Images at Librifly

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Songs of Innocence and of Experience, Plate 45, 'The Garden of Love' (Bentley 44), Print made by William Blake, 1757–1827, British, 1789 to 1794, Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick,

Galleria di Sopra, Albano, John Robert Cozens, 1752–1797, British, ca. 1778, Watercolor and graphite on medium, slightly textured, cream laid paper, mounted on moderately thick, slightly textured, cream laid paper, Mount: 18 3/8 x 24

Wigmore Castle, Herefordshire, William Alexander, 1767–1816, British, undated, Watercolor and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 15 3/4 x 12 5/16 inches (40 x 31.3 cm), castle, hills, landscape,

One from A Volume of Drawings and Prints, Rev. James Bulwer, 1794–1879, British, 1837, Pen and brown ink, watercolor, graphite on slightly textured, moderately thick, cream wove paper, Sheet: 13 1/2 × 17 5/16 inches (34.3 × 44 cm) and

Corfu, Edward Lear, 1812–1888, British, ca. 1856, Watercolor, pen in brown ink, over graphite, with gouache, and pastels on medium, moderately textured, beige wove paper mounted on very thick cardboard, Sheet: 12 3/8 x 18 5/8 inches

Young's Night Thoughts, Page 35, 'Teaching, we learn; and giving, we retain', Print made by William Blake, 1757–1827, British, ca. 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper,

The Launching of H.M.S. 'Hibernia' 1804, Thomas Rowlandson, 1756–1827, British, ca. 1804, Watercolor with pen and red, brown, and gray ink over graphite on moderately thick, moderately textured, beige, wove paper, Sheet: 9 13/16 x 15 1/4

Plan of the Upper Floor of Lord Committee Rooms, Attributed to office of Sir John Soane, 1753–1837, British, 1835, Pen and black ink and watercolor on moderately textured, moderately thick, white wove paper, Sheet: 9 3/4 × 14 1/4 inches

A Dove, James Sowerby, 1756–1822, British, undated, Watercolor and gouache over graphite on thick, slightly textured, cream wove paper, Sheet: 17 × 10 7/8 inches (43.2 × 27.6 cm), animal art, dove

Halmaturus Rutilans, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and black ink, brown ink, and graphite on moderately thick, slightly textured, cream, wove paper, Sheet: 4 5/16 × 6 13/16 inches (11 × 17.3

North West View of Harlaxton Manor House, Lincolnshire, John Buckler FSA, 1770–1851, British, and John Chessell Buckler, 1793–1894, British, 1817, Watercolor and pen and black ink on moderately thick, cream wove paper, Sheet: 14 × 19

Windsor Castle, Berkshire: Upper Ward, Studio of Sir Jeffry Wyatville, 1766–1840, British, undated, Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with three fold marks and flier

Portrait of a Young Woman, Arthur Devis, 1712–1787, British, 1748, Oil and watercolor on ivory, Frame: 2 3/8 x 2 1/8 x 3/8 inches (6 x 5.4 x 1 cm) and Image: 2 1/8 x 1 7/8 inches (5.4 x 4.8 cm), bonnet (hat), fichu, girl, oval, portrait,

American Cross-Fox, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and black ink and graphite on moderately thick, smooth, cream, wove paper, Sheet: 3 15/16 × 6 11/16 inches (10 × 17 cm), animal art

The Huntsman, Galloping to Left and Encouraging Hounds, Henry Thomas Alken, 1785–1851, British, undated, Graphite and watercolor on medium, slightly textured, cream, wove paper, Sheet: 8 7/8 × 12 9/16 inches (22.5 × 31.9 cm), dogs

One from A Volume of Drawings and Prints, Rev. James Bulwer, 1794–1879, British, 1834, Pen and brown ink, watercolor, graphite on slightly textured, moderately thick, cream wove paper, Sheet: 17 × 13 1/2 inches (43.2 × 34.3 cm) and

Mr. W. J. Hammond and Miss Daly as Othello and Desdemona at the New Strand Theatre, Print made by John W. Gear, 1806–1866, after John W. Gear, 1806–1866, Printed by Charles J. Hullmandel, 1789–1850, British, undated, Lithograph with

A Frank Encampment in the Desert of Mount Sinai. 1842 - The Convent of St. Catherine in the Distance, John Frederick Lewis, 1804–1876, British, 1856, Watercolor, gouache and graphite on slightly textured, beige wove paper mounted on board,

Illustration to R.S. Surtees', 'Jorrocks's Jaunts and Jollities:' 'Mr. Jorrocks Renounces the Acquaintance of the Yorkshireman', Henry Thomas Alken, 1785–1851, British, undated, Graphite and watercolor on medium, slightly textured, blued

A Parrot, James de Carle Sowerby, 1787–1871, British, undated, Watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 9 × 7 1/4 inches (22.9 × 18.4 cm), animal art, branch, parrot

A Fish from the Red Sea, Luigi Balugani, 1737–1770, Italian, undated, Watercolor and graphite on medium, moderately textured, cream laid paper, Sheet: 8 7/8 x 13 1/2 inches (22.5 x 34.3 cm), fish, red, sea, teeth

Observing Sailboats From the Shore, Sawrey Gilpin, 1733–1807, British, undated, Watercolor, gray wash and graphite on medium, moderately textured, beige, laid paper, Sheet: 4 5/8 × 5 9/16 inches (11.7 × 14.1 cm

A Collection of Surveys of Scottish Estates of the Earl of Selkirk: Old Mill of Twynhame, unknown artist, undated, Graphite, watercolor, pen and black ink on slightly textured, moderately thick, cream wove paper, Sheet: 22 3/4 × 32 3/4

Margate, James Holland, 1799–1870, British, 1861, Watercolor with white gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 4 × 6 3/8 inches (10.2 × 16.2 cm), buildings, cityscape, cliff, coast, landscape,

Block House Fort, Gosport, Hampshire, Richard Beavis, 1824–1896, British, undated, Watercolor and graphite on moderately thick, slighlty textured, cream wove paper, Sheet: 4 7/8 × 13 3/8 inches (12.4 × 34 cm), boat, coast, fort,

'How to Twist Your Neck', Thomas Rowlandson, 1756–1827, British, undated, Watercolor with pen and red ink; verso: watercolor blotches on moderately thick, moderately textured, cream, wove paper, Sheet: 3 13/16 x 5 13/16 inches (9.7 x 14.8

Porth Dafarch, August 21st, Maria Leycester, 1798–1870, 1821, Graphite, brown wash, and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 6 3/8 × 9 3/8 inches (16.2 × 23.8 cm) and Binding: 6 1/2 inches (16.5

Castle Acre Priory, Norfolk, imitator of John Sell Cotman, 1782–1842, British, 19th century, Graphite and watercolor on medium, moderately textured, beige wove paper, Sheet: 13 3/8 x 9 1/2 inches (34 x 24.1 cm), architectural subject,

A Carriage, unknown artist, ( M. C. ) nineteenth century, 1825, Pen and black ink and watercolor on medium, slightly textured, white laid paper, Sheet: 5 3/8 × 6 3/4 inches (13.7 × 17.1 cm) and Frame: 10 7/8 × 12 3/16 × 13/16 inches (27.7

The Interior of the Lower Basilica of St. Francis of Assisi, Thomas Hartley Cromek, 1809–1873, British, 1839, Watercolor and gouache with gum arabic on moderately thick, slightly textured, cream wove paper, Sheet: 13 11/16 x 19 7/16 inches

Family Group, John Absolon, 1815–1895, British, undated, Watercolor, gouache, and graphite on medium, moderately textured, cream, wove paper, mounted on, moderately thick, slightly textured, white, wove paper, Sheet: 20 x 14 7/8

Memorial to William Ravenscroft and his wife Margaret, also two children of Mrs. Frances Ball from West Ham Church, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink and watercolor over graphite on medium, slightly

Winchester Tower, Windsor Castle, Thomas Malton, 1726–1801, British, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper, Sheet: 7 1/8 × 10 inches (18.1 × 25.4 cm), architectural

New Holland Dingo, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and black ink, brown ink, gouache and graphite on moderately thick, slightly textured, white wove paper, Sheet: 4 3/16 × 6 7/16 inches (10.6 ×

Memorials to Richard Cumberland and Mrs. Elizabeth Mosteyn from Hampton Church, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper, Sheet:

Songs of Innocence and of Experience, Plate 48, 'The Fly' (Bentley 40), William Blake, 1757–1827, British, 1794, Color-printed relief etching with pen and ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet:

Korah Girl Seated, Samuel Daniell, 1775–1811, British, 1802, Graphite and watercolor on thin, slightly textured, cream laid paper, Sheet: 6 1/2 × 6 3/8 inches (16.5 × 16.2 cm), figure study, girl, loincloth, seated, Africa

Cleeve, Somerset, with Bridgewater Bay in the Distance, attributed to William James Muller, 1812–1845, British, 1841, Watercolor and gouache on medium, slightly textured, cream wove paper, Sheet: 8 1/2 x 13 11/16 inches (21.6 x 34.8 cm),

Songs of Innocence and of Experience, Plate 9, 'The Little Black Boy' (Bentley 10), Print made by William Blake, 1757–1827, British, 1789 to 1794, Relief etching printed in dark-brown with pen and black ink and watercolor on moderately

Ilos, Lycia, William James Muller, 1812–1845, British, ca. 1843, Watercolor and gouache, over graphite on thick, rough, cream, wove paper, Sheet: 13 3/4 × 20 3/4 inches (34.9 × 52.7 cm), bridge (built work), cityscape, landscape,

Brass Plate for Thomas Symons from Greenford Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 14

Quarries near Ironbridge (Earthworks, Cambridge Terrace), John Linnell, 1792–1882, British, ca. 1816, Watercolor over graphite on moderately thick, slightly textured, cream laid paper, Sheet: 13 1/8 x 19 1/2 inches (33.3 x 49.5 cm),

a. Doorway in one of the Rooms at Montacute House / b.Door of Library at Montacute House, John Buckler FSA, 1770–1851, British, and John Chessell Buckler, 1793–1894, British, 1810, Watercolor and pen and black ink on moderately thick,

Trap Ball Played at the Black Prince, Newington, Butts, Robert Dighton, 1752–1814, British, ca. 1784, Pen and black ink and brown ink and watercolor, Sheet: 6 x 8in. (15.2 x 20.3cm) and Frame: 7 11/16 × 9 1/4 × 5/16 inches (19.6 × 23.5

Boat on the Nile, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and brown ink on medium, slightly textured, cream wove paper, Sheet: 1 11/16 x 1 9/16 inches (4.3 x 4 cm), boat, marine art, river, sail, sky, study

Study of a Classical Female Figure, John Opie, 1761–1807, British, undated, Brown wash and graphite; verso: watercolor on medium, slightly textured, cream wove paper, Sheet: 14 1/8 × 9 1/4 inches (35.9 × 23.5 cm), body, braids, figure

Lalla Rookh, James Stephanoff, 1787–1874, British, 1826, Watercolor and gouache with scratching out on moderately thick, slightly textured, cream wove apper, Sheet: 13 7/8 × 16 1/2 inches (35.2 × 41.9 cm

Porth Dafarch, August 21st, Maria Leycester, 1798–1870, 1821, Graphite, brown wash, and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 6 3/8 × 9 3/8 inches (16.2 × 23.8 cm) and Binding: 6 1/2 inches (16.5

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London, George Edmund Street, 1824–1881, British, undated, Pen and black ink, graphite, watercolor and gouache on medium,

Two Sloops of War, One Barque and One Schooner (?), Sterns Forward, in Heavy Seas; Several Sailing Vessels in Background, Joseph Cartwright, c.1789–1829, British, undated, Watercolor, with pen, in gray ink, gray wash and graphite on

An Old Market Woman Grinning and Gesturing with her Left Hand, Paul Sandby RA, 1731–1809, British, undated, Watercolor with pen and brown ink on medium, beige, slightly textured laid paper, Sheet: 7 1/8 x 4 5/8 inches (18.1 x 11.7 cm),

A Village Street with Cattle and Sheep Being Driven Through, Thomas Rowlandson, 1756–1827, British, undated, Watercolor with pen and black ink, and gray ink, over graphite on medium, moderately textured, cream, laid paper, Sheet: 3 1/2

Storm Clouds, Attributed to Thomas Lindsay, 1793–1861, British, undated, Watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 2 1/2 × 5 inches (6.4 × 12.7 cm), blue, clouds, horizon line, landscape,

Earrings and Breast Jewel Belonging to the Peshwa, Robert Mabon, died 1798, British, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper, Sheet: 13 3/4 × 11 7/8 inches (34.9 × 30.2 cm

A Doorway in the Acropolis, Athens, William James Muller, 1812–1845, British, 1838, Watercolor over graphite with gouache on thick, rough, beige, wove paper, Sheet: 16 3/4 × 10 3/4 inches (42.5 × 27.3 cm), architectural subject,

Abbey at Birkenhead 1830, Anne Rushout, ca. 1768–1849, British, 1830, Watercolor on moderately thick, slightly textured, cream wove paper

A Milkmaid, John Augustus Atkinson, 1775–1831, British, undated, Pen and brown ink, watercolor and graphite on moderately thick, slightly textured, beige wove paper, Sheet: 12 7/8 × 3 3/8 inches (32.7 × 8.6 cm), buckets (vessels),

Songs of Innocence, Plate 16, 'Night' (Bentley 20), Print made by William Blake, 1757–1827, British, 1789, Relief etching printed in brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper,

South View of a House at Ringmer with Gardeners at Work, James Lambert of Lewes, 1725–1788, British, 1787, Watercolor and gouache over graphite on thick, moderately textured, beige laid paper, Sheet: 14 7/8 x 20 13/16 inches (37.8 x 52.9

Coastal scene with Figures, Boats, Lighthouse, etc., James Pattison Cockburn, 1778–1847, British, undated, Pen and brown ink with brown wash on medium, moderately textured, gray wove paper, Sheet: 4 7/8 × 7 1/8 inches (12.4 × 18.1 cm),

Castletown Harbour, Isle of Man, William Leighton Leitch, 1804–1883, British, undated, Watercolor, gouache, and graphite, with scratching out on medium, slightly textured, cream wove paper, Sheet: 7 15/16 x 11 15/16in. (20.2 x 30.3cm)

The Needles, Isle of Wight, Frederick Calvert, ca. 1785–1845, Irish, undated, Pen and brown ink and watercolor on medium, slightly textured, cream wove paper, Sheet: 5 1/8 x 8 1/8in. (13 x 20.6cm) and Mount: 5 1/4 × 8 1/4 inches (13.3 ×

Jerboa, James Bruce, 1730–1794, British, ca. 1768, Pen and black ink, watercolor, and graphite on moderately thick, moderately textured, cream, laid paper, Sheet: 11 3/4 × 9 3/4 inches (29.8 × 24.8 cm), animal art

Near Wady Halfeh, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and brown ink on thick, moderately textured, beige wove paper, Sheet: 3 1/4 x 9 7/8 inches (8.3 x 25.1 cm), figure (representation), hill, landscape,

Brass Plate for Gregory Lovell and his Wife Anne, Daughter of David Bellingham, Harlington Church, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Watercolor, graphite, and pen and black ink on moderately thick, slightly

Tilly Whim Cave, Dorset, John Baverstock Knight, 1785–1859, British, undated, Watercolor over graphite on thick, moderately textured, cream wove paper, Sheet: 5 5/8 × 8 3/4 inches (14.3 × 22.2 cm), cave, cliff, coast, landscape,

Design for a Ceiling, James Wyatt, 1746–1813, British, undated, Graphite, pen and black ink, and watercolor; (verso) pen and brown ink on moderately thick, slightly textured, beige laid paper, Sheet: 19 7/8 x 13 3/4 inches (50.5 x 34.9

Man in a Blue Cloak, attributed to Thomas Barker, 1769–1847, British, undated, Watercolor, graphite and pen and black ink on moderately thick, slightly textured, cream laid paper, Sheet: 9 5/8 × 6 1/4 inches (24.4 × 15.9 cm), cloak,

Facade and Ground Plan of a Terrace of Houses, Sir Jeffry Wyatville, 1766–1840, British, undated, Pen, black ink and graphite with watercolor on moderately thick, slightly textured, cream wove paper with black ink borders, Sheet: 18 3/4 ×

Notre Dame, Paris, from the Left Bank, Edward Duncan, 1803–1882, British, 1840, Watercolor and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 9 7/8 x 13 5/8 inches (25.1 x 34.6 cm), architectural subject,

Interior of St. John's Palace, Eltham, Joseph Mallord William Turner, 1775–1851, British, ca. 1793, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 13 1/8 x 10 3/4 inches (33.3 x 27.3 cm), architectural

Cattle Watering by a Stream, imitator of Thomas Gainsborough RA, 1727–1788, British, undated, Watercolor and gouache with black chalk over graphite on medium, slightly textured, cream laid paper, Sheet: 11 5/8 x 14 1/4 inches (29.5 x 36.2

Gentoo Mendicant, Robert Mabon, died 1798, British, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper, Sheet: 6 1/4 × 4 5/16 inches (15.9 × 11 cm

An Austere Hindu Fakir, Robert Mabon, died 1798, British, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper, Sheet: 7 1/8 × 5 1/4 inches (18.1 × 13.3 cm), figure study, Hindu, man,

Lago di Garda, Edward Lear, 1812-1888, British, 1867, Watercolor, graphite, pen and brown ink on thick, rough, cream wove paper, Sheet: 1 15/16 x 9 7/8 inches (4.9 x 25.1 cm), hills, lake, landscape, mountains, sky, valleys

West View of the Ruins of Cowdray House, Sussex; from the Court, John Buckler FSA, 1770–1851, British, and John Chessell Buckler, 1793–1894, British, 1825, Watercolor and pen and black ink on moderately thick, cream wove paper, Sheet:

Unidentified Fish, Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 1/4 inches (41.3 cm) and Sheet: 16 × 12 1/2 inches (40.6 × 31.8 cm), animal

Visions of the Daughters of Albion, Plate 10, 'In happy copulation . . . . ', William Blake, 1757–1827, British, 1793, Relief etching printed in green with pen and black ink and watercolor on moderately thick, slightly textured, cream wove

The First Book of Urizen, Plate 8, 'In Living Creations Appear'd....' (Bentley 5), Print made by William Blake, 1757–1827, British, 1794, Color-printed relief etching in orange-brown with watercolor on moderately thick, slightly textured,

A Yorkshire Road, Peter DeWint, 1784–1849, British, undated, Watercolor and graphite on medium, rough, cream wove paper, Sheet: 7 5/8 x 16 7/8 inches (19.4 x 42.9 cm), carts, figures, hills, horses (animals), houses, landscape,

Seashore with Two Figures and a Distant Town, John Varley, 1778–1842, British, undated, Watercolor and pen and brown ink on moderately thick, slightly textured, cream wove paper, Sheet: 3 9/16 x 5 1/2 inches (9 x 13.9 cm), dock, figures,

View of Erthig, Denbigshire, Wales, Moses Griffith, 1747–1819, British, undated, Graphite, pen and black ink and watercolor on medium, slightly textured cream laid paper, Sheet: 9 1/2 x 18 7/8in. (24.1 x 47.9cm) and Sheet: 9 1/2 × 18 7/8

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), channel (water body

Group of Four Seated Men, Samuel Prout, 1783–1852, British, undated, Graphite and watercolor on moderately thick, slightly textured, beige wove paper, Sheet: 1 9/16 x 2 1/2 inches (4 x 6.3 cm), coats, figure study, genre subject,

Landscape in Derbyshire, John Webber, 1752–1793, British, 1789, Watercolor over graphite on medium, slighlty textured, cream laid paper, Sheet: 13 1/2 × 18 3/4 inches (34.3 × 47.6 cm

Views in the Levant: The Colossus of Barletta, Willey Reveley, (?), 1760–1799, British, ca. 1785, Watercolor, with pen in brown ink, black ink, gray ink, and graphite on medium, slightly textured, beige, wove paper, mounted on

The Creation, circle of John Linnell, 1792–1882, British, after William Blake, 1757–1827, British, undated, Watercolor and black ink on moderately thick, slightly textured, cream wove paper, Sheet: 5 3/4 x 3 3/4 inches (14.6 x 9.5 cm),

Gentleman in a Blue Coat, Horace Hone, 1756–1825, British, 1781, Watercolor on ivory, Frame: 2 1/4 x 1 5/8 x 1/2 inches (5.7 x 4.1 x 1.3 cm) and Image: 1 7/8 x 1 1/2 inches (4.8 x 3.8 cm), coat, cravat, gentleman, man, nobility,

A Scene in Ancient Rome: A Setting for Titus Andronicus, I, ii, Joseph Michael Gandy, 1771–1843, British, ca. 1830, Graphite, watercolor and gouache with pen and brown ink on thick, slightly textured, cream wove paper, Sheet: 7 1/4 x 11

Plan of the Principal Story, Shewing the New Committee Rooms &c, House of Lords, Attributed to office of Sir John Soane, 1753–1837, British, ca. 1794, Graphite, pen and black ink, watercolor on moderately textured, moderately thick,

One from Views in Saxony, France, Spain, Reba, Italy, Sicily..., Sir Richard Colt Hoare, 1758–1838, British, John Warwick Smith, 1749–1831, British, ca. 1817, Watercolor and black ink over graphite on wove paper, Sheet: 11 1/4 x 14

The Cuckold Departs for the Hunt, Isaac Cruikshank, 1756–1810, British, ca. 1800, Pen, in black ink, with watercolor on medium, slightly textured, cream, wove paper, Sheet: 6 13/16 × 8 15/16 inches (17.3 × 22.7 cm), adultery, bed,

Fishermen Drawing a Net, David Cox, 1783–1859, British, ca. 1820, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 3 1/2 x 4 inches (8.9 x 10.2 cm), fisherman, fishing boats, genre subject, nets (objects

Sensibility, Print made by Richard Earlom, 1743–1822, British, after George Romney, 1734–1802, British, 1789, Color-printed stipple engraving and etching with hand coloring in watercolor on moderately thick, slightly textured, cream

Europe. A Prophecy, Plate 15, 'The red limb'd Angel . . . . ' (Bentley 16), Print made by William Blake, 1757–1827, British, 1794, Color-printed relief etching in dark brown with pen and black ink, oil and watercolor on moderately thick,

Gomero, Orchilla Gatherer, Alfred Diston, active 1818–1829, 1828, Watercolor and graphite on medium, slighlty textured, cream wove paper, Sheet: 9 × 6 3/8 inches (22.9 × 16.2 cm), figure study, genre subject, man, rocks (landforms),

'Qualified Horses and Unqualified Riders:' `Returning Home in Triumph. He Disdain'd a Slothful Easey Life; so Took to Hunting', Henry Thomas Alken, 1785–1851, British, undared, Watercolor, pen and black ink, and graphite on medium, slightly

Spurstowes Alms Houses, Hackney, M. A. Gliddon, active 1840, British, 1841, Watercolor with pen and brown ink over traces of graphite on wove paper, Sheet: 5 7/16 x 7 15/16in. (13.8 x 20.2cm

A Country Road with Traveller on Horseback, attributed to Peter DeWint, 1784–1849, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 6 5/8 x 16 7/8 inches (16.8 x 42.9 cm), country, dogs

Onychognathus albirostris (White Billed Starling), Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Sheet: 15 7/8 × 12 inches (40.3 × 30.5 cm) and Binding: 16

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