Images at Librifly

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A Mistica, Gibraltar, George Lothian Hall, 1825–1888, British, 1844, Watercolor, pen and black ink and graphite on thick, moderately textured, cream wove paper, Sheet: 3 × 4 1/8 inches (7.6 × 10.5 cm), marine art, ocean, ship,

One from Views in Saxony, France, Spain, Reba, Italy, Sicily..., Sir Richard Colt Hoare, 1758–1838, British, John Warwick Smith, 1749–1831, British, ca. 1817, Watercolor and black ink over graphite on wove paper, Sheet: 11 1/4 x 14

The Annual Sculling Race for Doggett's Coat and Badge, Thomas Rowlandson, 1756–1827, British, between 1805 and 1810, Watercolor, with pen, in brown ink, and graphite on medium, slightly textured, blued white, wove paper, Sheet: 5 11/16

The Grand Master or the Adventures of Qui Hi? in HIndostan, Thomas Rowlandson, 1756–1827, British, 1814, Watercolor with pen and red-brown and gray ink, over graphite on medium, slightly textured, beige, wove paper, Sheet: 5 x 8 inches

Review of Light Horse Volunteers on Wimbledon Common, Thomas Rowlandson, 1756–1827, British, 1798, Watercolor with pen and gray ink over graphite on moderately thick, slightly textured, blued white, wove paper, Sheet: 9 13/16 x 16 5/16

Original Frontispiece for 'Book of Ballads' (Bon Gaultier), Alfred Henry Forrester, 1804–1872, British, ca. 1845, Pen and black ink, watercolor and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 7 3/8 × 5 3/8

Church with Wooden Belfry - one of three versions, Samuel Davis, 1757–1819, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 9 3/8 x 11 3/4 inches (23.8 x 29.8 cm), architectural subject,

Dendera, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and brown ink on moderately thick, slightly textured, cream wove paper, Sheet: 2 11/16 x 6 11/16 inches (6.8 x 17 cm), architectural subject, desert, landscape,

St. John's Library, Print made by Daniel Havell, 1785–1826, British, after William Westall, 1781–1850, British, Published by Rudolf Ackermann, 1764–1834, British, 1815, Etching and aquatint with hand coloring in watercolor on medium,

The First Book of Urizen, Plate 9, 'Chap: IV, 1 Ages on ages roll'd over him . . . .' (Bentley 10), Print made by William Blake, 1757–1827, British, 1794, Color-printed relief etching in green with watercolor on moderately thick, slightly

Ploughing, Thomas Rowlandson, 1756–1827, British, undated, Watercolor with pen and brown ink, over graphite on medium, moderately textured, cream wove paper, Sheet: 7 1/16 x 5 3/8 inches (17.9 x 13.7 cm), child, dog (animal), genre

A Plan, from an eye-survey of Cobham Hall and the park to the west, and a plan of Cobham Hall and the park as proposed to be altered, Humphrey Repton, 1752–1818, British, ca. 1790, Watercolor, graphite and black ink on Slightly textured,

A Setter in a Landscape, Sawrey Gilpin, 1733–1807, British, undated, Pen and black ink, graphite and watercolor on medium, slightly textured, cream laid paper, Sheet: 5 3/8 × 6 3/4 inches (13.7 × 17.1 cm), animal art, dog (animal

Jericho, 7 May 1858, Edward Lear, 1812–1888, British, 1858, Watercolor, pen and brown ink, and graphite on thick, moderately textured, cream wove paper, Sheet: 7 1/8 x 19 7/8 inches (18.1 x 50.5 cm), aqueduct, figures

Cleghorn Mills in Ruins, Edmund Marriner Gill, 1820–1894, British, 1864, Watercolor, white gouache, and graphite on medium, moderately textured, brown wove paper, Sheet: 9 3/4 x 14in. (24.8 x 35.6cm) and Sheet: 9 3/4 × 14 inches (24.8 ×

A Welsh Landscape a Lay-in', John Varley, 1778–1842, British, undated, Watercolor and graphite on medium, slightly textured, cream, wove paper, Sheet: 6 7/16 × 10 1/4 inches (16.4 × 26 cm), clouds, hills, landscape, mountains, sea,

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), channel (water body

The Open-Air Preacher, John Griffiths, active 1764–1774, or John Griffiths, 1837–1918, British, undated, Watercolor with pen and gray ink over graphite on medium, slightly textured cream laid paper, Sheet: 10 1/2 x 8 1/2in. (26.7 x

Two Drawings on One Sheet: Landscape with Castle - Modern Manner (no. 13); Landscape with Figures in Foreground (no. 14), Thomas Sully, 1783–1872, American, undated, Watercolor on medium, slightly textured, beige wove paper, Sheet: 10 15/16

Two Scorpions and Two Centipedes, unknown artist, undated, Watercolor and gouache with pen and black ink and pen and brown ink on moderately thick, slightly textured, cream wove paper, Sheet: 15 × 10 3/4 inches (38.1 × 27.3 cm), animal art,

Job and His Daughters, circle of John Linnell, 1792–1882, British, after William Blake, 1757–1827, British, undated, Watercolor and black ink on moderately thick, slightly textured, cream wove paper, Sheet: 3 3/4 x 4 3/4 inches (9.5 x

Byland Abbey, Yorkshire, John Varley, 1778–1842, British, 1808, Watercolor and graphite on medium, slightly textured, cream laid paper, mounted on thick, smooth, cream wove paper, Sheet: 10 7/8 x 15 1/4 inches (27.6 x 38.7 cm), abbeys,

A Merchant's Office, Thomas Rowlandson, 1756–1827, British, 1789, Watercolor with pen and black, brown, and gray ink over graphite on moderately thick, moderately textured, beige, laid paper, Sheet: 10 15/16 x 13 1/8 inches (27.8 x 33.3

Trees in a Landscape, Charles Reginald Aston, 1832–1908, British, undated, Watercolor with scraping out on medium, slightly textured, cream wove paper, Frame: 18 1/2 × 25 1/2 × 1 inches (47 × 64.8 × 2.5 cm) and Sheet: 10 × 14 5/8

Girl in a Red Belt, William Henry Hunt, 1790–1864, British, ca. 1830, Watercolor and graphite on moderately thick, slightly textured, beige wove paper, Contemporary drawn border: 4 5/8 x 3 3/4 inches (11.7 x 9.5 cm) and Sheet: 3 5/8 x 2 3/4

'The Doctor is so Severely Bruised that Cupping is Judged Necessary', Thomas Rowlandson, 1756–1827, British, between 1809 and 1811, Watercolor with pen and brown ink and graphite on medium, moderately textured, cream wove paper, Sheet: 5

Unidentified Fish, Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 1/4 inches (41.3 cm) and Sheet: 16 × 12 1/2 inches (40.6 × 31.8 cm), animal

Unidentified House for Giles Hudson, Putney, Surrey: Elevation of Drawing Room Fireplace, William Wickham, born ca.1750, British, undated, Graphite, pen and black and brown ink, watercolor on moderately textured, moderately thick, cream

Le Pont Royal, Paris, Thomas Shotter Boys, 1803–1874, British, formerly attributed to Richard Parkes Bonington, 1802–1828, British, ca. 1828, Watercolor with pen and black ink and graphite on medium, slightly textured, blued white wove

Thatched Cottage near Henley, John Baverstock Knight, 1785–1859, British, 1821, Watercolor, pen and brown ink and graphite on medium, rough, cream wove paper, Sheet: 6 11/16 × 9 3/4 inches (17 × 24.8 cm), architectural subject,

Pont Neuf from the Quai de l'Ecole, Paris, David Cox, 1783–1859, British, 1829, Watercolor and graphite on medium, smooth, cream wove paper, Sheet: 9 x 14 1/4 inches (22.9 x 36.2 cm), architecture, bridge (built work), buildings,

On the Lake of Como, Francis Towne, 1740–1816, British, 1781, Watercolor and brown ink on medium, slightly textured, cream laid paper, Sheet: 6 1/8 x 8 1/4 inches (15.6 x 21 cm) and Contemporary drawn border: 9 7/8 x 12 1/4 inches (25.1 x

Christ Church, Canon's Garden, Oxford, William Alfred Delamotte, 1775–1863, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 9 1/4 x 14 3/4 inches (23.5 x 37.5 cm), architectural subject,

Figures on a Bank, Kensington Gravel Pits, John Linnell, 1792–1882, British, 1812, Watercolor on moderately thick, slightly textured, beige wove paper, Sheet: 3 7/8 x 5 3/4 inches (9.8 x 14.6 cm), bank, ditch, gazing, genre subject,

Flamingo, Robert Mabon, died 1798, British, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper, Sheet: 4 1/4 × 6 7/8 inches (10.8 × 17.5 cm), animal art, bird, dead

On the Coast of Sorrentum, attributed to John Warwick Smith, 1749–1831, British, undated, Watercolor over graphite on medium, slightly textured, cream laid paper, Sheet: 5 5/8 x 10 1/2 inches (14.3 x 26.7 cm), cliffs, clouds, coast,

Lower Thornery, Sezincote, 1824, Anne Rushout, ca. 1768–1849, British, 1824, Watercolor and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 7 × 10 1/2 inches (17.8 × 26.7 cm

A Group of Men on Westminster Pier, Paul Sandby RA, 1731–1809, British, ca. 1752, Watercolor, pen and black ink over graphite on medium, moderatelty textured, cream laid paper, Sheet: 3 5/8 x 6 5/8 inches (9.2 x 16.8 cm), arcade, arches,

Studies of a Turkey, Robert Hills, 1769–1844, British, undated, Watercolor and graphite on medium, cream, slighlty textured wove paper, Sheet: 2 1/4 x 6 5/8 inches (5.7 x 16.8 cm), animal art, studies (visual works), turkey (bird

Persian Sword Hilt Set with Diamonds, Robert Mabon, died 1798, British, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper, Sheet: 8 7/8 × 6 3/4 inches (22.5 × 17.1 cm), diamonds

A Group of Women at Mass, Sir David Wilkie, 1785–1841, British, undated, Watercolor with black ink over graphite on medium, slightly textured, cream wove paper, Sheet: 7 5/8 x 6 inches (19.4 x 15.2 cm), Catholicism, church, dresses,

Temple Church, Samuel Ireland, active 1760–died 1800, British, 1800, Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper, Sheet: 5 1/4 × 6 5/8 inches (13.3 × 16.8 cm) and Mount: 9 × 12 1/2

Wanstead House, Wanstead Grove, Essex, Anne Rushout, ca. 1768–1849, British, 1824 to 1832, Watercolor and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 7 × 10 1/2 inches (17.8 × 26.7 cm), architectural

Brucea antidysenterica J. Miller (James Bruce's Tree): finished drawing with stem of fruits added, Attributed to James Bruce, 1730–1794, British, 1769–73, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper,

Portrait of a Lady, Jean Clouet, ca. 1485–1540/41, Netherlandish, Formerly attributed to Hans Holbein the Younger, ca. 1497–1543, German, active in Switzerland and England, ca. 1530, Watercolor and gouache and gold on vellum, Sheet: 1

A Man Driving a Team of Six Girls, Thomas Rowlandson, 1756–1827, British, between 1778 and 1780, Watercolor with pen and black ink over graphite; verso: graphite on moderately thick, moderately textured, beige, laid paper, Sheet: 7 13/16 x

Comforts of Bath: The Bath, Thomas Rowlandson, 1756–1827, British, 1798, Watercolor, with pen, in gray ink, black ink, and graphite on moderately thick, slightly textured, blued white, wove paper, Sheet: 4 5/16 x 7 1/8 inches (11 x

Songs of Innocence and of Experience, Plate 1, Innocence Frontispiece (Bentley 2), Print made by William Blake, 1757–1827, British, 1789 to 1794, Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick,

The Hindostan at Anchor in the Strait of Mi-a-tau of the City of Ten-choo-fou at the Entrance to the Gulf of Pekin, William Alexander, 1767–1816, British, 1793, Watercolor, pen and brown ink, and graphite on medium, slightly textured,

Design for a Medal: Britannia Ruling the Waves, Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45), 1736, Pen and black ink, over graphite, incised for transfer on medium, moderately textured, beige laid paper

Queen Elizabeth's Oak near Finborough Hall, Anne Rushout, ca. 1768–1849, British, 1824 to 1832, Watercolor and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 7 × 10 1/2 inches (17.8 × 26.7 cm

Memorial to James Eckersall and his wife Catherine and his second wife Catherine and his second wife Jane from Drayton Church, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite

The Old Stables, Petworth, John Melchior Barralet, active 1750–1787, 1778, Watercolor, pen and black ink, gray ink, and graphite on medium, slightly textured, cream, laid paper, mounted on thick moderately textured, beige, laid paper,

The First Book of Urizen, Plate 8 (Bentley 9), Print made by William Blake, 1757–1827, British, 1794, Color-printed relief etching in orange-brown with watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 11 7/8 x 9

Woman in Costume, George Augustus Sala, 1828–1895, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 5 9/16 × 2 11/16 inches (14.1 × 6.8 cm), costume, daggers (weapons), feather, figure

Barquentine and Frigate in Heavy Seas, Joseph Cartwright, c.1789–1829, British, undated, Watercolor, pen and black ink, gray ink and graphite on medium, slightly textured, cream, wove paper, mounted on, moderately thick, slightly

Family Posed in Front of a Doorway, Joshua Cristall, 1768–1847, British, undated, Watercolor with scraping over graphite on moderately thick, slightly textured, cream wove paper, laid on thick, slightly textured, beige card, Mount: 14

Boat by a Lake, Joseph Barber, 1757–1811, British, undated, Watercolor on medium, slightly textured, cream wove paper, Sheet: 7 1/2 × 10 inches (19.1 × 25.4 cm

Hog Deer, Samuel Howitt, 1756–1822, British, after 1813, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 8 3/8 × 5 5/8 inches (21.3 × 14.3 cm), animal art, deer, palm trees

Memorial of John Peryn from Acton Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache on medium, slightly textured, cream wove paper, Sheet: 15 × 10 7/8 inches (38.1 ×

Figure Studies, George Cruikshank, 1792–1878, British, undated, Graphite and watercolor on medium, smooth, beige wove paper, Sheet: 6 7/8 × 4 1/2 inches (17.5 × 11.4 cm), drummers, drumsticks, figure study, figures, hats, musicians,

Composition: River Winding between High Rocks, Thomas Wamsley, 1763–1805/06, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream wove paper, Sheet: 7 1/2 × 11 1/4 inches (19.1 × 28.6 cm

Cluny Castle, Aberdeenshire, Scotland: Ground Floor Plan with Proposed Alterations, William Wilkins, 1778–1839, British, ca. 1816, Pen and black ink, watercolor on slightly textured, moderately thick, cream wove paper, Sheet: 13 7/8 ×

Tenerife-Man of Tacoronte, Alfred Diston, active 1818–1829, 1828, Watercolor and pen and black ink on medium, slightly textured, cream wove paper, Sheet: 9 1/2 × 7 inches (24.1 × 17.8 cm), costume, figure study, genre subject, hut,

Cyperus papyrus L. (Papyrus Sedge): finished drawing of inflorescence, James Bruce, 1730–1794, British, undated, Watercolor and gouache over graphite on medium, slightly textured, cream laid paper, Sheet: 20 3/4 × 14 inches (52.7 × 35.6

A Maiden Lady and her Family, Print made by unknown artist, (G., T. W.), Published by Orlando Hodgson, active 1820–1840, British, between 1820 and 1840, Lithograph with watercolor on moderately thick, slightly textured, beige wove paper,

A Cock-Fight Watched by Four Men in an Out-House: The Fight, Engraved as Plate 39 in 'The National Sports of Great Britain', Henry Thomas Alken, 1785–1851, British, 1821, Watercolor, with pen, in blue ink and graphite on medium, slightly

In the Bay of Salerno, near Vietri, John Warwick Smith, 1749–1831, British, undated, Black ink, watercolor, and graphite on medium, moderately textured, cream laid paper mounted on moderately thick, slightly textured, cream wove paper,

The Light Dragoons, Paul Sandby RA, 1731–1809, British, undated, Watercolor and graphite on medium, cream, slightly textured wove paper, Sheet: 3 x 6 3/4 inches (7.6 x 17.1 cm), horses (animals), men, military personnel, military

Two Girls Carrying a Basket, Paul Sandby RA, 1731–1809, British, undated, Graphite, watercolor gouache and pen and brown ink on medium, cream, slightly textured laid paper, Sheet: 6 1/8 x 4 3/8 inches (15.6 x 11.1 cm), basket, carrying,

Tapestry-hung Room in Gothic Mansion, James Pattison Cockburn, 1778–1847, British, undated, Watercolor and white gouache on medium, slightly textured, beige wove paper, Sheet: 9 3/4 x 7 3/8 inches (24.8 x 18.7 cm), architectural subject,

Three Unidentified Fish, Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 1/4 inches (41.3 cm) and Sheet: 16 × 12 1/2 inches (40.6 × 31.8 cm),

The Miraculous Draught of Fishes, Attributed to John Martin, 1789–1854, British, undated, Watercolor, pen and brown ink, white gouache, and graphite on medium, slightly textured, cream wove paper, Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7

Foxhunting: Full Cry, Edwin W. Cooper of Beccles, 1785–1833, British, 1816, Watercolor, pen and black ink, gray ink, brown ink, and graphite on moderately thick, slightly textured, cream, wove paper, Sheet: 12 5/8 × 19 3/16 inches

Matlock High Tor, John Warwick Smith, 1749–1831, British, 1784, Watercolor over graphite on medium, moderately textured, cream laid paper, Sheet: 9 1/8 x 12 inches (23.2 x 30.5 cm), landscape, mountains, trees, Derbyshire, England,

Bedgebury: North West Front - Elevation, unknown artist, (Roos, A.?), 1841, Pen and black ink, graphite, watercolor, within doulbe-ruled black ink border on slightly textured, moderately thick, cream wove paper, Image: 12 1/4 × 17 3/16

One from A Volume of Drawings and Prints, Rev. James Bulwer, 1794–1879, British, undated, Pen and brown ink, watercolor, graphite on slightly textured, moderately thick, cream wove paper, Sheet: 17 1/8 × 13 5/8 inches (43.5 × 34.6 cm)

Earlham House, Norfolk, Isaac Johnson, 1754–1835, British, undated, Pen and brown ink and watercolor on medium, slightly textured, cream laid paper, Sheet: 15 × 22 1/2 inches (38.1 × 57.2 cm), architectural subject, designs, house,

Windsor Castle from the Brocas, attributed to David Cox, 1783–1859, British, early 19th century, Watercolor and graphite on thick, rough, cream wove paper, Sheet: 8 1/2 x 12 7/8 inches (21.6 x 32.7 cm), castle, landscape, meadows,

Trees by a Pool, John Absolon, 1815–1895, British, Undated, Watercolor and graphite on moderately thick, moderately texturred, beige, wove paper, Mount: 16 5/8 × 21 7/8 inches (42.2 × 55.6 cm) and Sheet: 13 1/2 × 18 7/8 inches (34.3 ×

Ruins at Sabachtsche, Frederick Catherwood, 1799–1854, British, undated, Watercolor and graphite on slightly textured, medium, cream wove paper, Sheet: 15 1/4 x 12 1/8 inches (38.7 x 30.8 cm), blanket, grasses, hats, men, ruins,

Jerusalem, Plate 44, 'With one accord....', Print made by William Blake, 1757–1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper, Sheet: 13 1/2

A Fish, Luigi Balugani, 1737–1770, Italian, undated, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 4 x 8 7/8 inches (10.2 x 22.5 cm), colors, fish, teeth

Joseph and Potiphar's Wife, William Blake, 1757–1827, British, 1803 to 1805, Watercolor, with pen, and black ink gray ink, and graphite on moderately thick, moderately textured, beige, wove paper, mounted on, moderately thick,

Richmond Bridge, David Cox, 1783–1859, British, undated, Watercolor and graphite on medium slightly textured cream, wove paper, mounted on, thick, slightly textured, beige, wove cart paper, Mount: 8 5/16 × 10 5/16 inches (21.1 × 26.2

Tomb of Thomas Windsor, 1486, with Brass Plates removed from Stanwell Church, Daniel Lysons, 1762–1834, British, between 1798 and 1811, Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper, Sheet:

The Poor House, Hadley, Hertfordshire, Thomas Hearne, 1744–1817, British, 1802, Watercolor over graphite on moderately thick, slightly textured, beige wove paper, Sheet: 7 x 9 1/2 inches (17.8 x 24.1 cm), architectural subject, barrel,

Furnival's Inn, Samuel Ireland, active 1760–died 1800, British, 1800, Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper, Sheet: 5 × 6 3/8 inches (12.7 × 16.2 cm) and Mount: 9 × 12 1/2

The Village Well, William Simpson, 1823–1899, British, 1864, Watercolor, gouache and graphite on medium, slightly textured, cream, wove paper, Sheet: 10 1/2 x 14 3/8 inches (26.7 x 36.5 cm), architectural subject, genre subject,

Eremopterix nigriceps (Black-crowned Sparrow Lark), Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 inches (40.6 cm) and Sheet: 15 7/8 × 12 inches

The Devil's Bridge, Kirkby Lonsdale, William Green, 1760–1823, British, undated, Watercolor, with pen, in brown ink, gray ink and graphite on moderately thick, moderately textured, cream, wove paper, Sheet: 15 3/4 × 22 inches (40 ×

Giant Oaks, attributed to Thomas Hearne, 1744–1817, British, undated, Watercolor, with pen, in brown ink, black ink and graphite on thick, rough, beige, wove paper, Sheet: 19 3/4 × 13 3/16 inches (50.2 × 33.5 cm), forest, giant,

The Meteor of August 18, 1783, as seen from the East Angle of the North Terrace, Windsor Castle, Paul Sandby RA, 1731–1809, British, 1783, Watercolor on medium, moderately textured, cream laid apper, Sheet: 12 1/2 x 19 inches (31.8 x

The Apparition of the Armed Head: Macbeth, Mary Hoare, 1753–1820, British, ca. 1781, Watercolor, pen and black ink, and graphite, with scraping on moderately thick, slightly textured, cream wove paper mounted on moderately thick,

The Triumph of Music, Edward Francis Burney, 1760–1848, British, ca. 1815, Watercolor, pen and black ink, gray ink, and graphite on moderately thick, slightly textured, cream, wove paper, mounted on, moderately thick, slightly

Street Scene at Stratford by Bow, Thomas Shotter Boys, 1803–1874, British, undated, Watercolor, graphite, and pen and brown ink on medium, slightly textured, cream wove paper, Sheet: 4 3/4 x 8 1/4 inches (12.1 x 21 cm), buildings,

The Cheesecake House, Hyde Park, Thomas Theodosius Forrest, 1728–1784, British, undated, Watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 10 1/2 × 17 inches (26.7 × 43.2 cm), architectural subject

One from Views in Saxony, France, Spain, Reba, Italy, Sicily..., Sir Richard Colt Hoare, 1758–1838, British, John Warwick Smith, 1749–1831, British, ca. 1817, Watercolor and black ink over graphite on wove paper, Sheet: 11 1/4 x 14

Miss Barbara Hill (d. 1838), John Smart, 1741–1811, British, ca. 1777, gouache and watercolor over graphite on moderately thick, slightly textured, cream laid paper, Sheet: 2 3/8 × 2 1/2 inches (6 × 6.4 cm), braids, chemise, dress,

A Mountain Stream, François Louis Thomas Francia, 1772–1839, French, active in Britain, 1801, Watercolor and graphite on medium, rough, cream laid paper, pasted on thick, smooth, cream card, Contemporary drawn border: 10 5/8 x 12 3/4

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