Images at Librifly

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Benihassan, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and brown ink on medium, moderately textured, cream, wove paper, mounted on thick, moderately textured cream, wove paper, Sheet: 3 1/4 x 12 5/8 inches (8.3 x

Broad Street, Oxford, John Malchair, 1730–1812, German, active in Britain (1754–1812), ca. 1790, Watercolor, charcoal and graphite on medium, moderately textured, cream laid paper, Sheet: 12 × 17 7/8 inches (30.5 × 45.4 cm),

River pass, between barren rock cliffs, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, gouache, pen and black ink on thick, moderately textured, cream wove paper, Sheet: 6 7/16 x 10 3/8 inches (16.4 x 26.4 cm), boat,

Plums and Mulberries, William Henry Hunt, 1790–1864, British, ca. 1860, Watercolor, gouache, and gum over graphite on moderately thick, slightly textured, beige wove paper, Sheet: 7 3/4 x 9 1/2 inches (19.7 x 24.1 cm), blackberries,

Cobham Hall, Kent: Plan of the Library, James Wyatt, 1746–1813, British, ca. 1790, Graphite, pen and black ink and watercolor on moderately thick, moderately textured, cream laid paper, Sheet: 14 5/8 x 20 7/8 inches (37.1 x 53 cm),

One of a Group of Three Studies of Gondolas, Myles Birket Foster, 1825–1899, British, undated, Watercolor and graphite on thick, rough, cream wove paper, Sheet: 1 7/8 × 2 5/8 inches (4.8 × 6.7 cm), boat, genre subject, gondola, oars,

Woman of El Miradero, Tenerife, Alfred Diston, active 1818–1829, 1828, Watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 9 3/4 × 7 5/8 inches (24.8 × 19.4 cm), baskets, costume, figure study, genre

Design for an Athenian Villa, Front Elevation, Edward Jones, active 1819–1835, 1834, Watercolor, pen and black ink and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 11 1/2 × 17 9/16 inches (29.2 × 44.6 cm),

The Dining Room at Newby Hall, Yorkshire, John Buckler FSA, 1770–1851, British, and John Chessell Buckler, 1793–1894, British, 1816, Watercolor and pen and black ink on moderately thick, cream wove paper, Sheet: 14 × 19 3/4 inches

Tolleshunt-Beckingham, Essex, Thomas Girtin, 1775–1802, British, ca. 1795, Watercolor, pen and black ink and graphite on moderately thick, slightly textured, beige wove paper, mounted on medium, slightly textured, beige wove paper,

A View of Boppart, with Figures on the River Bank, Joseph Mallord William Turner, 1775–1851, British, 1817, Watercolor, gouache, black chalk and scratching out on medium, slightly textured, cream wove paper, Sheet: 7 7/8 x 12 1/2 inches

Robert Cathcart, Esq., Henry Bone, 1755–1834, British, 1798, Gouache and watercolor on ivory, Image: 2 1/4 x 1 3/4 inches (5.7 x 4.4 cm) and Frame: 2 1/2 x 2 x 3/4 inches (6.4 x 5.1 x 1.9 cm), portrait

View near Arwington Hall, Suffolk, Capt. Francis Grose, 1731–1791, British, 1767, Watercolor and pen and ink on medium, slightly textured, cream laid paper, Sheet: 10 7/16 x 14 3/4in. (26.5 x 37.5cm) and Sheet: 10 5/8 × 14 7/8 inches (27

A Toopapaoo of a Chief, with a Priest Making his Offering to the Morai, in Huoheine, unknown artist, after John Webber, 1752–1793, British, 1789, Watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper,

Full-length Figure of a Man Dressed in Black Holding a Walking Stick, Robert, Frankland, baronet, 1784–1849, British, undated, Watercolor and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 7 × 5 1/8 inches

Portrait of a Gentleman, George Engleheart, 1753–1829, British, undated, Watercolor and gouache on ivory, Image: 1 7/8 x 1 3/8 inches (4.8 x 3.5 cm) and Frame: 2 1/4 x 1 7/8 x 5/8 inches (5.7 x 4.8 x 1.6 cm), portrait

Elevation of a Proposed Design for Cambridge Colleges, William Wilkins, 1778–1839, British, ca. 1823, Graphite, watercolor on slightly textured, medium, cream wove paper, Sheet: 12 5/8 × 21 3/8 inches (32.1 × 54.3 cm), architectural

A Capriccio of Windsor Castle, Sir George Hayter, 1792–1871, British, 1827, Watercolor, pen and brown ink, and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 8 3/4 × 12 7/8 inches (22.2 × 32.7 cm),

Sketch of the High Alter of the Church of, Il Redentore, Sir Robert Smirke the younger, 1781–1867, British, 1802-1804, Watercolor, and graphite on moderately thick, moderately textured, beige, wove paper, Sheet: 5 1/2 × 8 3/8 inches (14

Brass Plate for John and Tomasina Goodyere from Teddington Church, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 14

Cart and Driver, Robert Mabon, died 1798, British, undated, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 6 1/2 × 5 5/8 inches (16.5 × 14.3 cm), animal art

Manner of carrying children, Alfred Diston, active 1818–1829, 1828, Watercolor, pen and brown ink over graphite on medium, slightly textured, cream wove paper, Sheet: 9 × 5 7/8 inches (22.9 × 14.9 cm), barrel, child, costume, figure

Clayberry from Field, May 1829, Anne Rushout, ca. 1768–1849, British, 1829, Watercolor on moderately thick, slightly textured, cream wove paper

Elevation of a Proposed Design for Cambridge Colleges, William Wilkins, 1778–1839, British, ca. 1823, Pen, black ink, wash and watercolor on slightly textured, medium, cream wove paper, Sheet: 8 1/4 × 15 3/4 inches (21 × 40 cm),

Franciscan Friar, Alfred Diston, active 1818–1829, 1828, Watercolor, pen and black ink and graphite on medium, slighlty textured, cream wove paper, Sheet: 9 1/8 × 7 1/4 inches (23.2 × 18.4 cm), figure study, friar, genre subject,

Farmhouse with Figures at Door and Window, Joseph Powell, 1780–1834, British, undated, Watercolor on medium, slightly textured, cream wove paper, Sheet: 7 7/8 × 11 1/8 inches (20 × 28.3 cm), architectural subject, door, farmhouse,

The Poems of Thomas Gray, Design 35, 'Ode to Adversity.', William Blake, 1757–1827, British, between 1797 and 1798, Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid

Album Drawing, Thomas Bardwell, 1704–1767, British, Previously attributed: James Wills, Active 1740–died 1777, British, ca. 1730, Watercolor with pen and brown ink over graphite on white laid paper, Sheet: 5 1/8 x 3 1/2in. (13 x 8.9cm

Principal Entrance of Westwood house, Worcestershire; the Seat of Sir John Packington Bart., John Buckler FSA, 1770–1851, British, and John Chessell Buckler, 1793–1894, British, 1820, Watercolor and pen and black ink on moderately thick,

Guinea Parrot, George Edwards, 1694–1773, British, 1736, Watercolor, gouache, and graphite on moderately thick, slightly textured, cream laid paper, Sheet: 10 3/4 × 8 3/4 inches (27.3 × 22.2 cm), animal art, bird, branch, parrot

Near Khan Yunas, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and black ink on medium, slightly textured, brown wove paper, Sheet: 4 3/4 x 8 7/8 inches (12.1 x 22.5 cm), barrels (containers), camels (mammals),

A Bridge, Hercules Brabazon Brabazon, 1821–1906, British, undated, Watercolor, gouache, and black chalk on medium, slightly textured, cream wove paper mounted on thick, slightly textured, beige card, Mount: 7 5/8 x 10 3/16 inches (19.3

Memorial to Mary Buckby and Ann Skinner from Chelsea Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper,

Mountain of Rigi and the Ancient Castle of Hapsbourg on the Lake of Lucerne, Thomas Sunderland, 1744–1828, British, 18th century-19th century, Watercolor and pen and brown ink over graphite on medium, slightly textured, cream laid paper

'Slender Billy' Taking Refreshment, Thomas Rowlandson, 1756–1827, British, undated, Watercolor with pen and red-brown and gray ink over graphite on moderately thick, slightly textured, beige, wove paper, Sheet: 10 3/4 x 8 9/16 inches (27.3

One of a Group of Three Studies of Gondolas, Myles Birket Foster, 1825–1899, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 2 1/4 × 2 1/2 inches (5.7 × 6.4 cm), boat, gondola, marine

Deir Kadige, 1:00 p.m., January 2, 1867, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and brown ink on moderately thick, rough, beige wove paper, Sheet: 3 1/8 x 12 5/16 inches (7.9 x 31.3 cm), boats, landscape,

Portrait of a Gentleman, Abraham Daniel, died 1806, British, undated, Gouache and watercolor on ivory, Frame: 2 5/8 x 2 1/8 x 1/4 inches (6.7 x 5.4 x 0.6 cm) and Image: 2 1/2 x 2 1/8 inches (6.4 x 5.4 cm), coat, collar, cravat, gentleman,

Indian Bridge, Lower Thornery, Sezincote, Anne Rushout, ca. 1768–1849, British, 1824 to 1832, Watercolor and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 7 × 10 1/2 inches (17.8 × 26.7 cm), architectural

From the Ramparts on the East Side of Genoa, Sir Robert Smirke the younger, 1781–1867, British, 1802, Watercolor and graphite on moderately thick, rough, beige, wove paper, Sheet: 8 11/16 × 11 3/8 inches (22.1 × 28.9 cm

View of the Church and Village of St. Cue, Cornwall, Thomas Rowlandson, 1756–1827, British, ca. 1812, Watercolor with pen and gray and red brown ink over graphite on moderately thick, slightly textured, blued white, wove paper, Sheet: 6

The St. Leger, Doncaster: Preparing to Start, Henry Thomas Alken, 1785–1851, British, undated, Graphite and watercolor on medium, slightly textured, cream, wove paper, Sheet: 10 3/4 × 14 5/16 inches (27.3 × 36.4 cm), barn, blanket,

On the Shores of an Italian Lake, Harry John Johnson, 1826–1884, British, undated, Watercolor and graphite on moderately thick, rough, cream wove paper, Sheet: 12 1/4 × 15 3/4 inches (31.1 × 40 cm

Dead Teal, Samuel Howitt, 1756–1822, British, undated, Watercolor, with pen, in gray ink, black ink, brown ink, and graphite on moderately thick, slightly textured, cream, wove paper, Sheet: 9 1/2 × 12 7/8 inches (24.1 × 32.7 cm),

A Regency Pair, James Hook, ca. 1772–1828, British, 1802, Watercolor, graphite, pen and black ink, and pen and brown ink on medium, slightly textured, cream wove paper mounted on medium, slightly textured, brown wove paper, Sheet: 11

Grand Field Day at Chobham Camp, George Bryant Campion, 1796–1870, British, undated, Watercolor and gouache on moderately thick, slightly textured, beige wove paper, Sheet: 9 1/2 × 27 1/2 inches (24.1 × 69.9 cm), crowd, historical

Going at a Rank of Hurdles with Temper and Resolution, Henry Thomas Alken, 1785–1851, British, 1827, Graphite and watercolor on medium, slightly textured, cream wove paper, Sheet: 8 × 10 1/2 inches (20.3 × 26.7 cm), dogs (animals),

Maxstoke Priory, Warwickshire, John Inigo Richards RA, 1730/31?–1810, British, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper, Sheet: 5 7/8 × 9 1/8 inches (14.9 × 23.2 cm), arch,

Mr. Mark's Cottage, Wanstead, May 1829, Anne Rushout, ca. 1768–1849, British, 1829, Watercolor on moderately thick, slightly textured, cream wove paper

View of Valetta, Malta, James Holland, 1799–1870, British, undated, Watercolor with touches of red gouache over graphite on slightly textured, thick, heavy wove paper, Sheet: 14 5/8 × 21 7/8 inches (37.1 × 55.6 cm), coast, landscape,

A Villa near the Sea, Hercules Brabazon Brabazon, 1821–1906, British, undated, Watercolor and gouache on moderately thick, slightly textured, beige wove paper mounted on moderately thick, slightly textured, cream wove paper, Mount: 5

Mountains by the Traveller's Rest near Dolgelly, Samuel Palmer, 1805–1881, British, active in Italy (1837–39), 1835, Watercolor and gouache over graphite on medium, moderately textured, beige wove paper, Sheet: 11 3/4 x 18 1/8 inches

A Groom, Berkshire, Joshua Cristall, 1768–1847, British, ca. 1816, Watercolor, over graphite, with pen, in brown ink on moderately thick, moderately textured, cream wove paper, Sheet: 13 x 6 1/4 inches (33 x 15.9 cm), boots, breeches

Near Brimley Hill, Robert Polhill Bevan, 1865–1925, British, 1915, Black chalk and watercolor on thin, cream, smooth wove paper, Sheet: 10 x 11 3/4 inches (25.4 x 29.8 cm), country (rural landscape), hill, landscape, trees, Bromley

Convent, Mt. St. Bernard (Switzerland), Isaac Weld, 1774–1856, Irish, ca. 1816, Watercolor, pen and gray ink, over graphite on moderately thick, moderately textured, cream, wove paper, Sheet: 12 3/16 × 18 1/16 inches (31 × 45.9 cm),

Mary, Queen of Scots, Edward Francis Burney, 1760–1848, British, formerly attributed to Richard Westall, 1765–1836, British, undated, Watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper, Sheet: 10

The Church at Dixmude, West Flanders, David Roberts, 1796–1864, British, ca. 1863, Watercolor and gouache over graphite, varnished on thick, slightly textured, cream wove paper, Sheet: 11 x 14 1/4in. (27.9 x 36.2cm) and Sheet: 11 1/8 ×

View of Nice, Hercules Brabazon Brabazon, 1821–1906, British, undated, Watercolor and gouache on moderately thick, slightly textured, beige wove paper, Sheet: 8 3/8 x 10 1/4 inches (21.3 x 26 cm), beach, buildings, hills, landscape,

A Monastery Mill, George Cattermole, 1800–1868, British, undated, Watercolor with pen in brown ink, graphite, and gouache on thick, rough, beige, wove paper, Sheet: 15 5/16 × 11 3/8 inches (38.9 × 28.9 cm), architectural subject

Lisbon from the Convent of St. Francis da Citadel, Charles Gore, 1729–1807, British, 1774, Watercolor with pen and black ink over graphite on medium, cream, slightly textured laid paper, Sheet: 10 3/4 x 17 1/2 inches (27.3 x 44.5 cm),

Songs of Innocence and of Experience, Plate 36, 'The Tyger' (Bentley 42), Print made by William Blake, 1757–1827, British, 1789 to 1794, Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick,

Landscape with Mountains, Castle, Trees and Lake, Thomas Sully, 1783–1872, American, undated, Watercolor, graphite, pen and black ink, and gum arabic on moderately thick, moderately textured, beige, wove paper, Sheet: 5 1/16 × 7 1/16

The Pont Neuf, William Henry Lake Price, ca. 1810–ca. 1896, undated, Watercolor and graphite on medium, moderately textured, cream wove paper, Sheet: 6 1/2 × 9 3/4 inches (16.5 × 24.8 cm), architectural subject, bridge (built work),

Jerusalem, Plate 47, 'From Camberwell to Highgate....', Print made by William Blake, 1757–1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink, watercolor, and gold on moderately thick, smooth, cream wove

Portrait of a Man, John Linnell, 1792–1882, British, 1819, Watercolor over graphite on moderately thick, slightly textured, cream wove paper, Sheet: 4 3/4 x 3 5/8 inches (12.1 x 9.2 cm), artist, coat, cravat, portrait, posing,

Jerusalem, Plate 86, 'I see thy Form....', Print made by William Blake, 1757–1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper, Sheet: 13 1/2

Jerusalem, Plate 81, 'I have mockd those....', Print made by William Blake, 1757–1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink, watercolor, and gold on moderately thick, smooth, cream wove paper,

Cave of the Golden Calf: Study of Two Frenzied Dancers, Spencer Frederick Gore, 1878–1914, British, 1912, Watercolor, pen and black ink, and graphite on medium, slightly textured, beige wove paper, Sheet: 6 x 8 inches (15.2 x 20.3 cm),

Unidentified Fish, Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 1/4 inches (41.3 cm) and Sheet: 16 × 12 1/2 inches (40.6 × 31.8 cm), animal

Near Tapha, 9:45 am, 31 January 1867 (287), Edward Lear, 1812–1888, British, 1867, Watercolor with pen and brown ink and gouache over graphite on moderately thick, moderately textured, cream wove paper, Sheet: 2 5/8 x 10 5/8 inches (6.7 x

Shooting Party Setting Out, Frederick George Byron, 1764–1794, British, 1789, Watercolor, pen and black ink, gray ink and graphite on moderately thick, moderately textured, cream, wove paper, Sheet: 16 13/16 × 21 1/4 inches (42.7 × 54

Icy Bay & Mount Saint Elias, Charles Hamilton Smith, 1776–1859, Belgian, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 12 7/8 × 16 1/8 inches (32.7 × 41 cm) and Binding: 16 1/8 inches

One from A Volume of Drawings and Prints, Rev. James Bulwer, 1794–1879, British, 1837, Graphite, watercolor, pen and brown and red inks on slightly textured, moderately thick, cream wove paper, Sheet: 17 1/16 × 13 5/8 inches (43.3 ×

Illustration to Beaumont and Fletcher, Michael 'Angelo' Rooker, 1746–1801, British, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper, Sheet: 6 7/8 x 4 inches (17.5 x 10.2 cm), actors,

Retrieving a Rabbit, Edwin Gill, active 1810, died 1868, undated, Graphite and watercolor on medium, smooth, cream, wove paper, Sheet: 10 13/16 × 13 7/16 inches (27.5 × 34.1 cm) and Image: 10 5/8 × 13 3/8 inches (27 × 34 cm), dogs

Snowdon from Capel Curig, Samuel Davis, 1757–1819, British, undated, Watercolor, pen, brown ink, and graphite on medium, slightly textured, cream wove paper, Sheet: 12 3/8 x 17 5/8 inches (31.4 x 44.8 cm) and Image: 9 x 13 3/8 inches

Design for a Vignette: Figure of Abundance, Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45), undated, Graphite, traced over with pen in black ink and red chalk, squared and incised for transfer on medium,

Studies of Tradesmen and Grooms, Edmund Thomas Parris, 1793–1873, British, undated, Graphite and watercolor on medium, smooth, cream wove paper, Sheet: 4 × 8 3/4 inches (10.2 × 22.2 cm), apron, baskets, caps, coats, costume, figure

Dent de Lion, Margate, Joseph Mallord William Turner, 1775–1851, British, ca. 1791, Watercolor, graphite and pen and brown ink on medium, slightly textured, cream wove paper, Sheet: 10 1/8 x 13 5/8in. (25.7 x 34.6cm), architectural

Dove Dale, October 30, 1824, Anne Rushout, ca. 1768–1849, British, 1824, Watercolor and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 7 × 10 1/2 inches (17.8 × 26.7 cm

Hand-mill for grinding Gofio, Tenerife, Alfred Diston, active 1818–1829, ca. 1828, Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper, Sheet: 8 1/2 × 6 5/8 inches (21.6 × 16.8 cm), costume, figure

Almshouses in St. Cuthbert's Churchyard, Wells, Michael 'Angelo' Rooker, 1746–1801, British, undated, Watercolor and gray and brown ink over graphite on moderately thick, slightly textured, cream wove paper, Sheet: 8 7/8 x 11 inches (22.5

Memorial to John Bowman and to Edward Vaughen from Ealing Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 14

Robbing a Market Girl, Thomas Heaphy, 1775–1835, British, 1807, Watercolor, white gouache, pen and ink and gum over graphite on thick, moderately textured, cream wove paper, Sheet: 23 5/8 × 17 7/8 inches (60 × 45.4 cm), boys,

A Potter Going Out, Thomas Rowlandson, 1756–1827, British, between 1815 and 1820, Watercolor with pen and brown ink, over graphite on medium, slightly textured, cream wove paper, Sheet: 6 x 9 3/8 inches (15.2 x 23.8 cm), barrel

Nine Foxes Gathered Around a Tree: an Illustration of Aesop's Fable, 'The Fox who Lost His Tail', Samuel Howitt, 1756–1822, British, undated, Watercolor, with pen, in black ink, over graphite on medium, slightly textured, cream, wove

View of Parbati, a Hill near Poona Occupied by Temples Frequented by the Peshwa, Gangaram Chintaman Tambat, active 1790s, Anglo-Indian, 1795, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 11 × 16 3/4 inches

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London, George Edmund Street, 1824–1881, British, undated, Pen, black ink and graphite with watercolor and gouache on

Salerno, John Warwick Smith, 1749–1831, British, 1764-1831, Watercolor over graphite on medium, slightly textured, cream laid paper, Sheet: 13 1/4 x 20 1/8 inches (33.7 x 51.1 cm), fog, Grand Tour, lake, landscape, mountains, path,

The Guards on the March for the Duke of York's Campaign in France, Thomas Rowlandson, 1756–1827, British, undated, Watercolor, pen and brown ink, pen and red ink, pen and gray ink, and graphite on moderately thick, moderately textured,

Two Gigs in Trouble, Thomas Rowlandson, 1756–1827, British, undated, Watercolor and graphite with pen and brown ink on medium, moderately textured, blued white laid paper, Sheet: 4 7/16 x 7 3/16 inches (11.3 x 18.3 cm), genre subject,

Gantara (Suez Canal), 5:25 am, 27 March 1867 (20), Edward Lear, 1812–1888, British, 1867, Watercolor, pen and brown ink, and graphite on medium, slightly textured, blue wove paper, Sheet: 3 1/2 × 9 inches (8.9 × 22.9 cm), camels

Clare Castle, Suffolk, Michael 'Angelo' Rooker, 1746–1801, British, between 1797 and 1800, Watercolor and graphite with pen and black ink on medium, slightly textured, beige wove paper, Sheet: 6 1/4 x 8 3/8 inches (15.9 x 21.3 cm),

Two Fishermen seen from Behind, Joseph Stannard, 1797–1830, British, undated, Watercolor and graphite on medium, moderately textured, blued white laid paper, Sheet: 3 1/2 × 2 1/2 inches (8.9 × 6.4 cm), caps (headgear), costume, figure

The Acacia Tree - Figures in a Park, George Barret RA, ca. 1728/32–1784, Irish, undated, Watercolor, pen and black ink, gray ink and graphite on medium, slightly textured, cream, wove paper, mounted on, medium, moderately textured,

Visions of the Daughters of Albion, Plate 4, 'Visions, Enslav'd the Daughters . . . . ', William Blake, 1757–1827, British, 1793, Relief etching printed in green with watercolor on moderately thick, slightly textured, cream wove paper,

Distant View of Upnor Lodge, Mary Smirke, 1779–1853, British, undated, Watercolor on medium, slightly textured, blue wove paper, Sheet: 6 × 9 5/16 inches (15.2 × 23.7 cm), architectural subject, exterior view, house, landscape

Appleby, Westmoreland, Edward Dayes, 1763–1804, British, 1789, Watercolor, pen and black ink and graphite on medium, slightly textured, beige wove paper mounted to card, Sheet: 5 1/2 × 8 1/2 inches (14 × 21.6 cm), arch bridge, bridge

View at Rympton, Edward Francis Burney, 1760–1848, British, undated, Pen and brown ink and watercolor on medium, slightly textured, cream wove paper, Sheet: 8 1/4 × 13 inches (21 × 33 cm), farm, fence, gate, landscape, trees, valley

An Old Fisherman Repairing Nets with a Cottage in the Background, John Thirtle, 1777–1839, British, undated, Watercolor, gouache and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 11 7/8 × 12 inches (30.2 ×

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