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Cobham Hall, Kent: Plan of the Water Closets Adjoining to the North West Tower, James Wyatt, 1746–1813, British, ca. 1790, Graphite, pen and black and brown ink, gray wash and watercolor on moderately thick, textured, cream laid paper,

A Woman and Child by a Hearth, William Evans of Bristol, 1809–1858, British, formerly attributed to William Evans of Eton, 1798–1877, British, 1842, Watercolor and graphite on moderately thick, slightly textured, cream wove paper,

Haymaking, David Cox, 1783–1859, British, ca. 1808, Watercolor over graphite with scratching out on moderately textured, medium, cream wove paper mounted on thick card, Sheet: 18 1/8 x 24 7/8 inches (46 x 63.2 cm) and Mount: 20 1/2 x 27 3/4

Sportsman and His Dogs, Patrick Nasmyth, 1787–1831, British, 1828, Watercolor and gouache with scratching out over graphite on thick, moderately textured, cream wove paper, Sheet: 12 3/8 × 16 1/2 inches (31.4 × 41.9 cm

Capparis tomentosa Lam. (Caper): finished drawing of flowering and fruiting shoot, Luigi Balugani, 1737–1770, Italian, undated, Watercolor and gouache over graphite on medium, slightly textured, cream laid paper, Sheet: 15 15/16 × 12 5/16

Calcutta, Samuel Davis, 1757–1819, British, undated, Watercolor, pen and black ink, and graphite on moderately thick, moderately textured, cream, laid paper, mounted on, moderately thick, moderately textured, cream, wove paper,

Design for Polychromatic Decoration of a Church, George Edmund Street, 1824–1881, British, undated, Watercolor and gouache with pen and black ink on moderately thick, rough, cream wove paper, Sheet: 10 1/8 × 6 1/4 inches (25.7 × 15.9 cm)

Study of a Farm Cart, William Alexander, 1767–1816, British, undated, Watercolor and graphite on moderately thick, moderately textured, cream laid paper, Sheet: 6 1/8 × 5 inches (15.6 × 12.7 cm), agriculture, basket, cart, farmhouse,

The Bridge at Llangollen, William James Muller, 1812–1845, British, undated, Watercolor, graphite, gum arabic, and gouache on thick, rough, cream wove paper, Image: 10 9/16 x 14 5/16 inches (26.8 x 36.4 cm), architectural subject,

South West View of Compton Winyate, Warwickshire; belonging to the Marquis of Northampton, John Buckler FSA, 1770–1851, British, and John Chessell Buckler, 1793–1894, British, 1823, Watercolor and pen and black ink on moderately thick,

Young's Night Thoughts, Page 7, 'Till at Death's Toll, Whose Restless Iron Tounge', Print made by William Blake, 1757–1827, British, 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove

A Scene at Cambridge, unknown artist, ca. 1820, Pen black ink and watercolor on medium, slightly textured, cream wove paper mounted to moderately thick, moderately textured, cream wove paper, Sheet: 6 7/8 × 9 1/2 inches (17.5 × 24.1 cm),

Figure Study of a Lady (back view), James Miller, active 1773–1814, undated, Watercolor, gouache, graphite, pen and gray ink on medium, moderately textured, blued white laid paper, mounted on moderately thick, moderately textured, beige

Guildford, Samuel Palmer, 1805–1881, British, active in Italy (1837–39), 1844, Watercolor and gouache and scraping out with some varnish over graphite on medium, slightly textured, brown wove paper, Sheet: 7 3/8 x 10 5/8 inches (18.7 x

Bird's Nest with Sprays of Apple Blossoms, William Henry Hunt, 1790–1864, British, ca. 1847, Watercolor, pen and black ink, gouache, and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 10 x 12 inches (25.4 x

Unidentified Fish, Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 1/4 inches (41.3 cm) and Sheet: 16 × 12 1/2 inches (40.6 × 31.8 cm), animal

Memorials to Jonathan Reeves and his wife Elizabeth, and John and Elizabeth Cooke, from West Ham Church, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink and watercolor and graphite on medium, slightly textured,

Moote Ram the Dwarf Dancing before Sepoys, Robert Mabon, died 1798, British, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper, Sheet: 3 1/4 × 2 3/8 inches (8.3 × 6 cm), dancing, dwarf,

The Jetty, Myles Birket Foster, 1825–1899, British, undated, Watercolor and graphite on thick, rough, cream wove paper, Sheet: 4 1/8 × 6 3/4 inches (10.5 × 17.1 cm), boats, dock, genre subject, people

Staubbach, Lauterbrunnen (Switzerland), Isaac Weld, 1774–1856, Irish, 1818, Watercolor with pen and brown ink, and graphite on moderately thick, moderately textured, blued white, laid paper, Sheet: 9 1/16 × 12 5/16 inches (23 × 31.3

Man with a Blue Cloth over his Legs, Attributed to Gangaram Chintaman Tambat, active 1790s, Anglo-Indian, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper, Sheet: 4 1/2 × 5 7/8 inches

A Race Meeting (Weighing In), Charles Turner, 1774–1857, British, undated, Watercolor, pen and black ink, red ink, brown ink, and graphite on medium, slightly textured, beige, wove paper, Sheet: 8 1/4 × 11 7/16 inches (21 × 29.1 cm),

Jerusalem, Plate 34, 'Elevate into the Region of Brotherhood....', Print made by William Blake, 1757–1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream

Landscape with Trees and Mountains, Lake in Foreground, Thomas Sully, 1783–1872, American, undated, Watercolor and graphite on medium, slightly textured, beige, wove paper, Sheet: 5 13/16 × 10 5/16 inches (14.8 × 26.2 cm

The Temple of Aphaia at Aegina: Elevation of the Doric Entablature and Roof Section, Charles Robert Cockerell, 1788–1863, British, undated, Pen and black and red ink, graphite and watercolor on slightly textured, moderately thick, white

The Tower of the Clergy, Oporto, James Holland, 1799–1870, British, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 9 1/4 × 6 3/4 inches (23.5 × 17.1 cm), architectural subject,

One of eighteen designs for a series of plates illustrating Venus and Adonis, Hablot Knight Browne, 1815–1882, British, undated, Graphite, red chalk, watercolor and gouache on medium, slightly textured, gray wove paper, Sheet: 6 5/8 × 6

Aardwolf, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and brown ink and graphite on medium, smooth, cream wove paper, Sheet: 4 3/16 × 6 11/16 inches (10.6 × 17 cm), animal art

Welsh Peasant Women, Nicholas Pocock, 1740–1821, British, undated, Watercolor over graphite on medium, moderately textured, blued white, laid paper, Contemporary drawn border: 4 9/16 × 3 3/8 inches (11.6 × 8.6 cm), Mount: 5 1/16 × 3

Near Daboad, Edward Lear, 1812-1888, British, 1867, Watercolor, graphite, pen and brown ink, and black ink on thick, moderately textured, cream wove paper, mounted on moderately thick, slightly textured, cream wove paper, Sheet: 2 x 9

Harbor Scene, Dominic Serres RA, 1722–1793, French, active in Britain (from the 1750s), Between 1758 and 1793, Graphite and watercolor on medium, moderately textured, cream laid paper, Sheet: 9 11/16 x 17 3/8in. (24.6 x 44.1cm) and Sheet:

New Reformers, Or Corporal Bardolph's New-Raised Corps of Active Citizens, (?) William Dent, active 1784–1793, 1792, Etching with watercolor on laid paper, Sheet: 10 x 16 5/16in. (25.4 x 41.4cm

Unidentified House for Giles Hudson, Putney, Surrey: Drawing Room Ceiling Design, William Wickham, born ca.1750, British, undated, Pen and ink and watercolor on moderately textured, moderately thick, cream laid paper, Sheet: 10 13/16 × 10

Ma'm Vandercrout and Suitors, Isaac Cruikshank, 1756–1810, British, undated, Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper, Sheet: 8 1/2 x 9 1/2in. (21.6 x 24.1cm) and Sheet: 8 1/2 × 9 3/8

Europe. A Prophecy, Plate 9, 'Arise O Rintrah . . . .' (Bentley 11), Print made by William Blake, 1757–1827, British, 1794, Color-printed relief etching in dark brown with pen and black ink, oil and watercolor on moderately thick, slightly

Canal at Shenstone's, The Leasowes, William Ellis, 1747–1810, British, 1806, Watercolor, gouache, and graphite on medium, slightlhy textured, cream wove paper, Sheet: 6 1/2 × 11 1/8 inches (16.5 × 28.3 cm), boats, canal, figures,

Views in the Levant: View of Harbor Town With Flagpole at Right, Seen From Sea, Willey Reveley, (?), 1760–1799, British, ca. 1785, Watercolor with pen in gray ink, over graphite on medium, slightly textured, cream, laid paper, mounted

North-East View of Sir John Elvil's House on Englefield Green near Egham in Surrey, Paul Sandby RA, 1731–1809, British, undated, Watercolor and pen and brown ink on medium, cream, slightly textured laid paper, Sheet: 5 1/4 x 7 3/8 inches

The Iron Bridge, Coalbrookdale, Thomas Frederick Burney, op. 19th c, undated, Watercolor and pen and black ink on medium, slightly textured, cream laid paper, Sheet: 7 7/8 × 11 5/8 inches (20 × 29.5 cm

Young's Night Thoughts, Page 33, 'Like that, the dial speaks; and points to thee', Print made by William Blake, 1757–1827, British, ca. 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove

Memorial to Christopher Clitherow, Rachel Clitherow and Six of her 19 Children from Brentford, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium,

Study for Ceiling: Apollo and other Figures, Attributed to Domenico Mondo, 1723– c.1808, Italian, undated, Watercolor, gouache, and red chalk on medium, slightly textured, cream laid paper, Sheet: 9 7/8 x 7 1/4in. (25.1 x 18.4cm) and

The Ruins from Leptis Magna as they Appeared in the Royal Park at Virginia Water, Sir George Hayter, 1792–1871, British, 1835, Watercolor and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 9 × 13 inches (22.9 ×

The Rope Bridge at Srinaga, Thomas Daniell, 1749–1840, British, active in India, Formerly Samuel Davis, 1757–1819, British, undated, Watercolor, with pen and brown ink and graphite on medium, moderately textured, cream laid paper,

Memorial to Thomas Pearce from Ealing Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 14 7/8 ×

Château de Chillon, Hercules Brabazon Brabazon, 1821–1906, British, undated, Watercolor and gouache on thick, slightly textured, beige wove paper, Sheet: 9 3/4 × 5 5/8 inches (24.7 × 14.3 cm), architectural subject, castle, château,

Amada, 7:30 am, 12 February 1867 (423), Edward Lear, 1812-1888, British, 1867, Watercolor, pen and brown ink, and graphite on moderately thick, moderately textured, brown wove paper, Sheet: 2 1/4 x 10 1/4 inches (5.7 x 26 cm),

Snow Leopard, Charles Hamilton Smith, 1776–1859, Belgian, James Stewart, 1791–1863, British, ca. 1837, Watercolor, pen and brown ink, and graphite on moderately thick, slightly textured, cream, wove paper, Sheet: 4 13/16 × 7 3/4

Chili Skunk, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and brown ink and graphite on moderately thick, slightly textured, cream, wove paper, Sheet: 4 5/16 × 6 13/16 inches (11 × 17.3 cm), animal art

Lago d'Iseo, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and brown ink on medium, slightly textured, light blue wove paper, Sheet: 5 13/16 x 8 15/16 inches (14.8 x 22.7 cm), lake, landscape, mountains, sky,

Sheik Hussein of Gebel Tor and His Son, John Frederick Lewis, 1804–1876, British, between 1842 and 1843, Watercolor, white gouache, red chalk, black chalk and graphite on medium, slightly textured, beige wove paper, Sheet: 20 1/8 x 14

Madeira, Samuel Davis, 1757–1819, British, 1779, Watercolor and graphite on thick, moderately textured, beige, wove paper, Sheet: 17 1/2 × 23 5/8 inches (44.5 × 60 cm), Contemporary drawn border: 16 5/8 × 22 5/8 inches (42.2 × 57.5

Karnak, 10:00 pm, 22 January 1867 (213), Edward Lear, 1812–1888, British, 1867, Watercolor with pen and black ink over graphite on medium, slightly textured, cream wove paper, Sheet: 3 3/8 × 6 3/4 inches (8.6 × 17.1 cm), landscape,

Gate of the Old Fort at Old Benares, Samuel Davis, 1757–1819, British, ca. 1792, Watercolor and graphite on wove paper with pen and brown ink border laid down on heavy wove paper, Mount: 21 × 27 3/4 inches (53.3 × 70.5 cm) and Sheet: 17 1/4

Trees and a Rocky Stream, Frederick Christian Lewis the Elder, 1779–1856, British, undated, Watercolor and graphite, with gum and scratching out on medium, slightly textured, wove cream paper, Sheet: 8 1/4 x 11 9/16in. (21 x 29.4cm) and

Barges of the Embassy Being Raised from One Canal to Another on Their Way from Han-Tcheou-Foo to Tchu-San, 16 November 1793, William Alexander, 1767–1816, British, 1793, Watercolor and graphite on medium, slightly textured, cream wove

A Cavalry Officer (Henry IV) Leading a Charge Outside a Castle, Henry William Bunbury, 1750–1811, British, undated, Watercolor, graphite and black chalk on moderately thick, moderately textured, cream, laid paper, Sheet: 20 × 15 13/16

The Duel: 'Twelfth Night, ' Act III, Scene IV, Henry William Bunbury, 1750–1811, British, ca. 1790, Watercolor, pen and gray ink, red ink, black ink, brown ink, gum arabic, graphite, and white gouache on moderately thick, slightly

The Reconciliation of the Montagues and the Capulets, Frederic Leighton, 1830–1896, British, 1854, Watercolor with gouache over graphite on moderately thick, slightly textured, cream laid paper, Sheet: 15 9/16 x 20 3/4 inches (39.6 x 52.7

River Landscape with Figures, John Varley, 1778–1842, British, undated, Watercolor on medium, slightly textured, cream wove paper, Sheet: 3 1/2 x 4 7/8 inches (8.9 x 12.4 cm), boats, cliff, figures, landscape, river, shore (landform),

A British Encampment, Dirk Langendyck, 1748–1805, 1799 to 1801, Watercolor, pen and brown ink, pen and black ink, and graphite on medium, slightly textured, cream wove paper, Sheet: 9 9/16 x 14 5/16in. (24.3 x 36.4cm) and Sheet: 9 5/8 ×

Seated Men, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, white gouache, pen and brown ink on thick, moderately textured, brown wove paper, Sheet: 2 1/4 x 3 1/2 inches (5.7 x 8.9 cm), figure study, men, robes, seated,

Bathampton Mill, Edward Francis Burney, 1760–1848, British, undated, Watercolor, pen and black ink, graphite and black chalk on medium, slightly textured, cream laid paper, Sheet: 6 3/8 × 7 5/8 inches (16.2 × 19.4 cm), dam, landscape,

Jerusalem, Plate 2, Title Page, Print made by William Blake, 1757–1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink, watercolor, and gold on moderately thick, smooth, cream wove paper, Sheet: 13 1/2 x

Pettenasco, Lago d'Orta, 4:00 pm, 2 June 1867 (221), Edward Lear, 1812–1888, British, 1867, Watercolor with pen and brown ink over graphite on moderately thick, slightly textured, cream wove paper, Sheet: 4 1/4 x 8 1/2 inches (10.8 x

Brass Plate for unidentified Woman from Stoke Newington Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 15

Portrait of a Gentleman, Bernard Lens III, 1682–1740, British, ca. 1710, Watercolor on ivory, Image: 2 x 1 5/8 inches (5.1 x 4.1 cm) and Frame: 2 1/2 x 1 5/8 x 1/4 inches (6.4 x 4.1 x 0.6 cm), portrait

Classical Composition, Thomas Girtin, (after Fossati?), 1775–1802, British, 1798 to 1799, Watercolor over graphite on moderately thick, moderately textured, laid paper, mounted on very thick cardboard, Sheet: 12 x 18 13/16 inches (30.5 x

Two Greyhounds Chasing a Hare, unknown artist, undated, Watercolor, pen and black ink, pen and brown ink, and white gouache on thick, rough, cream wove paper, Sheet: 11 1/8 × 15 1/4 inches (28.3 × 38.7 cm), animal art, dogs (animals),

On the Banks of the Lago di Como, Monro School, unknown artist, Possibly Thomas Girtin, 1775–1802, British, Possibly Joseph Mallord William Turner, 1775–1851, British, ca. 1796, Watercolor, gray wash and graphite on medium, slightly

Costume at Procida-Naples, Isaac Weld, 1774–1856, Irish, 1818, Watercolor, with pen and brown ink, gray ink, gray wash and graphite on moderately thick, moderately textured, blued white, wove paper, Sheet: 8 11/16 × 13 3/16 inches

View on the London and Birmingham Railway, Primrose Hill, Chalk Farm, Showing the Travelling Post Office, W. S. Penson, 19th century, undated, Graphite, pen and ink, watercolor, and gouache, with scratching out on medium, slightly

Design for a Tudoresque Country House, Attributed to Joseph Michael Gandy, 1771–1843, British, Previously Sir Jeffry Wyatville, 1766–1840, British, undated, Pen and ink, watercolor and graphite on moderately thick, slightly textured,

Portrait of a Gentleman, Adam Buck, 1759–1833, British, 1806, Gouache and watercolor on ivory, Image: 2 3/4 x 2 1/4 inches (7 x 5.7 cm) and Frame: 3 1/2 x 2 5/8 x 1/4 inches (8.9 x 6.7 x 0.6 cm), portrait

Scene in a Famine: Quarreling for Carrion, Robert Mabon, died 1798, British, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper, Sheet: 3 3/4 × 3 5/8 inches (9.5 × 9.2 cm

View from Klein Zicker, Thiessow, Germany, Henry Swinburne, 1743–1803, British, undated, Watercolor and graphite on medium, moderately textured, cream, laid paper, mounted on, moderately thick, slightly textured, cream, wove paper,

Young's Night Thoughts, Page 93, 'If angels tremble, 'tis at such a sight', Print made by William Blake, 1757–1827, British, ca. 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper,

Adina and Dr. Dulcamara, Scene from Donigetti's Elisir d'Amore, George Augustus Sala, 1828–1895, British, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream wove paper, Sheet: 6 3/8 × 8 7/8 inches (16.2 ×

Ibreem, 11:00 am, 2 February 1867 (319), Edward Lear, 1812–1888, British, 1867, Watercolor with pen and brown ink over graphite on thick, rough, cream wove paper, Sheet: 3 3/8 x 9 7/8 inches (8.6 x 25.1 cm), cliffs, landscape, river,

Design for the Haymarket Theatre: 'The Battle of Hexham', by Colman the Younger, Michael 'Angelo' Rooker, 1746–1801, British, 1789, Watercolor and gray ink over graphite on moderately thick, moderately textured, cream laid paper,

Temple of Olympian Zeus, Athens and the Parthenon, Sir Robert Smirke the younger, 1781–1867, British, 1802-1804, Watercolor and graphite on moderately thick, moderately textured, beige, wove paper, Sheet: 11 3/16 × 16 7/8 inches (28.4 ×

Warwick: The Town and Castle from the Priory Gardens, Canaletto, 1697–1768, Venetian, active in Britain (1746–55), undated, Watercolor, pen and brown ink and graphite on medium, slightly textured, beige laid paper, Sheet: 14 1/4 x 36

Peiho River Foraging Party, Lt. Joseph Sparkhall Rundle, 1815–1880, 1840, Watercolor and scratching out on medium, slightly textured, cream wove paper mounted on thick, smooth, cream wove paper, Sheet: 5 5/8 × 8 7/8 inches (14.3 × 22.5

There Is No Natural Religion, Plate 6, 'IV None could have . . . .' (Bentley a7), Print made by William Blake, 1757–1827, British, ca. 1788, Color-printed relief etching and watercolor on moderately thick, slightly textured, cream wove

Eastnor Castle, September 29, 1829, Anne Rushout, ca. 1768–1849, British, 1829, Watercolor on moderately thick, slightly textured, cream wove paper

Boat on the Nile, Edward Lear, 1812-1888, British, 1854, Watercolor, graphite, pen and red ink on moderately thick, rough, beige wove paper, Sheet: 2 3/16 x 9 1/16 inches (5.6 x 23 cm), boat, landscape, marine art, river, river,

Elevation of a Proposed Design for Cambridge Colleges, William Wilkins, 1778–1839, British, undated, Watercolor, pen and black ink, graphite on slightly textured, medium, cream wove paper, Sheet: 11 1/2 × 18 inches (29.2 × 45.7 cm),

The Political Cerebus, William Dent, active 1784–1793, 1784, Etching with watercolor on laid paper, Sheet: 9 9/16 x 13 5/8in. (24.3 x 34.6cm

Diana, William Taverner, 1703–1772, British, undated, Watercolor, graphite and red chalk on medium, slightly textured, cream laid paper, Sheet: 11 1/2 × 7 5/8 inches (29.2 × 19.4 cm), armband, claws, goddess, gold, headband, hide,

Cerco de Paro, Lima, Godfrey Thomas Vigne, 1801–1863, British, ca. 1855, Watercolor over graphite on moderately thick, slightly textured, cream wove paper, Sheet: 10 7/8 × 19 1/4 inches (27.6 × 48.9 cm), animal art, buildings,

Animals of the Cat Family, with a Bear and Foxes, Samuel Howitt, 1756–1822, British, undated, Watercolor, pen and black ink, brown ink, gray ink and graphite on medium, slightly textured, cream, wove paper, mounted on, thick,

Jerusalem, Plate 63, 'Jehovah stood among the Druids....', Print made by William Blake, 1757–1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink, watercolor, and gold on moderately thick, smooth, cream

Sussex Lake, Charles Hamilton Smith, 1776–1859, Belgian, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 12 7/8 × 16 1/8 inches (32.7 × 41 cm) and Binding: 16 1/8 inches (41 cm),

On the Tiber/ Castle of St. Angelo, Isaac Weld, 1774–1856, Irish, 1818, Watercolor, with pen and gray ink, brown ink, over graphite on medium, moderately textured, blued white, wove paper, Sheet: 8 3/16 × 14 3/4 inches (20.8 × 37.5

One from A Volume of Drawings and Prints, Rev. James Bulwer, 1794–1879, British, undated, Pen and brown ink, watercolor, graphite on slightly textured, moderately thick, cream wove paper, Sheet: 7 x 13 1/2in. (17.8 x 34.3cm),

House with Weathercock, Attributed to John Preston Neale, 1771/80–1847, British, undated, Watercolor and graphite on slightly textured, medium, white wove paper, Sheet: 5 7/16 × 8 9/16 inches (13.8 × 21.7 cm) and Mount: 8 1/8 × 10 7/8

A Summer House with Full-length Lattice Windows, Humphrey Repton, 1752–1818, British, undated, Watercolor on medium, slightly textured, cream wove paper, Sheet: 5 3/4 × 9 1/4 inches (14.6 × 23.5 cm), architectural subject, clouds,

Pire Pahar, Samuel Davis, 1757–1819, British, undated, Watercolor, pen and black ink, gray ink, and graphite on medium, moderately textured, beige, laid paper, mounted on, thick, moderately textured, beige, laid paper, Mount: 16

The Arches Near the East Gate, Bury St. Edmunds Suffolk, Capt. Francis Grose, 1731–1791, British, 1777, Watercolor and pen and ink on medium, slightly textured, cream laid paper, Sheet: 10 7/16 x 14 9/16in. (26.5 x 37cm), Sheet: 10 5/8 ×

Lady Francis Scott and Lady Elliot, Paul Sandby RA, 1731–1809, British, ca. 1770, Watercolor and graphite on medium, cream, moderately textured laid paper, Sheet: 5 x 5 1/8 inches (12.7 x 13 cm), camera obscura, genre subject, portrait,

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