Images at Librifly

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Design for baptismal font, late 19th–early 20th century, Made in New York, United States, American, Watercolor and graphite on paper mounted on board, Overall: 16 7/8 x 12 1/4 in. (42.9 x 31.1 cm), Drawings, Possibly Tiffany Glass Company

Design for a Bed with Canopy, 1841–84, Graphite and watercolor, sheet: 12 9/16 x 9 7/8 in. (31.9 x 25.1 cm), Charles Hindley and Sons (British, London 1841–1917 London

'The Fish and the Fisherman', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

Quarter of a Design for a Trompe L'Oeil Ceiling Decoration, 17th century, Pen and brown ink, brush and red-brown and gold watercolor, over graphite underdrawing, sheet: 12 5/16 x 6 5/8 in. (31.3 x 16.8 cm), Anonymous, Italian, 17th century

Hab.t de l'Angleterre from Playing Cards (for Quartets) 'Costumes des Peuples Étrangers', 1700–1799, Etching and hand coloring (watercolor), 3 3/16 × 2 1/16 in. (8.1 × 5.3 cm), Prints, Anonymous, French, 18th century

Lady with a Fan, n.d., Watercolor, Sheet: 10 3/4 x 7 1/4 in. (27.3 x 18.4cm), Drawings, Louis-Robert Cuvillon (French, born Paris 1848

The Muiderpoort, Amsterdam, seen from the Plantage, 1771, Black chalk, pen and brown and gray ink and watercolor., 10 x 14 5/16 in. (25.4 x 36.3 cm), Drawings, Hendrick Keun (Dutch, Haarlem 1738–1787 Haarlem

Design for a House Façade, 18th century, Pen and brown ink, brush and gray wash, watercolor, cut-out lower edge, Drawings, Attributed to Anonymous, German, 18th century

A Yachtsman, 1806–65, Watercolor over graphite, sheet: 7 13/16 x 5 1/16 in. (19.8 x 12.9 cm), Drawings, Robert Dighton the Younger (British, 1786–1865), formerly attributed to Robert Dighton the Elder (British, London ca. 1752–1814

Illustration for 'Little Peter: A Christmas Morality for Children of Any Age', 1908, Watercolor and gouache over graphite, sheet: 11 5/8 x 7 1/4 in. (29.5 x 18.4 cm), Drawings, Charles Edmund Brock (British, London 1870–1938 Cambridge

A Priest with an Umbrella, 1840–50, brush and ink and watercolor on wove paper, sheet: 9 1/8 x 9 1/4 in. (23.2 x 23.5 cm), Drawings, Anonymous, Peruvian, 19th century

Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

Cabinet Design with a Porcelain Plaque, 19th century, Graphite, watercolor and scratching on grey ground, sheet: 4 5/8 x 6 1/4 in. (11.7 x 15.8 cm), Anonymous, British, 19th century

Peace of 1814 and Centennial of the House of Brunswick: 'The Effect Previous to Discovering the Illuminated Temple of Peace and Concord in St. James's Park, London, August 1, 1815' [should be 1814], ca. 1814, Watercolor, Sheet: 3 1/8 × 9 5/16

Saint Jerome in the Wilderness, 17th century, Brush and brown, yellow, gray and red watercolor, touched with white gouache over traces of charcoal on light brown paper. Framing outline in brush and brown wash, 9 x 13-3/8 in. (22.8 x 34 cm),

Two Lohans, ca. 1480, Attributed to Iran, possibly Tabriz, Ink and transparent watercolor on paper, Page: H. 13 9/16 in. (34.5 cm), Codices, Images of ascetic figures such as these, referred to as lohans in Buddhist tradition, appear

Deer and Tree Against Sunset, 1810–75, Watercolor on wove paper, 10 5/8 x 15 1/8 in. (27 x 38.4cm), Drawings, Antoine-Louis Barye (French, Paris 1796–1875 Paris

'Unwan', Folio from the Shah Jahan Album, recto and verso: ca. 1630–40, Attributed to India, Ink, opaque watercolor, and gold on paper, H. 15 1/4 in. (38.7 cm), Codices

Design for a Mirror to go over a Cabinet, 19th century, Ink and watercolor, sheet: 2 15/16 x 6 1/2 in. (7.4 x 16.5 cm), Anonymous, British, 19th century

March, 1772, Black chalk, brown, black or gray ink and watercolor, sheet: 5 3/16 x 7 7/16 in. (13.1 x 18.9 cm), Drawings, Hendrik Meijer (Dutch, Amsterdam 1744–1793 London

Maffet Ledger, ca. 1874–1881, United States, Oklahoma, Southern and Northern Cheyenne, Graphite, watercolor, and crayon on paper, H. 11 3/4 x W. 5 1/4 x D. 1 in. (29.8 x 13.3 x 2.5 cm), Paper-Drawings, The Maffet Ledger, a book of 105

Design of Flower Sprays and Butterflies, ca. 1870, Watercolor, 8-3/8 x 8-3/8 in, Drawings, Anonymous, Italian, 19th century

Design for Curtains, 1841–84, Graphite and watercolor, sheet: 13 1/4 x 10 3/8 in. (33.7 x 26.4 cm), Charles Hindley and Sons (British, London 1841–1917 London

Opening Folio of the 26th Volume of the 'Anonymous Baghdad Qur'an', A.H. 706/ A.D 1306–7, Made in Iraq, Baghdad, Ink, opaque watercolor, and gold on paper, 17 x 13 7/8in. (43.2 x 35.2cm), Codices, This is the right half of a double page

Butterfly Badge, mid-19th–early 20th century, Pen, ink, watercolor, Drawings, Pickford Robert Waller (British, London 1849–1930 Bournemouth

'The Concourse of the Birds', Folio 11r from a Mantiq al-tair (Language of the Birds), ca. 1600, Attributed to Iran, Isfahan, Ink, opaque watercolor, gold, and silver on paper, Painting: H. 10 in. (25.4 cm), Codices, Painting by Habiballah

Country house, 19th century, Watercolor, sheet: 4 3/4 x 6 in. (12.1 x 15.2 cm), Anonymous, British, 19th century

'Shah Shuja with a Beloved', Folio from the Shah Jahan Album, verso: ca. 1632; recto: ca. 1530–50, Attributed to India, Ink, opaque watercolor, and gold on paper, H. 15 5/16 in. (38.9 cm), Codices, Painting by Govardhan (active ca.

'The Ox Shanzabeh Left Behind, Grazing in the Territory of the Lion King', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide),

Cattle at a Watering Hole in a Valley, 1830–86, Watercolor over graphite with gouache and scratching out, sheet: 13 x 19 7/16 in. (33 x 49.4 cm), Drawings, John Henry Mole (British, Alnwick, Northumberland, 1814–1886), Born in

Two penguins , male and female, n.d., graphite, brush and black ink, gouache, watercolor, modern mount, sheet: 10 13/16 x 9 1/2 in. (27.5 x 24.1 cm), Drawings, Sergey Sudeykin (Russian, Smolensk 1882–1946 Nyack

Mrs. Robinson as Perdita, ca. 1779, Graphite, blue chalk, and watercolor, with touches of gouache, oval sheet: 7 13/16 x 6 in. (19.9 x 15.3 cm), Drawings, Richard Cosway (British, Oakford, Devon 1742–1821 London), This lovely young woman

Trinity Bay, Newfoundland, Exterior View of the Telegraph House in 1857-1858, 1865–66, Watercolor over graphite with touches of gouache, Sheet: 6 13/16 × 10 1/4 in. (17.3 × 26 cm), Drawings, Robert Charles Dudley (British, 1826–1909),

Landscape with River in the Center, with Ferryboat, 18th century (?), Pen, brown ink and watercolor over black chalk. Framing line in pen and brown ink, cut off at either side., 8 3/4 x 13 3/4 in. (22.2 x 34.9 cm), Drawings, Anonymous,

Landscape with Rising Sun, December 1, 1828, 8:30 a.m., 1828, Watercolor over graphite on white wove paper, sheet: 4 3/16 x 6 3/4 in. (10.6 x 17.1 cm), Drawings, Joseph Michael Gandy (British, London 1771–1843 London), Gandy, who made

Design for window, late 19th–early 20th century, Made in New York, United States, American, Watercolor and graphite on paper mounted on board in original matt, Overall: 14 1/16 x 8 in. (35.7 x 20.3 cm), Drawings, Tiffany Studios (1902–32

Chalice with Enamel Ornament, second half 19th century, Graphite and watercolor on tracing paper, sheet: 6 7/16 x 4 5/16 in. (16.3 x 11 cm), Anonymous, British, 19th century

Brazen Sea, one of six illustrated leaves from the Postilla Litteralis (Literal Commentary) of Nicholas of Lyra, ca. 1360–1380, French, Opaque watercolor, iron-gall ink and gold on vellum, 16 1/2 x 9 3/4 in. (41.9 x 24.8 cm), Manuscripts and

A Radish Plant, Seed, and Flower, late 18th century, Made in India, Calcutta, Ink and opaque watercolor on paper, H. 18 3/4 in. (47.6 cm), Codices, This painting is from the collection of Major James Nathaniel Rind, an enthusiastic

Design for a stained glass window, 1866–92, Watercolor, pen and brown ink over graphite, sheet: 13 3/16 x 4 in. (33.5 x 10.2 cm), Alexander Gibbs (British, active 1866–1882

Elizabeth Ford, later Lady Colville of Culross, 1785, Watercolor, colored chalk, and graphite, sheet: 17 x 13 in. (43.2 x 33 cm), Drawings, John Downman (British, Ruabon, Wales 1750–1824 Wrexham, Wales), Dowman represents Elizabeth,

Pier Glasses, 1850–1904, Ink, watercolor, Robert William Hume (British, London 1816–1904 Long Island City

'Khusrau Spies Shirin Bathing', Folio from a Khamsa (Quintet) of Nizami, 16th century, Attributed to Iran, Shiraz, Ink, opaque watercolor, silver, and gold on paper, Page: 8 11/16 x 5 11/16 in. (22.1 x 14.4 cm), Codices

'Design for a Clock in the Form of an Elephant with an Indian Driver', Folio from a Book of the Knowledge of Ingenious Mechanical Devices by al-Jazari, dated A.H. 715/A.D. 1315, Attributed to probably Syria, Ink, opaque watercolor, and gold on

Rama Releases the Demon Spies Shuka and Sarana: Folio from a Ramayana 'Siege of Lanka' Series, ca. 1725, India (Guler, Himachal Pradesh), Opaque watercolor, ink and gold on paper, Page: 23 1/2 x 32 3/4 in. (59.7 x 83.2 cm), Paintings,

Design for a window, late 19th–early 20th century, Made in New York, United States, American, Watercolor, and ink on paper in original matt, Drawings, Possibly Tiffany Glass Company (1885–92), Possibly Tiffany Glass and Decorating

Ceiling Design with Nymph on Dolphin, 19th century, Ink and watercolor, Anonymous, British, 19th century

Getting Out One of the Large Buoys for Launching, August 2nd, 1865, 1865, Watercolor over graphite with touches of gouache, Sheet: 7 5/16 × 10 3/8 in. (18.6 × 26.3 cm), Drawings, Robert Charles Dudley (British, 1826–1909), One of the

'Bahram Gur in the Blue Pavilion', Folio from Khamsa (Quintet) of Nizami, early 16th century, Attributed to Iran, Shiraz, Ink, opaque watercolor, and gold on paper, Codices

Anthology of Persian Poetry in Oblong Format (Safina), dated A.H. 905/A.D. 1499–1500, Attributed to present-day Afghanistan, Herat, Ink, watercolor, and gold on paper., 8 1/4 x 3in. (21 x 7.6cm), Codices, Images of angel-like, winged

Saz'-style Drawing of a Dragon amid Foliage, ca. 1540–50, Attributed to Turkey, Istanbul, Ink, opaque watercolor, and gold on paper, Painting: H. 6 13/16 in. (17.3 cm), Codices, Shah Quli (Turkish, born Tabriz, Iran, active ca. mid-16th

Design for a Concave Corner Cabinet (Possibly Part of a Larger Wall-Covering Unit), ca. 1730–40 , Pen and black ink, brush and gray and brown wash, watercolor, traces of ruled graphite lines, sheet: 14 1/8 x 9 5/8 in. (35.8 x 24.5 cm),

Groom and Rider, 1540–50, Attributed to Iran, Tabriz, Ink and watercolor on paper, Painting: H. 4 3/8 in. (11.1 cm), Codices, The subject of horseman and groom is common in Safavid art. The rider’s handsome appearance and elegant posture

An Orange-Headed Ground Thrush and a Death's-Head Moth on a Purple Ebony Orchid Branch, dated 1778, Made in India, Calcutta, Opaque watercolor and ink on paper, Painting: H. 23.5 in. (59.7 cm), Codices, Shaikh Zain al–Din, This natural

Design for Library Table, 1835–1900, Ink, watercolor, Robert William Hume (British, London 1816–1904 Long Island City

Cabinet Design with Glass Center Door, 19th century, Graphite, watercolor and scratching on beige ground, sheet: 5 1/16 x 6 3/4 in. (12.9 x 17.2 cm), Anonymous, British, 19th century

Naples, 1841 (?), Watercolor, sheet: 13 3/4 x 17 1/2 in. (34.9 x 44.5 cm), Drawings, John Ruskin (British, London 1819–1900 Brantwood, Cumbria

Wall Design including an Equestrienne Portrait, 19th century, Ink and watercolor, Anonymous, British, 19th century

Design for window, late 19th–early 20th century, Made in New York, United States, American, Watercolor, graphite, gouache and black ink on paper mounted on board in original double matt, Overall: 24 1/8 x 11 1/8 in. (61.3 x 28.3 cm),

Design for Proposed Column Lights, St. Jude's Church, Southsea, 1877, Pen and ink, wash and watercolor, sheet: 13 5/16 x 9 15/16 in. (33.8 x 25.3 cm), Richardson Ellson & Co. (British

Culver Cliff, Isle of Wight, 1847, Watercolor, colored chalks and gouache over graphite, sheet: 6 11/16 x 10 5/16 in. (17 x 26.2 cm), Drawings, William Dyce (British, Aberdeen, Scotland 1806–1864 London), Dyce is best known for

'The Male Dove Pecking the Female Dove', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

Illuminated Double Page of a Yusuf and Zulaikha of Jami, ca. 1580, Attributed to Iran, Shiraz, Ink, opaque watercolor, and gold on paper, 10 x 5 3/4in. (25.4 x 14.6cm), Codices

Sketch to Illustrate the Passions. Senility or Peevishness, 1855, Watercolor on cream wove paper, sheet: 14 1/8 x 10 3/16 in. (35.9 x 25.8 cm), Drawings, Richard Dadd (British, Chatham, Kent 1817–1886 Berkshire), Between 1853 and 1855 Dadd

Book of Prayers, Surat al-Yasin and Surat al-Fath, dated A.H. 1132/A.D. 1719–20, Made in Iran, probably Isfahan, Ink, opaque watercolor, and gold on paper, H. 9 3/4 in. (24.7 cm), Codices, This prayer book reflects the fusion of Indian

Fall Brook Railroad, 1934, Watercolor and graphite on paper, 5 x 7 in. (12.7 x 17.8 cm), Drawings, Arthur Dove (American, Canandaigua, New York 1880–1946 Huntington, New York

Trees by the Lake, Peamore Park, near Exeter, Devon, 1790–1810, Watercolor over traces of graphite, sheet: 5 11/16 x 7 1/2 in. (14.5 x 19 cm), Drawings, Francis Towne (British, Isleworth, Middlesex 1739–1816 Exeter), Towne often

Design for interior, ca. 1830, Watercolor, sheet: 14 1/4 x 19 in. (36.2 x 48.3 cm), Drawings, Charles de Brocktorff (Danish, active 1830

'The Trapped Cat and the Frightened Mouse (Rat ?)', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

Rievaulx Abbey, Yorkshire, 1803, Watercolor and graphite with scratching out, sheet: 11 15/16 x 8 1/4 in. (30.3 x 21 cm), Drawings, John Sell Cotman (British, Norwich 1782–1842 London), Cotman helped to reshape British watercolor painting

The Old Cock, ca. 1882, Watercolor over black chalk, 13 1/16 x 11 7/16 in. (33.1 x 29.1 cm), Drawings, Félix Bracquemond (French, Paris 1833–1914 Sèvres

Female dancer in cubist costume, n.d., Graphite, watercolor, gouache., sheet: 12 13/16 x 9 13/16 in. (32.5 x 25 cm), Drawings, Sergey Chekhonin (Russian, 1878–1936

Sphinx in a Grotto (Poet, King and Warrior), 1840–98, Watercolor and gouache on paper, varnished, 12 3/8 x 16 3/8 in. (31.4 x 41.6 cm), Drawings, Gustave Moreau (French, Paris 1826–1898 Paris

February, 1772, Black chalk, brown, black or gray ink and watercolor, sheet: 5 3/16 x 7 7/16 in. (13.1 x 18.9 cm), Drawings, Hendrik Meijer (Dutch, Amsterdam 1744–1793 London

Windsor from Dachet, ca. 1887, Watercolor, Sheet: 8 1/2 x 13 3/4 in. (21.6 x 34.9 cm), Drawings, William Collingwood Smith (British, Greenwich 1815–1887 London), Smith received some training from James Duffield Harding, but was largely

View of a Bridge at Angers, ca. 1903, Watercolor and black chalk over graphite, sheet: 7 13/16 x 16 7/16 in. (19.9 x 41.7 cm), Drawings, Sir David Young Cameron (British, Glasgow, Scotland 1865–1945 Perth, Scotland

'Khusrau and Shirin Conversing in Landscape at Night', Folio from a Khamsa (Quintet) of Nizami, ca. 1625–30, Attributed to India, Deccan or Rajasthan, Ink, opaque watercolor, and gold on unpolished paper, Page: 11 7/8 x 7 7/16in. (30.2 x

A Parkland View at Dusk, ca. 1879, Watercolor and graphite, sheet: 8 1/8 x 13 1/4 in. (20.6 x 33.6 cm), Drawings, William Leighton Leitch (British, Glasgow, Scotland 1804–1883 London), Bold shadows from the late-day sun stretch across the

Hab.t de l'Autriche from Playing Cards (for Quartets) 'Costumes des Peuples Étrangers', 1700–1799, Etching and hand coloring (watercolor), 3 3/16 × 2 1/16 in. (8.1 × 5.3 cm), Prints, Anonymous, French, 18th century

'Pair of Eagles', Folio from a Manafi' al-Hayawan (On the Usefulness of Animals) of Ibn Bakhtishu', ca. 1300, Attributed to Iran, Ink, opaque watercolor, and gold on paper, Painting: H. 5 3/4 in. (14.6 cm), Codices, This folio illustrates

Figures by the Seashore, late 18th–early 19th century, Pen and ink, with watercolor, sheet: 6 3/8 x 6 1/8 in. (16.2 x 15.6 cm), Drawings, Thomas Rowlandson (British, London 1757–1827 London

Bermuda No. 4, 1917, Watercolor and graphite on paper, 9 5/8 x 13 3/4 in. (24.4 x 34.9 cm), Drawings, Charles Demuth (American, Lancaster, Pennsylvania 1883–1935 Lancaster, Pennsylvania

Vassili Blagennoi, Moscow, 19th century, Watercolor, 3 3/8 x 4 3/4 in. (8.6 x 12.1 cm), Drawings, Anonymous, Russian, 19th century

Study for 'Goat', ca. 1934, Watercolor, gouache, and graphite on paperboard, 4 x 6 in. (10.2 x 15.2 cm), Drawings, Arthur Dove (American, Canandaigua, New York 1880–1946 Huntington, New York), This watercolor is a study for Dove's oil

Coffee Room Elevation, Pompeian style, 19th century, Graphite and watercolor, sheet: 12 5/8 x 17 7/8 in. (32.1 x 45.4 cm), John Gregory Crace (British, London 1809–1889 Dulwich) , and Son, John Dibblee Crace (British, London 1838–1919

Qur'an Manuscript, late 9th–early 10th century, Attributed to Syria or Iraq, Main support: ink, opaque watercolor, and gold on parchment; Binding: leather; tooled, H. 4 in. (10.2 cm), Codices, This is the second volume of a thirty-part

Lea Castle, Worcestershire, Picture Room, Looking West, ca. 1816, Watercolor, sheet: 8 1/2 x 7 in. (21.6 x 17.8 cm), Attributed to John Carter (British, London 1748–1817 London

White Flowers in a Vase, ca. 1884–1904, Watercolor over traces of graphite, Sheet: 14 5/8 x 11 1/4 in. (37.2 x 28.5cm), Drawings, Zacharie Astruc (French, Angers 1835–1907 Paris

'Portrait of Mulla Muhammad Khan Vali of Bijapur', Folio from the Shah Jahan Album, recto: ca. 1620; verso: 1537–47, Attributed to India, Ink, opaque watercolor, and gold on paper, H. 15 5/16 in. (38.9 cm), Codices, Painting by Hashim

Peasant with Child, 17th century, Black chalk and watercolor, sheet: 3 5/16 x 2 1/16 in. (8.4 x 5.2 cm), Drawings, Herman Saftleven II (Dutch, Rotterdam 1609–1685 Utrecht

Illuminated Initial and Saint, 1830–62, Watercolor, pen and brown and red ink, and gold over graphite, sheet: 14 5/8 x 9 1/8 in. (37.1 x 23.1 cm), Freeman Gage Delamotte (British, Sandhurst 1813/14–1862 London

Tavern scene, 1780–1827, Watercolor, graphite, pen and ink, sheet: 5 1/16 x 6 11/16 in. (12.8 x 17 cm), Drawings, Thomas Rowlandson (British, London 1757–1827 London

'The Rogue's Father Emerges from the Tree', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

A Couple at Table with Servants, 18th–19th century, Pen and ink, with watercolor, sheet: 6 3/8 x 9 9/16 in. (16.2 x 24.3 cm), Drawings, After Thomas Rowlandson (British, London 1757–1827 London

The Temple at Dendur, Nubia, 1848, Watercolor over graphite with gouache on beige wove paper, sheet: 7 11/16 x 10 1/2 in. (19.5 x 26.7 cm), Drawings, David Roberts (British, Stockbridge, Scotland 1796–1864 London), Roberts made this

Design for a Mirror and Side Table, 1841–84, Graphite and watercolor, sheet: 14 5/8 x 10 1/2 in. (37.2 x 26.7 cm), Charles Hindley and Sons (British, London 1841–1917 London

Wall Panel Design, 19th century, Watercolor, Anonymous, British, 19th century

'Portrait of Jadun Rai Deccani', Folio from the Shah Jahan Album, recto: ca. 1622; verso: ca. 1530–50, Attributed to India, Ink, opaque watercolor, and gold on paper, H. 15 5/16 in. (38.9 cm), Codices, Painting by Hashim (active 1620–60

Section from the 'Qur'an of `Umar Aqta', late 14th–early 15th century (before 1405), Attributed to present-day Uzbekistan, Samarqand, Ink, opaque watercolor, and gold on paper, H. 19 1/2 in. (49.5 cm), Codices, This fragment of a page

Ship at Sea, late 19th century, Watercolor, sheet: 10 3/8 x 16 5/8 in. (26.4 x 42.3 cm), Drawings, Albert Ernest Markes (British, 1865–1901 Newquay

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