1 × 61 cm) and Image: 16 13/16 × 23 1/2 inches (42.7 ×

The Dog and The Shadow, Samuel Howitt, 1756–1822, British, undated, Watercolor and graphite on medium, slighlty, textured, cream wove paper, Sheet: 7 1/4 × 6 inches (18.4 × 15.2 cm), animal art, dog (animal), reflection, shadow

North Foreland Lighthouse, George Jackson, active 1839–1844, undated, Watercolor, with pen, in brown ink, graphite, and gouache on medium, smooth, cream, wove paper, Sheet: 3 5/16 × 4 3/16 inches (8.4 × 10.6 cm) and Image: 2 1/8 × 3

Memorial to Anne Littledale from Twickenham Church, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 15 1/8 × 10 3/4 inches

Memorial to Edward Crisp from Chiswick Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 14 3/4 ×

Cricket played by the Gentlemens Club, Whiteconduit House, Robert Dighton, 1752–1814, British, 1784, Pen and black ink and brown ink and watercolor, Sheet: 6 x 8in. (15.2 x 20.3cm) and Frame: 7 11/16 × 9 1/4 × 5/16 inches (19.6 × 23.5 ×

Jewelry Designs, Robert Mabon, died 1798, British, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper, Sheet: 8 3/4 × 8 3/16 inches (22.2 × 20.8 cm

Memorial to John Ward from Ealing Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 15 × 10 3/4

Jerusalem, Plate 43, 'They saw their Wheels....', Print made by William Blake, 1757–1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper, Sheet:

One from A Volume of Drawings and Prints, Rev. James Bulwer, 1794–1879, British, 1837, Pen and brown ink, watercolor, graphite on slightly textured, moderately thick, cream wove paper, Image: 17 1/8 × 13 5/8 inches (43.5 × 34.6 cm) and

The End of the Ruin'd Bridge at Rouen, Samuel Davis, 1757–1819, British, 1778, Watercolor and pen and black ink and graphite on medium, slighltly textured, cream laid paper mounted to medium, slightly textured, cream laid paper, Sheet: 5

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