Images at Librifly

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An unidentified Gothic Mansion: Side View of the House with Garden, Joseph Murray Ince, 1806–1859, British, undated, Watercolor, pen and brown ink, gouache, and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 9

A Young Peasant Girl with Arms Folded, Louis Philippe Boitard, active 1734–1760, undated, Pen and black ink and watercolor on medium, slightly textured, beige laid paper, Sheet: 7 7/8 × 5 inches (20 × 12.7 cm), figure study, girl,

Kun Futta or Ear Good Joguee, Gangaram Chintaman Tambat, active 1790s, Anglo-Indian, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper, Sheet: 6 1/4 × 5 1/2 inches (15.9 × 14 cm

View of Paris from Charenton, William Callow, 1812–1908, British, active in France, 1834, Watercolor on medium, slightly textured, cream wove paper, Sheet: 4 5/8 × 13 inches (11.7 × 33 cm), boats, buildings, cityscape, clouds,

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Graphite and watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), channel

The Colosseum from the Caelian Mount, with the Arch of Constantine and a View of the Forum, Rome., Carlo Labruzzi, 1748–1817, Italian, undated, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 14 3/4 x 21

Banner Cross Hall, Sheffield: Exterior Elevation, Studio of Sir Jeffry Wyatville, 1766–1840, British, undated, Graphite, pen and brown ink and watercolor on slightly textured, moderately thick, wove paper, Sheet: 12 11/16 × 17 13/16

Conway Castle, Caernarvonshire, Edward Dayes, 1763–1804, British, undated, Watercolor, graphite and pen and black ink on medium, slightly textured cream laid paper mounted to thick beige card, Sheet: 5 5/8 × 8 1/2 inches (14.3 × 21.6

Porta S. Giovanni, Rome, William Leighton Leitch, 1804–1883, British, 1837, Watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 9 x 18in. (22.9 x 45.7cm), architectural subject, architecture, cityscape,

Mahratta Pugree, 5 February 1861, William Simpson, 1823–1899, British, 1861, Graphite and watercolor on medium, smooth, cream wove paper, Sheet: 4 × 5 7/8 inches (10.2 × 14.9 cm) and Binding: 4 1/4 inches (10.8 cm), animal art, camel

Horses in a Paddock, John Linnell, 1792–1882, British, 1811, Watercolor on moderately thick, rough, cream laid paper, Sheet: 4 1/8 x 5 3/4 inches (10.5 x 14.6 cm), animal art, children, corral, field, grass, grazing, horses

The Abbey Gates Looking to Greenfield House, David Cox, 1783–1859, British, 1840s, Watercolor with scratching out over graphite on medium moderately textured cream wove paper, Sheet: 4 7/8 x 3 1/4 inches (12.4 x 8.3 cm), abbey, house,

One from Views in Saxony, France, Spain, Reba, Italy, Sicily..., Sir Richard Colt Hoare, 1758–1838, British, John Warwick Smith, 1749–1831, British, ca. 1817, Watercolor and black ink over graphite on wove paper, Sheet: 11 1/4 x 14

Fluelen: Morning (looking towards the lake), Joseph Mallord William Turner, 1775–1851, British, 1845, Watercolor, gouache and scratching out on medium, slightly textured, cream wove paper, Sheet: 11 3/4 x 18 7/8 inches (29.8 x 47.9 cm),

Girl on Lane, Entering Wooded Area, Thomas Sully, 1783–1872, American, 1834, Watercolor, graphite, gouache, gum arabic, scratching out, and sponging on thick, smooth, beige, wove paper, Sheet: 10 1/16 × 7 7/8 inches (25.6 × 20 cm

Hardwick Hall, Derbyshire, John Buckler FSA, 1770–1851, British, and John Chessell Buckler, 1793–1894, British, undated, Watercolor and pen and black ink on moderately thick, cream wove paper, Sheet: 19 3/4 × 14 inches (50.2 × 35.6

Cottage and Farm Buildings, James Ward, 1769–1859, British, undated, Pen and brown ink over watercolor and graphite on medium, slightly textured, beige laid paper, Sheet: 6 x 11 1/8 inches (15.2 x 28.3 cm), buildings, cottage, farm,

'Qualified Horses and Unqualified Riders:' 'Faceing a Brook Verifying the Old Adage, Look Before You Leap', Henry Thomas Alken, 1785–1851, British, undated, Watercolor, with pen, in brown ink, black ink, and graphite on medium, slightly

Memorial to Mrs. Elizabeth Lardner, from Stanwell Church, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, sligthly textured, cream wove paper, Sheet: 15 1/4 ×

Mr. Croft's bungalow, Near Madras, Samuel Davis, 1757–1819, British, undated, Watercolor, with pen, in brown ink, gray ink and graphite on moderately thick, moderately textured, cream, wove paper, Sheet: 17 1/2 × 26 inches (44.5 × 66

The Assignation, Johann Heinrich Ramberg, 1763–1840, German, active in Britain (1781–88), undated, Watercolor, pen and black ink, and graphite on medium, slightly textured, cream laid paper, Sheet: 8 1/4 × 11 1/8 inches (21 × 28.3

View on the Thames at Battersea, pupil of John Varley, 1778–1842, British, undated, Watercolor and gum arabic on moderately thick, slightly textured, cream wove paper, Sheet: 13 1/8 × 20 7/8 inches (33.3 × 53 cm), architectural subject,

Memorial to Thomas Wildman from Twickenham Church, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightlty textured, cream wove paper, Sheet: 15 × 10 5/8

Seashore and Cliffs, with a Horse and Cart and a Beached Boat on Shore, attributed to James Ward, 1769–1859, British, undated, Watercolor on moderately thick, rough, cream, wove paper, Sheet: 4 1/4 × 9 3/16 inches (10.8 × 23.3 cm),

An Imaginary Design for a Monument to Lord Nelson, Augustine Maria Aglio, 1777–1857, Italian, active in Britain, 1805, Watercolor, gouache, and chalk on Thick, slightly textured, beige wove paper, Sheet: 18 1/8 x 18 1/8in. (46 x 46cm),

View of the Pont Royal, William Callow, 1812–1908, British, active in France, ca. 1833, Watercolor, pen and brown ink, gray ink, graphite, and gouache on moderately thick, slighlty textured, cream, wove paper, Sheet: 13 1/4 × 19

View of Arundel, Charles Gore, 1729–1807, British, undated, Watercolor, pen and black ink, and graphite on moderately thick, moderately textuerd, cream laid paper, Sheet: 7 7/8 × 23 13/16 inches (20 × 60.5 cm), marine art, town,

Fishing Boat Moored in Grassy Waters, Clarkson Stanfield, 1793–1867, British, 1863, Graphite and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 5 × 7 1/4 inches (12.7 × 18.4 cm) and Binding: 5 1/4 inches (13.3

Long-Tailed Spiny Rat, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and black ink, brown ink and graphite on moderately thick, smooth, cream, wvoe paper, Sheet: 4 5/16 × 6 3/4 inches (11 × 17.1 cm), animal

Memorial to John Finch, from West Ham Church, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 15 × 10 5/8 inches (38.1 × 27

Memorial to Robert Diecrowe and Joan Diecrowe his Mother and Robert Wheter his Master from Enfield, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium,

Memoranda, Thomas Stothard, 1755–1834, British, undated, Watercolor with pen and black ink on thin, smooth, cream wove paper, Sheet: 9 7/16 × 6 3/4 inches (24 × 17.1 cm), flowers (motifs), ornament, scroll (motif

Dr. Syntax and his Counterpart, Thomas Rowlandson, 1756–1827, British, 1820, Aquatint and etching with hand coloring in watercolor on medium, slightly texture, cream wove paper, Frame: 23 11/16 × 30 inches (60.2 × 76.2 cm), caricature,

Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3, George Cressal Ellis, ca. 1810–1875, undated, Graphite, watercolor, heightened with gouache on thin wove paper stained for

Approach to Hastings, George Barret Jr., 1767–1842, British, undated, Watercolor and pen and brown ink on medium, slightly textured, beige laid paper, Sheet: 6 × 9 inches (15.2 × 22.9 cm), figures, landscape, road, trees, East

Design after a Greek Vase, unknown artist, eighteenth century, undated, Watercolor, pen and black ink, and gouache on medium, slightly textured, cream, wove paper, mounted on, moderately thick, slightly textured, cream, wove paper,

A Dry Halfeh Grass, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, cochineal, pen and brown ink on medium, slightly textured, cream, wove paper, mounted on moderately thick, slightly textured, cream wove paper, Sheet: 2

Tomb of Grace Bulford from Stratford Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink watercolor and gouache over graphite on medium, sligthtly textured, cream wove paper, Sheet: 14 7/8 × 10

Memorial to Mr. Nathaniel Ravener from Greenford Church, Attributed to Daniel Lysons, 1762–1834, British, 1803, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 14 3/4 × 10 3/4

Illustration to A Sentimental Journey: Episode: Maria and her Dog Sylvia, Edward Edwards, 1738–1806, British, undated, Watercolor, pen and black ink, and graphite on medium, slightly textured, cream laid paper, Sheet: 4 × 2 3/8 inches

Memorial to Charles Hitch from East Ham Church, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 14 7/8 × 10 7/8

Sailboats on the Nile, John William Burgon, 1813 –1888, British, between 1861 and 1862, Watercolor on medium, slightly textured, wove paper mounted on board, Sheet: 5 1/2 x 13 1/8 inches (14 x 33.3 cm) and Mount: 6 x 13 5/8 inches (15.2 x

Conway (Castle, North Wales), Isaac Weld, 1774–1856, Irish, 1809, Watercolor, brown wash, pen and brown ink, and graphite on moderately thick, moderately textured, beige, wove paper, Sheet: 13 1/16 × 16 9/16 inches (33.2 × 42.1 cm

The Canada Lynx from the Life, Samuel Howitt, 1756–1822, British, ca. 1817, Pen and black ink, pen and brown ink, watercolor and graphite on medium, moderately textured, cream wove paper, Sheet: 8 7/8 × 6 3/4 inches (22.5 × 17.1 cm),

By the Heath, Print made by Robert Barnes, 1840–1895, British, after Robert Barnes, 1840–1895, British, undated, Wood-engraving with watercolor on thick, slightly textured, cream card mounted on moderately thick, slightly textured,

Ruins of Temples at Saltronza, James Bruce, 1730–1794, British, ca. 1768, Watercolor, pen and brown ink, gouache, and graphite on moderately thi, moderately textured, cream, wove paper, Sheet: 21 7/8 × 31 3/4 inches (55.6 × 80.6 cm)

View of Harrow Church, Follower of Henry Edridge, 1769–1821, British, undated, Watercolor, with pen, in brown ink, black ink, and graphite on moderately thick, slightly textured, beige, wove paper, Sheet: 14 7/8 x 20 7/8in. (37.8 x

A Fish, Luigi Balugani, 1737–1770, Italian, undated, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 6 7/8 x 9 inches (17.5 x 22.9 cm), fish

Soldier's Head: front and back, George Dance RA, 1741–1825, British, undated, Watercolor on medium, slightly textured, cream laid paper, Sheet: 6 3/8 × 9 inches (16.2 × 22.9 cm), back, figure study, front, hat, head, soldier

Carisbrooke Castle, Isle of Wight, John Malchair, 1730–1812, German, active in Britain (1754–1812), after 1794, Watercolor and graphite on moderately thick, slightly textured, cream laid paper, Sheet: 8 3/4 x 13 15/16in. (22.2 x 35.4cm)

Foxhunting: Going to Cover, Samuel Howitt, 1756–1822, British, undated, Watercolor, pen and black ink, gray ink, and graphite on moderately thick, moderately textured, cream, wove paper, Sheet: 12 7/16 × 17 13/16 inches (31.6 × 45.2

The Interior of St. Pancras Church, William Inwood, ca. 1771–1843, British, undated, Watercolor; (verso) graphite on moderately thick, slightly textured, beige wove paper, Sheet: 10 × 14 1/2 inches (25.4 × 36.8 cm), architectural

Steeplechasing: Five Riders Galloping Right, Henry Thomas Alken, 1785–1851, British, undated, Graphite and watercolor on medium, slightly textured, cream, wove paper, Sheet: 9 7/8 × 16 1/8 inches (25.1 × 41 cm), fields, galloping,

Portrait of a Lady, Attributed to Andrew Plimer, 1763–1837, British, undated, Watercolor and gouache on ivory, Image: 3 1/4 x 2 5/8 inches (8.3 x 6.7 cm) and Frame: 3 7/8 x 2 3/4 x 5/8 inches (9.8 x 7 x 1.6 cm), portrait

Brass Plate, unidentified, from Greenford Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 14

London Bridge and The Monument, Francis Nicholson, 1753–1844, British, Formerly attributed to Thomas Malton, 1726–1801, British, ca. 1795, Watercolor with pen and black ink over graphite on medium slightly textured, cream wove paper,

Bangor, Belfast Lough, James Arthur O'Connor, 1792–1841, Irish, undated, Watercolor, graphite, gouache, pen and brown ink, black ink and scratching out on moderately thick, moderately textured, blued white, wove paper, Sheet: 7 1/8 ×

Albizia gummifera (J.F. Gmel.) C.A. Sm. (Gummy Albizia Tree): finished drawing of flowering head of shoot, with details of inflorescence, florets, and leaf, Luigi Balugani, 1737–1770, Italian, Formerly James Bruce, 1730–1794, British,

Chamonix, Mer de Glace, Charles Gore, 1729–1807, British, between 1778 and 1779, Watercolor with pen and black ink over graphite on moderately thick, slightly textured, cream laid paper, pasted on thick, rough, blue wove paper, Sheet:

The Repository of Arts, Royal Waterloo Bath, Published by Rudolf Ackermann, 1764–1834, British, 1819, Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper

Jerusalem, Plate 96, 'As the Sun & Moon lead forward....', Print made by William Blake, 1757–1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper,

Northfleet, Kent, James Bourne, 1773–1854, British, undated, Watercolor and graphite on medium, moderately textured, cream wove paper, Sheet: 11 5/8 × 9 1/8 inches (29.5 × 23.2 cm), cliffs, landscape, plateau, trees, England,

Luxor, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and brown ink on moderately thick, slightly textured, cream wove paper, Sheet: 3 1/4 x 6 13/16 inches (8.3 x 17.3 cm), hill, landscape, river, river, sky,

Rocky River Scene with Sepoys, Samuel Davis, 1757–1819, British, undated, Watercolor, pen and black ink, gray ink, and graphite on medium, slightly textured, cream, wove paper, mounted on, thick, moderately textured, cream, wove

Northumberland House, Charing Cross, London, John Chessell Buckler, 1793–1894, British, 1828, Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper, Sheet: 11 3/8 × 14 3/4 inches (28.9 × 37.5 cm),

Mountainous Landscape with Lake and Stream, Anthony Vandyke Copley Fielding, 1787–1855, British, 1831 to 1841, Watercolor over graphite on moderately thick, moderately textured, cream, wove paper, Sheet: 7 × 10 1/2 inches (17.8 × 26.7

Caerlaverock Castle (General View), Robert William Billings, 1813–1874, British, 1848, Watercolor, graphite, and pen and black ink on medium, slightly textured, cream wove paper, Sheet: 6 3/4 × 9 1/4 inches (17.1 × 23.5 cm),

Windermere from Rydal Park, Joseph Powell, 1780–1834, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 7 1/8 × 11 1/8 inches (18.1 × 28.3 cm), clouds, forest, hills, lake, landscape,

The South Barracks, Gibraltar, George Lothian Hall, 1825–1888, British, 1844, Watercolor, pen and black ink, graphite, and collage on thick, moderately textured, cream wove paper, Sheet: 6 1/4 × 10 inches (15.9 × 25.4 cm), buildings,

The Conversion of Saul, Attributed to John Martin, 1789–1854, British, undated, Watercolor, pen and brown ink, pen and black ink, graphite, and white gouache on medium, slightly textured, cream wove paper, Sheet: 2 1/8 x 2 3/4 inches

A Sussex Barn, Robert Polhill Bevan, 1865–1925, British, undated, Watercolor and black chalk on medium, cream, smooth wove paper mounted on card, Sheet: 13 7/8 x 18 5/8 inches (35.2 x 47.3 cm) and Mount: 14 5/8 x 19 1/8 inches (37.1 x 48.6

Memorial to David Garrick from Hampton Church, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 15 × 11 1/8 inches

Unidentified Fish, Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 1/4 inches (41.3 cm) and Sheet: 16 × 12 1/2 inches (40.6 × 31.8 cm), animal

Portrait of a Gentleman, John Bogle, 1746–1804, British, 1792, Gouache and watercolor on ivory, Image: 2 1/4 x 1 3/4 inches (5.7 x 4.4 cm) and Frame: 2 7/8 x 2 x 1/4 inches (7.3 x 5.1 x 0.6 cm), portrait

Bishop Wood's Alms-Houses, Clapton, M. A. Gliddon, active 1840, British, 1842, Watercolor over graphite on wove paper, Sheet: 5 1/8 x 7 1/4in. (13 x 18.4cm

Landscape at Sunset, Thomas Collier, 1840–1891, British, ca. 1891, Watercolor, graphite on slightly textured, thick, cream wove paper, Sheet: 14 1/8 × 20 3/4 inches (35.9 × 52.7 cm

Design for Ceiling, Sir William Chambers RA, 1723–1796, British, ca. 1765, Pen and black and brown ink, watercolor and gouache over graphite on moderately thick, slightly textured, cream laid paper, Sheet: 13 x 9 3/8 inches (33 x 23.8 cm),

One from Views in Saxony, France, Spain, Reba, Italy, Sicily..., Sir Richard Colt Hoare, 1758–1838, British, John Warwick Smith, 1749–1831, British, ca. 1817, Watercolor and black ink over graphite on wove paper, Sheet: 11 1/4 x 14

Miniyeh, (El Minya), William James Muller, 1812–1845, British, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream wove paper, Sheet: 10 1/16 x 16 1/2 inches (25.6 x 41.9 cm), landscape, palm trees, river,

The Cathedral and Palace of the Popes, Avignon, Thomas Hartley Cromek, 1809–1873, British, 1836, Watercolor and graphite on thick, slightly textured, beige wove paper, Sheet: 6 1/8 x 10 inches (15.6 x 25.4 cm), architectural subject,

Yellow Mongoose, Charles Hamilton Smith, 1776–1859, Belgian, unknown artist, ca. 1837, Watercolor and graphite on medium, smooth, white, wove paper, Sheet: 4 5/16 × 6 3/4 inches (11 × 17.1 cm), animal art

Oare Church, Rev. James Bulwer, 1794–1879, British, 1837, Pen and brown ink, watercolor, graphite on smooth, moderately thick, cream wove paper, Sheet: 13 1/2 × 17 1/4 inches (34.3 × 43.8 cm) and Image: 5 3/8 × 8 5/8 inches (13.7 ×

Mountainous Landscape with Figures, attributed to Benjamin West, 1738–1820, American, active in Britain (from 1763), undated, Watercolor, with pen in gray ink over graphite on medium, modertately textured, blued white, laid paper, Sheet:

Brass Inscription for Henry Cherke, Verare Jenyns and Reverend Samuel Spence from Hayes Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink and watercolor over graphite on medium, slightly

Teresa, Comtess Gamba-Guicioli, Francois Theodore Rochard, 1798–1858, French, undated, Watercolor, graphite, and gouache on moderately thick, smooth, cream wove paper, Sheet: 10 1/2 × 8 11/16 inches (26.7 × 22.1 cm), belt, costume,

Color Guide, Based on Varley's List of Colors, Thomas Sully, 1783–1872, American, between 1814 and 1838, Watercolor, with pen and brown ink on medium, moderately thick, beige, laid paper, Sheet: 11 1/2 × 9 1/2 inches (29.2 × 24.1 cm

Lagonosticta senegala (Red-billed Firefinch), Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 inches (40.6 cm) and Sheet: 15 7/8 × 12 inches (40.3

Canterbury Castle, Jonathan Skelton, active 1754, died 1758, British, 1757, watercolor over graphite on medium, slightly textured, cream laid paper on contemporary mount, Sheet: 5 7/8 × 9 inches (14.9 × 22.9 cm) and Mount: 8 5/8 × 11 3/4

Falls near Terni, Jacob More, 1740–1793, British, undated, Watercolor, pen and ink over graphite on slightly textured, medium, whtie wove paper, Sheet: 20 1/2 × 28 9/16 inches (52.1 × 72.5 cm), landscape, Terni

Lilleshall, Shropshire: East Front, Sir Jeffry Wyatville, 1766–1840, British, 1826, Graphite, pen and black ink, watercolor on slightly textured, medium, white wove paper bar scale of 1/12 inch to 1 foot, Sheet: 13 × 19 1/4 inches (33

Shepherd and Shepherdess by Moonlight, Welby Sherman, active 1827, undated, Pen and ink and watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 2 1/2 × 4 3/4 inches (6.4 × 12.1 cm), bench, crook,

Winter, Richard Corbould, 1757–1831, British, ca. 1802, Watercolor, with graphite, pen and black ink on medium, moderately textured, beige wove paper, Sheet: 6 3/4 × 5 inches (17.1 × 12.7 cm), genre subject, ice, men, play, pond,

Figures in a Landscape by a River, Peter Tillemans, 1684–1734, Flemish, active in Britain (from 1708), undated, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 6 3/16 × 9 5/8 inches (15.7 × 24.4 cm), boat,

Comforts of Bath: Private Practice Previous to the Ball, Thomas Rowlandson, 1756–1827, British, 1798, Watercolor with pen and black ink on medium, slightly textured, cream laid paper, Mount: 5 15/16 x 8 1/4 inches (15.1 x 21 cm) and Sheet:

The Poems of Thomas Gray, Design 71, 'The Fatal Sisters.', William Blake, 1757–1827, British, between 1797 and 1798, Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid

Herdsman driving Cattle, Anthony Devis, 1729–1817, British, undated, Watercolor, graphite, and black ink on medium, moderately textured, cream laid paper, Sheet: 10 7/8 x 16 1/8 inches (27.6 x 41 cm), cattle, cows, driving, herdsman,

Two Riders Taking a Double Fence, Henry Thomas Alken, 1785–1851, British, undated, Watercolor and graphite on medium, slightly textured, cream, wove paper, Sheet: 8 1/4 × 10 11/16 inches (21 × 27.1 cm), fences, field, galloping,

Four Hooded Falcons, Attributed to John Frederick Tayler, 1802–1889, British, undated, Watercolor and graphite on moderately thick, slightly textured, cream, wove paper, mounted on, moderately thick, smooth, bright white, wove paper,

Fisherfolk with Baskets and Nets, Francis Wheatley, 1747–1801, British, undated, Watercolor with pen and black ink on medium, smooth, cream laid paper, Sheet: 3 3/8 x 5 7/8 inches (8.6 x 14.9 cm), apron (protective wear), baskets, boats,

Stalls in St. George's Chapel, Windsor Castle, John Carter, 1748–1817, British, undated, Watercolor, pen and black ink, and graphite on moderately thick, moderately textured, blued white, laid paper, Sheet: 19 15/16 × 9 9/16 inches

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