Images at Librifly

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Cattle Watering at Sunset, John Varley, 1778–1842, British, undated, Watercolor and graphite on thin, slightly textured, cream wove paper, Sheet: 4 1/4 x 5 3/4 inches (10.8 x 14.6 cm), cattle, clouds, cows, landscape, sunset, trees,

Hyde Hall, Hertfordshire: Perspective View, Sir Jeffry Wyatville, 1766–1840, British, 1803, Watercolor and pen and brown and black ink on medium, slightly textured, cream wove paper, Sheet: 12 5/8 × 19 inches (32.1 × 48.3 cm),

Young's Night Thoughts, Page 23, 'We Censure Nature for a Span Too Short', Print made by William Blake, 1757–1827, British, 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper, Spine:

Mount Minto and Mount Adam, Charles Hamilton Smith, 1776–1859, Belgian, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 12 7/8 × 16 1/8 inches (32.7 × 41 cm) and Binding: 16 1/8 inches

Memorial to Bridget Carr and her Children John, Frances, Mary, Jane, Anne and Philadelphia from Greenford Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over

Girl in a Pinafore, David Cox, 1783–1859, British, between 1840 and 1849, Watercolor and black chalk on medium, slightly textured, cream wove paper, Sheet: 12 5/8 x 10 1/8 inches (32.1 x 25.7 cm), child, costume, genre subject, girl,

Effigy of Charles I above the Memorial to Sir Nicholas Crispe from Fulham Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove

Karnak, 9:30 am, 24 February 1867 (546), Edward Lear, 1812–1888, British, 1867, Watercolor with pen and brown ink over graphite on thick, rough, cream wove paper, Sheet: 6 11/16 x 9 7/8 inches (17 x 25.1 cm), architectural subject,

View in Panwell, Robert Mabon, died 1798, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 10 1/2 × 10 7/8 inches (26.7 × 27.6 cm

Joiner's Hall, Samuel Ireland, active 1760–died 1800, British, between 1794 and 1800, Watercolor and pen and black ink on medium, slightly textured, cream wove paper, Sheet: 5 1/4 × 7 inches (13.3 × 17.8 cm) and Mount: 9 × 12 1/2 inches

Europe. A Prophecy, Plate 8 (Bentley 9), Print made by William Blake, 1757–1827, British, 1794, Color-printed relief etching in dark brown with pen and black ink, oil and watercolor on moderately thick, slightly textured, cream wove paper,

Mother Bundle in a Rage or Too late for the Stage, Thomas Rowlandson, 1756–1827, British, ca. 1809, Watercolor with pen and brown-gray, red-brown, and brown ink, over graphite; verso: graphite on medium, moderately textured, blued white,

A Starling, Isaac Spackman, died 1771, British, undated, Watercolor and gouache on vellum, Sheet: 10 15/16 x 8 5/8in. (27.8 x 21.9cm) and Sheet: 11 × 8 1/2 inches (27.9 × 21.6 cm), animal art

Small Indian Civet, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and brown ink and graphite on medium, smooth, white, wove paper, Sheet: 4 1/16 × 6 1/2 inches (10.3 × 16.5 cm), animal art

Waltham Abbey, Essex, Edward Dayes, 1763–1804, British, 1783, Watercolor and graphite on moderately thick, slightly textured, wove card, Sheet: 5 3/8 × 8 3/8 inches (13.7 × 21.3 cm), abbey, architectural subject, England, Essex,

The Queen Elizabeth Gate, Paul Sandby RA, 1731–1809, British, 1767, Gouache and watercolor on medium paper mounted on thick, cream, moderately textured laid paper, Sheet: 14 3/8 x 18 1/2 inches (36.5 x 47 cm) and Mount: 15 3/8 x 19 1/2

Memorial to Richard Taylor from Chiswick Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 15 ×

Two Kangaroos with Details, James Sowerby, 1756–1822, British, undated, Watercolor over graphite on moderately thick, slightly textured, cream wove paper, Sheet: 11 7/8 × 18 3/4 inches (30.2 × 47.6 cm), animal art, kangaroos

Paysanne des environs de Cracouie; Costume des environs de Cracouie, Print made by Gabriel Charton, active 1810, after unknown artist, ca. 1810, Lithograph hand-colored with watercolor on moderately thick, slightly textured, beige wove paper,

One of eighteen designs for a series of plates illustrating Venus and Adonis, Hablot Knight Browne, 1815–1882, British, undated, Graphite, brown chalk, watercolor and gouache on medium, slightly textured, gray wove paper, Sheet: 6 5/8 ×

Funeral Procession at Rome, Isaac Weld, 1774–1856, Irish, 1818, Watercolor with pen in gray ink, black ink, gray wash, and graphite on medium, moderately textured, cream wove paper, Sheet: 9 15/16 × 14 13/16 inches (25.2 × 37.6 cm),

Unidentified Fish, James Bruce, 1730–1794, British, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Sheet: 12 1/16 × 16 inches (30.6 × 40.6 cm), animal art

Staircase Leading from the hall at Burton Agnes Yorkshire, John Buckler FSA, 1770–1851, British, and John Chessell Buckler, 1793–1894, British, 1818, Watercolor and pen and black ink on moderately thick, cream wove paper, Sheet: 19 3/4

Design for a Park Gateway, Edward Blore, 1789–1879, British, undated, Watercolor, gouache, graphite, etched lines, with black ink, and pen in brown ink on medium, slightly textured, cream, wove paper, mounted on moderately thick,

Design for a Medal: Boths Hand Fil'd for Britain, Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45), between 1734 and 1736, Pen and black ink, pen and red ink, graphite with red chalk, squared for transfer on

The Plains of Marathon, John Varley, 1778–1842, British, 1834, Watercolor over graphite with scratching out on thick, slightly textured, cream wove paper, Sheet: 6 13/16 x 10 5/16 inches (17.3 x 26.2 cm), burial mound, dog (animal),

A Castle on a River, Paul Sandby RA, 1731–1809, British, undated, Watercolor, and pen and black ink on medium, slightly textured, blued white, wove paper, Sheet: 5 3/8 x 8 1/8 inches (13.7 x 20.6 cm), architectural subject, boats,

Near Eucheconing Point, Java, Samuel Daniell, 1775–1811, British, undated, Watercolor and graphite on medium, slightly textured, cream laid paper, mounted on thick, moderately textured, cream laid paper, Sheet: 14 5/8 × 21 1/4 inches

Majesty's Ship Tyber of 46 Guns off Teignmouth, Commanded by Captain Dacres, unknown artist, nineteenth century, undated, Watercolor and pen and brown ink on medium, slightly textured, cream wove paper, Sheet: 7 1/4 × 9 inches (18.4 × 22.9

A View of Edinburgh, Alexander Nasmyth, 1758–1840, British, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream wove paper, Sheet: 9 x 15 7/8in. (22.8 x 40.3cm) and Sheet: 9 × 15 7/8 inches (22.9 × 40.3 cm),

Head of a Young Woman, John Frederick Lewis, 1804–1876, British, between 1838 and 1840, Watercolor, gouache, black chalk, and graphite on medium, slightly textured, beige wove paper, Mount: 13 5/8 x 11 1/4 inches (34.6 x 28.6 cm) and

The Heralds, Thomas Rowlandson, 1756–1827, British, undated, Watercolor with pen and red-brown and gray brown ink over graphite on medium, moderately textured, blued white, laid paper, Sheet: 6 3/16 x 7 7/16 inches (15.7 x 18.9 cm),

Mountainous Landscape with Castle on Hill, Pupil of John Malchair, 1730–1812, German, active in Britain (1754–1812), undated, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 8 15/16 x 11 9/16in. (22.7 x

Lulworth Castle, Dorset, Joseph Mallord William Turner, 1775–1851, British, ca. 1820, Watercolor and scratching out on moderately thick, slightly textured, cream wove paper, Sheet: 6 1/8 x 9 3/8 inches (15.6 x 23.8 cm), castle, cows,

Brass Plate of a Kneeling Man, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 14 5/8 × 10 5/8 inches

A Soldier's Knapsack: Two Studies, Side and Front View, Michael Angelo Hayes, 1811–1880, British, undated, Watercolor, pen and black ink, graphite, white gouache, gray wash on medium, moderately textured, cream, wove paper, Sheet: 5

New Inn, Samuel Ireland, active 1760–died 1800, British, between 1794 and 1800, Watercolor, graphite, and pen and black ink on medium, slightly textured, cream wove paper, Sheet: 4 1/2 × 6 1/2 inches (11.4 × 16.5 cm) and Mount: 9 × 12

Elaborately Saddled Horse, Gangaram Chintaman Tambat, active 1790s, Anglo-Indian, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper, Sheet: 7 1/2 × 8 3/4 inches (19.1 × 22.2 cm), animal

The Claudian Aqueduct and Colosseum, Thomas Jones, 1742–1803, British, active in Italy (1776–83), 1778, Watercolor and graphite with gum on medium, moderately textured, cream wove paper, Sheet: 10 3/4 × 16 1/4 inches (27.3 × 41.3 cm),

Lord Hopetoun's Lead Mines, Paul Sandby RA, 1731–1809, British, 1751, Watercolor, pen and black ink and graphite on medium, blued white, slightly textured laid paper, Sheet: 4 7/8 x 9 3/8 inches (12.4 x 23.8 cm), cattle, cows, figures,

Man with a Yellow Shawl Sitting Crosslegged, Gangaram Chintaman Tambat, active 1790s, Anglo-Indian, undated, Watercolor, gouache, and graphite with pen and black ink on medium, slightly textured, cream laid paper, Sheet: 8 7/8 × 6 inches

Rustics with Poultry Returning from Market, Philippe-Jacques de Loutherbourg, 1740–1812, French, active in Britain (from 1771), undated, Pen and brown ink and watercolor over graphite on moderately thick, slightly textured, cream wove

Slab over Tomb of Catherine Daughter of Lord Latimer from East Ham Church, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 14

Man of War with Other Shipping, Captain T. Richbell, active 1792–1825, 1791, Watercolor, pen and black ink, gray wash, and gouache on medium, slightly textured, cream wove paper mounted on medium, slightly textured, cream laid paper,

Illustrations from Mr. Lambkin, plate 8, Print made by George Cruikshank, 1792–1878, British, undated, Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper

River Ferry with Many Passengers and Animals, Paul Sandby RA, 1731–1809, British, undated, Watercolor, pen and brown ink and graphite on medium, cream, slightly textured laid paper, Sheet: 5 x 17 3/8 inches (12.7 x 44.1 cm), animals,

Fishing Smacks, Joseph Powell, 1780–1834, British, undated, Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper, Sheet: 7 13/16 x 11in. (19.8 x 28cm) and Sheet: 7 7/8 × 11 inches (20 × 27.9 cm),

The Family of Children, Thomas Rowlandson, 1756–1827, British, undated, Watercolor with pen and red-brown ink over graphite on medium, slightly textured, blued white, wove paper, Sheet: 4 5/16 x 7 1/4 inches (11 x 18.4 cm), allegory,

Charcoal Seller, Tenerife, Alfred Diston, active 1818–1829, 1828, Watercolor and pen and black ink on medium, slightly textured, cream wove paper, Sheet: 9 3/4 × 7 5/8 inches (24.8 × 19.4 cm), baskets, charcoal, costume, figure study,

Coastal Village in Sussex, James Chisholm Gooden, active 1835–1865, undated, Watercolor and graphite on thick, moderately textured, cream, wove paper, Sheet: 9 5/8 × 15 inches (24.4 × 38.1 cm), architectural subject

Ships at Wharf with Passengers Disembarking, Luke Clennell, 1781–1840, British, undated, Watercolor, black ink, and graphite with scratching out on medium, slightly textured, cream wove paper, Sheet: 5 7/8 × 8 1/8 inches (14.9 × 20.6

The Bay of Naples from Capodimonte, John Robert Cozens, 1752–1797, British, 1790, Watercolor and graphite on medium, slightly textured, cream wove paper, mounted on thick, slightly textured wove paper, Mount: 17 7/8 x 24 1/4 inches (45.4

Nun Mill, Northamptonshire, Capt. Francis Grose, 1731–1791, British, 1762, Watercolor and pen and ink on medium, slightly textured, cream laid paper, Sheet: 8 1/2 x 15 1/2in. (21.6 x 39.4cm) and Sheet: 8 1/2 × 15 1/2 inches (21.6 × 39.4

Memorial to Jacob Hawley from Brentforth Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 15 ×

A Street in Florence with the Duomo and Campanile in the Background, William Marlow, 1740–1813, British, ca. 1765, Watercolor, pen and black ink and graphite on medium, moderately textured, cream laid paper, Mount: 18 1/4 x 22 1/2 inches

The Grange at the Head of Keswick Lake, Francis Towne, 1740–1816, British, 1786, Watercolor and graphite with pen and brown ink on medium, slightly textured, cream laid paper, Sheet: 3 3/4 x 6 1/8 inches (9.5 x 15.6 cm) and Contemporary

Shipping in a Choppy Sea, Follower of William Owen, 1769–1825, British, Formerly attributed to William Joy, 1803–1867, British, Formerly attributed to John Cantiloe Joy, 1806–1859, British, undated, Watercolor, graphite, and

The Vicar of Wakefield: The Esquire's Intrusion, Thomas Rowlandson, 1756–1827, British, ca. 1817, Watercolor, with pen and red-brown ink over graphite on medium, smooth, blued white wove paper, Sheet: 4 1/2 x 7 7/16 inches (11.4 x 18.9

Gozo, near Malta, Edward Lear, 1812–1888, British, 1866, Watercolor with pen in brown ink over graphite on thick, rough, cream, wove paper, Sheet: 6 5/16 x 9 3/4 inches (16 x 24.8 cm), cliffs, grass, landscape, rocks (landforms),

Port Louis from La Petite Montagne (Twilight) with a Rider and Figures in Foreground, Thomas Bradshaw, Born 1767, British, undated, Watercolor and graphite with scratching out on moderately thick, moderately textured, cream wove paper, Sheet:

Netley Abbey, the East Window, John Samuel Hayward, 1778–1822, 1804, Watercolor and graphite on moderately thick, moderately textured, beige, laid paper, Sheet: 17 3/4 × 11 3/8 inches (45.1 × 28.9 cm), architectural subject

Castle Fraser, Aberdeenshire, Scotland: North Elevation, William Wilkins, 1778–1839, British, 1819, Graphite, pen and black and brown ink, watercolor on slightly textured, moderately thick, cream wove paper, Sheet: 12 × 17 3/8 inches

Design for the Mechanics' Institution, Basingstoke: Elevation, Thomas Henry Wyatt, 1807–1880, British, undated, Graphite, watercolor, pen and black ink on slightly textured, medium, cream wove paper, Sheet: 11 3/16 × 17 7/8 inches (28.4

Memorial to James Clitherow and his daughters Philippa, Martha and Elizabeth from Brentford Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium,

Study of a Coat and Breeches, James Ward, 1769–1859, British, undated, Graphite and watercolor on medium, slightly textured, cream laid paper, Sheet: 9 3/8 x 6 inches (23.8 x 15.2 cm) and Mount: 10 3/4 × 7 5/8 inches (27.3 × 19.4 cm),

View of Edinburgh from Calton Hill, Francis Nicholson, 1753–1844, British, 1811, Watercolor, gouache, and graphite with scratching out on medium, slightly textured, cream wove paper, Sheet: 18 1/2 × 24 1/4 inches (47 × 61.6 cm

Near Ambleside, Francis Towne, 1740–1816, British, 1786, Watercolor and brown and gray ink with gum on medium, slightly textured, cream laid paper, Sheet: 6 x 9 1/8 inches (15.2 x 23.2 cm) and Contemporary drawn border: 8 3/4 x 11 3/4

Studies of Spider Crabs, Venice, Myles Birket Foster, 1825–1899, British, 1874, Watercolor and graphite on moderately thick, slightly textured, cream card, Sheet: 6 × 8 1/2 inches (15.2 × 21.6 cm), animal art, crabs, sand, Europe,

Owl: Little Owl, William Lewin, 1747–1795, British, before 1790, Watercolor and gouache over graphite with gum arabic on medium, smooth, white vellum, Sheet: 8 1/8 × 6 1/2 inches (20.6 × 16.5 cm), animal art, bird, branch, owl,

Andernach, Joseph Mallord William Turner, 1775–1851, British, 1817, Watercolor, gouache, pen and black ink and scratching out on medium, slightly textured, cream wove paper, Sheet: 7 7/8 x 12 5/8 inches (20 x 32.1 cm), architectural

Memorial to Mrs. Hester Hill and Mr. Thomas Hill, Chelsea Church, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Watercolor and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 14 3/4 × 10 5/8 inches

Portrait of a Woman taken from life, facing right, John Smart, 1741–1811, British, undated, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 1 7/8 × 1 9/16 inches (4.8 × 4 cm), cap, fichu, gown,

Illustrations from Mr. Lambkin, plate 24, Print made by George Cruikshank, 1792–1878, British, undated, Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper

Ship Building, William Callow, 1812–1908, British, active in France, 1841, Watercolor with pen and brown and black ink, over graphite, with scratching out on medium, slightly textured, cream wove paper, Sheet: 8 9/16 x 13 3/8 inches

Barmouth Bay, Moses Griffith, 1747–1819, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper mounted on thick card, Sheet: 10 x 16 3/4 inches (25.4 x 42.5 cm) and Mount: 10 7/8 x 17 1/2 inches (27.6 x

The First Book of Urizen, Plate 18 (Bentley 21), Print made by William Blake, 1757–1827, British, 1794, Color-printed relief etching in orange-brown with watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 11 7/8 x

Felis Uncia, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and black ink and graphite on medium, smooth, cream, wove paper, Sheet: 4 1/16 × 6 1/2 inches (10.3 × 16.5 cm), animal art, leopard

Cock Siskind, Thomas Atwood, ca. 1761–1766, British, undated, Watercolor, gouache and pen and brown ink on medium, slightly textured, cream laid paper, Sheet: 6 7/8 × 6 1/2 inches (17.5 × 16.5 cm), animal art, bird, branches

Boxhill from Westhumble Lane, Henry Edridge, 1769–1821, British, undated, Watercolor, with pen, in brown ink, and graphite on moderately thick, rough, beige, wove paper, Sheet: 12 1/2 x 19 1/16in. (31.8 x 48.4cm), bushes, hills,

My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes, Paul Sandby RA, 1731–1809, British, ca. 1759, Watercolor, pen and gray ink , black chalk and graphite on medium,

Rocky Valley of Mosta, Malta, 1:30 p.m. (April 3, 1866), Edward Lear, 1812–1888, British, 1866, Watercolor, pen and brown ink, white gouache, and graphite on moderately thick, slightly textured, beige wove paper, Sheet: 9 1/2 x 13 7/8

Arcadian Shepherds by a Pool, Joshua Cristall, 1768–1847, British, undated, Watercolor and graphite, with scraping on moderately thick, slightly textured, beige wove paper, Sheet: 12 1/8 x 8 3/8 inches (30.8 x 21.2 cm), arcadian art,

Sketch of the Temple of Asclepius at Agrigento, Sicily, Sir Robert Smirke the younger, 1781–1867, British, 1802-1804, Watercolor and graphite on moderately thick, moderately textured, beige, wove paper, Sheet: 11 9/16 × 8 15/16 inches

Amateurs of Tye-Wig Music, Edward Francis Burney, 1760–1848, British, ca. 1800-1815, Pen and ink and watercolor on moderately thick, slightly textured, cream laid paper, Sheet: 19 3/16 x 28 5/16in. (48.7 x 71.9cm), bellows, books, busts,

St. Michael's Mount, Cornwall, Attributed to Luke Clennell, 1781–1840, British, undated, Watercolor and graphite on medium, slightly textured, blued white wove paper, Sheet: 4 3/8 × 6 3/4 inches (11.1 × 17.1 cm), coast, dock, island,

Boston Manor, Brentford, Middlesex, Charles Tomkins, 1757–1823, British, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper, Sheet: 10 3/4 × 10 1/2 inches (27.3 × 26.7 cm),

A Street in a Country Village, William Henry Hunt, 1790–1864, British, ca. 1815, Watercolor, pen and brown ink, and graphite on moderately thick, slightly textured, beige wove paper, Sheet: 10 5/8 x 14 1/2 inches (27 x 36.8 cm), carts,

Peponium vogelii Engl. : finished drawing, Luigi Balugani, 1737–1770, Italian, undated, Watercolor and gouache over graphite on medium, slightly textured, cream laid paper, Sheet: 15 15/16 × 12 5/16 inches (40.5 × 31.3 cm) and Binding: 16

Study of a Dog, David Cox, 1783–1859, British, 1840s, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 3 7/8 x 4 5/8 inches (9.8 x 11.7 cm), animal art, dog (animal

The Gamekeeper, William Henry Hunt, 1790–1864, British, 1834, Watercolor, with pen, in brown ink, graphite, and gouache on moderately thick, slightly textured, beige, laid paper, Sheet: 14 15/16 × 9 5/8 inches (37.9 × 24.4 cm), bag,

Abydos, 1:00 pm, 12 January 1867 (134), Edward Lear, 1812–1888, British, 1867, Watercolor with pen and gray and black ink over graphite on thick, slightly textured, cream wove paper, Sheet: 6 1/8 x 12 inches (15.6 x 30.5 cm),

America. A Prophecy, Plate 15, 'What Time the Thirteen Governors....', Print made by William Blake, 1757–1827, British, 1793, Relief etching printed in blue with pen and black ink and watercolor on moderately thick, slightly textured,

Grewia ferruginea A. Rich. : finished drawing, including detail of leaf, Luigi Balugani, 1737–1770, Italian, undated, Watercolor and gouache over graphite on medium, slightly textured, cream laid paper, Sheet: 15 15/16 × 12 5/16 inches

Greenfield House, David Cox, 1783–1859, British, 1840s, Watercolor, with scratching out over graphite on medium, moderately textured, cream wove paper, Sheet: 4 7/8 x 3 1/4 inches (12.4 x 8.3 cm), architectural subject, fence, house,

Dr. Munro's Carpenter at Work, William Henry Hunt, 1790–1864, British, ca. 1815, Watercolor and brown ink over graphite on moderately thick, smooth, cream wove paper, Sheet: 11 7/8 x 8 7/8 inches (30.2 x 22.5 cm), alley, apron,

Filley Bearing Marks of Quagga, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, graphite, pen and black ink on medium, slightly textured, cream, wove paper, Sheet: 4 × 6 7/16 inches (10.2 × 16.4 cm), animal art

A Barn with a Mossy Roof, Shoreham, Samuel Palmer, 1805–1881, British, active in Italy (1837–39), undated, Watercolor, pen and brown ink, white gouache, and graphite on moderately thick, moderately textured, cream wove paper, Sheet:

Portrait of a Gentleman, Richard Cosway, 1742–1821, British, undated, Watercolor and gouache on ivory, Image: 2 1/8 x 1 7/8 inches (5.4 x 4.8 cm), male, portrait

Sabooa, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and brown ink on thick, rough, cream wove paper, Sheet: 3 1/4 x 9 7/8 inches (8.3 x 25.1 cm), architectural subject, lake, landscape, river, river, ruins,

There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1), Print made by William Blake, 1757–1827, British, ca. 1788, Color-printed relief etching and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 5

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