Images at Librifly

search results: Watercolor clear search

Landscape with Windmill, Cornelius Varley, 1781–1873, British, 1853, Watercolor on medium, moderately textured, beige wove paper, Sheet: 6 5/8 x 12 1/4 inches (16.8 x 31.1 cm), landscape, men, river, trees, windmill

View in Surey, Edward Francis Burney, 1760–1848, British, undated, Watercolor, pen and black ink on medium, slightly textured, cream laid paper, Sheet: 7 × 8 3/4 inches (17.8 × 22.2 cm), donkey, landscape, road, trees, valley

North East View of Holland House, John Buckler FSA, 1770–1851, British, and John Chessell Buckler, 1793–1894, British, 1812, Watercolor and pen and black ink on moderately thick, cream wove paper, Sheet: 14 × 19 3/4 inches (35.6 ×

Philae, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and brown ink on medium, slightly textured, cream wove paper, Sheet: 3 5/16 x 5 15/16 inches (8.4 x 15.1 cm), hills, island, landscape, river, river, rocks

Eton from the Thames, attributed to David Cox, 1783–1859, British, between 1800 and 1829, Watercolor and graphite, with scratching out on medium, moderately textured, cream wove paper, Sheet: 8 3/8 x 13 1/8 inches (21.3 x 33.3 cm), birds,

The Poems of Thomas Gray, Design 107, 'Elegy Written in a Country Church-Yard.', William Blake, 1757–1827, British, between 1797 and 1798, Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove

Fish Porter in a Straw Hat, George Chambers, 1803–1840, British, undated, Watercolor and graphite on medium, moderately textured, cream wove paper, Sheet: 10 1/8 x 7 inches (25.7 x 17.8 cm), figure study, fishermen (people), gesture,

A Promising Budget, Or, John Bull, William Dent, active 1784–1793, 1792, Etching with watercolor on laid paper, Sheet: 11 1/8 x 6 7/8in. (28.3 x 17.5cm

Privet Hawk Moths and Callajoppa Exaltatoria, Eleazar Albin, active 1713–1759, British, 1720, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Sheet: 10 5/8 × 8 1/4 inches (27 × 21 cm), animal art,

Children with Pet Owls, Lady Diana Beauclerk, 1734–1808, British, undated, Graphite, black chalk and watercolor on moderately thick, slightly textured, beige wove paper, Sheet: 10 7/8 × 13 5/8 inches (27.6 × 34.6 cm), baskets,

St. Mawes, Cornwall, Joseph Mallord William Turner, 1775–1851, British, ca. 1823, Watercolor and scraping out on moderately thick, slightly textured, cream wove paper, Sheet: 5 5/8 x 8 5/8 inches (14.3 x 21.9 cm), cityscape, cliffs,

Sketches from Life in Paris: Two Women, Ambrose Poynter, 1796–1886, British, ca. 1835, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 13 7/8 × 5 5/16 inches (35.2 × 13.5 cm), aprons, buckets, clogs,

Et Puer qui solebat Balistam Observare, George Frederick Koehler, active 1780–1800, British, 1787, Etching with watercolor

Memorial to John Crofts, from Ealing Church, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 14 7/8 × 10 5/8 inches (37.8 ×

Desenzano, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and brown ink on thick, rough, beige wove paper, Sheet: 1 5/8 x 4 7/16 inches (4.1 x 11.3 cm), boat, lake, landscape, marine art, mountains, sail, sky,

On the Mosell, Near Traben Trarbach, Joseph Mallord William Turner, 1775–1851, British, ca. 1841, Watercolor, graphite and scraping out on moderately thick, slightly textured, cream wove paper, Sheet: 9 1/8 x 11 3/8 inches (23.2 x 28.9

May 16, 1825, Wanstead Grove, Anne Rushout, ca. 1768–1849, British, 1825, Watercolor and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 7 × 10 1/2 inches (17.8 × 26.7 cm), architectural subject

Leopards at Play Among Fallen Trees and Rocks, Samuel Howitt, 1756–1822, British, ca. 1807, Watercolor, over graphite, with pen in gray and brown ink on medium, slightly textured, beige, wove paper, Sheet: 12 13/16 × 18 13/16 inches

The First Book of Urizen, Plate 6, 'Muster around the Bleak Desarts....' (Bentley 4), Print made by William Blake, 1757–1827, British, 1794, Color-printed relief etching in orange-brown with watercolor on moderately thick, slightly

Euplectes axillaris (Fan-tailed widowbirds), Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 inches (40.6 cm) and Sheet: 15 7/8 × 12 inches (40.3

The Fallen Tree, Robert Hills, 1769–1844, British, 1804, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 9 3/4 x 11 5/8 inches (24.8 x 29.5 cm), dead, tree

Atlas Moth, George Edwards, 1694–1773, British, ca. 1758, Watercolor with gouache over graphite on medium, slightly textured, cream laid paper, Sheet: 9 × 11 1/8 inches (22.9 × 28.3 cm), animal art, butterfly, Color, moth, pattern

Studies From a French MSS Bible Registry, Robert Smirke, 1752–1845, British, and / or Mary Smirke, 1779–1853, British, undated, Pen and brown ink, graphite and watercolor on medium, slightly textured, cream, wove paper, mounted on,

Tellicherry, Print made by Gerard van der Gucht, 1696–1776, British, after Samuel Scott, 1701/2–1772, British, after George Lambert, 1700–1765, British, undated, Line engraving with hand coloring in watercolor on medium, slightly

Chiswick, John Varley, 1778–1842, British, 1814, Watercolor and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 9 5/8 × 21 5/8 inches (24.4 × 54.9 cm), boats, buildings, child, church, cityscape, figures,

Jerusalem, Plate 59, 'And formed into Four precious stones....', Print made by William Blake, 1757–1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink, watercolor, and gold on moderately thick, smooth,

Scadoxus puniceus (L.) Friss&Nordal (Blood Lily): finished drawing with some detail, Luigi Balugani, 1737–1770, Italian, undated, Watercolor and gouache over graphite on medium, slightly textured, cream laid paper, Sheet: 15 15/16 × 12

An East Indiaman Moored, Small Boats Alongside, Other Boats Further Off, Samuel Prout, 1783–1852, British, undated, Watercolor with brown ink over graphite on moderately thick, moderately textured, blue wove paper, Sheet: 7 9/16 x 10 3/16

Five Designs for a House in the Gothic Style: Plan of the Ground Floor or Principal Story, James Wyatt, 1746–1813, British, 1791, Watercolor on pen and black ink on moderately thick, slightly textured, cream wove paper, Sheet: 23 3/8 x 17

View at Charlton, Kent, Paul Sandby RA, 1731–1809, British, ca. 1783, Gouache and watercolor on thin paper mounted on panel, Sheet: 11 1/2 x 17 3/8 inches (29.2 x 44.1 cm) and Mount: 11 1/2 x 17 3/8 inches (29.2 x 44.1 cm), carts, cattle,

A Game of Bowls on the Bowling Green Outside the Bunch of Grapes Inn, Hurst, Berkshire, Michael 'Angelo' Rooker, 1746–1801, British, undated, Watercolor and graphite on moderately thick, slightly textured, cream, wove paper, Sheet: 8 1/4

The Check, Samuel Howitt, 1756–1822, British, undated, Watercolor, pen and black ink, and gray ink on medium, slightly textured, beige, laid paper, mounted on, moderately thick, moderately textured, beige, laid paper, Mount: 9 1/4

Temple of Venus and Rome from the Colosseum, William Pars, 1742–1782, British, 1781, Watercolor with pen and brown and black ink over graphite on medium, moderately textured, blued white laid paper, Sheet: 12 1/16 x 16 3/8 inches (30.6 x

Arched Gateway Into a Ruined Structure, Sir Robert Smirke the younger, 1781–1867, British, 1802-1804, Watercolor and graphite on moderately thick, moderately textured, beige, wove paper, Sheet: 10 1/2 × 13 3/4 inches (26.7 × 34.9 cm

Night - River Landscape with a Ruined Abbey, John Laporte, 1761–1839, British, undated, Watercolor and gouache on medium, slightly textured, cream wove paper mounted to thick, cream card, Sheet: 10 5/8 × 15 1/8 inches (27 × 38.4 cm

Brass Plate for John Skevington from Hornsey Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 13

Windsor Castle From Above the Bridge, July 18, 1832, 12 Noon, Dr. William Crotch, 1775–1847, 1832, Graphite, watercolor, and gouache on medium, smooth, cream wove paper, Sheet: 5 1/16 × 8 7/8 inches (12.9 × 22.5 cm), architectural

A Boar, a Leopard, a Lion, a Tiger, a Wolf, a Ram, and Two Eagles, Samuel Howitt, 1756–1822, British, undated, Watercolor, with pen, in black ink, and gray ink, and traces of graphite on medium, slightly textured, cream, wove

A Greyhound, Sawrey Gilpin, 1733–1807, British, 1760, Watercolor, graphite, gray wash, pen and black ink on moderately thick, slightly textured, beige, laid paper, mounted on, moderately thick, moderately textured, beige, laid

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), channel (water body

A View of Ramsgate with the 'Emma', Sir William Curtis's Yacht, Edward Duncan, 1803–1882, British, after William John Huggins, 1781–1845, British, 1827, Aquatint with watercolor, Sheet: 18 1/2 x 25 1/2in. (47 x 64.8cm

Young's Night Thoughts, Page 55, 'Ungrateful, shall we grieve their hovering shades', Print made by William Blake, 1757–1827, British, ca. 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove

The Ruins of Cymer Abbey on the Mawddach River, John Warwick Smith, 1749–1831, British, 1790, Watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 4 7/8 x 8 3/4 inches (12.4 x 22.2 cm) and Contemporary drawn

Sussex Farm Wagon, Robert Polhill Bevan, 1865–1925, British, ca. 1906, Crayon and watercolor on medium, smooth, beige, wove paper, Sheet: 14 7/16 × 18 5/16 inches (36.7 × 46.5 cm), farm, farm wagon, genre subject, wagon, wheels,

Monmouth Toll House: Plans, Studio of Sir Jeffry Wyatville, 1766–1840, British, undated, Graphite, pen and black ink, and watercolor on moderately thick, moderately textured cream wove paper with black ink border, Sheet: 19 1/4 × 12 5/8

Jerusalem, Plate 26, 'Such Visions Have....', Print made by William Blake, 1757–1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper, Sheet: 10

View of Port Orotava, Tenerife, from El Limpio de Las Calaveras, Alfred Diston, active 1818–1829, undated, Watercolor, pen and black ink, brown ink, and gray ink on moderately thick, moderately textured, beige, wove paper, Sheet: 14

Windsor Castle, William Parrott, 1813–ca. 1869, British, undated, Watercolor with brushpoint, Sheet: 7 1/2 × 10 1/16 inches (19.1 × 25.6 cm), architectural subject, castle, dog (animal), flag, Berkshire, England, Europe, United

Brass Plate Monument of the Duchess of Northumberland and Her Daughters, Chelsea Church, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Watercolor, graphite, white gouache, and pen and black ink on medium, slightly textured,

Ophelia's Death, Mary Hoare, 1753–1820, British, ca. 1781, Watercolor with gouache, black ink, and scraping over graphite on moderately thick, slightly textured, cream laid paper mounted on moderately thick, slightly textured, beige laid

Tomb of Henniker Family, from West Ham Churchyard, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 14 3/4 × 10 5/8 inches

Ludlow, Shropshire, John Varley, 1778–1842, British, undated, Watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 8 x 10 5/8 inches (20.3 x 27 cm), hills, landscape, man, mountains, river, rocks (landforms),

'Stout Party. 'I Don't Much Like These 'ere Thoroughbreads - They've no Substance' ', Hablot Knight Browne, 1815–1882, British, undated, Graphite, watercolor, and white gouache on medium, slightly textured, beige, wove paper,

Portrait of a Gentleman, Gervase Spencer, ca. 1715–1763, British, 1757, Gouache and watercolor on ivory, Image: 1 1/4 x 1 1/8 inches (3.2 x 2.9 cm) and Frame: 1 3/8 x 1 1/8 x 1/8 inches (3.5 x 2.9 x 0.3 cm), portrait

A Maiden Aunt Smelling Fire, Thomas Rowlandson, 1756–1827, British, 1804, Watercolor and graphite with pen and red-brown and pen and gray ink on medium, slightly textured, beige, wove paper, mounted on, thick, moderately textured,

One from A Volume of Drawings and Prints, Rev. James Bulwer, 1794–1879, British, 1837, pen and brown ink, watercolor, graphite on slightly textured, moderately thick, cream wove paper, Sheet: 13 1/2 × 17 inches (34.3 × 43.2 cm) and

Desmodium (ticktrefoil): finished drawing, Luigi Balugani, 1737–1770, Italian, undated, Watercolor and gouache over graphite on medium, slightly textured, cream laid paper, Sheet: 15 15/16 × 12 5/16 inches (40.5 × 31.3 cm) and Binding: 16

Songs of Innocence and of Experience, Plate 1, Innocence Frontispiece (Bentley 2), Print made by William Blake, 1757–1827, British, 1789, Relief etching printed in green with pen and ink and watercolor on moderately thick, slightly

One from A Volume of Drawings and Prints, Rev. James Bulwer, 1794–1879, British, 1837, watercolor, pen and brown ink, graphite on slightly textured, moderately thick, cream wove paper, Sheet: 13 1/2 × 17 1/8 inches (34.3 × 43.5 cm) and

Classical Composition, John Henry Müntz, 1727–1798, Swiss, undated, Watercolor, graphite, and pen and black ink on medium, slightly textured, cream laid paper, Sheet: 8 3/4 × 11 1/4 inches (22.2 × 28.6 cm), child, landscape, road,

One from A Volume of Drawings and Prints, Rev. James Bulwer, 1794–1879, British, undated, Pen and brown and inks, watercolor, graphite on slightly textured, moderately thick, cream wove paper, Sheet: 13 1/2 × 17 1/4 inches (34.3 × 43.8

Illustrations from Mr. Lambkin, plate 11, Print made by George Cruikshank, 1792–1878, British, undated, Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper

Elevation for the West Front of Parliament House, Dublin, James Gandon, 1742–1823, British, ca. 1787, Watercolor and pen and brown ink on medium, slightly textured, cream laid paper bar scale of 1/8 inch to 1 foot, Sheet: 9 7/8 x 15 1/16

Old Farm Buildings, William Henry Hunt, 1790–1864, British, ca. 1817, Watercolor, pen and brown ink, and graphite on moderately thick, moderately textured, cream laid paper, Sheet: 13 x 16 5/8 inches (33 x 42.2 cm), architectural

Sky Study, No. 5, Attributed to Thomas Lindsay, 1793–1861, British, undated, Watercolor on moderately thick, moderately textured, cream wove paper, Sheet: 2 3/4 × 5 1/8 inches (7 × 13 cm), clouds, farm, landscape, panorama, red,

At Alton Towers, Anne Rushout, ca. 1768–1849, British, 1824 to 1832, Watercolor on moderately thick, slightly textured, cream wove paper

A Large Church (Westminster Abbey) at Sunset, Attributed to Charles Gore, 1729–1807, British, undated, Pen and black ink, watercolor and graphite on moderately thick, moderately textured, greened white laid paper, Sheet: 5 1/2 × 9 inches

Battle Scene, Robert Smirke, 1752–1845, British, and / or Mary Smirke, 1779–1853, British, undated, Watercolor, gouache, pen and brown ink on medium, moderately textured, blued white, laid paper, mounted on, medium, slightly

Lunar Crater, Charles Hamilton Smith, 1776–1859, Belgian, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 12 7/8 × 16 1/8 inches (32.7 × 41 cm) and Binding: 16 1/8 inches (41 cm),

Falls at Schaffhausen, Sir George Howland Beaumont seventh Baronet, 1753–1827, British, 1782, Watercolor, graphite, and pen and black ink on medium, slightly textured, cream laid paper, Sheet: 7 1/8 × 10 1/4 inches (18.1 × 26 cm),

Two Horsemen, James Gray Mayhew, 1771–1845, undated, Watercolor and graphite with pen and black ink on moderately thick, slightly textured, cream wove paper, Sheet: 6 1/2 × 5 1/8 inches (16.5 × 13 cm), animal art, armor, bridles, capes

The Ootacamund Hunt Meeting at Mr. Chalmers' House at Gindy, Madras, 1845, Justinian Gantz, 1802–1862, 1845, Graphite, pen and black ink, and watercolor on medium, slightly textured, cream wove paper, Sheet: 12 13/16 × 20 3/16 inches

Howard Visiting a Prison, George Romney, 1734–1802, British, between 1749 and 1802, Black ink with watercolor over graphite on moderately thick moderately textured white laid paper, Sheet: 14 1/4 x 21 inches (36.2 x 53.3 cm), baby, bodies,

Prospero Summoning Ariel, William Young Ottley, 1771–1836, British, formerly attributed to John Brown, 1749–1787, British, ca. 1800, Watercolor, graphite, gouache, white chalk, and pen and black ink on medium, slightly textured,

The Luxor, Paris, December 1833, William Callow, 1812–1908, British, active in France, 1833, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 12 7/8 x 9 5/16 inches (32.7 x 23.7 cm), architectural subject,

Kurayim, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and brown ink on thick, rough, cream wove paper, Sheet: 2 3/4 x 10 1/16 inches (7 x 25.6 cm), buildings, camels (mammals), dome, grass, landscape, palm trees,

The Coast Near Naples, William Marlow, 1740–1813, British, undated, Watercolor over graphite on Slightly textured, medium, cream wove paper, Sheet: 21 5/8 × 31 1/2 inches (54.9 × 80 cm), landscape, Naples

Abu Simbel, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and brown ink on medium, slightly textured, cream wove paper, Sheet: 5 1/16 x 7 1/2 inches (12.9 x 19.1 cm), architectural subject, carvings, figures

Foxhunting: The Death, Samuel Howitt, 1756–1822, British, undated, Watercolor, pen and black ink, gray ink, and graphite on moderately thick, slightly textured, cream, wove paper, Sheet: 12 1/2 × 17 15/16 inches (31.8 × 45.6 cm

Pangbourne, Berkshire, Rev. William Warren Porter, 1776–1804, British, undated, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 9 1/2 × 13 7/8 inches (24.1 × 35.2 cm), buildings, church, field,

A Woodcock, Samuel Howitt, 1756–1822, British, undated, Watercolor, with pen, in brown ink, over graphite on medium, slightly textured, cream, wove paper, Sheet: 8 5/16 × 6 3/8 inches (21.1 × 16.2 cm) and Image: 6 × 4 1/16 inches

Westminster from the South Bank, Francis Nicholson, 1753–1844, British, Formerly attributed to Thomas Malton, 1726–1801, British, ca. 1790, Watercolor with pen and black ink over graphite, sheet edged with pen and brown ink border on

Banner Cross Hall, Sheffield: Plan of the Principal Story, Studio of Sir Jeffry Wyatville, 1766–1840, British, ca. 1819, Graphite, brown ink and watercolor on slightly textured, moderately thick, cream wove paper, Sheet: 12 7/8 × 17

A View of the remains of St. Stephen's Chapel, Houses of Parliament on the morning after the Fire of the 16th October 1834, John Taylor Jr., 1819–1884, British, 1836, Pen and black ink and watercolor on moderately thick, slightly textured,

A Greek Girl Standing on a Balcony, John Frederick Lewis, 1804–1876, British, 1840, Watercolor and gouache over graphite on off-white wove paper, laid down on contemporary mount, Sheet: 16 3/4 x 11 7/16 inches (42.5 x 29.1 cm) and Mount: 17

Near Goudhurst, Kent, Attributed to J. Pearson, active 1860, 1860, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 9 1/4 × 14 1/8 inches (23.5 × 35.9 cm), architectural subject, blind arches, chimneys,

Arundinaria alpina K. Schum. (African Bamboo): finished drawing of habit with roots, James Bruce, 1730–1794, British, undated, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 14 1/4 × 10 3/8 inches (36.2 ×

Philae, 6:00-6:15 am, 31 January 1867 (277), Edward Lear, 1812–1888, British, 1867, Watercolor with pen and brown ink over graphite on moderately thick, moderately textured, gray wove paper, Sheet: 2 1/8 x 5 3/8 inches (5.4 x 13.7 cm),

The Miller's Cottage at Chatsworth, Derbyshire: Front Elevation with Alternative Roof Design, Studio of Sir Jeffry Wyatville, 1766–1840, British, after 1818, Watercolor, pen and black ink, graphite on slightly textured, medium, cream wove

Harvesters Setting Out, Thomas Rowlandson, 1756–1827, British, undated, Watercolor with pen and gray and brown ink over graphite on medium, moderately textured, beige, wove paper, Sheet: 9 1/16 x 14 7/8 inches (23 x 37.8 cm), children,

A River in Ceylon, George Chinnery, 1774–1852, British, undated, Watercolor and pen and black ink on medium, slightly textured, wove paper, Sheet: 5 5/8 × 10 3/8 inches (14.3 × 26.4 cm), boats, landscape, marine art, river, Asia,

Back View of Bonner's Hall and New Church as Seen from Pathway Tryons Place, M. A. Gliddon, active 1840, British, 1843, Watercolor over graphite on laid paper laid down on contemporary wove paper mount, Sheet: 3 1/16 x 3 3/8in. (7.8 x 8.6cm

Ayot House, Ayot St. Lawrence, Hertfordshire, Samuel Davis, 1757–1819, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 11 1/2 x 15 5/8 inches (29.2 x 39.7 cm), architectural subject,

The South Farm at Earlham, Isaac Johnson, 1754–1835, British, 1754, Graphite, pen and brown ink, watercolor and gouache on smooth, moderately thick, white wove paper, Sheet: 14 11/16 × 23 3/4 inches (37.3 × 60.3 cm), architectural

Camel studies, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and brown ink on medium, slightly textured, cream wove paper, Sheet: 1 5/16 x 2 1/8 inches (3.3 x 5.4 cm), animal art, camels (mammals), figure

Views in the Levant: Two Rowing Boats and a Sailboat by a Steep Cliff, Hilly Landscape Seen From the Sea, Willey Reveley, (?), 1760–1799, British, ca. 1785, Watercolor, pen and black ink, gray ink, and graphite on medium, moerately

The Poems of Thomas Gray, Design 47, 'The Progress of Poesy.', William Blake, 1757–1827, British, between 1797 and 1798, Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid

Near Rauda, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and brown ink on thick, rough, cream wove paper, mounted on very thick, slightly textured, cream wove paper, Sheet: 2 7/16 x 7 inches (6.2 x 17.8 cm),

South View of Longleat, Wiltshire; the Seat of the Marquis of Bath, John Buckler FSA, 1770–1851, British, and John Chessell Buckler, 1793–1894, British, 1821, Watercolor and pen and black ink on moderately thick, cream wove paper,

A Decorative Object, Robert Mabon, died 1798, British, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper, Sheet: 4 3/8 × 2 3/4 inches (11.1 × 7 cm), architectural subject, decoration,

search results: Watercolor clear search