Images at Librifly

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Cobham Hall, Kent: Elevation of Building with Turret at One End, James Wyatt, 1746–1813, British, undated, Graphite, pen and black ink and watercolor on moderately thick, moderately textured, cream wove paper, Sheet: 14 1/8 x 20 1/4

Englishman in Inca Costume, George Augustus Sala, 1828–1895, British, undated, Watercolor over graphite on moderately thick, slightly textured, cream wove paper, Sheet: 8 1/8 × 5 13/16 inches (20.6 × 14.8 cm), costume, figure study,

A Mammal with Sketches of it's Feet and Mouth, James Sowerby, 1756–1822, British, undated, Watercolor, white gouache, and graphite on medium, slightly textured, cream wove paper, Sheet: 12 x 8 1/2in. (30.5 x 21.6cm), animal art, feet,

Memorial to Thomas Plankenett, Mrs. Grace Plankenett and Mrs. Grace Woodroofe from Chiswick, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly

Weymouth, Joseph Mallord William Turner, 1775–1851, British, ca. 1811, Watercolor, pen and brown ink and scraping out on medium, slightly textured, cream wove paper, Sheet: 5 3/4 x 8 5/8in. (14.6 x 21.9cm) and Frame: 15 1/4 x 20 1/4 x 1

The North Foreland Lighthouse, Kent, James Malton, 1761–1803, British, 1791, Watercolor and graphite with pen and black ink on moderately thick, slightly textured, cream wove paper, Sheet: 7 3/16 × 9 7/16 inches (18.3 × 24 cm),

View of Calcutta and its Environs:Office of the Sudder Board of Revenue from Kyd Street - Calcutta, Sir Charles D'Oyly, 1781–1845, British, active in India, undated, Watercolor, white gouache, graphite, and gray wash on moderately thick,

Imogen in the Cave, 'Cymbeline', Act III, Scene VI, Mary Hoare, 1753–1820, British, 1782, Watercolor and graphite with pen and black ink on thick, slightly textured cream wove paper mounted on moderately thick, slightly textured cream

The Wave, Robert Hills, 1769–1844, British, undated, Watercolor on medium, slightly textured, beige wove paper, Sheet: 3 1/2 x 4 7/8 inches (8.9 x 12.4 cm), beach, clouds, marine art, ocean, shore (landform), waves (natural events

The First Book of Urizen, Plate 25, 'They lived a period of years . . . .' (Bentley 28), Print made by William Blake, 1757–1827, British, 1794, Color-printed relief etching in orange-brown with watercolor on moderately thick, slightly

A High Waterfall, Thomas Rowlandson, 1756–1827, British, undated, Watercolor with pen and brown, gray and black ink over graphite; verso: watercolor splotches on medium, moderately textured, cream, wove paper, mounted on moderately thick,

Miss Charlotte Sandby, William Hamilton, 1751–1801, British, undated, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 6 3/4 × 5 1/2 inches (17.1 × 14 cm), dress, hat, portrait, seated, woman

Embankment below Ariccia, Carlo Labruzzi, 1748–1817, Italian, undated, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 14 7/8 × 21 1/2 inches (37.8 × 54.6 cm), architectural subject, road, Roman (style or

St. Paul's and Blackfriars Bridge, Amelia Long, 1762–1837, British, undated, Graphite and watercolor on medium, slightly textured, beige laid paper, Sheet: 6 3/8 x 16 1/8in. (16.2 x 41cm) and Sheet: 6 3/8 × 16 1/8 inches (16.2 × 41 cm),

A Pair of Stints, Charles Collins, 1660–1744, British, undated, Pen and ink, watercolor, gouache on slightly textured, moderately thick, cream laid paper, Sheet: 13 1/2 × 19 3/8 inches (34.3 × 49.2 cm), animal art

Going Out in the Morning: an illustration for Captain Thomas Williamson's 'Oriental Field Sports', Samuel Howitt, 1756–1822, British, 1807, Watercolor, with pen, in gray ink, black ink and graphite on medium, moderately textured, cream,

A Cricket Match of the Royal Marine Artillery, London, Walter Paris, 1842–1906, British, 1888, Watercolor, gouache and graphite on medium, slightly texture, beige wove paper, Sheet: 13 3/8 × 21 1/4 inches (34 × 54 cm) and Mount: 13 1/2

The Recruiting Sargeant, Thomas Rowlandson, 1756–1827, British, ca. 1790, Watercolor with pen and black ink over graphite on medium, slightly textured, laid paper, mounted on moderately thick, slightly textured, laid paper, Sheet: 12 x 8

Portrait of a Lady, Ozias Humphry, 1742–1810, British, active in Italy (1773–77) and India (1785–87), undated, Watercolor and gouache with scraping on ivory, Image: 2 x 1 5/8 inches (5.1 x 4.1 cm) and Frame: 2 5/8 x 2 x 1/4 inches (6.7 x

Landscape with River and Mountains, John Joseph Cotman, 1814–1878, British, 1872, Watercolor, brown ink, graphite, and gouache with scratching out on moderately thick, moderately textured, cream wove paper, Sheet: 15 × 31 inches (38.1

Landscape with a Ruined Norman Church, attributed to Samuel Hieronymus Grimm, (previously S.H. Grimm), 1733–1794, Swiss, undated, Watercolor with gouache over graphite on medium, smooth, beige laid paper, Sheet: 13 1/8 x 19 1/8 inches

Rome, Porta Pia, Isaac Weld, 1774–1856, Irish, 1818, Watercolor, pen and brown ink, over graphite on moderately thick, moderately textured, blued white, wove paper, Sheet: 8 3/4 × 13 3/16 inches (22.2 × 33.5 cm), cityscape, Grand

Young's Night Thoughts, Page 8, 'Death! Great Proprietor of All!', Print made by William Blake, 1757–1827, British, 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper, Spine: 17 1/2

Conversation on a Country Road, Richard Westall, 1765–1836, British, 1799, Watercolor and graphite with pen and brown ink on medium, slightly textured, cream laid paper mounted moderately thick, smooth, cream wove paper, Sheet: 7 1/8 x 9

Saloon with an Arch to a Garden and Fountain, Nicholas Thomas Dall, op.1748–, d.1777, British, 1771, Watercolor, pen, black ink, and gray ink on moderatley thick, slightly textured, cream laid paper, Sheet: 7 1/2 x 11 1/8 inches (19.1 x

Gebel Sheikh Eredi, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and brown ink on thick, rough, wove paper, mounted on moderately thick, moderately textured, white wove paper, Sheet: 3 7/16 x 9 7/8 inches (8.7 x

View of part of Realesco de abasco from the road to la Cruz Santa, Alfred Diston, active 1818–1829, 1818, Pen and black ink, graphite and watercolor on medium, slightly textured, cream wove paper, Sheet: 4 5/8 × 8 1/8 inches (11.7 × 20.6

Design for Court of Edinburgh University, Robert Morrison, active ca. 1791, 1779, Watercolor, with pen in black ink, gray ink, and brown ink over graphite on medium, slightly textured, light blue, wove paper, Sheet: 17 x 22 3/4 inches

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), channel (water body

A Wood Yard on the Thames at Nine Elms, Samuel Scott, 1701/2–1772, British, undated, Watercolor, graphite and pen and black ink on medium, slightly textured, cream laid paper, with thin, slightly textured, blue laid paper border,

Memorial to Jane Hatley from Stanwell Church, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 14 3/4 × 10 3/4 inches

Genoa - A Seascape with Shipping, Charles Gore, 1729–1807, British, undated, Watercolor with pen and gray ink on medium, cream, moderately textured laid paper, Sheet: 11 1/2 x 19 3/4 inches (29.2 x 50.2 cm), Grand Tour, landscape,

Hackney Charity Schools, M. A. Gliddon, active 1840, British, 1841, Watercolor with pen and black ink over traces of graphite on wove paper, Sheet: 5 1/8 x 8 11/16in. (13 x 22.1cm

Title Page: Illustrations of the Book of Job, circle of John Linnell, 1792–1882, British, after William Blake, 1757–1827, British, after 1825, Watercolor and black ink on moderately thick, slightly textured, cream wove paper, Sheet: 5

North East View of Trevalyn Hall, Denbighshire; the property of George Boscawen Esqre. Built by Sir G. Trevor 1576, John Buckler FSA, 1770–1851, British, and John Chessell Buckler, 1793–1894, British, 1823, Watercolor and pen and black

Hamlet and the Ghost, William Marshall Craig, ca. 1788–1828, British, ca. 1820, Brown ink with watercolor and gray wash on thick, slightly textured, beige wove paper, Sheet: 10 11/16 x 8 3/16 inches (27.2 x 20.8 cm), armor, boots, capes,

Landscape with Trees and Sheep (Park Landscape with Sheep), George Barret RA, ca. 1728/32–1784, Irish, undated, Watercolor, pen and black ink, gray ink and graphite on medium, moderately textured, cream, laid paper, mounted on, medium,

View of the Rhydaer, Francis Towne, 1740–1816, British, 1777, Watercolor and black ink over graphite on medium slightly textured cream laid paper, Sheet: 11 3/4 x 14 3/4 inches (29.8 x 37.5 cm) and Contemporary drawn border: 15 3/8 x 18 3/8

The Battle of the Dogger Bank, 5th August, 1781, Dominic Serres RA, 1722–1793, French, active in Britain (from the 1750s), 1781, Pen and gray ink and gray wash with trace s of watercolor over graphite on Cream, moderately textured, thin,

An Actress, Samuel De Wilde, 1748–1832, British, 1806, Watercolor, graphite, and red chalk on medium, slightly textured, cream wove paper, Sheet: 14 7/8 × 9 1/4 inches (37.8 × 23.5 cm), portrait

One from Views in Saxony, France, Spain, Reba, Italy, Sicily..., Sir Richard Colt Hoare, 1758–1838, British, John Warwick Smith, 1749–1831, British, ca. 1817, Watercolor and black ink over graphite on wove paper, Sheet: 11 1/4 x 14

Songs of Innocence and of Experience, Plate 46, 'The Human Abstract' (Bentley 47), William Blake, 1757–1827, British, 1794, Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7

Design for a public building in a park: Perspective, with figures and landscape added in a different (draughtsman's) hand, Decimus Burton, 1800–1881, British, undated, Watercolor on medium, slightly textured, beige wove paper, Sheet: 18

A Potter Returning from Market, Thomas Rowlandson, 1756–1827, British, ca. 1790, Watercolor with pen and brown and gray ink on medium, slightly textured, light blue, laid paper, Sheet: 8 9/16 x 11 5/16 inches (21.7 x 28.7 cm), basket,

Beach Scene - Sunrise, David Cox, 1783–1859, British, ca. 1820, Watercolor and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 5 x 7 1/2 inches (12.7 x 19.1 cm), atmospheric ..., baskets, beach, boats, cliffs,

A Family Likeness, George Moutard Woodward, ca. 1760–1809, British, undated, Watercolor and gouache with pen, brown ink and graphite on medium, slightly texured, cream wove paper, Sheet: 12 3/4 x 9 1/2 inches (32.4 x 24.1 cm), caricature,

A Trading Brig Preparing to Set Sail on the Thames, Warships Running Down the Estuary Beyond, Samuel Atkins, active 1787–1808, British, active in the East Indies (1796–1804), between 1787 and 1808, Watercolor, pen, black ink, and

A Cheetah Hunt, Robert Mabon, died 1798, British, undated, Watercolor, white gouache and graphite with pen and black ink on medium, slightly textured, cream wove paper, Sheet: 7 × 6 inches (17.8 × 15.2 cm

Boschbeek & Groenendaal: Garden Building in Grounds of Boschbeek with Octagonal Turret, Gerrit Jan Schouten, Born 1815, Dutch, undated, Watercolor on textured, moderately thick, cream wove paper, Sheet: 8 × 11 1/8 inches (20.3 × 28.3 cm),

The First Book of Urizen, Plate 23: 'The Ox in the slaughter house moans . . . .' (Bentley 25), Print made by William Blake, 1757–1827, British, 1794, Color-printed relief etching in orange-brown with watercolor on moderately thick, slightly

Tomb of Watts Family, from West Ham Church, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 15 × 10 5/8 inches (38.1

View near Auckland: Three Maoris and a Dog, Lt. Gen. Charles Emilius Gold, 1803?–1871, 1860, Watercolor, gouache and graphite on moderatly thick, slighlty textured, cream wove paper, Sheet: 10 5/8 × 12 1/2 inches (27 × 31.8 cm), dog

Conway Castle, Paul Sandby RA, 1731–1809, British, 1789, Watercolor on medium, moderatley textured, cream laid paper, Sheet: 18 7/8 x 25 3/8 inches (47.9 x 64.5 cm), architectural subject, boats, castle, cattle, children, figures,

Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 3, George Cressal Ellis, ca. 1810–1875, undated, Graphite, watercolor, heightened with gouache on thin wove paper, stained for

El Areesh (Torrens Ægypti), Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and black ink on moderately thick, slightly textured, blue wove paper, Sheet: 2 9/16 x 8 15/16 inches (6.5 x 22.7 cm), landscape, palm trees,

View of Tashichoedzong, Bhutan and Foot Bridge, Samuel Davis, 1757–1819, British, 1783, Watercolor, with pen, in gray ink, black ink and graphite on medium, slightly textured, cream, laid paper, mounted on, thick, moderately

Avranches, Ambrose Poynter, 1796–1886, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 8 1/4 x 12 5/16in. (21 x 31.3cm) and Sheet: 8 1/4 × 12 3/8 inches (21 × 31.4 cm), architectural

Sealing the Stone and Setting a Watch, William Blake, 1757–1827, British, 1800 to 1803, Watercolor, with pen, in gray ink, black ink and graphite on moderately thick, slightly textured, wove paper, Sheet: 20 × 16 15/16 inches (50.8 ×

Hecla & Griper, Charles Hamilton Smith, 1776–1859, Belgian, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 12 7/8 × 16 1/8 inches (32.7 × 41 cm) and Binding: 16 1/8 inches (41 cm),

Duke of Richmond: Sloops, Schooners, Rowboats, Joseph Cartwright, c.1789–1829, British, undated, Watercolor, pen and black ink, and graphite on medium, slightly textured, blued white, laid paper; mounted on, moderately thick, slightly

St. Paul's, Deptford, George Johann Scharf, 1788–1860, British, undated, Watercolor, gouache and graphite on thin, slighlty textured, beige wove paper, Sheet: 14 7/8 × 20 inches (37.8 × 50.8 cm), architectural subject

Swakeley House, Middlesex, Charles Tomkins, 1757–1823, British, undated, Watercolor and pen and black ink on medium, slightly textured, cream wove paper, Sheet: 8 7/8 × 9 5/8 inches (22.5 × 24.4 cm), architectural subject, Artisan

Covent Garden Market, Thomas Rowlandson, 1756–1827, British, between 1795 and 1810, Watercolor with pen and red-brown and brown ink, and graphite, with pen and gray line and gray wash on border; verso: watercolor blots and pen and ink lines

View of Malta, Charles Dyce, active 1848, British, ca. 1849, Watercolor and graphite on medium, slighlty textured, cream wove paper, Sheet: 9 3/4 × 13 5/8 inches (24.8 × 34.6 cm), boats, hills, houses, marine art, men, ocean, ships,

Revolutionaire Oct 7 1821, Joseph Cartwright, c.1789–1829, British, 1821, Watercolor, with pen, in brown ink and graphite on medium, moderately textured, bege, wove paper, mounted on, moderately thick, smooth, beige, wove paper,

Island of Mayo, Cape de Verde, 2 November, Henry William Parish, active 1792, 1792, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 4 1/8 × 10 7/16 inches (10.5 × 26.5 cm

Two Peasant Girls, Seated, Samuel Prout, 1783–1852, British, ca. 1841, Graphite and watercolor on moderately thick, slightly textured, beige wove paper, Sheet: 2 3/16 x 1 3/4 inches (5.5 x 4.4 cm), aprons, barrels, bonnets, dresses,

A Collection of Surveys of Scottish Estates of the Earl of Selkirk: Netherthird, unknown artist, undated, Graphite, watercolor, gray wash, pen and black ink on slightly textured, moderately thick, cream wove paper, Sheet: 19 7/8 × 13 5/8

Cave of the Golden Calf: Kneeling Figures, Spencer Frederick Gore, 1878–1914, British, 1912, Watercolor, pen and black ink and graphite on moderately thick, slightly textured, beige wove paper, Sheet: 3 1/2 x 4 1/4 inches (8.9 x 10.8 cm),

Memorial to Mathew Harvie from Twickenham Church, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 15 × 10 7/8 inches (38.1 ×

Ore Church and House, Henry Morton, ca. 1807–1825, British, undated, Watercolor with pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 1/2 × 11 13/16 inches (21.6 × 30 cm), architectural subject, basket, caps

Back View of a Standing Female, Called Mrs. Fuseli, Henry Fuseli, 1741–1825, Swiss, active in Britain (1766–70; 1779 on), 1810, Watercolor, gray wash and graphite on thin, slightly textured, cream laid paper, Sheet: 14 3/8 x 8 3/4

Cobham Hall, Kent: Plan of Parlor Floor, James Wyatt, 1746–1813, British, ca. 1790, Graphite, pen and black ink and watercolor on moderately thick, moderately textured, cream laid paper, Sheet: 13 3/4 x 20 3/4 inches (34.9 x 52.7 cm),

Serving Punch, Thomas Rowlandson, 1756–1827, British, between 1815 and 1820, Watercolor with pen and brown and gray ink over graphite on moderately thick, slightly textured, blued white, wove paper, Sheet: 9 5/8 x 13 7/8 inches (24.4 x

View from Skiddaw over Derwentwater, Thomas Hearne, 1744–1817, British, between 1772 and 1782, Watercolor and graphite on moderately thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream laid

A Sepoy Jamader, Robert Mabon, died 1798, British, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper, Sheet: 6 3/4 × 5 3/8 inches (17.1 × 13.7 cm), portrait

One from Views in Saxony, France, Spain, Reba, Italy, Sicily..., Sir Richard Colt Hoare, 1758–1838, British, John Warwick Smith, 1749–1831, British, ca. 1817, Watercolor and black ink over graphite on wove paper, Sheet: 11 1/4 x 14

Miss Templeton, Mr. Holworthy and Miss Crewe, Sketching in a Wooded Landscape, Attributed to James Holworthy, 1780–1841, British, undated, Watercolor and pen and black ink on medium, slightly textured, cream laid paper, Sheet: 5 × 7 7/8

Red-capped Parakeet (female), unknown artist, nineteenth century, after Edward Lear, 1812–1888, British, 1832, Watercolor and black ink and graphite on wove paper, Sheet: 18 x 14in. (45.7 x 35.6cm), animal art, bird, branch, female,

Landscape with Windmills, Thomas Shotter Boys, 1803–1874, British, Formerly: Richard Parkes Bonington, 1802–1828, British, undated, Watercolor, pen in brown ink, graphite, and scraping out on moderately thick, moderately textured,

St. Agnes (after Deomnichino), James Bruce, 1730–1794, British, undated, Graphite and watercolor on moderately thick, moderately textured, cream laid paper, Sheet: 17 5/8 × 12 1/8 inches (44.8 × 30.8 cm), bracelets, cloak, columns,

North View of Thornbury Castle, Gloucestershire, John Buckler FSA, 1770–1851, British, and John Chessell Buckler, 1793–1894, British, 1822, Watercolor and pen and black ink on moderately thick, cream wove paper, Sheet: 14 × 19 3/4

Young's Night Thoughts, Page 25, 'Behold Him, When Past by; What Then Is Seen', Print made by William Blake, 1757–1827, British, 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper,

A Laden Boat, Harry John Johnson, 1826–1884, British, undated, Graphite and watercolor on moderately thick, rough, brown wove paper, Sheet: 6 3/4 × 13 1/2 inches (17.1 × 34.3 cm), architectural subject, baskets, boat, filled, oars

A Group of Figures, Thomas Rowlandson, 1756–1827, British, ca. 1820, Watercolor with pen and red-brown and gray ink on medium, slightly textured wove paper mounted on mat board, with gold paper and red and brown ink borders, Sheet: 4 3/8 x

Gwrych Castle, Anne Rushout, ca. 1768–1849, British, 1824 to 1832, Watercolor on moderately thick, slightly textured, cream wove paper

Interview and Consultation for Discharge of Debts, or, C-RL-T-N House in Want of Necessary Furniture, (?) William Dent, active 1784–1793, 1792, Etching with watercolor on laid paper, Sheet: 9 3/4 x 13 3/4in. (24.8 x 34.9cm

View of Sir William Hamilton's Villa at Posilipo, unknown artist, undated, Watercolor, pen, and brown ink on medium, slightly textured, cream laid paper, Sheet: 15 1/2 × 12 3/4 inches (39.4 × 32.4 cm), architectural subject, Posillipo

The Capybara, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and brown ink and graphite on mdeium, smooth, white, wove paper, Sheet: 4 1/16 × 6 7/16 inches (10.3 × 16.4 cm), animal art

Final Design for a Naval Monument: Plan and Elevation, Charles Heathcote Tatham, 1772–1842, British, 1799, Graphite, pen and black ink, and watercolor on slightly textured, moderately thick, white wove paper with one fold mark bar scale of

Young's Night Thoughts, Page 88, 'But for the Blessing Wrestle Not with Heaven', Print made by William Blake, 1757–1827, British, 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper,

Coracias abyssinicus (Abyssinian Roller), James Bruce, 1730–1794, British, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Sheet: 12 3/8 × 9 3/4 inches (31.4 × 24.8 cm), animal art

Washing with Ashes, Julius Caesar Ibbetson, 1759–1817, British, undated, Pen and black ink and watercolor on medium, slightly textured, cream wove paper, Sheet: 2 3/8 × 3 inches (6 × 7.6 cm), building, clothesline, genre subject,

Memorial to John Loving and his Wife Ann from Ealing Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper,

The Erebus Passing Through the Chain of Icebergs, Charles Hamilton Smith, 1776–1859, Belgian, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 12 7/8 × 16 1/8 inches (32.7 × 41 cm) and

Fisherman Putting Out to Sea, John Augustus Atkinson, 1775–1831, British, between 1800 and 1810, Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper, Sheet: 10 1/2 × 14 3/8 inches (26.7 × 36.5 cm

Rhotas from Akberpore, Samuel Davis, 1757–1819, British, 1798, Watercolor and graphite on moderately thick, moderately textured, cream, laid paper, mounted on, moderately thick, moderately textured, blued white, wove paper, Sheet: 21

Lilleshall, Shropshire: Section through the Staircases, Sir Jeffry Wyatville, 1766–1840, British, 1826, Graphite, pen and black ink, watercolor on slightly textured, medium, white wove paper bar scale of 1/12 inch to 1 foot, Sheet: 12

The Exeter College Eight on the Isis, Oxford, William Turner of Oxford, 1789–1862, British, 1824, Watercolor over graphite, witih gouache on moderately thick, smooth, cream wove paper, Sheet: 11 1/4 × 21 7/16 inches (28.6 × 54.5 cm),

Two Huskies, Samuel Howitt, 1756–1822, British, ca. 1817, Watercolor, pen and black ink and graphite on medium, moderately textured, cream wove paper, Sheet: 9 5/8 × 7 1/2 inches (24.4 × 19.1 cm), animal art, dogs (animals), hut

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